Tag: art instruction

veronica winters video

Videos

My official YouTube channel is here: https://www.youtube.com/veronicasart . Click to subscribe and receive new videos via email.

 

This video explains the process of painting a portrait.

This video one of my most popular art instruction videos that shows my indirect method of painting.

 

how-to-paint-blue-vase-demo-c

If you are interested in still life painting, I’ve produced a step-by-step art instruction video available for download from my store (links below). You can buy & download a digital file and a video of this painting demonstration here.

 

This video explains how to stretch canvases on your own. Main advantage to hand-stretching  is the quality control of your materials. You can also stretch a canvas of any size, not just paint on standard-size canvases.

This video explains the difference between direct and indirect method of painting.

 

green-glass-promo

If you are interested to learn how to draw glass in colored pencil, the video is available for download here. And its step by step demo is available as a digital file here.

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf

 

How to use the artist’s color wheel

how to use the artist's color wheel

Color theory seems overwhelming at first, and I find it hard to remember all of the definitions at once. This visual tool is a must-have for all realist artists because it’s visual and makes it easy to reference colors and to make color choices!

In this video I explain how to use the artist’s color wheel to understand color theory and how to apply it to your artistic process.

 

www.VeronicasArt.com

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
as-love-growns-within

How to paint realistic portraits with oil paint

In this video you’ll see my 5-step process painting a female portrait. I find the female form to be the most beautiful and compelling to paint. Although portrait painting is super challenging for me (I used to paint the stick figures). In my opinion, portrait painting has the potential for high emotional impact in comparison to still life painting.

This surreal artwork is the manifestation of self-acceptance. The theme of self-nurturing is symbolized by a woman’s gentle hand holding the white orchids. Like taking care of flowers, nurturing becomes vital for inner growth.

I use high-quality materials to complete every artwork. I paint several pieces a year because every artwork becomes a long process of planning and painting. What you see in a 20-min. video is a compression of weeks of work.

 

 

http://eepurl.com/b-vEXP

 

how to blend colored pencils with solvents

How to blend colored pencils with a solvent

In this 1-minute video I show the basics of colored pencil blending with Gamsol. You can substitute Gamsol for another solvent like Turpenoid Natural.

You must have wax-based colored pencils like Prismacolor Premier or Luminance for this technique to work.

It works well on dark to medium colors. I use a different technique for blending the lights. 🙂

Stay kind,

Veronica

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! 

 

Or go to my website www.veronicasart.com to subscribe!

how to draw a portrait in colored pencil

How to draw a person in colored pencil step by step

Here you’ll find the information how to draw a person in colored pencil step by step. Over the years I’ve drawn various subjects, but drawing people is becoming my passion. I love to draw stories and emotions though the human form. Before we start, please consider the following drawing tips that will help you find, or set up the subject for your project.

Before you start drawing

  • Pick the person to draw that will keep you interested and motivated to take your artwork to the finish line.
  • Always consider and study the lighting on your model. Most colored pencil artists work from pictures. Learn to take good pictures as your reference material. To begin you may look at portrait photography online to understand how the light changes the form.
  • Keep track of some professional artists working in the field, and study their artwork for composition, design, and the use of a color.
  • If you just start out pick the image with a face looking straight at you. Eliminate the head’s rotation for now that complicates things.

Step by step demonstration

I had a photo shoot with my model, positioning her under a single light to give me definite shadows.

In this demonstration I use a very light grey, smooth, printmaking paper, the surface of which is similar to Stonehenge paper pad. I also draw with the Prismacolor Premier colored pencils and Luminance. I use Gamsol solvent with a synthetic brush and Caran d’Ache full blender for blending.

how to draw a person step by step

 

  1. I work on the outline of my drawing on a sketch paper, and then transfer it to my high-quality drawing paper. It’s crucial to get the anatomy right at this step. Therefore I take my time and check for mistakes by looking at my drawing in the mirror. I keep fixing the outlines until the portrait looks good to me. Next I create the underpainting by working from dark to light in one dominant color that I see in my photo. Here I use dark brown to complete the initial shading. I focus on shadows only to block them in with the consistency needed to develop a sense of light and shade.
  2. In the second step I carefully introduce the second color and slightly overlap it over the first one to create softer transition into the light.
  3. In the third step I focus on the face and add warmer colors (yellows and pinks) in the middle tones.
  4. In this step I throw the same colors I’ve used in the face into her neck, arms and even hair. This is important to do for color unity, so that everything ties together visually. This is the main reason why I work from general to specific, and don’t draw one area from start to finish, ignoring the rest of the picture.
  5. I introduce the blues and lilacs into her shirt that creates a play between the warm skin tones and cool hues of the clothing. As usual I work from dark to light, so I shade the darkest folds first, then add the middle tones and finish up with the lights. Please see below how I approach drawing highlights on colored paper.
  6. In my last step I work on the background that compliments my subject. Here I’ve experimented quite a bit. I added silver acrylic paint to paint the seahorses, so they change their color slightly, depending on the viewer’s position to the drawing. I din’t use any Gamsol on the face because it would make the darks appear too harsh. I fixed the drawing with a final fixative for dry media, spraying it twice outside.

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf

 

Blending & background:

Blending

There are two basic colored pencil blending techniques. One requires blending with a solvent and another with a colorless blender that looks like a pencil. Sometimes one technique is better than the other. While the solvent dissolves the pigment and moves it around fast, making the color look darker and blended, some colors may look too harsh after the application. The pencil full blender ( I recommend the one by Caran d’Ache) blends all the colors equally, but the process is very time-consuming especially if you work large, and requires a very heavy pencil application to achieve even blending.

Background

Background is important. Never draw your subject without considering the color and value of the background behind it as the background determines contrast and edges. You must have enough color on the page to do the blending with Gamsol. Otherwise, there is not enough pigment to dissolve the colors. Be conservative in your application, and never allow your solvent to run like water. Use a small brush to have a controlled application. Let the first layer dry completely.

In my drawing I painted the seahorses with the acrylic paint after the blending. You need to have a good brush for this that keeps a fine point. I didn’t use any water to spread the paint around, but used it for cleaning up the brush periodically, because the acrylic paints dry super fast.

In my second layer I shaded with the same colors with a much heavier pencil pressure.

In my third layer I added light grays and blues to make softer transitions and to achieve a different effect of “soft fuzziness”. I also shaded with grays to neutralize the brightness of the colors so that the background doesn’t “compete” with the figure.

Drawing of white fabric and highlights:

I use pure white colored pencil only over some previously applied color underneath it, reason being white by itself is a cool, dull color that needs a punch. I shade with white with the heaviest pencil pressure over the previously applied light color. I consider the color temperature of the highlight (warm or cool) as well.

What tutorial would you like to see on my website? Post your comments below. 🙂

Listening to the voice within, 15×20 inches, lightfast colored pencils on paper

“Finding the voice within” is the artwork about understanding and trusting yourself to navigate in this world. It’s inspired by the healing energy and colors of the ocean that’s symbolized in the female form.

 

These are some of the tutorials available for download. They teach the basics of color theory, layering and blending in colored pencil.

 

 

 

 

 

how to draw a portrait in colored pencil

Portrait drawing in colored pencil: as love grows within

 

 

In this post I show my basic process of drawing a portrait. While I prefer painting from life, a lot of times it’s not possible. So, I take pictures of a model and then draw from my monitor or a picture. I often add additional elements to my drawing that are not photographed. Here you see me place orchids to the right. Usually, I create drawings as my studies. Some of them become paintings in the future.

Colored Pencil Drawing step-by-step:

Colored Pencil Drawing step-by-step
Step 1

how to draw a portrait

In the beginning I focus on blocking in the shadows, using dark brown and sienna brown.

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
how to draw a portrait
Step 2

Here I add color for the middle tones.

how to draw a portrait
detail

Tip: In my experience, drawing larger is actually faster than drawing small. Since colored pencil is a very slow medium, we tend to draw small. But I figured that I spent more time shading the 9×12″ pieces, had less detail and experienced more problems working small. So I increased the size of this drawing to 15″ x 22″ and it made a big difference to me. I didn’t have to force and cramp every detail in there, yet it looks complete.

 As love grows within, 15x22" lightfast prismacolors and luminance on printmaking paper
As love grows within, 14×20 inches, lightfast colored pencils on paper

About this artwork

Love is  a complex feeling that begins with self-love and self-care. Love moves and helps us grow. Sometimes it’s hard to find love:  it can be as elusive and fragile as these beautiful orchids, but thus we are blessed to see the beautiful things in daring places where others may see nothing at all.

Share my post on your favorite social media platform today!

Tutorials:

On my website you can find several step-by-step colored pencil demonstrations and art books available in a digital and print format. 

 

colored pencil drawings

The power of story-telling in colored pencil art

What is art for you? What pulls you in to look at paintings? Is it the beauty that we see? The color? or an idea? A memory or emotion? It’s all of the above for me.

How I create a story:

  • Step 1

Stories come to me as an emotional response to my surroundings and people I encounter. Creating a painting is falling in love with the idea, a visual element, and even the light shaping the form. I see a lot of beauty in people’s faces even when they may appear ordinary to the outside world. Every person has that special, beautiful side to him or her that I so like to capture!

I usually draw or paint from my pictures, but sometimes I brake the rules and follow my aesthetic and perception, working from my  photographs. When I shoot portraits, I aim to tap into a special place, to open the character of a person, to see a novel side of him or her.

I create stories around the models, and not the other way around. Therefore, it’s vital for me to get the “right expression” or the “right pose” before I could proceed with the design of my artwork. It’s shooting blind at times with plenty of trial and error experiences. After the general edit of my pictures, I pick one or two images to work from.

when-she-sails-11x14-colored-pencil-sm-veronica-winters-colored-pencil
When she sails, 15×20 inches, lightfast colored pencils on paper, private collection

In this drawing the model is an avid lover of boats and travel. I created a nautical background here to highlight the man’s romance with the  sea.

  • Step 2

Next I focus on the overall theme and color of a piece. Blues and greens tend to be calm and soothing, while the reds and yellows give an upbeat vibe. Every color carries its own significance to me and affects the perception of my subject. Thus I almost never leave the background to color last. And even if I do, I know what’s supposed to be there. The idea is set in the beginning and I often draw the background simultaneously with my subject. It’s much easier to maintain the color unity and the overall  movement in the piece this way.

nicaraguan-boy-sm-veronica-winters-colored-pencil
Nicaraguan boy, 9×12 inches, lightfast colored pencils on uart paper

This is a very special drawing for me. I took a picture of the boy in Nicaragua. He wore shabby clothes and I didn’t speak English. Yet, he was eager to pose for me as soon as he saw my Nikon aiming at him. The expression in his eyes is infinite.

  • Step 3

I find the artwork with the narrative to be the most fulfilling to me. It lets me create a world  that may exist although it doesn’t. The power of storytelling is more evident in my oil paintings where I let the figures keep their secrets and give the visual enjoyment to people looking at my work.

Some technical tips drawing in colored pencil:

  • It’s vital to draw on smooth paper. I burned out drawing on textured paper every time i tried it. While Bristol smooth paper might be too smooth for you, I find the Stonehenge papers to be exceptional in terms of layering, smoothness, and color choices.
  • Don’t economize on professional colored pencils. If you still draw with crayola, don’t expect the results you see in other students’ work.  🙂 Some professional brands include: the Prismacolor premier, Pablo, and the top of the line is Luminance.
  • If you are the very beginner in drawing, I strongly suggest to draw objects from life using graphite pencils. Draw one object from different points of view and under various lighting conditions. Adding color is like stepping up a notch or two. So if you are not that good drawing shapes correctly, the colored pencils is not going to fix it for you. A few of my art instruction books have demos done in graphite and then progress to colored pencil drawing. You can check them out here: http://www.veronicasart.com/Books.shtml , or find the book descriptions right here in my blog, by doing a title search.
  • Join a few Facebook groups to inspire and be inspired! Sharing helps to get good feedback, if you ask for it.
  • Have fun with it!!!!!!

How I draw in colored pencil step-by-step:

This demonstration gives you an idea how I draw in colored pencil.

  • Step 1-3

I work out the outlines on a sketch paper and then transfer the lines using the transfer paper. If it’s a portrait, I always begin drawing the eyes first. Nothing works, if the eyes don’t.

  • Step 4

I mass out the hair with the darkest color I see in the model. I don’t look at individual strands, rather focus on major shapes and masses.

  • Step 5

I draw the shadows in the face.

  • Step 6

I work on subtle shifts in color and value in the face. This is not easy to achieve, believe it or not. The trick is to overlap colors, instead of layering colors next to each other.

  • Step 7

I add color to the hair and strengthen the highlights.

  • Step 8

I add flowers as my background using the same color scheme I have in the model. For outlines of the flowers I use gold metallic pencil. I didn’t draw the flowers first because I knew I’d smudge these light colors while drawing the hair.

I always spray my drawings with a final fixative to protect them from the UV rays and moisture.

how to draw

My drawing methods shown on YouTube:

Shading: one mistake every beginner makes https://youtu.be/GaDyhypmWwY

The colored pencil demo of drawing a cherry: https://youtu.be/onvAG_TpV8o

Still life drawing:  https://youtu.be/rP3pUQszhKU

 

 

what are the best brushes for painting?

Brushes to start painting in oils or acrylics and how to care for them

Admit it, if you’ve started painting recently you’ve noticed that it’s a challenge to get good brushes for your art. They either don’t last very long, or you get the wrong kind buying them online. Let’s look at their properties first to understand what you need to have in your art box.

Brushes differ in size, shape, and type of bristles.

 

Size

The higher the number the larger the brush you get. For example #0000-0 brushes are for super fine detail, # 2-4 brushes are for small work, # 6-10+ for general application of paint.

Shape

There are rounds, flats, liners, chisel tips, filberts, and fans. The shape of a brush determines the stroke you can make with it. The rounds  have a fine point and are good for small, detailed application of paint, flats are for a large coverage of paint or to make a wide stroke; fans are good for gentle blending of the edges and for creation of some textures like tree foliage. My favorites are the filberts because they give me two distinct strokes. Depending on the rotation of my brush, it can give me either a flat stroke or a thin, fine line that’s great for defining and maintaining straight edges.

Types of brushes

There are very soft watercolor brushes and stiffer, oil/acrylic painting brushes. In general, watercolor brushes are too soft to maintain a point filled with oil paint, but watercolor 1″ flats are great for blending large areas of paint right after a painting session ( it’s a brush with a transparent handle in the picture).

There are three main kinds of oil/acrylic brushes: the bristle ones, the synthetic ones, and a blend of synthetic and sable hairs. Both the bristle and the synthetic ones are necessary for oil or acrylic painting.

The bristle brushes ( shown at the top of the picture) are always used in a first, rough layer of painting to put paint on canvas and to mass out shapes. It’s difficult to paint the first layer with the synthetic ones on canvas, because they are too soft for this step and don’t spread the paint around easily. Use a bit of Gamsol with your first paint layer to dilute and to move paint around a canvas. I find that major manufacturers produce similar bristle brushes that don’t differ much in quality. I would avoid the cheapest ones though because they shed hairs a lot that get embedded into the wet paint, if you don’t take them out of your artwork during painting.

The synthetic brushes are often used in subsequent applications of paint. With each layer your painting becomes more refined just like the brushes. I use #2 round and #2-4 filbert for most work and #6-8 to paint larger areas.

I find that this 5-pack synthetic brush set works best for beginners: http://www.jerrysartarama.com/discount-art-supplies/brushes-and-palette-knives/oil-and-acrylic-brushes/robert-simmons-oil-and-acrylic-brushes/simply-simmons-oil-and-acrylic-brushes-wallet-sets.htm . It has different brush types to try out. Also, the Robert Simmons brushes’ quality is OK for its price. They don’t last forever, but perform quite well in comparison to other more expensive brushes I’ve tried so far. I also buy them separately, if I need a particular size or a tip.

For fine detail I also use a #0 liner “scepter gold II”, a sable/synthetic blend by Windsor & Newton.

If you want your brushes to keep their shape, it’s not only the quality of the hairs to pay attention to, but also how you wash them.

Brush care

If you want your brushes to last, take good care of them. Squeeze all the unused paint out of your brush, using a paper towel. Then use a solvent like Gamsol to swish them around in a glass jar, and then wash them out with a soap bar and warm water. I skip the solvent step most of the time because of the two reasons: one is a plain health precaution and another one is care for my brush hairs. The solvent dilutes the paint and damages the hairs, in my opinion.

I wipe the water off of every brush, and rest them flat on a paper towel, so the excess water doesn’t run underneath the ferrules, damaging them.

One more thing. Brushes wear out a lot faster working on textured canvases. Use smooth panels or slightly textured canvases to keep your brushes like new.

Presto!

 

Visit my website www.veronicasart.com  to see new art. The tutorials page has one oil painting demonstration in both a pdf file and a video found here.

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf

 

 

Colored pencil drawing on archival board

I like to experiment with different surfaces drawing in colored pencil, searching for the most archival support for my art. Since most people find the colored pencil work inferior to oil painting and even pastel painting, finding the right, archival surface takes the fear away from your clients who wish to buy your artwork otherwise.

The slightly sanded, colored surface of the Amersand pastelbord is similar to the 800 grit Uart paper, which is great for soft pastel painting. Just like the Uart paper, the pastelbord has similar pros and cons.

 

Advantages:

  • Ampersand offers a nice variety of colored surfaces: sand, dark green, white, gray, and other neutral colors. It takes much less time to shade on colored surface rather than on white.
  • Artworks look vivid drawn on this board.
  •  This archival surface doesn’t bend or crumble, stays flat at all times.
  • It offers easy display without glass. Just make sure you fix your art beforehand with 3 layers of final fixative. Now you have neither glass reflections nor scare to transport the art!
  • The Ampersand pastelbords come in standard sizes that makes it super easy to frame nicely!

colored pencil drawing

Disadvantages:

  • The sanded surface really limits me with a number of layers I can put on it.
  • It “eats” my colored pencils. If you buy expensive, lightfast pencils, they don’t last long drawing on this surface, and you’d have to replenish them quite often.
  • It’s best to use harder pencils on these boards like Pablos to fill in all the detail.
  • The boards cost more than the average drawing paper, of course.

What do you think? Have you tried the pastelboards with colored pencils yet? Let me know in the comments below.

peacock feather in colored pencil

colored pencil drawing

rose colored pencil on pastelbord

Here you can see framed artworks completed on pastelbord.

rose colored pencil by veronica winters
Pink rose, 9×12 inches, lightfast colored pencils on pastelbord

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration!

 

how to draw highlights

How to draw realistic highlights in graphite, colored pencil and oil paint

When we look at realist paintings, we try to figure out how an artist manages to achieve such level of realism in his or her art.

There are three elements that make drawings and paintings look three-dimensional on a flat surface:

  • the drawing accuracy of shapes
  • clear understanding how the light turns the form
  • and the correct placement of highlights on objects, fabric and people.

In this post I cover how to see and place highlights, using various media.

 What is highlight and how do you find it?

Highlights are the lightest lights or the whitest spots you find on your objects. Always analyze the light direction and the light source. Is it coming from the left or right, top or bottom? You’d find the lightest areas on all objects being the closest to that light source.

The distribution of light on objects

 

The placement of highlights on your object is often logical. Analyze the light direction. If it comes from the left corner, then your highlights would be on the object’s left hand side. If the light comes from above, then the highlights accumulate on the object’s top.

If it’s a vase, a cup or a bottle directional highlights would appear on the object’s surface where the object usually curves or changes direction.

You may see secondary lights in your set up as well. Usually they’re light but not as strong as the highlights. Make sure they remain secondary and don’t compete with your major few highlights. This way you create a hierarchy of the light and shadow.

Aphrodite plaster cast | Here the light comes from the left, illuminating half of the face. Therefore all highlights remain on the left side of the face.

 

How to place highlights in graphite drawing

To draw the highlights on your objects, shade over the area lightly with a hard pencil (2H) and then use the kneaded eraser to pull the highlights with it. This eraser doesn’t leave any residue and gives a perfect soft edge around the highlights. Therefore, the highlights look natural, rather than outlined.

A study of the David’s eye, 9×12″ graphite on white Strathmore drawing paper. The highlights’re pulled with the kneaded eraser to make the whitest areas.

 

portrait drawing in pencil
Believing that the impossible is possible, graphite on paper, 11×14.

The highlights’re pulled with the kneaded eraser on her cheek, neck, ear and in and around the eye.

 

How to place highlights in colored pencil drawing

On white paper:

In colored pencil drawing on white paper, I preserve the highlights by carefully reserving the white space around each highlight with a light colored pencil, using light peach or cream color. So, the whiteness of the paper is the highlight itself.

Highlights always stay free of any shading. Don’t use white colored pencil to color your highlights! You will lose the luminosity. This technique is similar to watercolor painting where you paint around your highlights. However, there are times when I shade with the white colored pencil around the highlight itself to soften the edges, and to transition into the light.

Still life with a vase, 9×12 inches, lightfast colored pencils on paper, available for purchase.

This drawing was done on white, Bristol smooth paper with the lightest areas remaining free of any shading to preserve luminosity.

On colored paper:

If I draw on colored paper, I place the highlight by mixing two colored pencils together. The first one gives me either warm or cool undertone and the second one is the white colored pencil itself. Usually I use a very heavy pencil pressure  to shade over the space with white.

white-fabric-
A study of fabric, 9×12 inches, lightfast colored pencils on Stonehenge paper. Here the light comes from the left. Therefore the lightest part of the fabric with its highlights remains on the left side.

 

This is a drawing detail completed on orange paper. It has the white highlights placed over the light yellow and light blue colors.

How to place highlights in oil or acrylic painting

Even the brightest highlights have a little bit of color in them. Analyse the light to see if they are warm (yellowish-orange) or cool (bluish-greenish), and add a touch of color to your white paint. Titanium white is a cool, dull color by itself. That’s why the beginner paintings have a lot of white in them, but no sense of the light, which is created with glazes, scumbling, and layering rather than with lots of chalky, white paint.

David’s eye with sea shells and white fabric, 16×20″, oil on canvas, available for purchase

To learn more about the distribution of light, reflections and reflective surfaces, you can buy my digital book here: http://veronicasart.com/product/creative-techniques-colored-pencil-graphite-oil-painting-digital-art-book/

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration!