Tag: paintings of women

contemporary art

King Woman: contemporary art show review

King Woman

King Woman is a contemporary art show with epic impact. Occupying two floors, the exhibition features several strong pieces in contemporary painting, photography and sculpture. This art show is a rare gem, sparkling in a landscape of mediocre art galleries in New York. Both abstract and realistic, artworks have a single vision where a woman is King. The curator of the show is Mashonda Tifrere. She said, “My goal for this show is to highlight work by women who question history and deny limitations, persevering in their art despite social mores and norms. These artists have also found a way to acknowledge their gender but at the same time move beyond it by owning it in an unabashed way – showing that women can be more than Goddess or Queen, that they are capable of being ‘King,’ at the pinnacle of power and strength and skill.”

Art transcends the gender roles, and while it shouldn’t be about the division between the sexes, it’s important to see women have equal say, being presented in exhibitions. While we don’t see male artists showing in groups where their art challenges stereotypes and disparity they often face, women seem to unite in their message channeled through their art. That vulnerable is beautiful! Women artists often feel unimportant and invisible, working alone in  their studios, walking the streets, interacting with people around them. However, their art becomes very powerful once the forces are united in the show like this one.

Carole A. Feuerman

Carole Feuerman is a pioneer artist in hyper-realist sculpture who started the hyper-realism movement in the 70s. She portrays women in steel, bronze and resin so lifelike, you can’t help it but to reach out and touch the sculptures. Tiny eyelashes, hair and droplets of dew make her figures appear incredibly real.  Large and small, her figurative sculptures can occupy a small space in a room or in the entire garden. The sculptures are often integrated into their environment, like you can see in Venice. http://veronicasart.com/venice-biennial-2017-a-crappy-show-with-rave-reviews/

On the artist’s website Feuerman explains her work. “She creates visual manifestations of the stories she wants to tell of strength, survival, balance, and the struggle to achieve.”

Chrysalis, 2017, resin, 33 x 36 x 18″

Ingrid Baars

Artemis, 2017, C-print face mounted on dibond, edition of 7, 45″x 59″

This incredibly powerful photograph is inspired by African culture, fashion and women. Romantic at heart, the photo manipulation is the image of  striking beauty and ethereal contemplation.

 

Yvonne Michiels

Royal Flowers, 2017, Fuji Crystal on dibond with perspex

Based in the Netherlands, the artist creates incredibly moving digital collages of women with floral crowns.  At first sight her portraits of women express confidence and beauty. Women’s faces look so magnificent, you stare at the image speechless, yet we can feel some hidden vulnerability behind the perfect looks.

 

Roos Van Der Vliet

 

Roos Van Der Vliet, Storytellers XX & XV, 2017, acrylic on canvas, 37 x 29″

These intimate portraits of women feel incredibly sincere and down to earth. Dutch artist paints women realistically to express her inner desire to replicate reality as close as she can. Her paintings give a sense that women are hiding yet want to be seen. Painting process is always a path to understanding oneself. Here we see the artist making discoveries about her own vulnerability and unimportance in a world around her.

 

Reisha Perlmutter

Iris, 2017, oil on canvas, 40 x 60″

Reisha paints women floating in colorful water. Abstracted patterns of body and water channel their healing powers where women are allowed to dwell freely in their ever changing environment.

Victoria Selbach

Kali Ma, 2017, acrylic on canvas, 60 x 50″

This painting surprises with its size that creates instant sense of power and control found in a figure. She looks like a goddess or warrior who is ready to concur the world.

 

veronica winters colored pencil drawing
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The list of artists in King Woman includes:

Rebecca Allan; Azi Amiri; Ingrid Baars; Hunter Clarke; Donna Festa; Carole Feuerman; Lola Flash; Meredith Marsone; Yvonne Michiels; Stephanie Hirsch; Kharis Kennedy; Kit King; Lacey McKinney; Jane Olin; Reisha Perlmutter; Renee Phillips; Trixie Pitts; A.V. Rockwell; Victoria Selbach; Lynn Spoor; Swoon; Tiara; Roos Van Der Vliet; Elizabeth Waggett; Lynnie Z

Where:

King Woman is the contemporary art show that runs between October 12th-December 9th, 2017 at Pen+Brush nonprofit art gallery in New York (29 East 22nd street). To read more about the show: http://www.penandbrush.org/articles/press-release/upcoming-exhibition-king-woman 

19th century Russian portrait painting by veronica winters

19th century Russian Art & Portrait Painting: eyes are the window to the soul

Russian Portrait Painting

In this blog post I’d like to introduce you to some of my favorite 18th and 19th- century Russian portrait paintings that I fell in love with when I was a child. These portrait paintings made a considerable influence on my aesthetic and desire to learn traditional oil painting techniques in adulthood. Some of these paintings represent the collision of classical ideals with Romanticism that is obvious in artists’ choice of subject and color schemes.

Art became a source of inspiration early in my life. Many oil paintings were printed in public school textbooks. Russian art occupied the last few pages in those textbooks that were printed in color and on thick paper unlike the rest of the material (the 1980s Soviet Union). Besides one art class in the elementary school, we didn’t have art as a subject back then, so those color reproductions and my parents’ art book collection became my first introduction to Russian art.

Ilya Repin (1844-1930)

Ilya Repin is one of the most well-known Russian artists of his generation. Excellent figurative painter, he is one of my favorites for his moral views and social purpose he channeled through his art. His portraits depict a variety of characters that all share the enormous artistic power and thoughtfulness.

Ilya Repin, Portrait of Garshin, 35×27,” 1884, the Metropolitan Museum of Art

This portrait is one of several that Repin made of Russian artists and intellectuals following his return from graduate study in France. The artist begged the Academy to let him return home, so he could work on the national themes in his painting.

Here is an excerpt from the Met about this painting. “Russian author Vsevolod Garshin specialized in short stories expressing his pacifist beliefs, love of beauty, and aversion to evil. In the early 1880s he became friends with Repin, a leading progressive painter who shared his concern for contemporary political and social problems. Four years after it was created, Garshin, scarred by the suicides of his father and brother and his own mental illness, threw himself down a stairwell and died.” http://www.metmuseum.org/art/collection/search/437442 )

Vladimir Borovikovsky (1757-1826)

Russian artist Borovikovsky
Vladimir Borovikovsky,  Portrait of Maria Lopukhina, 1797, 72×53 cm, State Tretyakov gallery, Moscow

Created at the end of the 18th century, this painting reflects the sentiment of the epoch where a man is part of nature. The artist fuses the model with a natural, but decorative landscape behind her where Russian landscape becomes more prominent than it used to be shown in Russian painting. This oil painting has a through balance of color. The blues of tiny cornflowers in the background are reflected in her beautiful blue sash, and the gold of the rye mingles with her jewelry and the golden sash accents. The color of a dull pink shawl wrapping around her figure is similar to the quiet roses blooming by her side. Her white gown finds similar tones with a couple of trees, repeating the diagonal of the figure.

Otherwise standard, diagonal three-quarter view of the woman depicts the beauty of a young Princess Lopukhina (1779-1803) who belonged to the Russian royal family of Tolstoy and died of tuberculosis in her early twenties. Her masterfully painted face shows beautiful restraint. Soft transitions between warm and cool tones, light pinks on the cheeks, greenish shadows, the riveting depth of the eyes, and gentle, rosy colors of the mouth – everything breathes with life. I love this portrait for its quietness, elegant confidence and a masterful balance between colors and shapes.

Borovikovsky created numerous portraits after his work in the military, and then graduation from the Academy in St. Petersburg. He found fame among the imperial court including Catherine II.

Karl Briullov (1799-1852)

Karl Briullov, The Last Day of Pompeii, 183 x 256 inches, 1830-33

Karl Briullov was the last great classical portraitist in the 19th century Russia. Trained in the Academy in St. Petersburg, the artist was influenced by the classical ideals of Rome. Painter of royalty, Briullov had a tremendous skill set that he showed off in his most famous historical artwork titled “The last day of Pompeii, 1830-33” that brought him a widespread fame throughout Europe. Realism and idealism, classical and neoclassical ideals collide on a huge canvas that depicts people in action, running for their lives during the eruption of Vesuvius. After receiving the highest honors at the Academy, Karl Briullov won a golden medal to travel to Italy. Immersed in the classical tradition of painting, the artist had spent three years studying each figure for the Last day of Pompeii, completing numerous drawings. There is movement and balance in every figure, buildings and horses. Every element is painted with great detail and mastery of the form.

Russian artist also produced many paintings featuring royalty as well as idealized Italian themes with lighthearted women doing regular tasks, like picking up grapes or washing clothes. Although those paintings were painted masterfully, they lacked vision and the reflection of some important societal changes happening in the country. Those changes were painted soon thereafter by the Itinerants.

Detail from “The last day of Pompeii”

Detail from “the last day of Pompeii”

 

Karl Briullov, Portrait of the princess Elizabeth Saltykov, 1841, The State Russian Museum in Saint Petersburg.

 

veronica winters colored pencil drawing
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Nikolay Pimonenko (1862-1912)

Nikolay Pimonenko, Yule fortune telling, detail, 1888

This painting has such a bold use of color! Strong, single light source illuminates two peasant girls who read the fortune. In the old tradition, girls placed the melting wax into a cup with cold water to capture the “frozen” profile of a future husband. Here they look at the wall projection cast from the melted wax, trying to figure out who the man is. I love how spontaneous and fresh the brushwork is and how vivid colors harmonize to depict festive mood.

Ivan Kramskoy (1837-1887)

Ivan Kramskoy, a leader in the Itinerants movement, was one of the strongest portraitists in his generation of artists. Like other artists in the movement, he believed in public duty and service to people through his art. He was interested in painting national themes, but Kramskoy was also a great portraitist. In 1869 he exhibited his portraits at the Academy for which he won a rank of an Academician. One of his famous artworks depicts a woman who could be either decent or not, but her facial expression is captivating. Every texture is richly painted: the feathers, silk, fur, and velvet. Light yellow light envelops the distant buildings and describes the contours of the figure. The artist puts the same color into the hat’s feather and her face to carefully harmonize the painting.

Ivan Kramskoy, Stranger, 1883, The State Tretyakov Gallery, Moscow
Russian art
Kramskoy, the forester,  1874 (84×62 cm or 33×24,5 inches), The Tretyakov State Gallery, Moscow

The gaze of this peasant man is just riveting! Tragedy, disturbance and hidden force reside in his enigmatic eyes. The artist shows a specific type of a man who doesn’t like to settle or to tolerate the abuse of the forest by men. Or perhaps the painting is about poor villagers  who are tired of their endless suffering and are getting ready to revolt against their wealthy masters.

Russian artist Ivan Kramskoy
Ivan Kramskoy portr. of artist’s daughter Sofia 1882

This portrait was painted in the end of the 19th century that marked the transition between the classical and modern art. The artist depicts his daughter in less controlled manner with loose strokes and colorful shadows that show the classical mastery of the anatomy and oil painting techniques. Her thoughtful face possesses no classical idealization, but expresses inner strength and depth of character that’s so hard to reach in a painting. The restrained position of her hands and mouth depicts a very young woman wrapped up in thoughts. Trained by her father, Sofia became a professional artist as well. She received recognition for her artistic skills but had a very complicated life after the revolution.

Ivan Nikolaevich Kramskoy, Portrait of Ivan Shishkin

Ivan Shishkin was a great landscape painter who posed for this masterful portrait by Kramskoy. The background and the pose are so simple that all our attention goes to the face of the artist, which channels so much humanity and life that seems impossible to describe in paint.

Vasily Tropinin (1776-1857)

Vasily Tropinin came from a family of the serfs and received his freedom only at the age of 47. He often depicted scenes of ordinary peasant life that feature women doing hard or meticulous work. Those paintings have jovial mood, celebrating ordinary, domestic life.

Russian art, Tropinin
Tropinin, the lace-maker, 1823 , The Tretyakov State Gallery, Moscow

I’m fond of this painting because it shows the old Russian tradition of lace-making, something I learned how to do in my teenage years, taking a class for a year. A pretty, peasant girl creates intricate pattern with numerous bobbins and thin threads. Captivated by her task, she quickly glances at the viewer only to return to her work. I love the gentleness in her face and a hint of a smile that’s subtle and kind.

 

To Read about Russian genre painting, click on the image below.

19th Century Russian Artists and Genre Art: the Itinerants movement

 

 

 

 

 

 

Paintings of women

Contemporary painting of women

I love painting portraits of women!  Although I see human anatomy as the most challenging to master, I’m strongly pulled to this subject to depict the complexity of our spirit in romantic paintings. As artists we paint what’s inside us and paintings of women’s faces become a record of our lives. Creating romantic portraits of women,  I find the process to be incredibly healing where I aim to evoke a world of love and inner strength in every artwork I create. I paint with a mission to help girls and women understand themselves and to discover their inner passion. We often give up, find excuses, or settle for less because we don’t fully understand who we are. I hope to touch your life in a positive way with my romantic art.

I arrived at the theme of painting women after working on almost everything for over a decade. While the subject of a beautiful female form has been realist artists’ inspiration for centuries, I come to paint women with the inner sensitivity of a female artist, expressing emotion through color. Color is a lot more than a concoction of bright pigments squeezed out of a tube. It’s been years of practice and learning to develop the color harmonies that excite my eye without being garish. I’m still actively learning the complexity of deliberate color mixing, dragging or glazing one color over the other, overlaying and letting one hue dominate and complement the rest. Controlling the color means letting one hue lead, to see colors in black or white, and to create the atmosphere that transcends painting. I paint in realist tradition with the color of the Impressionists to create myriads of paintings of women that are going to push the boundaries and capture your heart.

 

INSPADES magazine, issue sei, art feature.

I’m very grateful to the INSPADES art magazine that features and shares my art and mission. Issue sei.

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How to paint realistic portraits: painting videos

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Cleopatra iconic women painting

Portraits of iconic women throughout history

 

 

I always wanted to paint something meaningful and worth people’s attention. I’ve painted numerous different things to become proficient enough to pursue what I always wanted – helping women succeed. The theme of Iconic Women fascinates me because I can depict many sides of female beauty and inner strength. I’ve chosen to paint strong iconic women who had courage, logic, determination, goal-setting, and other character traits that are often attributed to men. These women overcame their social-economic limitations to become famous personalities who lived with purpose and changed the world around them.

In my surreal paintings of women I explore the inner life of these icons. What they created and exposed to the outside world wasn’t always the reflection of their interior life. I make an attempt to humanize them by painting their emotions and challenges: love, failure, addiction, responsibilities and dreams. So we can see the spectrum of character and understand that those iconic women throughout history were also guided by their emotions as much as by their reason, and were also complex personalities as any of us.

Exploring vulnerability of feminine spirit, I take the liberty to interpret the days of their lives based on their biographies processed through observations and artistic sensitivity. I explore the themes of love and delusion, power and powerlessness, spirituality and vanity, abandonment and strength. I aim to give the iconic women new life where contemporary women can identify or recognize a part of themselves, and connect with a famous woman on a much deeper level.

My painting style floats between the surreal painting and magical realism painting. It’s painting reality that turns surreal that can be compared to writing a fiction novel with the main characters derived from the author’s personal experiences and observations.

My artistic mission is to paint the female heroes to inspire women to find their calling in life. I want to open up a dialogue, to create a visual experience of seeing the female icons in a different light, where women could find answers to their questions, to be able to apply themselves, to define their dreams and to work on their future with certainty. In other words, through my oil paintings I invite others to find their female hero to achieve personal fulfillment.

Art is personal. If I had the opportunities, moral support, and a professional artist/mentor back in high school, my life could have been very different from what I had.  While I have no regrets, I simply know how crucial these years are for personal development, choosing the right path to achieve success in the future, to cut on years spent searching for a hidden voice within. Therefore I choose to paint women who made history, real women who overcame their struggles to achieve success in life.

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