Category: Colored pencil techniques

6 drawing mistakes & how to fix them fast!

As I’ve been teaching drawing since 2004, I came to understanding what mistakes every art student makes on his/her path. Today I’d like to list the most common mistakes and to provide you with the solution to each of them.

  1. I have crooked lines that make my drawing look uneven.

Fix: Work on the perfection of your drawing by checking the “anatomy” of your shapes in a mirror for possible mistakes. When you look at your image in the mirror, your mind reads the information differently, allowing you to see the mistakes. The same happens when you look at your artwork upside down.

Look at your artwork upside down or in a mirror to catch the mistakes.
Look at your artwork upside down or in a mirror to catch the mistakes.
  1. My drawing lacks clarity.

Fix: Always shade right to the edge of your outline without leaving the uneven, white spaces. When we shade we have the tendency to lose the edge. As a result our drawing falls apart by becoming uniformly soft, lacking focus and definition. While not everything should be defined or outlined, most students have a problem of not “connecting” the numerous lines (in other words, making the shading even).

So, outline the edge with the line of the correct value (tone) and shade right to that edge to restore the original outline.

This video illustrates the concept: https://youtu.be/GaDyhypmWwY

drawing-mistakes-and-how-to-fix-them
The black lines show you where the unevenness of shading happens, creating the ‘broken’ lines that destroy the sense of the form. Shadows must look uniform without any white spots present in between your lines!
  1. My drawing looks messy.

When we sketch out the lines graphite tends to smear all over the place. It’s important to keep the drawing clean to give a nice impression of a finished work even if it’s not finished. While it sounds obvious, you won’t believe how many students make messy drawings!

If you draw in colored pencil, it’s vital to keep all the graphite pencil marks super light and avoid smudging as much as possible.

Fix: the kneaded eraser is your best bet! It doesn’t leave any residue on paper and erases softly.

4. The objects in my drawing escape or fall off the page.

Start your sketch with the envelope where you mark the top, bottom and sides of your objects. Then draw inside those markings without “leaving” the envelope.

This sketch shows how to start drawing correctly by sketching out the "boundaries" of the object first, and then breaking them down to smaller shapes.
This sketch shows how to start drawing correctly by sketching out the “boundaries” of the object first, and then breaking them down into smaller shapes.

 

5. I focus on drawing the contour so hard, but it never looks right when I’m done.

Fix: always make directional lines first, and position your shape over that line. This technique gives you the right rotation & position of your subjects in space.

creative-techniques-book-sample-pages49
This is a page taken from the ‘Creative Techniques’ art book that illustrates the concept of subjects’ rotation in space. The line in the center gives the direction to the object, or places it in space correctly. Then you simply draw the object over it.

6. I don’t know where to start shading.

Fix: start shading from your darkest shadows! Then continue to your mid tones and finish up with the lightest shading around the highlights.

This is another page from the book that shows you this concept. You block in the darkest areas first, and then erase the highlights and make tonal transitions.
This is another page from the book that shows you this concept. You block in the darkest areas first, erase the highlights, and make additional tonal transitions.

Hope it helps! And now you can go and create your masterpiece following these tips. 😁

portrait drawing in pencil
Believing that the impossible is possible, graphite on paper, 11×14″

 

how to draw tutorials special
7 tutorials special

Step by step drawing tutorials can be found here.

 

How to use the artist’s color wheel

how to use the artist's color wheel

Color theory seems overwhelming at first, and I find it hard to remember all of the definitions at once. This visual tool is a must-have for all realist artists because it’s visual and makes it easy to reference colors and to make color choices!

In this video I explain how to use the artist’s color wheel to understand color theory and how to apply it to your artistic process.

 

www.VeronicasArt.com

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
how to blend colored pencils with solvents

How to blend colored pencils with a solvent

In this 1-minute video I show the basics of colored pencil blending with Gamsol. You can substitute Gamsol for another solvent like Turpenoid Natural.

You must have wax-based colored pencils like Prismacolor Premier or Luminance for this technique to work.

It works well on dark to medium colors. I use a different technique for blending the lights. 🙂

Stay kind,

Veronica

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! 

 

Or go to my website www.veronicasart.com to subscribe!

how to draw a portrait in colored pencil

How to draw a person in colored pencil step by step

Here you’ll find the information how to draw a person in colored pencil step by step. Over the years I’ve drawn various subjects, but drawing people is becoming my passion. I love to draw stories and emotions though the human form. Before we start, please consider the following drawing tips that will help you find, or set up the subject for your project.

Before you start drawing

  • Pick the person to draw that will keep you interested and motivated to take your artwork to the finish line.
  • Always consider and study the lighting on your model. Most colored pencil artists work from pictures. Learn to take good pictures as your reference material. To begin you may look at portrait photography online to understand how the light changes the form.
  • Keep track of some professional artists working in the field, and study their artwork for composition, design, and the use of a color.
  • If you just start out pick the image with a face looking straight at you. Eliminate the head’s rotation for now that complicates things.

Step by step demonstration

I had a photo shoot with my model, positioning her under a single light to give me definite shadows.

In this demonstration I use a very light grey, smooth, printmaking paper, the surface of which is similar to Stonehenge paper pad. I also draw with the Prismacolor Premier colored pencils and Luminance. I use Gamsol solvent with a synthetic brush and Caran d’Ache full blender for blending.

how to draw a person step by step

 

  1. I work on the outline of my drawing on a sketch paper, and then transfer it to my high-quality drawing paper. It’s crucial to get the anatomy right at this step. Therefore I take my time and check for mistakes by looking at my drawing in the mirror. I keep fixing the outlines until the portrait looks good to me. Next I create the underpainting by working from dark to light in one dominant color that I see in my photo. Here I use dark brown to complete the initial shading. I focus on shadows only to block them in with the consistency needed to develop a sense of light and shade.
  2. In the second step I carefully introduce the second color and slightly overlap it over the first one to create softer transition into the light.
  3. In the third step I focus on the face and add warmer colors (yellows and pinks) in the middle tones.
  4. In this step I throw the same colors I’ve used in the face into her neck, arms and even hair. This is important to do for color unity, so that everything ties together visually. This is the main reason why I work from general to specific, and don’t draw one area from start to finish, ignoring the rest of the picture.
  5. I introduce the blues and lilacs into her shirt that creates a play between the warm skin tones and cool hues of the clothing. As usual I work from dark to light, so I shade the darkest folds first, then add the middle tones and finish up with the lights. Please see below how I approach drawing highlights on colored paper.
  6. In my last step I work on the background that compliments my subject. Here I’ve experimented quite a bit. I added silver acrylic paint to paint the seahorses, so they change their color slightly, depending on the viewer’s position to the drawing. I din’t use any Gamsol on the face because it would make the darks appear too harsh. I fixed the drawing with a final fixative for dry media, spraying it twice outside.

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf

 

Blending & background:

Blending

There are two basic colored pencil blending techniques. One requires blending with a solvent and another with a colorless blender that looks like a pencil. Sometimes one technique is better than the other. While the solvent dissolves the pigment and moves it around fast, making the color look darker and blended, some colors may look too harsh after the application. The pencil full blender ( I recommend the one by Caran d’Ache) blends all the colors equally, but the process is very time-consuming especially if you work large, and requires a very heavy pencil application to achieve even blending.

Background

Background is important. Never draw your subject without considering the color and value of the background behind it as the background determines contrast and edges. You must have enough color on the page to do the blending with Gamsol. Otherwise, there is not enough pigment to dissolve the colors. Be conservative in your application, and never allow your solvent to run like water. Use a small brush to have a controlled application. Let the first layer dry completely.

In my drawing I painted the seahorses with the acrylic paint after the blending. You need to have a good brush for this that keeps a fine point. I didn’t use any water to spread the paint around, but used it for cleaning up the brush periodically, because the acrylic paints dry super fast.

In my second layer I shaded with the same colors with a much heavier pencil pressure.

In my third layer I added light grays and blues to make softer transitions and to achieve a different effect of “soft fuzziness”. I also shaded with grays to neutralize the brightness of the colors so that the background doesn’t “compete” with the figure.

Drawing of white fabric and highlights:

I use pure white colored pencil only over some previously applied color underneath it, reason being white by itself is a cool, dull color that needs a punch. I shade with white with the heaviest pencil pressure over the previously applied light color. I consider the color temperature of the highlight (warm or cool) as well.

What tutorial would you like to see on my website? Post your comments below. 🙂

Listening to the voice within, 15×20 inches, lightfast colored pencils on paper

“Finding the voice within” is the artwork about understanding and trusting yourself to navigate in this world. It’s inspired by the healing energy and colors of the ocean that’s symbolized in the female form.

 

These are some of the tutorials available for download. They teach the basics of color theory, layering and blending in colored pencil.

 

 

 

 

 

how to draw a portrait in colored pencil

Portrait drawing in colored pencil: as love grows within

 

 

In this post I show my basic process of drawing a portrait. While I prefer painting from life, a lot of times it’s not possible. So, I take pictures of a model and then draw from my monitor or a picture. I often add additional elements to my drawing that are not photographed. Here you see me place orchids to the right. Usually, I create drawings as my studies. Some of them become paintings in the future.

Colored Pencil Drawing step-by-step:

Colored Pencil Drawing step-by-step
Step 1

how to draw a portrait

In the beginning I focus on blocking in the shadows, using dark brown and sienna brown.

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
how to draw a portrait
Step 2

Here I add color for the middle tones.

how to draw a portrait
detail

Tip: In my experience, drawing larger is actually faster than drawing small. Since colored pencil is a very slow medium, we tend to draw small. But I figured that I spent more time shading the 9×12″ pieces, had less detail and experienced more problems working small. So I increased the size of this drawing to 15″ x 22″ and it made a big difference to me. I didn’t have to force and cramp every detail in there, yet it looks complete.

 As love grows within, 15x22" lightfast prismacolors and luminance on printmaking paper
As love grows within, 14×20 inches, lightfast colored pencils on paper

About this artwork

Love is  a complex feeling that begins with self-love and self-care. Love moves and helps us grow. Sometimes it’s hard to find love:  it can be as elusive and fragile as these beautiful orchids, but thus we are blessed to see the beautiful things in daring places where others may see nothing at all.

Share my post on your favorite social media platform today!

Tutorials:

On my website you can find several step-by-step colored pencil demonstrations and art books available in a digital and print format. 

 

the best colored pencils

The best professional colored pencils and graphite pencils for artists

 

Would you like to know what makes a big difference in your drawing? Yep, you guessed it, it’s the colored pencils you use! Ditch your Crayola and pick one of the brands listed here. You won’t be disappointed. And to make sure of that, here is a short video explaining you the difference between a good pencil and a bad one.

The video

 

What makes the professional colored pencils different?

  • lightfastness
  • lead’s softness
  • durability (breakage of its core)

Brands worth your buck:

 

 

  • The absolute best are Swiss made Caran d’Ache Luminance. They have the best lightfastness rating, the strongest core and the softest lead to produce professional colored pencil drawings. They are the most expensive ones too, sold at $4 per pencil.
  • Prismacolor Premier colored pencils have a very soft core and nice coverage, but not all of them are lightfast. You should download their lightfastness chart to see the rating of every pencil they have. LF-1 and LF-2 are good to go, but avoid using pencils with the # III and # IV ratings. They fade from your page within 2 years. Literally.
  • Swiss made, Pablo colored pencils is a cheaper alternative to the Luminance manufactured by the same company. These have a very strong core that resists breakage, but they are not as soft and don’t have as much pigment as other pencils listed here. These are great for developing details in my work. The lightfastness star rating is written on them.
  • Coming from Germany, The Faber-Castell Polychromos colored pencils are different from the brands mentioned above, because they don’t have the wax in them and behave more like soft pastels when you start blending them. Therefore, solvents don’t work on them as well as on wax-based colored pencils. They have a very strong lead with the lightfastness rating written on every pencil.

 

 Some of the tutorials available for download:

how to draw reflections

http://veronicasart.com/step-step-drawing-tutorials/

http://veronicasart.com/step-step-drawing-tutorials/
http://veronicasart.com/step-step-drawing-tutorials/

 

What makes the professional graphite pencils stand out from the rest?

  • High quality of the lead
  • Resistance to breakage
  • Consistent coverage
  • Various degrees of softness and hardness. (9H is the hardest pencil for the lightest shading, and 9B is the softest pencil for the creation of the darkest values).

The best graphite pencils:

  • Coming from Japan, the Tombow Mono graphite pencils are the top of the line for professional drawing.
  • The Cretacolor Monolith woodless pencils
  • Prismacolor ebony graphite pencils are great for beginners in art that don’t need to sacrifice quality over the money spent on art supplies.
  • The Faber-Castell 9000 graphite pencils

Of course, there are many more brands and pencils. Instead of buying a box, buy them separately at a local store or online. Work with them and then invest into the professional box of colored pencils you like best! 🙂

 

 

 

 

 

colored pencil drawings

The power of story-telling in colored pencil art

What is art for you? What pulls you in to look at paintings? Is it the beauty that we see? The color? or an idea? A memory or emotion? It’s all of the above for me.

How I create a story:

  • Step 1

Stories come to me as an emotional response to my surroundings and people I encounter. Creating a painting is falling in love with the idea, a visual element, and even the light shaping the form. I see a lot of beauty in people’s faces even when they may appear ordinary to the outside world. Every person has that special, beautiful side to him or her that I so like to capture!

I usually draw or paint from my pictures, but sometimes I brake the rules and follow my aesthetic and perception, working from my  photographs. When I shoot portraits, I aim to tap into a special place, to open the character of a person, to see a novel side of him or her.

I create stories around the models, and not the other way around. Therefore, it’s vital for me to get the “right expression” or the “right pose” before I could proceed with the design of my artwork. It’s shooting blind at times with plenty of trial and error experiences. After the general edit of my pictures, I pick one or two images to work from.

when-she-sails-11x14-colored-pencil-sm-veronica-winters-colored-pencil
When she sails, 15×20 inches, lightfast colored pencils on paper, private collection

In this drawing the model is an avid lover of boats and travel. I created a nautical background here to highlight the man’s romance with the  sea.

  • Step 2

Next I focus on the overall theme and color of a piece. Blues and greens tend to be calm and soothing, while the reds and yellows give an upbeat vibe. Every color carries its own significance to me and affects the perception of my subject. Thus I almost never leave the background to color last. And even if I do, I know what’s supposed to be there. The idea is set in the beginning and I often draw the background simultaneously with my subject. It’s much easier to maintain the color unity and the overall  movement in the piece this way.

nicaraguan-boy-sm-veronica-winters-colored-pencil
Nicaraguan boy, 9×12 inches, lightfast colored pencils on uart paper

This is a very special drawing for me. I took a picture of the boy in Nicaragua. He wore shabby clothes and I didn’t speak English. Yet, he was eager to pose for me as soon as he saw my Nikon aiming at him. The expression in his eyes is infinite.

  • Step 3

I find the artwork with the narrative to be the most fulfilling to me. It lets me create a world  that may exist although it doesn’t. The power of storytelling is more evident in my oil paintings where I let the figures keep their secrets and give the visual enjoyment to people looking at my work.

Some technical tips drawing in colored pencil:

  • It’s vital to draw on smooth paper. I burned out drawing on textured paper every time i tried it. While Bristol smooth paper might be too smooth for you, I find the Stonehenge papers to be exceptional in terms of layering, smoothness, and color choices.
  • Don’t economize on professional colored pencils. If you still draw with crayola, don’t expect the results you see in other students’ work.  🙂 Some professional brands include: the Prismacolor premier, Pablo, and the top of the line is Luminance.
  • If you are the very beginner in drawing, I strongly suggest to draw objects from life using graphite pencils. Draw one object from different points of view and under various lighting conditions. Adding color is like stepping up a notch or two. So if you are not that good drawing shapes correctly, the colored pencils is not going to fix it for you. A few of my art instruction books have demos done in graphite and then progress to colored pencil drawing. You can check them out here: http://www.veronicasart.com/Books.shtml , or find the book descriptions right here in my blog, by doing a title search.
  • Join a few Facebook groups to inspire and be inspired! Sharing helps to get good feedback, if you ask for it.
  • Have fun with it!!!!!!

How I draw in colored pencil step-by-step:

This demonstration gives you an idea how I draw in colored pencil.

  • Step 1-3

I work out the outlines on a sketch paper and then transfer the lines using the transfer paper. If it’s a portrait, I always begin drawing the eyes first. Nothing works, if the eyes don’t.

  • Step 4

I mass out the hair with the darkest color I see in the model. I don’t look at individual strands, rather focus on major shapes and masses.

  • Step 5

I draw the shadows in the face.

  • Step 6

I work on subtle shifts in color and value in the face. This is not easy to achieve, believe it or not. The trick is to overlap colors, instead of layering colors next to each other.

  • Step 7

I add color to the hair and strengthen the highlights.

  • Step 8

I add flowers as my background using the same color scheme I have in the model. For outlines of the flowers I use gold metallic pencil. I didn’t draw the flowers first because I knew I’d smudge these light colors while drawing the hair.

I always spray my drawings with a final fixative to protect them from the UV rays and moisture.

how to draw

My drawing methods shown on YouTube:

Shading: one mistake every beginner makes https://youtu.be/GaDyhypmWwY

The colored pencil demo of drawing a cherry: https://youtu.be/onvAG_TpV8o

Still life drawing:  https://youtu.be/rP3pUQszhKU

 

 

Colored pencil drawing on archival board

I like to experiment with different surfaces drawing in colored pencil, searching for the most archival support for my art. Since most people find the colored pencil work inferior to oil painting and even pastel painting, finding the right, archival surface takes the fear away from your clients who wish to buy your artwork otherwise.

The slightly sanded, colored surface of the Amersand pastelbord is similar to the 800 grit Uart paper, which is great for soft pastel painting. Just like the Uart paper, the pastelbord has similar pros and cons.

 

Advantages:

  • Ampersand offers a nice variety of colored surfaces: sand, dark green, white, gray, and other neutral colors. It takes much less time to shade on colored surface rather than on white.
  • Artworks look vivid drawn on this board.
  •  This archival surface doesn’t bend or crumble, stays flat at all times.
  • It offers easy display without glass. Just make sure you fix your art beforehand with 3 layers of final fixative. Now you have neither glass reflections nor scare to transport the art!
  • The Ampersand pastelbords come in standard sizes that makes it super easy to frame nicely!

colored pencil drawing

Disadvantages:

  • The sanded surface really limits me with a number of layers I can put on it.
  • It “eats” my colored pencils. If you buy expensive, lightfast pencils, they don’t last long drawing on this surface, and you’d have to replenish them quite often.
  • It’s best to use harder pencils on these boards like Pablos to fill in all the detail.
  • The boards cost more than the average drawing paper, of course.

What do you think? Have you tried the pastelboards with colored pencils yet? Let me know in the comments below.

peacock feather in colored pencil

colored pencil drawing

rose colored pencil on pastelbord

Here you can see framed artworks completed on pastelbord.

rose colored pencil by veronica winters
Pink rose, 9×12 inches, lightfast colored pencils on pastelbord

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration!

 

how to draw highlights

How to draw realistic highlights in graphite, colored pencil and oil paint

When we look at realist paintings, we try to figure out how an artist manages to achieve such level of realism in his or her art.

There are three elements that make drawings and paintings look three-dimensional on a flat surface:

  • the drawing accuracy of shapes
  • clear understanding how the light turns the form
  • and the correct placement of highlights on objects, fabric and people.

In this post I cover how to see and place highlights, using various media.

 What is highlight and how do you find it?

Highlights are the lightest lights or the whitest spots you find on your objects. Always analyze the light direction and the light source. Is it coming from the left or right, top or bottom? You’d find the lightest areas on all objects being the closest to that light source.

The distribution of light on objects

 

The placement of highlights on your object is often logical. Analyze the light direction. If it comes from the left corner, then your highlights would be on the object’s left hand side. If the light comes from above, then the highlights accumulate on the object’s top.

If it’s a vase, a cup or a bottle directional highlights would appear on the object’s surface where the object usually curves or changes direction.

You may see secondary lights in your set up as well. Usually they’re light but not as strong as the highlights. Make sure they remain secondary and don’t compete with your major few highlights. This way you create a hierarchy of the light and shadow.

Aphrodite plaster cast | Here the light comes from the left, illuminating half of the face. Therefore all highlights remain on the left side of the face.

 

How to place highlights in graphite drawing

To draw the highlights on your objects, shade over the area lightly with a hard pencil (2H) and then use the kneaded eraser to pull the highlights with it. This eraser doesn’t leave any residue and gives a perfect soft edge around the highlights. Therefore, the highlights look natural, rather than outlined.

A study of the David’s eye, 9×12″ graphite on white Strathmore drawing paper. The highlights’re pulled with the kneaded eraser to make the whitest areas.

 

portrait drawing in pencil
Believing that the impossible is possible, graphite on paper, 11×14.

The highlights’re pulled with the kneaded eraser on her cheek, neck, ear and in and around the eye.

 

How to place highlights in colored pencil drawing

On white paper:

In colored pencil drawing on white paper, I preserve the highlights by carefully reserving the white space around each highlight with a light colored pencil, using light peach or cream color. So, the whiteness of the paper is the highlight itself.

Highlights always stay free of any shading. Don’t use white colored pencil to color your highlights! You will lose the luminosity. This technique is similar to watercolor painting where you paint around your highlights. However, there are times when I shade with the white colored pencil around the highlight itself to soften the edges, and to transition into the light.

Still life with a vase, 9×12 inches, lightfast colored pencils on paper, available for purchase.

This drawing was done on white, Bristol smooth paper with the lightest areas remaining free of any shading to preserve luminosity.

On colored paper:

If I draw on colored paper, I place the highlight by mixing two colored pencils together. The first one gives me either warm or cool undertone and the second one is the white colored pencil itself. Usually I use a very heavy pencil pressure  to shade over the space with white.

white-fabric-
A study of fabric, 9×12 inches, lightfast colored pencils on Stonehenge paper. Here the light comes from the left. Therefore the lightest part of the fabric with its highlights remains on the left side.

 

This is a drawing detail completed on orange paper. It has the white highlights placed over the light yellow and light blue colors.

How to place highlights in oil or acrylic painting

Even the brightest highlights have a little bit of color in them. Analyse the light to see if they are warm (yellowish-orange) or cool (bluish-greenish), and add a touch of color to your white paint. Titanium white is a cool, dull color by itself. That’s why the beginner paintings have a lot of white in them, but no sense of the light, which is created with glazes, scumbling, and layering rather than with lots of chalky, white paint.

David’s eye with sea shells and white fabric, 16×20″, oil on canvas, available for purchase

To learn more about the distribution of light, reflections and reflective surfaces, you can buy my digital book here: http://veronicasart.com/product/creative-techniques-colored-pencil-graphite-oil-painting-digital-art-book/

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration!

How to draw & paint realistic shadows in colored pencil, graphite and paint

If you’re interested in understanding how to draw anything realistically, you’ve got to understand how to see the shadows. The right placement of shadows helps artists create the three-dimensional illusion on a flat surface.

The distribution of light

This image shows a general distribution of light on reflective objects with the light coming from the right. As a result, the shadows are on the left.

How to draw shadows | This image shows the distribution of light on a solid object with the light coming from the left, forming shadows on the right. |Image taken from the “Creative techniques” art instruction book.

What are the shadows?

There are two types of shadows: the form (or core) shadow and the cast shadow.

The form shadow is present on the object itself, and is of the darkest value (tone). It appears where the light turns into darkness. You can see the form shadows on various objects including faces, fabric, flowers, etc. The form shadow makes the objects look three-dimensional, and if you don’t see it, the objects remain flat in your artwork.

The cast shadow(s) is situated right under the object and is always attached to it.

While the form shadows give the objects the roundness or volume, cast shadows give the physical presence to objects. They “make” the object look heavy set in the environment it’s in. Sometimes the cast shadows are a lot more interesting to draw than the object itself.

Some additional examples of cast shadows and form shadows:

 

how to draw shadows
The distribution of light on a sea-biscuit

Adjusting the light

If you see no clear shadows in your still life or a photo, it’s much harder to create the 3-D illusion on paper, if you’re a beginner. While we usually have no problem spotting the cast shadows seen on tables or windowsills, found under the fruit or vases, we do often find it difficult to pinpoint the location of the form shadow present on the fruit/object itself. Strong, directional lighting helps to find the form shadow. Play with the light to see a variety of shadows on and under your objects.

Seeing shadows in glass

Still life with a wine glass, 9×12 inches, lightfast colored pencils on paper, private collection

Not every object confirms to the same formula I’ve described above. For instance, drawing reflective objects and glass requires a different approach to create the 3-D illusion. I explain how to draw a wine glass and other surfaces in the step-by-step demonstrations listed here.

 

Feel free to share my website with your friends!

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration!