Tag: art

The art of donation: is it worth it?

Posted on November 2, 2023November 3, 2023 by veronica

Over the years I’ve donated close to two dozen pieces, including my donations to CSN (the Community School of Naples), State College high, the Seeds of Learning, the humane society of Naples and many others. They were nice works, the artwork that had the potential to sell, yet I chose to let them go. In this post I’d like to share both sides of the coin for other artists to consider before donating your art.

In my opinion, it all boils down to your motivation, standing behind the very act of donation. Many artists feel sour and often become negative talking about the art donations they made in the past. Why?

#1 Artists feel used donating art.

Artists feel used. First, all fundraisers ask artists to donate their art for free. There is absolutely no profit going to the artist, only the promise of “getting your name out there,” or getting “exposure.” In my experience, name recognition or a promise of exposure is not worth it. I had zero contacts coming in from my donations.

#2 No real tax-deduction for artists.

Second, although it’s said that your donations are tax-deductible, they are, but not for the artist. Say you bought a piece for $100. If you donate it to a charity, you can write $100 off as your tax deduction. If the artist donates his artwork, he or she can deduct only the cost of art supplies used to manufacture the piece. The deduction sum doesn’t include the artist’s labor, level of expertise, tuition loans, years spent learning, etc. Therefore, when the artist donates, he or she gives it away for real, which looks unfair to the artist at times, because the institution seems to “make money” using the artist. Moreover, in my experience only half of organizations that sold my art for their purposes sent a “thank you” note to me. And none of them shared the information on price it went for or the client’s name without me asking about it.

#3 Devaluing of art.

Third, many think that your art donation devalues your art because it can sell for any price and you have no control over its pricing. It’s also a sign that you are a “weak” artist since you donate art instead of selling it. Therefore, if you aim to make money via donations, don’t do it not to get disappointed with meager results.

Most artists paint no matter what, walking against the grit of economic problems. The financial pursuit via donations is not the right path to take. Let's become financially successful in other ways, dear artists :)

Now I’m going back to my original idea: your inner motivation is the whole point of donation. I donate because I feel good helping others. It sounds cheesy, but I feel fortunate I live in a place where I can create, and I’m able to share my gift with purpose at heart. I feel that my art can change the world for the better, even if it looks like a drop in the ocean today. Like most artists, I’m proud of the fact that I’m not motivated by greed or a lucrative business to paint. However, making money is absolutely necessary for the artist to continue doing his or her work!

If you decide to donate a piece, work out the mutually-beneficial agreement with the organization. My tip is to set the base auction price and require half of that base price as payment to you if the art sells.

* This article was written back in 2015 but nothing has really changed in favor of artists.

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The infamous fate of some famous artists

Posted on February 27, 2023February 28, 2024 by veronica

All artists strive for acceptance and appreciation. However, the meaning of appreciation may be unique to each artist. Many painters want to win in shows or receive recognition via art sales as a fair validation of their talent and hard work. I don’t think anyone wishes to perish in obscurity without the proper acknowledgment of his or her gift.

It’s interesting to learn that numerous famous artists admired today often struggled both financially and emotionally. Riveted by poverty and seclusion, they lived the creative life in obscurity. Studied in art history classes, admired in art museums, and owned by some wealthy art collectors today, many famous artists were often unknown or underrated during their lifetime. Only after their death, sometimes decades later, they found proper recognition in contemporary society.

If we look back at the art history prior to the 19th-century, the vast majority of artists worked on public paintings commissioned by the Church, the State, and the mega wealthy. Most of recorded artists were male with very few female artists immortalized on the pages of art history books.

vincent-van-gogh-shoes-18x21-1888-the-met-best-art-museums — Van Gogh at the Met, NY

The birth of new art movements

In the 19-th century Paris, the Salon was the most prestigious official space to exhibit contemporary realist art. Sponsored by the French authorities, the Salon has become the annual event since 1737.

The Paris Salon, officially known as the Salon de Paris, was a prestigious art exhibition held annually (and later biennially) from 1667 to 1974. It was a major platform for artists to showcase their work and gain recognition, especially in the 18th and 19th centuries. Some famous artists who exhibited at the Paris Salon were Ingres, David, Delacroix, and Manet.

It was the only important exhibition existing in the country. Receiving acceptance into its annual show was crucial to the artist’s success and career. The Salon’s jury process was controlled by the most talented and skilled Academicians who picked the art for the show. Despite its authority and beautiful art the academy produced, it resisted innovation in classical art. This time period became a place of change when several new art movements emerged. As the importance of getting commissions from the Church and the State vanned around that time, it catapulted the artistic creativity and freedom of expression.

The Impressionists broke away from the classical tradition and became the first modern movement to organize their own, separate shows in Paris. Degas was one of the leaders in this organization. Russian classical school of painting branched out to the Itinerants movement in late 19th century. The art world exploded with new art styles and movements. The traditional, academic style of painting was suddenly losing its ground to the impressionism, post-impressionism, neoclassicism, romanticism, social realism, American realism, the pre-Raphaelites, pointillism, symbolism, art nouveau, and even photography. It continued well into the 20th century with the freedom of artistic expression in fauvism, cubism, expressionism, European avant-garde, surrealism, futurism, dada, collage, fantasy, abstract expressionism, and so on.

Famous artists who died before becoming famous

If we go back to the 19th-century art, although artists became independent from the State and the Church, which dramatically changed the subject matter and the painting style, many lived in extreme poverty. The amateur painter, Vincent Van Gogh struggled both financially and emotionally throughout his life and only his brother Theo recognized and supported his talent.

Classically trained Antoine-Jean Gros started out brilliantly with his painting Napoleon in the Pesthouse at Jaffa, 1804, but drowned himself in a river after 30 years of haunting criticism and artistic failure that followed. An engraver, painter, and poet, William Blake was discovered only a century later after his death. French realist artist, Honore Daumier painted most of his life, but received recognition as a painter during his first solo show at the age of 70.

A. Gros, Napoleon in the Pesthouse at Jaffa, 209x280inches. 532x720cm. The Louvre. Commissioned by Napoleon himself, this painting depicts his visit to sick soldiers in Jaffa during the French invasion of Egypt.

William Blake, Urizen, the Ancient of Days, 13 copies of hand-colored prints are known and attributed to the Romantic poet and engraver

Driven by the need to paint, Paul Gauguin abandoned his family, left France, and spent his last years in Tahiti. A cocktail of poverty, alcoholism, and syphilis brought him death at the age of 55. His fusion of symbolic imagery with the post-impressionist style became influential only after his death, discovered and promoted by the influential art critic in Paris.

If you’re interested in the events and relationship of two famous artists- van Gogh and Gaugin, read the Moon and Sixpence written by W. Somerset Maugham, which is based on true events.

Paul Gauguin, Reclining Tahitian Women, 1894, Oil on canvas, 23 3/5 × 19 3/10 in | 60 × 49 cm, de Young Museum in San Francisco; one of paintings of the Tahitian Women in the series

The Card Players, 25 3/4 x 32 1/4 in, Paul Cézanne, French, 1890–92 This version is located at the Metropolitan Museum of Art in New York | This painting is the first of five artworks created on the theme of card players.

One of the most influential painters of modernity, Cézanne (1839-1906) had submitted his artwork to the Salon in Paris for 20 consecutive years. His paintings were not accepted into a single show even once. Self-taught, the post-impressionist painter, Paul Cezanne enjoyed the process of painting in isolation. Out of frustration, with introspection, and in search of perfection, Cezanne had a habit of throwing away his now-famous-paintings, creating art in the country. Like a number of artists, Cezanne had a very difficult relationship with his father who wanted the artist to become a lawyer. Like so many painters, Cézanne got famous after his death. Today his artwork sells for millions of dollars per painting. The Gulf nation of Qatar purchased Paul Cézanne’s painting The Card Players (the 5th version) for a record-breaking $250 million. (By the way, there are more Cezannes in Philadelphia than in France, because of private collections’ acquisitions). One day the painter got ill, after being out in a thunderstorm. Cezanne spent his last few days of life painting, achieving what he always wanted to do – to paint until the end…

Innovation is often rejected in the beginning of a big trend. It takes time for the majority to catch up to trends that eventually become mainstream or fashionable. Artist’s success is rarely accidental. Yes, it could be a ton of hard work, but mostly it’s the ability to social climb or to be able to connect to the influential people in the field, promoting yourself tirelessly. Salvador Dali wasn’t social but he kept his career in trusted hands of his wife, muse and promoter- Gala. Wildly successful, Dali worked across continents and mediums to create personal art. Andy Warhol was a successful social climber who recognized the power of celebrity and often depicted celebrities in his silkscreens. Pablo Picasso knew how to attract attention to his art using his personality and connections. For instance, young Picasso immersed himself in the Parisian art scene in early 1900s. A city already buzzing with artistic innovation and experimentation, the artist actively participated in the art scene, befriending other artists and showcasing his work in various art galleries. This exposure fostered connections and helped him gain recognition within the art community [Source: Ian Leslie, “The Picasso Effect”]. Later, Picasso took a leading role in the Cubist movement that attracted lots of attention. The artist also developed strong relationships with some influential art dealers like Ambroise Vollard and Daniel-Henry Kahnweiler, who actively promoted and exhibited his work, contributing significantly to his commercial success and public recognition [Source: Museum of Modern Art, “Picasso and the Avant-Garde in Paris”]. Therefore, while we can admire the skill and creativity of each artist, a successful career is a lot more than just having a talent. Artist’s presence in a creative environment, dedication, extraversion and the support of key individuals within the art world can either propel the artist to the top or leave him at the bottom of desperation and poverty.

Originally published in 2012

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Salvador Dali paintings: perfect mix of surrealism & symbolism at St. Pete museum

Talent & Art: Dali Theater Museum in Figueres, Spain

19th Century Russian Artists and Genre Art: the Itinerants movement that changed the landscape of Russian classical art

19th century Russian Art & Portrait Painting: eyes are the window to the soul

Learn what makes a painting great Part 2: Composition, Color, Lines and Emotion

Posted on August 5, 2017November 8, 2023 by veronica

In this video in the series you’ll learn about composition, color, emotion, painting techniques, use of lines, and other artistic elements artists used to produce their greatest works of art. This video will help you understand the qualities of great art, especially painting created before the 20th century.

You’ll find my video notes below!

Jacques-Louis_David_madame recamier — Jacques-Louis David, madame Recamier, 5’9″x7’4″, 1800, the Louvre

The use of composition in art

All beauty is the result of fine proportions.
Leon Battista Alberti (1404-1472), architect

Greeks were one of the ancient civilizations to invent and use the mathematical proportion, linear perspective and the concept of divine proportion and scale in art and architecture. We can marvel at the divine beauty of the Parthenon and Pantheon. Because of a conversion to Christianity, these postulates were abandoned in the Middle Ages and completely forgotten for centuries. The Italian Renaissance revived the Greco-Roman principles in art and architecture several centuries later. The principles of the mathematical perspective were devised by Filippo Brunelleschi in Italy.

Man is the measure of all things becomes the mantra of the Renaissance artists in the 1400-1500s as they explore the concept of rational thought by creating art that’s three-dimensional, visually balanced, mathematically proportioned and color unified.

Composition becomes central to the creation of representational art.

The use of Pentagram in Art

pentagon and decagon in a circle veronica winters video series — Pentagram and decagon in a circle

In this diagram you see the fundamental principle of geometric division of space or the divine proportion. A symbol of unity, the circle holds a pentagon inside with the 5-pointed star of Pythagoras drawn inside it. Renaissance artists used this model to place their figures in a visually pleasing composition.

(Source: Rhythmic Form in Art by Irma Richter, Dover Publications)

Raphael Ansidei Madonna pentagon composition, veronica winters video series — Raphael, Ansidei Madonna, 1505-1507 | pentagon composition

The school of Athens, Raphael, veronica winters video series — The school of Athens, Raphael, 1510, fresco in Stanza della Segnatura, Vatican, Rome | pentagon composition

This painting represents the exaltation of rational thought. The artist paints his contemporaries as models to represent ancient Greek philosophers, such as Plato and Aristotle standing right in the center of the composition. We see Leonardo as Plato, Bramante as Euclid, Raphael as Apelles and Michelangelo as Heraclitus. Raphael incorporates the architecture of the room by creating a balanced composition that proportionally relates to the interior. The fresco has 5 circles. The height of figures and their placement corresponds to the mathematical divisions seen in the picture.

Also see:

Poussin (French), “A dance to the music of time” (pentagon composition)

Besides using pentagons, artists create symmetrical and asymmetrical balance with triangular compositions, the golden section rule, and several other devices.

Masaccio_ the holy trinity perspective — Masaccio (Italian), The Holy Trinity, fresco in Santa Maria Novella, Florence, 1428 | perfect linear perspective

In this painting the iconography is standard. The unusual part is its perfect linear perspective. It marks Masaccio as the first Renaissance painter who achieved visual realism of the figures because he showed a natural receding of figures in space.

Adam's Creation, Sistine Chapel_ceiling'_by_Michelangelo — Michelangelo (Italian), “The creation of Man,” Sistine Chapel, Vatican, Rome

In this famous painting by Michelangelo, the curving S-shape creates an equal movement and balance of shapes on both sides of the painting.

Also see:

Caravaggio (Italian), “The inspiration of St. Matthew” 1602. This painting features the S-shape design as well.

rogier_van_der_weyden_descent from the cross composition — Rogier van der Weyden, “Descent from the cross”

We can see examples of triangular compositions in religious art where a cross divides the space in half or is placed at a diagonal. In this painting the artist arranges the figures in a way that mimic the shape of the cross. The diagonal of Christ repeats itself in Mary’s shape.

virgin and child van eyck composition — Jan van Eyck, “The Virgin and Child” | triangular composition

The triangular shape was a popular element to design a composition. It creates balance with a line falling from the apex of the pyramid diving the picture in half.

claude lorraine_the embarcation of st. ursula golden section — Claude Lorraine (French), “Embarkation of St. Ursula,” National Gallery, London | the golden section

Lorraine consciously designed his paintings following the rules of thirds or the “golden section,” which is widely used today by photographers and artists alike. The artist also “framed” his landscapes with trees placed on both sides of a painting to create a circular motion, so a viewer never leaves his picture. He was a master, creating a complete balance between the light and dark masses of trees, buildings, water and sky.

Also see:

“Landscape with Ascanius Shooting the Stag of Sylvia,” 1682.

The Arnolfini marriage — Jan van Eyck, The Arnolfini wedding” 1434, National Gallery, London

The artist strikes an equal balance of shapes around the middle where we see the figures join their hands.

Emotion

Canova, Venus and Adonis, sculpture detail,museum’s copyright

Emotion is the strongest reason for artists to create art and for people to look at it or to own it. Art is a visual expression of our soul. We respond to a painting or a sculpture instantly using our feelings as opposed to logic, and that’s what makes us human. Meaningful art helps us connect with our inner life. It reminds us of particular memories. Art is not only a cultural and historical object, but also a remedy that speaks a universal language.

Artists have a vast emotional landscape to reach deep to convey a story in a meaningful way. It’s the feeling that draws us into the picture. Because we all have a unique set of experiences, we respond to the art in different ways. Some paintings leave us untouched, while others haunt us with their beauty, melancholy, joy or fear. Painting is a record of artist’s interior life, and his/her ability to see beauty in both the beautiful and the ugly.

Because feelings can’t be quantified in immediate dollars and cents unlike consumer goods, many don’t see value in art, think it’s useless, and try to cut funding for school art programs and art organizations. As a consumer driven society we are conditioned to ignore craftsmanship, uniqueness and beauty produced in singular products because a cheaper version of artistic creation is all around us for free on social media, TV, magazines, shop posters, book covers, pillow designs and so on. We see art but we don’t really study it. Only our encounter with the original painting has that immediate impact, raw emotion that enriches us as human beings.

Images:

Caravaggio, Head of Medusa, oil on canvas, 24×22”, Galleria degli Uffizi, Florence

(In Greek mythology, the terrible Medusa had the power to turn anyone who looked at her into stone: a power she retained after being killed by Perseus.)

Frans Hals, The Jolly Toper, 1628-30, oil on canvas, 32×26”, Rijksmuseum, Amsterdam

Flaming June, Frederic_Lord_Leighton_(1830-1896) — Sir Frederic Lord Leighton (1830-1896), Flaming June, 47” square, 1895, Puerto Rico

Vasnezov Sirin and Alkonost. The song of happiness and sadness — Vasnetzov, *The song of joy and sorrow*, oil on canvas, 133×250 cm, 1896, The Tretyakov gallery, Moscow

Russian painting vasili perov — Vasily Perov, Trine (*Troyka), oil on canvas, 1866*

Also see:

Isaak Levitan, Over the Eternal Peace, 1894, oil on canvas, 150x206cm, the Tretyakov Gallery, Moscow

Ivan Shishkin, Winter, 1890, oil on canvas, 125 x 204 cm, Russian Museum, St. Petersburg

Ivan Shishkin, In the Wild North, 1890, oil on canvas, 161 x 118 cm, Museum of Russian Museum, Kyiv

Edvard Munch, The Scream, 1893, tempera and casein on cardboard, 36×29” (91x74cm), Oslo, Norway

Romantics:

Caspar David Friedrich, two men contemplating the moon | The Met | http://www.metmuseum.org/art/collection/search/438417

In this section I’d like to mention the 19^th century Romantic Movement. Romanticism grew as a rebellion against the static, cold ideals of the Greco-Roman art, religion and social order. Romantics were liberals who produced art that excited viewers with emotions, especially the fear and the power of wild, changing Nature as the source of the sublime. Romantics channeled these ideals via painterly movement and color. They wanted to reflect on real life, not some distant ideals. Artists celebrated freedom of creativity that found its support from new patronage of successful entrepreneurs and business class.

The funeral of Atala,1808,Girodet_de_Roussy-Trioson — Anne-Louis Girodet-Trioson, *The Funeral of Atala*, 1808, oil on canvas, 5’6”x6’10” (1.67×2.10 m), the Louvre, Paris

Caspar_David_Friedrich_-the polar sea — German Romantic, Caspar David Friedrich, the Polar Sea (The Wreck of Hope), 1824, oil on canvas, 38×50” Hamburg, Germany

Also see:

Spanish artist Goya (1746-1828), The Sleep of Reason Produces Monsters, Los Caprichos, 1798, etching and aquatint, 8×6”, the Met, New York. Goya creates horror scenes with monsters and owls, depicts his nightmares that’s said to criticize Spanish society as corrupt and demented. The artist supported the French revolution being against the king of Spain. yet Goya was very popular as a court painter to Charles IV. Late Goya shows highly emotional art, already being a thought after portraitist, painting royalty as individuals with psychological insight into their personalities that lacked idealization on purpose.

Goya, The Family of Charles IV, oil on canvas, 9’2”x11’, Prado Museum, Madrid & the Third of May, 1808, oil on canvas, 8’9”x 13’4”, 1814-15. (In this painting the artist shows the execution of Madrid citizens dying for Liberty).

Swiss painter, Henry Fuseli (1741-1825) painted somewhat erotic, moody and supernatural pictures of dramatic Shakespearean scenes and dreams that ignited fear. In his painting the skill of drawing is given away in favor of emotions and imagination. He painted several variations of the painting The Nightmare, oil on canvas, 102x127cm, Detroit institute of arts

Henry Fuseli (1741-1825) The nightmare. 1790-91 version

Another Neo-Baroque French painter, Gericault (1791-1824) explored human extremes and violent action in his art. He painted people in action with the exuberance and energy of Baroque artists.

Mounted Officer of the Imperial Guard, 1812, oil on canvas, 9’7”x6’4”, the Louvre, Paris. He completed this artwork at just 21 years of age.

Other Romantic artists to check out are Eugene Delacroix (1798-1863) and J.M.W. Turner.

Color

1880_Frederic_Leighton_-_Self_portrait — Sir Frederic Leighton, Self-portrait, 1880

We can divide representational art into two opposing groups. One is dominated by the composition design think of Michelangelo. And the other is led by the use of color and light. While thoughtful design stands for rational thought in art, beautiful play of light and color evokes strong feelings.

Those of you who have tried oil painting know how hard it is to achieve color unity. It’s not only the skill of color mixing, but also the artistic vision and sensibility to color. In masterpieces we see hues that interact and support each other. The complexity of color comes with deliberate color mixing, dragging or glazing of the paint, overlaying, and letting one hue dominate and complement the rest. (Ingres, David, Simon Vouet). The tradition of color descends from Titian to Rubens, to Van Gogh and Picasso. Seurat developed his own scientific color system – pointillism that didn’t get traction among artists, however.

Jacques-Louis_David death of marat — Jacques-Louis David (French), The death of Marat, 1793, neoclassicism

Mary Cassatt, Sleepy baby, pastels on paper, 1910, impressionism

The Impressionists redefined the use of color, not painting with black in the shadows. Unlike the majority of artists who worked in the studio, the impressionists painted outdoors, capturing the weather conditions at different times of the day. That’s why you see numerous paintings done of the same subject but in various lighting conditions. We can look at Claude Monet’s waterlilies and Edgar Degas’ dancers to understand how artists were interested in atmospheric and light perception of places and people – the impression, rather than the actual copying of details. The impressionists revolted against the Academism and its annual Salon painting competitions to organize their independent shows that exhibited unconventional, colorful art.

In Russia we see a rise of national landscape painting with artists like Shishkin and Kuindzhi who depicted vast, luscious and vivid landscapes of the countryside. Toulouse-Lautrec, Van Gogh and Gauguin become the post-impressionism artists who focus on the spiritual in painting channeling it through color and symbols.

kuindzhi birch grove 1879 — Kuindzhi, birch grove, 1879

Arkhip Kuindzhi (1842-1910), the moon night | Impressionism & realism

Use of shapes, lines and negative space

michelangelo drawing of Libyan Sibyl — Michelangelo, drawing of Libyan Sibyl

Line is the most vital element in visual art. Contour lines describe form and the initial drawing design. Drawings exist as personal records of artist’s idea and thoughts, having unique handwriting, gesture and energy. Line drawings can be very expressive if an artist varies shape, thickness and completion of the line. Rembrandt’s drawings capture everyday activities in sketchy but confident, almost child-like lines. Drawings of Michelangelo are beautiful studies of models where the lines define the physical anatomy and monumentality of male figures frozen in action.

Da Vinci’s drawings perfectly describe the subject with soft, gentle lines reminiscent of the softness we see in his paintings. It’s amazing to see how Ingres describes figures in his hollow drawings of just contour lines with minimal shading.

Japanese printmakers, Hiroshige and Hokusai became the two masters of woodblock printing in the country. They exercised great influence onto the Impressionists with their approach to composition design and the simplification of shapes. Hiroshige’s artwork is very linear and creates simplified shapes and patterns with the lines of varied quality.

Hiroshige, “Travelers passing Mount Fuji” woodblock print, 1831, Honolulu

Alphonse Mucha, *The precious stones: Topaz, Ruby, Amethyst, Emerald*, details, 1900, color lithograph, 26×11” each

The leading Art Nouveau designer and painter, Alphonse Mucha (1860-1939) used geometric shapes, mosaics, and diagonals to create beautiful lithographs of women as idyllic symbols. Czech artist gave birth to his unique “Style Mucha” with his posters of a famed actress Sarah Bernhardt that made him prominent in French Art Nouveau. His use of definitive, contour line is central to his illustrative style.

Austrian artist Gustav Klimt (1862-1918) employs lines, patterns and shapes to create a unique visual experience. His figures are made of patterns with contour and geometric lines defining form.

As spectators we often don’t pay attention to the artistic use of negative space. Negative space is simply the background you see behind an object. It often affects how we perceive what’s in front of us by carefully controlling the tone, color and shapes in the background space. Let’s look at one of Spanish realist artists – Cotan who uses the negative space to his advantage.

Juan Sanchez Cotan, Quince, Cabbage, Melon and Cucumber, 1602, oil on canvas, 27×33”, San Diego Museum of Art

Because the Spanish court and the Catholic church employed foreign painters like Titian in the 16^th century Spain, native artists were not popular among the two major patrons, and therefore they were able to develop their still life painting that was nonexistent before the 1590s. Cotan (1561-1627) becomes a pioneer in still life painting. A deeply religious man, he painstakingly arranged simple objects at a curve, juxtaposing bright objects against the dark tones, where rich background reinforces the realism of foreground shapes.

caravaggio wall in borghese gallery-veronica winters art blog — Caravaggio wall in the Borghese gallery-veronica winters art blog

Similarly , Caravaggio used the dark background to bring his subjects forward. He defined and mastered chiaroscuro – the balance of light and dark in his paintings. So much so that when a viewer stands in a dark interior of a church he sees abstracted patterns of light and shade. When the light is turned on, the entire painting changes to a story we see in a design. His mastery of color, negative space and contrast play with our perception of reality. (David and Youth bitten by a lizard).

Texture, paint and brushwork quality

Jan van Eyck (Dutch), painting detail that shows glazing techniques with seamless brushwork.

Caravaggio, St. John the Baptist. | This painting shows the effect of glazing where color (red) is built up in many layers of thin paint (glazing).

Our eyes travel across canvas to notice the unusual texture and brushwork, or purposefully to see none. Strokes of paint can describe the textures and shapes of fabric, skin and space. They can also generate an emotional response to the subject itself. The artistic ability to do it freely takes years of experimentation and practice, like we see in Sargent’s painting. Sargent’s art has spontaneous brushwork quality that’s actually deliberate and skilled. He was masterful at hitting the right ‘note’ in a single stroke, and when he was not, the artist wiped it off with a rag, and did it again. His paint strokes have relaxed elegance and fluidity.

John Singer_Sargent_Lady_Agnew Scottish National Gallery — John Singer Sargent, Lady Agnew

Metz art museum-Sargent-veronica winters art blog

Classical oil painting techniques

Traditional methods involve several painting oil painting techniques. Here I’d like to mention glazing used by Ingres and David as well as the impasto oil painting technique perfected by Rembrandt. Glazing creates depth and sophistication in color by using thin, transparent layers of paint. The impasto technique creates texture in thick, opaque strokes. These two seemingly opposing methods are often combined together in a single work of art, like we see in the Rembrandt’s paintings that create the glow in his portraits. The Jewish bride.

Rembrandt, the Jewish bride, oil painting detail showing the impasto technique.

Impasto (to put in paste, Italian) is applied thickly on a canvas or panel with a brush or a palette knife that raises the paint surface and makes the strokes visible. Impasto creates textures in clothes, jewelry, and skin that looks like a suggestion of the fabric or skin rather than a direct representation of it. The relief-like surface makes the lights pop more to attract our attention to the focal point. Rembrandt, Velazquez, Titian and Goya used this technique.

Jan Van Eyck (Dutch, 1390-1441) was a fundamental figure in northern Europe, the first to perfect the oil painting technique. He had strong interest in optics and light effects to create painstakingly detailed realism. (Ghent Altarpiece, oil on panel, detail). In this kind of art you don’t see any brushwork to convey realism. The artist uses lots of glazes to build up the color.

A lot of artists use a combination of techniques that include glazing, impasto, scumbling and more that produced different visual effects to convey realism of texture and form.

Alexander Roslin: Marie Suzanne Giroust, 1734-1772, konstnär, gift med Alexander Roslin.

Action step:

Pick an artwork that you really like, and try to explain why you enjoy looking at it in terms of composition, color, and subject. Practice your understanding of paintings, and your art appreciation will grow exponentially! Have fun with it!

I hope you’ve enjoyed watching my video and discovered how story, composition, emotion and texture – all contribute to and influence on our perception of famous paintings. A great painting offers a lot more than a good composition, realism, or vibrant color. A great painting gives you an emotional experience, something poetic and spiritual that transcends time and place, and allows you to understand yourself and the world around you!

Coming up next: Video #2 Contemporary Painting

In my next video you’ll learn what to look for in contemporary art.

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Complete video series:

Video #1 Part 1 – Learn what makes a painting great

Video #1 Part 2 – you are here!

Video #2 Contemporary Art

Video #3 How to take care of your art collection – coming soon!

Video #4 How to frame art

Video # 5 Why you don’t need an interior designer to buy and display art in your home – coming soon!

Bibliography:

The Metropolitan Museum of art, http://www.metmuseum.org/art/collection

History of Art, 5^th edition, H.W. Janson

The gilded age, E. Prelinger

Rhythmic Form in Art by Irma Richter, Dover Publications

Wikipedia & tons of art history classes in college! 🙂

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Mentorship

Art student mentorship is available on a very limited basis. We meet in zoom to discuss your art, progress and any question you might have in drawing or painting. Email communication is available as well. One hour session is $65, which could be split into two half an hour sessions. To discuss your options and to set up a schedule, please email to nika@veronicasart.com . For a limited time I provide email feedback for my Colored Pencil Techniques course.

#1 Comprehensive Colored Pencils Techniques Drawing video course

Designed for beginners in colored pencil drawing, this video course consists of 18 video lessons. In this video course you study how to draw various objects in colored pencils. Each video lesson builds up in progression, focusing on a single object to draw.

Complementary, downloadable pdf file includes line art, color swatches and materials list. For a limited time the artist provides every student with feedback via email. To check out the previews and enroll, click on the image above to follow the link.

donuts by kathy-testimonialocolored pencil techniques video course-veronica winters

This free video explains what’s inside the course.

#2 COLOR CRUSH Course for Colored Pencil Artist, video course

**Design your perfect color harmony in colored pencil drawing by taking this course**

#3 Portrait drawing: creating emotion in colored pencil, video course

colored pencil portrait drawing by veronica winters — Click on the image to go to this PORTRAIT DRAWING VIDEO COURSE!

Uncover the secrets to portrait drawing in colored pencil! This unique video course builds up in progression to prepare students to see and capture light on a model, and draw portraits in colored pencil from pictures. Even if you don’t draw from the references, you still get plenty of ideas and information how to create vibrant portraits working in colored pencil.

The projects consist of lessons- narrated video recordings where the artist draws on various surfaces and explains valuable colored pencil techniques. Some portrait drawing demonstrations include a downloadable reference.
This course has downloadable color charts/ color list for every demonstration. Click on the image to see a complete curriculum for this class! Enroll today.

Watch free preview of this course…

#4 Realist oil painting techniques secrets for serious beginners & beyond

This class is available as online video course now! In this class you’ll see me paint a single still life using traditional oil painting techniques, such as:

glazing
grisaille (indirect painting) and
painting in full color.

I’ll walk you through every step of the painting process that includes:

prep drawing
underpainting
using grays to neutralize chroma (tube colors)
painting in full color
painting textures (in a shell)
painting glass (in a blue vase)

I also include a step-by-step guide (pdf file) that complements the videos. Download it! This class is for serious beginners and more advanced students who already have good understanding of drawing in color, and wish to proceed to the next step – oil painting. This class will give you classical approach to realist painting that you can apply to your daily painting process. It took me many years of schooling and practice to learn this classical approach to painting that’s summarized in this video. Take advantage of this opportunity. Start learning today!

# 5 Step-by-step colored pencil drawing tutorials

Direct link to step-by-step demonstrations: https://veronicasart.com/product-category/step-by-step-drawing-tutorials/

Or you can purchase a buddle of all digital art books and demonstrations for one price here: https://veronica-winters-art-school.teachable.com/p/downloads-tutorials-art-books

You will benefit from these colored pencil demonstrations the most, if you’ve already had some experience in pencil drawing. These demonstrations are not made for the absolute beginners in drawing. Every step-by-step demonstration includes the art supplies list, color chart, and images in steps to complete the exercise.

The demonstration comes as a digital pdf file that you can save to your computer and work from at your pace. A few demonstrations have drawing videos that are available for download in addition to a pdf file (sold separately).
When you complete your payment, an automatic email is sent to your inbox. Please check your spam folder as many of my files go there! If you don’t find the e-mail with the demonstration, please e-mail me. nika@veronicasart.com Don’t worry. I’m happy to send it manually.

#6 Art Instruction books

Direct link to books https://veronicasart.com/product-category/art-instruction-books/

These art instruction books feature step-by-step drawings completed in various media, including colored pencil, graphite and even soft pastels. The advantage of buying a digital file rather than a Kindle book is that you can open and see large images on your computer screen. Also, if you have black-and-white kindle, it makes no sense buying the art book that explains how to draw in color.
Every book sells as a digital download that you can save to your computer, and open the file whenever you’re ready to work on your art in colored pencil or paint!
If you live in Europe or any other country, please order art books on Amazon in your country. I can’t ship books overseas.

Watch art instruction videos & previews:

I flip through the book to show you all the pages!

Watch it now. Every art student makes this single drawing mistake!

One of previews free to watch on YouTube. This colored pencil drawing tutorial is included into the comprehensive drawing course.

Testimonials:

“A committed artist, author, and teacher, Veronica Winters’s illuminated artwork and attention to detail pushes her to create realistic images that breath life into everyday objects. We are honored to present lessons by Veronica in the quarterly publication of COLORED PENCIL Student”

–Sally Ford, Founder & Editor, COLORED PENCIL Magazine

I attended Veronica’s soft pastel’s class, and she was very inspiring. She gave good individual instruction, building confidence in her students by creating a non-competitive environment. Veronica’s instruction is straight-forward and she has a true desire to help you. I attended her class after decades of doing no art, she inspired me to continue my journey and I have since had my art accepted by and displayed in the Von Liebig Art Center in Naples.

–Clare Roberts

Veronica has been an instructor in our Adult Education program for several years offering a variety of drawing techniques in both classes and workshops. Her classes include teenagers and adults, beginners and more experienced artists, and she provides professional and individual instruction to each student. We feel fortunate to have Veronica teaching in our program.

–Marie L. Doll, Executive Director, Art Alliance of Central PA

The experience of learning to draw with graphite and colored pencils with Veronica as a teacher for me was like learning to grow down and up in the world of art. Expressively up, because with each drawing advice I applied more the nuances of finding the skilled way to make a drawing shine through with life, and fruitfully down because for each finished drawing while looking for her to give the ‘teacher’s final remark’ she would always add: How do you like it?

–Kristina Egumenovska, Fulbright Visiting Research Student, Department of Human Development and Family Studies, The Pennsylvania State University

In a very short time, Veronica has helped me to develop confidence in my artistic ability. Even though I am a beginner, I am progressing rapidly under her direction. She is patient and knows how to nurture a student’s natural talent, while helping the learner to stretch and grow in new areas of understanding (such as how to see and draw proper shapes and tones; working with perspective; how to see, work, and play with color). She is a fabulous artist herself, and learning from her is fun, educational, and inspirational.

–Stelli Munnis

As a teaching artist, Veronica inspires students with her own beautiful paintings and drawings, as well as with her personal attention and gentle, thought-provoking, well-planned, and thorough method of instruction.

–Stephanie Hosier, Assistant Director, Galaxy: The Arts in Education Program of Central Intermediate Unit # 10

I just wanted to say thank you for all your help so far – I’ve really been enjoying the class. This has opened up a whole new world for me. Drawing was something I always wanted to learn how to do, but I used to think you needed to be born with some sort of natural talent. I love finding things I want to draw, and I draw as often as I can at home. It’s something I definitely want to keep doing in the future.

–Brianne Hennel

I was admiring your art and your ability to bring out the full potential of colored pencils! I have to say, I am very impressed. I myself love using colored pencils- they are my favorite medium. By the way, your art work is very inspirational.

–Lauren Foley

Would you like to see your testimonial here? Shoot me an e-mail: nika@veronicasart.com 🙂

Copyright

I reserve all rights to my intellectual property. It is illegal to forward, print, electronically copy, or distribute any digital content from this website or from downloads without prior written permission. If you copy, or forward any content, in any form, or grant access to the digital products to someone else, then you’re guilty of copyright infringement and this is a violation of U.S. and international copyright laws. Violators will be prosecuted to the fullest extent of the law.

How long did it take you to paint that?

Posted on October 8, 2015October 31, 2023 by veronica

“How long did it take you to paint that?

Every artist is asked this question. Viewers have no idea what it takes, and artists don’t know where to begin answering this question, because it involves…Well, it involves an entire explanation how long it takes to become good. Artwork creation doesn’t always look like a lot of work, yet a single painting incorporates years of unseen work. People ask this question because they want to have a conversation with the artist and they don’t know what else they can ask to have it.

In general, people try to calculate or connect the objectivity of high pricing with the time artist spends painting a particular artwork. On the surface it looks expensive or overpriced, and a prospect buyer wants to understand where the number comes from. Artists, however, think of a lifetime of effort, hard work, bills, tuition and many other business costs they accrue working in their studios. Therefore, weeks, months and years can’t be quantified into a certain number of hours spent on one painting.

In the beginning of the career many artists have to wrestle with the financial burden and make significant sacrifices learning the craft. The costs often include expensive college education. Besides having the obvious tuition and living costs, artists don’t become artists in four to six years after college graduation. The artist career often starts with zero job prospects or security, and builds up to something meaningful over a very long period of time of hard work, dedication and social climbing. For many artists it means a continued struggle, a reconciliation of the need to paint with making money to pay the bills. However, if the artist is good at art marketing and relationships building, the struggles most artists face may be reversed into significant opportunities quickly.

It takes A LONG time to learn how to paint realistically. There are no cute formulas or shortcuts. No one learns it overnight no matter how much talent the artist has! It’s a skill that takes significant effort and focus. Until very recently, there were no realist schools available to get the comprehensive education from, which magnified the problem and effort to achieve a certain skill level. Of course, there are exceptions and we can find super talented, self-taught artists, but such instances are rare. Those who have no time to do their art every day don’t become artists. Fear of instability takes their need to paint away from them.

There is a notion that artists just hang out at art festivals, fairs, or their shows enjoying the limelight and attention. Well, maybe for a little bit but… exhibiting at festivals involves a lot of effort, persistence, and investment. On average, a popular festival’s booth fees run around $450-$700/per show, and the artist is responsible for other costs (application fees, hotel, gas, transportation, and the cost of a professional booth itself that runs around $2,500 on average). Many artists hit the road for months, traveling from one state to the next, working over 8 hours a day. Work at the art festivals includes not only the artist’s time present at the booth all day, but also the time and effort to set up and to break down (usually early in the morning and late in the evening,) time to carry, pack, unpack and pack again a number of heavy, framed paintings.

Professional artists also have other costs that include:

Custom framing. Artists invest into their frames because it gives them professional presentation that is often required, by the way, to display their work in juried shows.
Time to market artwork. E-mails, presentations, social media, research, writing, contacting galleries and editors takes consistent and relentless effort.
Artists hire models to paint the figure from life.
Art supplies. Artists spend hundreds of dollars on art supplies every year as they keep practicing for years. This is a continuous expense, like going to a grocery store each week. When the time is right, the artist transitions to professional, durable, lightfast materials that cost a lot more that cheaply manufactured canvases and paints. Professional art supplies let artists create long lasting, museum-quality pieces, unlike the junk that would fall apart or fade within years. Often times if the artist doesn’t share this information with the buyer, no one can tell visually if the supplies are archival or not.

Other office expenses that include professional photo equipment, storage files, a scanner and a printer, camera and video equipment, etc..
Some artists chose to advertise online or in magazines.
As a surprise to many, the artist’s retail price includes a 50% mark up, sometimes 60-65% that galleries take selling artist’s work. That means that the artist gets only half of his/her money after making a sale.
The final cost to the artist is not the financial, but the emotional one. In the U.S. artists don’t have much respect unless they are famous. This leads to stereotypes and generalizations. Often called “lazy artists,” “starving artists,” “stupid artists,” or “flaky artists.” We have become the 2nd class citizens because we often allow it to happen, and because art has become the all encompassing word that incorporates everything into it. Art is everywhere today.

We don’t even pay attention to it, but art is everywhere today: in magazines, book covers, album covers, calendars, and even on plates. As the society has moved from scarce product production to consumerism, artists get pushed to the sidelines. A lot of work gets devalued by the Chinese manufacturing, cheaply made goods, mass-produced items, and unlicensed reproductions. This trend reinforces the people’s desire to buy a cheap print or new piece of technology rather than a small original artwork. As a result many folks don’t appreciate art, because they simply don’t identify with it, don’t find the emotional connection, and don’t really need it. TV, wall posters, and other goods and entertainment have replaced the enjoyment of looking at a single original painting.

In other words, ART has lost or changed its original meaning, evolving into other facets of artful creations that redefined the uniqueness and value of art. Bogus art may receive lots of publicity due to smart marketing campaigns that confuse people. Those souls who love the arts just get lost trying to understand what’s really valuable and what is not. It’s rare to see someone admitting that he or she doesn’t get art or lacks education to have an opinion. And that’s why art appreciation should be taught in schools as a relevant subject along with math and the sciences.

Art creates unique experiences. Art takes care of our emotional life. Often described as healing, art reflects on our inner life. No matter the art style or medium, Art makes us human to experience joy and beauty. Art can be a protest and a wing of change. When we look at history of human civilization, we often study it through art.