Author: veronica

4 reasons not to paint on cheap canvases from Michael’s, Hobby Lobby, Lowes & alike. Canvas review

Do you shop at these places for canvases? Michael’s, Hobby Lobby, Walmart, Lowes or online art supply retailers? When everything doubled or tripped in price in the art supplies section, these affordable canvases seem to be a steal. But are they really worth it? Stop 🛑 painting on these canvases now!

canvas and art supplies review

Video on YouTube: https://youtu.be/oxygIkpOwLA

4 reasons to stop painting on cheap canvases from Michael’s, Hobby Lobby, Lowes & alike.

Here are 4 reasons to stop buying cheap canvases at craft stores:

  1. Cheap wood doesn’t hold the frame in a long run unless you frame the art soon after its completion. The frames are often crooked and the stretcher bars are not stapled together. It could be all right for a small canvas but not for a big one because large canvases need more support to hold everything up together.
  2. You can’t be confident selling your art that’s produced using crappy art supplies. These canvases will begin to degrade within your lifetime (and this is a very conservative estimate).
  3. This material is not a high-quality canvas. I can’t even tell you what it really is. It can rip and ripple easily. Constant flactuations in room temperature cause cracks in art. This material is asking for trouble.
  4. This gesso (the white ground that covers panels and canvases) is not a high-quality gesso either. And that’s the biggest problem with the craft canvases in my opinion, because oil paint doesn’t form a permanent bond with this surface. It doesn’t stick even if it looks ok on the first sight. It’s very easy to damage the surface. Any shuffling of a painted art rubbed against something will damage the art. I’m not sure that acrylic paint forms a bond with this surface either. Beware.

Combine this horrible surface with low-quality, cheap paints and you got yourself a painting that will crack, fade and change it’s shape pretty soon. Do you really want that?


Affordable alternatives: paint on these high-quality panels instead

Here are some very good alternatives to paint on.

high quality panels for oil painting

Paint on panels:


My personal preference is a medium-textured panel like Ampersand gessobord or aluminum panels by Artefex. Artefex Alcotpanel is aluminum panel with a primed cotton canvas mounted on ACM and ready to paint on. Da vinci pro wood boards are also very good.

The gesso quality is very important. Golden products are very good. I’m not an affiliate of any of these companies. I just like the quality and price of their art supplies. Panels don’t fluctuate with a change in room temperature or humidity unlike canvas. Old art looks ok painted on wood panels… Raphael Premium Archival OIL PRIMED linen panels are designed for oil painting only because their gesso is oil-based, not acrylic-based like the majority of gesso brands sold today. https://amzn.to/3VRUSBt

colored pencil manual veronica winters
These art instruction books are on sale on Amazon!

Paint on canvas:

If you prefer the lightweight of a canvas, try working on a Belgian linen or more affordable canvas like Unprimed Cotton Duck #10 – Uniform Canvas Surface. It should be heavy and uniform. It’s best to buy a canvas in a roll rather than in a blanket format. The blanket could have creeses that are difficult to get rid of.
It can be a challenge to buy a good canvas shopping online because you can’t see or touch it. Some canvases have a very thin thread and you can almost look through them. Look into the numbers to understand which one is good. For example, unprimed cotton duck #10 is a thick material…

I hope this post and video helps you decide on your art materials choices or at least save you some real frustration and disappointment when you see your art scratch, crack or fade.

canvas review

Some art supplies available on Amazon:

Da vinci pro panels —https://amzn.to/3RTIduu

panels without gesso – https://amzn.to/3SfBJHx

Raphael Premium Archival OIL PRIMED linen panels (for oil painting only!) https://amzn.to/3VRUSBt

Ampersand gessobords-https://amzn.to/47ygmWg

Golden gesso: https://amzn.to/3TTwn4p

Gamblin oil paint and linseed oil – https://amzn.to/3vGNi1u ; https://amzn.to/47wvXph

Natural Pigments- https://www.naturalpigments.com/paints.html

Spray varnish – https://amzn.to/48OXyDn

Tombow mono eraser – https://amzn.to/3FXS9gI

Daler Rowney System3 Rich Gold Imitation 59ml Acrylic Paint Tube – https://amzn.to/48GA5nQ Alternative metallic acrylic gold paint – https://amzn.to/3vxx6je

If you’d like to support my work, check out the Amazon links or make a purchase from my shop. Every bit helps and you’re a part of my push forward!

What is the color white in life & art history?

Canova-Napoleons sister-closeup of feet-Borghese gallery -blog

What is the color white? Is it the titanium white in oil painting? Or is it the color of your skin, feather, cream, silk, snow, kitty, pearls, chess, lace, car, flowers, crystals, swans, wall paint, clouds and the moon? Or is it the white of a happy smile, hope, or the light of your soul? Is it the blinding sunlight, the whiteness of an angel’s wings or purity and innocence of a child?
It seems that white represents no color. Yet, it means so much to us. The bride’s wedding gown. The white glow of the sublime. The ethereal beauty of a white Greco-Roman marble sculpture. White light. White face. White lilies. White room. White staircase. White dove. White snow. It’s either a clean start or cold emptiness. We see unity in the symbolism of white across many cultures but not all. White can mean either a wedding or a funeral.

Turin

Video on YouTube: https://youtu.be/mMMiPF6OpQY

Technically, white isn’t a specific “color” like red or blue. When all the wavelengths of visible light are present and reflected by an object, we perceive it as white. In simpler terms, white is “all colors of the rainbow combined.”

Ai-generated female face in neutral white hue.

What is the color white technically?

The color spectrum & white

Rainbow. What is the color white? | photo: Veronica Winters
color spectrum
Color spectrum | Images https://www.freepik.com/ and https://pixabay.com/


All the colors we see exist on the visible light spectrum, a range of wavelengths our eyes can perceive. Each color corresponds to a specific wavelength of light. White is an achromatic color, which means it lacks a “hue.” White light is “all colors combined.” ( We perceive black when an object absorbs all wavelengths of light instead of reflecting them. An opposite to white, black is the absence of reflected light).

What is the color white? | photo: Veronica Winters

What is the color white in oil & acrylic painting?

Closeup of a white gown and metal from the Accolade, Edmund Blair Leighton (1852–1922), oil on canvas, 1901, height: 182.3 cm (71.7 in); width: 108 cm (42.5 in), private collection

While prehistoric art got created with a white chalk made of the mineral calcite, white oil paint has a different composition and history. In oil painting, the ideal opaque white is neither warm nor cool. For generations artists painted with lead white until the 19th century when everything changed. Companies began to mass-produce art supplies including watercolor and oil paint. No more hand-grinding of pigments!

White comes from substances like titanium dioxide, lead carbonate, calcite or zinc oxide. Zinc white has zinc pigments. Flake white is a softer, warmer white that used to have lead in it. Flake white is found in early Chinese painting. Kremnitz white, Venetian white, French white and Dutch white were also based on lead carbonate and lead hydroxide. Flemish white is based on lead sulfate. Cool color, the Titanium white is the strongest and most opaque white used by most contemporary artists today. A vast majority of the manufactured white pigments don’t have toxic lead in them. However, such paint is a lot more brittle and susceptible to the environmental changes, especially if it’s mixed with the safflower oil and not the linseed oil.

Symphony in White, No. 2: The Little White Girl 1864, James Abbott McNeill Whistler, 1834-1903, oil on canvas, Bequeathed by Arthur Studd 1919, © Photo: Tate http://www.tate.org.uk/art/work/N03418 CC-BY-NC-ND 3.0 (Unported).
In this painting the artist painted his mistress wearing an airy white dress – Jo Hiffernan with whom he lived for a decade. “The Little White Girl” is one of three Whistler paintings known as “Symphonies in White.” Out of three paintings, I think this one is the most successful because the woman looks real and the white gown is also beautifully painted.
Joyce H. Townsend, Senior Conservation Scientist, Tate, London, and honorary professor in the School of Culture and Creative Arts, University of Glasgow wrote about her experience of seeing te shades of white when old, lemon-yellow varnish got removed in 2021. This varnish removal revealed a range of beautiful, soft whites Whistler painted in the dress that included crimson red lake, red ochre, yellow ochre, blue ultramarine, and bone black, painted over a thinner layer of dark gray for the grate according to the conservation scientist. As you can see this range of whites got painted to capture the surrounding colors of the model cast from the pink flowers, blue vase and fireplace.
Detail of “The Little White Girl” showing how Whistler painted Hiffernan’s skin over the dress’s white fabric. © Tate, London | image taken from https://www.nga.gov/blog/how-whistler-painted-white-in-full-color.html
James McNeill Whistler -symphony in white, no1 the_white girl-Smithsonian-blog what is color white
James McNeill Whistler, Symphony in white, no.1, 1861-1863, 1872, the White Girl at the Smithsonian. 213 x 107.9 cm (83 7/8 x 42 1/2 in.), oil on canvas.
All three paintings were influenced by the Japanese art as the country opened itself in the 19th century. Just like the Impressionists, Whistler took the unusual elements of the Japanese woodblock printing to stylize his art. Artists borrowed cropping, the point of view, flatness of space and emphasis on patterns of color.
James McNeill Whistler -symphony in white, no1 the_white girl-Smithsonian-closeup-blog what is color white
James McNeill Whistler, Symphony in white, no.1, 1861-1863, 1872, the White Girl at the Smithsonian. 213 x 107.9 cm (83 7/8 x 42 1/2 in.), oil on canvas.

A modern invention, acrylic white is a chemical-based paint that’s made of pigment suspended in an acrylic polymer emulsion. It’s also made of plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Unlike oils, it’s water-based and dries super quickly. Used in house painting, acrylic paint dries to be water-resistant. Some artists love painting with acrylics while others don’t. Unique properties of each paint fit different creative personalities.

statue torso of river-the palatine museum-rome-blog
“Torso of river” statue fragment at the Palatine museum in Rome | Photo: Veronica Winters
Canova-Napoleons sister-closeup of feet-Borghese gallery -blog
Canova, Napoleon’s sister, closeup of fabric in marble, Borghese gallery, Rome, Italy

What are the shades of white?

Duomo di Bergamo cathedral rose window wall
Duomo di Bergamo cathedral rose window wall. Near Milan, Italy. | look at all these shades of white! I absolutely love the use of color marble here. Also there are several different patterns and textures that describe the ornamentation of this cathedral. Beautiful!

While most people don’t think of white having shades, artists and creatives perceive a wide range of subtle variations of white while creating their art. Normally, we don’t see the difference between the shades of white unless we chose a wall paint in a hardware store or look at the neatly stacked rows of clothes in a shop.

Shades of white seen in the Alhambra Palace in Granada, Spain

White should be neutral but it’s often either warm or cool. Warm whites have a hint of yellow to create a sense of warmth and coziness. Ivory, eggshell, cream, antique white, vanilla, and beige are the shades of warm white.

Bernini, Apollo and Daphne-details 1625
Bernini, Apollo and Daphne, closeup of fabric and hand, 1625, Rome, Italy. This white marble has a warm tone because of warm light.
The dodge’s palace in Venice, Italy. Here the white marble has a warm cast on the left side and a bluish color on the right.
Neutral color of the white snow in Russia.

Cool whites have a bluish-grey undertone giving a sense of timeless airy feel. Alabaster, pearl, white smoke and snow come to mind describing cool whites. But not all snow scenes are created equal. Some snow scenes have warm, yellowish color and bluish shadows seen under the sun.

Shades of white could also lean towards a specific color like pink, peach or green. Seashell white is a soft, pinkish-white reminiscent of the delicate hues of seashells.

The crystal white tiara could literally be any color of the light projected onto it. Here it ranges from a purplish white to warm white.

One of my favorite artists is John Singer Sargent. I love his use of bold brushstrokes, color and richness of paint he achieved in his large-scale canvases.

John Singer_Sargent_Lady_Agnew Scottish National Gallery
John Singer Sargent, Lady Agnew of Lochnaw (1864-1932), 1892, 127.00 x 101.00 cm, oil on canvas, National Galleries of Scotland.https://www.nationalgalleries.org/art-and-artists/5396/0?overlay=download
I’ve seen this painting hanging at the entrance to the art museum in Edinburgh, Scotland. The artist painted ultra wealthy individuals and often participated in the arrangement and choice of gowns on his models. According to the museum’s notes, living a lavish lifestyle, Gertrude had to sell several paintings including this one to the National Gallery of Scotland in 1925!

Regardless, I love how fluid and beautiful the white fabric is here. Look at all these shades of white!
John Singer Sargent, Lady Agnew of Lochnaw (1864-1932), a closeup of the painting revealing beautiful shades of white shifting from warm to neutral to cool white.
Sir Frederic Leighton, Portrait of a Roman Lady (La Nanna), Oil on canvas
Dimensions: 31 1/2 x 20 1/2 inches (80 x 52.1 cm), 1859, Philadelphia Museum of Art
While her face appears artificial lacking life and character I love how the artist painted all these different white garments! They range from neutral white in her robe to a warm white of silk cover to a pinkish white skirt. Also, a single string of white pearls matches the warmth of the silk. The background has some white elements that are greyed down and subdued to bring the figure forward.

Sir Frederic Leighton, Portrait of a Roman Lady (La Nanna), Oil on canvas Dimensions: 31 1/2 x 20 1/2 inches (80 x 52.1 cm), 1859, Philadelphia Museum of Art

The Symbolism of White across Art History

Paul Delaroche-the execution closeup of hands
Paul Delaroche, The execution of Lady Jane Grey, 1833, National Gallery, London, a closeup of hands and white gown. Photo: Veronica Winters | Here the white fabric is warm while the “grey” shadows are neutral and warm somewhat as well.
Canova, Napoleon's sister, closeup of fabric in marble, Borghese gallery, Rome, Italy
Antonio Canova, Napoleon’s sister, Venus Victrix, 1805-08, closeup of fabric in marble, Borghese gallery, Rome, Italy | The light is warm hitting the marble casting bluish-grey shadows.

The symbolism of the color white is quite astonishing if we think about it. There are universal associations with this color as well as the nuanced meanings of white depending on culture or context. One color. Two opposite associations.

Positive associations with the color white

In Christianity white represents purity, innocence, divinity.

Think of the white angels, white robes of monks and heavenly figures, a white dove or the white lilies of the Virgin Mary.

paintings of angels
The Ghent Altarpiece. Adoration of the Mystic Lamb: The Archangel Gabriel, 1432. Here, Gabriel brings the white lilies to Mary in annunciation. These flowers mean purity and virginity. The archangel wears a white robe with beautiful pearls decorating the fabric.
Dressed in a beautiful white gown, heavenly figure of Mary soars on a white cloud. This is one of the most beautiful religious sculptures I’ve seen in the European churches.
angel painting thyer
Abbott Handerson Thayer, Angel, 1887, oil on canvas, Smithsonian American Art
caravaggio angel violin
Michelangelo Caravaggio, a closeup of a painting “Rest on the Flight into Egypt”, 1597. We see an angel playing music wrapped in swirling white fabric.

While the white clothing is ceremonial of passing into another world or Heaven, the ethereal glow of white light represents heaven and the divine, spiritual purity, enlightenment and truth.

Scottish national gallery
John Duncan, 1866-1945, Scottish, St.Bride, 1913 detail | Scottish National Gallery | White clothing is ceremonial of passing into another world or Heaven. It’s the color of the ascension into the Heavens.
This is the official emblem of the pope with a dove or the Holy Spirit depicted in the center of it. I think I saw it in the Vatican, Italy. I love how Italian artists used colored marbles and stone to decorate the churches, placing the material on the floor and walls.
A closeup of the Pope’s emblem showing the Holy Spirit

White dove or the Holy Spirit is a symbol of peace, forgiveness, hope and love. In art, it forms the Trinity and flies in rays of sunlight with an olive branch in its beak.

Mexico City, Mexico
Portrait of Pope, Leo X and his cousins, cardinals Giulio de’ Medici & Luigi de’ Rossi. Closeup detail of the white garment of the pope. Raphael, c. 1518-1520, oil on wood, 154 cm × 119 cm (61 in × 47 in), Uffizi, Florence.

White can symbolize hope, innocence and royalty in ceremonies.

A white wedding gown means innocence and pure perfection especially of a young bride. White is the color of light and white pearls communicate similar symbolism.

Vladimir Makovsky, to the marriage (farewell), 1894; Russian Federation, oil on canvas, Samara Regional Museum of Fine Arts, Samara, Russia, Dimensions: 115 x 99 cm. | Here, although the bride wears a white gown and is about to get married, she is devastated by the normally joyful event. The artist commented on common practice of parents giving their daughter to marry at a young age to fix the family’s financial situation.
Fedotov, Matchmaking of a major, 1848 | This famous Russian painting carries similar symbolism where a young bride doesn’t want to marry an old man for money.

James McNeill Whistler (1834–1903), Symphony in Flesh Colour and Pink: Portrait of Mrs Frances Leyland, Image source: Frick Collection, NY., Henry Clay Frick Bequest, 1916.1.133

Accolade, Edmund Blair Leighton (1852–1922), oil on canvas, 1901, height: 182.3 cm (71.7 in); width: 108 cm (42.5 in), private collection
Closeup of a white gown and jewelry pieces from the Accolade, Edmund Blair Leighton (1852–1922), oil on canvas, 1901, height: 182.3 cm (71.7 in); width: 108 cm (42.5 in), private collection | White is the color of light, divinity, nobility and purity of the heart. White pearls also symbolize purity, wisdom and sincerity. And let’s just say that these beautiful pearls make a great visual statement in paintings like this one!

White can represent royalty.

Jean-Auguste-Dominique Ingres, Napoleon on his Imperial Throne, 259 cm × 162 cm (102 in × 64 in), oil on canvas, 1806, MusĂ©e de l’ArmĂ©e, Paris. | You’d be surprised but this artwork wasn’t popular at the Paris Salon when he exhibited this monumental painting. It received vitriolic criticism mainly because Napoleon looked too artificial and Gothic. However, if you know other paintings by Ingres, this is the most elaborate one! Just like another French artist – Poussin, Ingres often received poor reception for his art at the Salon. Moreover, in the middle of his career he got so fed up with the criticism and poor receptions of his work that he began to exhibit his art in his studio and private apartments. A student of famous neoclassical painter David, Ingres took a different road in his vision of art that the contemporaries and critics didn’t get.
In this painting you can certainly admire a perfect balance of color, lines, objects, textures and symbols captured in one painting. The artist’s composition is a reversed triangle. Both composition and realistic textures are reminiscent of Jan van Eyck’s painting.

French artist, Ingres puts a lot of symbolism into this painting depicting Napoleon as a ruler blessed by God. Napoleon looks like a religious icon. The artist bestows a Roman-like golden laurel crown onto his head and paints a circular-shaped throne behind him to suggest the divine power of the ruler. White ermine fur incircles the Napoleon’s neck – the symbol of royalty. The emblem of bees seen throughout the Vatican can be noticed on this lush, red cloak. The golden bees represent immortality and resurrection, while the Eagle represents military might. You can read about life and work of the artist in a concise book titled “Ingres” Karin H. Grimme.

The sword represents military power of French kings.
The painting detail shows the Charlemagne’s golden scepter – the symbol of the executive power.

Jean-Auguste-Dominique Ingres, Napoleon on his Imperial Throne, 1806, detail of the hand of justice
Jean-Auguste-Dominique Ingres, Napoleon on his Imperial Throne, 1806, detail of the Hand of Justice ( in white).
Anthony van Dyck Henrietta Maria of France. meaning of white in art
Anthony van Dyck, Henrietta Maria of France.
Marie-Antoinette, oil on canvas, 92.7 × 73.1 cm (36 1/2 × 28 3/4 in.), after 1783, unknown artist, at the Smithsonian national gallery
Jacques-Louis_David_madame recamier
Jacques-Louis David, madame Recamier, 1800, the Louvre
Sargent, Mrs. Joshua Montgomery Sears, a closeup of white gown at The museum of fine arts, Houston, 1899, Canvas or panel: 58 1/8 × 38 1/8 in. 
Sargent, Mrs. Joshua Montgomery Sears, The museum of fine arts, Houston, 1899, Canvas or panel: 58 1/8 × 38 1/8 in. 
John White Alexander -American -repose-1895
John White Alexander, Repose, oil painting, 1895, American, the Met, New York | Similar to Sargent and Chase, Alexander loved to capture wealthy women in gowns at rest. This beautiful white dress stretches from left to right forming a diagonal, which is one of the ways to create a dynamic composition.


White is Heaven.

The Cathedral of Salerno inside
The Cathedral of Salerno inside. Italy.
The Cathedral of Salerno inside, Italy. The Cathedral of Salerno was built between 1080 and 1085 on the ruins of a Roman temple.

Ivan the Great Bell Tower at the Kremlin, image by Veronica Winters. | We can enjoy seeing the white stone cathedrals bathing in a warm sunlight. The Kremlin was built between the 14th and 17th centuries. The first white-stone walls and towers were built in 1367-68. The existing walls and towers were built by Italian masters from 1485 to 1495.

Wat Rong Khun - the White Temple
Wat Rong Khun – the White Temple in Thailand. Photos c Veronica Winters | This looks like heaven on earth. Famous contemporary Thai artist- Ajarn Chalermchai wanted to build a temple that’s different from other wats. Normally, Thai temples are golden and the artist wanted to emphasize the Buddha’s purity who achieved Nirvana. Ajarn considered gold having a negative connotation about human behavior like lust. He put myriads of small mirrors into the white sculptures that beautifully reflect the light of the temple. These mirrors are the symbol of Buddha’s wisdom that shines throughout the universe according to the artist. He amassed a team of artists to build this beautiful site that represents heaven on earth. Wat Rong Khun is expending as new elements are added to the wat. The admission is free for people to enjoy the garden feeling peace and joy. Isn’t it wonderful?

The Alhambra was built between 1238 and 1358, mainly during the reigns of Ibn al-Aáž„mar and his successors. Located in Granada, Spain, the Alhambra is one of the world’s finest examples of Islamic architecture that served as inspiration for many artists including Escher. This elaborate geometric design shows heavenly colors of white and blue. Image by Veronica Winters

White in mythology:

White crane, a closeup of a Japanese temple decoration. Photo: V.Winters | In Japanese culture, the white crane, or tsuru, is a national treasure and symbol of good fortune, longevity, and peace. It is also associated with loyalty, wisdom, fidelity, and beauty. The crane is depicted in art, literature, and mythology, and is said to live for 1,000 years. It is also associated with the Shinto god of happiness, and it is said that the god will come to a person who folds 1,000 cranes. Recently, the crane has become a symbol of peace, hope, and healing.
cranes fabric-Japan
Look at these beautiful patterns of gold, blue and white! We can see the white dragon in the center of the decoration. Two white cranes create symmetry in this elaborate decoration seen in Japan.

In Japanese culture, dragons are guardians of the Buddhist temples and their meaning varies depending on their color. The white dragon, or Hakuryuu, is a water god that controls rainfall and water. White dragons are also associated with great wealth and blessings in marriage.

The white dragon decoration, Japan.

White as a force in duality of nature:

Yin and Yang is a core concept in the Chinese philosophy that describes two opposing yet interconnected and complementary forces that are believed to underlie all of reality. They represent intertwined aspects of a whole in a dynamic balance within the universe. Famous symbol of yin and yang is the taijitu, a circle divided into two halves, each containing a swirl of the opposite color. The swirl within each half represents the seed of the other force, signifying their interdependence. In art it often means balance where white can’t exist without black just like the sun doesn’t exist without the moon.

Among Neolithic jades of ancient China are bracelets (huan), penannular rings (chĂŒeh), half-rings (huang), a flat disc with a hole in the centre (pi) and a ring or short tube squared on the outside (tsung). In later historic times these shapes acquired a ritual or ceremonial function, the pi and tsung, for example, symbolizing respectively heaven and earth.

(From the book: the arts of China, 3d edition, Michael Sullivan)

White often represents all the light in the world opposing the black of the darkness.

Vasnezov Sirin and Alkonost. The song of happiness and sadness
Viktor Vasnezov, Sirin and Alkonost. The song of happiness and sadness, 1896, The Tretyakov Gallery, Moscow

In this oil painting, “Sirin and Alkonost,” also referred to as “The Birds of Joy and Sorrow,” depicts two beautiful, half-bird, half-woman creatures from Slavic mythology. Sirin, on the right, is typically associated with joy and enchantment, while Alkonost, on the left, brings sorrow and mourning. Their contrasting melodies intertwine, creating a complex and evocative harmony that reflects the duality of human experience. The painting itself is a masterpiece of the Russian Romanticism expressed in symbolism that invites contemplation of life’s emotional range.

A close up of hands and lace in oil painting, Metz, France. Photo: Veronica Winters
Holbein-the ambassadors closeup
Holbein, The ambassadors, oil painting’s closeup of fur. London

The calming power of white:

The calming effect of white is obvious in snowy landscapes, white clouds or cashmere sweater that bring us feelings of peace. Tranquil nature relaxes our mind. Soft, white fabric evokes serenity. And white swans and snowflakes seem magical floating in water.

Snowy Gorge-
Utagawa Hiroshige -Japanese-
Edo period 1615–1868-Met
Snowy Gorge, Utagawa Hiroshige, Japanese, Edo period (1615–1868), the Met

White can carry a special meaning in objects we often see. For instance, symbolic of new life, white egg represents birth. Moreover, we can read the Chinese ancient legend about the origins of the world.

“Once upon a time, the universe was an enormous egg. One day the egg split open; its upper half became the sky, its lower half the earth, and from it emerged P’an Ku, primordial man. Every day he grew ten feet taller, the sky ten feet higher, the earth ten feet thicker. After eighteen thousand years P’an Ku died. His head split and became the sun and moon, while his blood filled the rivers and seas. His hair became the forests and meadows, his perspiration the rain, his breath the wind, his voice the thunder-and his fleas – our ancestors.” This legend expresses a Chinese philosophy, that man is not the culminating achievement of the creation, but a relatively insignificant part in the scheme of things; an afterthought. By comparison with the beauty and splendor of the world itself, the mountains and valleys, the clouds and water- falls, the trees and flowers, which are the visible manifestations of the workings of the Tao, he counts for very little.

(From the book: the arts of China, 3d edition, Michael Sullivan)
http://www.metmuseum.org/art/collection/search/68969 Rank Badge with Leopard, Wave and Sun Motifs
Period: Qing dynasty (1644–1911), late 18th century, China, silk, metallic thread, 10 3/4 x 11 1/4 in. (27.31 x 28.57 cm), Textiles-Embroidered, Credit Line: Bequest of William Christian Paul, 1929

Caspar_David_Friedrich_-the polar sea
Caspar David Friedrich, the polar sea or the sea of ice,1823–1824,oil on canvas, 96.7 cm × 126.9 cm (38 in × 49.9 in). This is one of my favorite Romanticism artists who painted the power of Nature to show its spiritual dominance over men.

White hue can also be a symbol of cleanliness. Healthcare facilities have white rooms, corridors, and doctors’ coats.

Contemporary architecture loves the color white. Both interior and exterior spaces have white paint and decorum seen across Florida’s new construction to amplify the light in the region.

White can also represent neutrality or fairness, negotiation or surrender – the white flag of surrender.

John Trumbull, The Surrender of Lord Cornwallis at Yorktown, oil on canvas, 1826,21 × 30 5/8 × 3/4 in. image from the Yale University Art Gallery. It can be also seen in 12′ x 18′ size at the US Capitol Rotunda. This painting illustrates the surrender of the British army at Yorktown, Virginia, in 1781, which ended the last major campaign of the Revolutionary War. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/capitol-building/rotunda
Jacques-Louis_David death of marat
Jacques-Louis David, the death of Marat, 1793–1793, in the collection of the Royal Museums of Fine Arts of Belgium.
This neoclassical painting has a very careful, classical design both in color and lines. Marat was a revolutionary in France and a friend of the artist. David was also a radical thinker and revolutionary who was once an official court painter to Napoleon but ended up in prosecution and escape from France to Belgium closer to the end of his life.
Marat’s skin condition made him take long baths to sooth the pain where he got assassinated. This painting represents the ideals of neoclassical art and politics- simplicity, heroism, idealization, classicism, neutrality and stoicism. Color white helps communicate these virtues.

In modern art, white can symbolize a fresh start, an open canvas, or a space for interpretation. White is neutral, blank canvas. Artists like Robert Rauschenberg and Agnes Martin explored this potential in their monochromatic white paintings. Rauschenberg first painted his white canvases in 1951 in six variations- one to seven panels. Martin spent her 40-year career exploring the perception of stillness.

Georgia O’Keeffe (1887–1986), the white skull, Chicago art institute. O’Keeffe often painted the bleached white bones and skulls of the animals in New Mexico. She associated the skulls with strength of an American spirit.

White means innocence.

William Sergeant Kendall, art interlude, 1907, oil on canvas, American Art Museum at the Smithsonian
William Sergeant Kendall, art interlude, 1907, oil on canvas, American Art Museum at the Smithsonian Institution, Washington D.C.

Rembrandt van Rijn, Lucretia, oil on canvas,(47 1/4 x 39 3/4 in.), 1664, closeup of fabric and pearls. National Gallery of Art, the Smithsonian, Washington DC. Rembrandt depicts the suicide of Lucretia happening in Rome in the 6th-century BC. She signifies virtue, loyalty and honor wearing white and pearls. You can read the full story here: https://www.nga.gov/collection/art-object-page.83.html
Psyche Abandoned by Pietro Tenerani, Pitti palace, Rome, Italy. Image by Veronica Winters

Paul Delaroche-the execution of lady jane grey-national gallery London
Paul Delaroche, the execution of Lady Jane Grey, National Gallery London. The only person dressed in white – Jane Grey symbolizes innocence.
Paul Delaroche, the execution of lady Jane Grey, National Gallery London, Photo by Veronica Winters
Sir Joshua Reynolds The Ladies Waldegrave 1780_detail_scottish national gallery
Sir Joshua Reynolds The Ladies Waldegrave 1780, closeup, Scottish national gallery. The dresses in Joshua Reynolds’ “The Ladies Waldegrave” are a striking feature of the painting. All three sisters are clad in garments of a singular color: white. The material is most likely muslin, a popular choice for fashionable gowns in the late 18th century. White evokes purity, innocence, and a sense of classical elegance and timeless quality Reynolds appreciated in ancient art.
Canova, Cupid and Psyche, marble sculpture, 1793, louvre-veronica winters art blog
Canova, Cupid and Psyche, marble sculpture, 1793, Louvre. Photo: Veronica Winters

The Dance Class-Degas-met
Edgar Degas, The Dance Class, oil painting, 1874, the Met, NY | Degas created a series of paintings devoted to the theme of dance. He captured white ballerinas in rehearsals sketching in pastels and painting in oil.
Gerome, Pygmalion and Galatea
Gerome, Pygmalion and Galatea,1890, oil on canvas, 35 x 27 in. (88.9 x 68.6 cm), the Met . “Between 1890 and 1892, GĂ©rĂŽme made both painted and sculpted variations on the theme of Pygmalion and Galatea, the tale recounted in Ovid’s Metamorphoses. All depict the moment when the sculpture of Galatea was brought to life by the goddess Venus, in fulfillment of Pygmalion’s wish for a wife as beautiful as the sculpture he created. This is one of three known versions in oil that are closely related to a polychrome marble sculpture, also fashioned by GĂ©rĂŽme (Hearst Castle, San Simeon, Calif.). In each of the paintings, the sculpture appears at a different angle, as though it were being viewed in the round.” the Met
Francesco Hayez Suzanna at her Bath
Francesco Hayez Suzanna at her Bath, National Art Gallery of Scotland. A classical painting in many ways, the white fabric forms a circle around the nude communicating innocence of youth.

White as the representation of timelessness & memory

The marble sculpture at the CA’ d’ ORO Palace in Venice, Italy.
Michelangelo’s tomb, detail, Italy
I love how lifelike this sculpture looks. It shows a pope blessing the crowd and wearing his crown. The light hit it so beautifully. It’s in St. Peter’s Basilica in Vatican, Rome, Italy.

Negative white

Depending on our view of the world, specific events or cultural differences we can see the color white as cold, empty and artificially sterile. This kind of emotionless, stark white can trigger feelings of isolation, and emptiness. Moreover, white can be associated with mourning and death in some countries.

White ghosts scare us representing the supernatural and death.

William Blake, The Ghost of Samuel Appearing to Saul, c. 1800, pen &ink, watercolor, National Gallery of Art, the Smithsonian, Washington DC

White can also represent death. White shroud symbolizes death, mourning, and loss.

Vernet, Horace. angel of death, 1789-1863_hermitage
Vernet, Horace. angel of death, 1789-1863, the Hermitage

Hieronymus Bosch, Death and the Miser, c. 1485/1490, oil on panel (other panels lost), 93 × 31 cm (36 5/8 × 12 3/16 in.), National Gallery of Art, Washington DC
Hieronymus Bosch Death and the Miser, c. 1485/1490, oil on panel (other panels lost), 93 × 31 cm (36 5/8 × 12 3/16 in.), National Gallery of Art, Washington DC.
“In this panel Bosch shows us the last moments in the life of a miser, just before his eternal fate is decided. A little monster peeping out from under the bed–curtains tempts the miser with a bag of gold, while an angel kneeling at the right encourages him to acknowledge the crucifix in the window. Death, holding an arrow, enters at the left.
Oppositions of good and evil occur throughout the painting. A lantern containing the fire of Hell, carried by the demon atop the bed canopy, balances the cross which emits a single ray of divine light. The figure in the middle ground, perhaps representing the miser earlier in his life, is shown as hypocritical; with one hand he puts coins into the strongbox where they are collected by a rat–faced demon, and with the other he fingers a rosary, attempting to serve God and Mammon at the same time. A demon emerging from underneath the chest holds up a paper sealed with red wax — perhaps a letter of indulgence or a document that refers to the miser’s mercenary activities.
This type of deathbed scene derives from an early printed book, the Ars Moriendi or “Art of Dying,” which enjoyed great popularity in the second half of the fifteenth century. The panel may have been the left wing of an altarpiece; the other panels — now missing — would have clarified the meaning of some aspects of the scene, such as the discarded and broken armor and weapons in the foreground.” Taken from the gallery’s page https://www.nga.gov/collection/art-object-page.41645.html

Empty white rooms can feel lonely and even scary.

Blindfolded figures often represent ignorance, inability to see and vulnerability but the blindfolded Lady Justice has a different meaning. The blindfold represents that justice is unbiased and should not be influenced by a person’s appearance or other factors.

Justice, from the Cardinal Virtues, Nicolaes de Bruyn Netherlandish, Publisher Frederick de Wit Dutch
1648–56, the Met, New York. http://www.metmuseum.org/art/collection/search/423841

Whitewashing is a term denoting the covering up of unpleasant truth, describing censorship.

art museum, Metz, France

As you can see the color white carries several meanings and rich symbolism in art history and our life. What do you think of white?

PS If you see a mistake in this article, please know it’s not intentional. Reach out with the suggested correction to nika@veronicasart.com

The Color White in Contemporary Art

Ann-Marie Kornachuk, oil painting, copyright of the artist
G Mortenson, Homework, copyright of the artist
lorenzo quinn hands sculpture in Venice
Lorenzo Quinn, Hands, sculpture, Venice. Photo by Veronica Winters, 2017
Lorenzo Quinn hands sculpture in venice italy
Lorenzo Quinn, Hands, sculpture, Venice, Italy. Photo by Veronica Winters, 2017
the infinity of human soul-24x36-veronica winters-oil paintings for sale
Jorge Jiménez Deredia, capullo, marble sculpture-contessa gallery-art wynwood 2023
filippo tincolini-spacesman seat-marble, art contexxt miami
Filippo Tincolini, Spacesman seat, Marble, exhibited in Miami Art Context 2023
Michael Buthe-white painting-tate modern-london-1969
Michael Buthe, white painting at Tate Modern, 1969, London. I snaped a picture of this painting in 2019. A carefully constructed composition with white stretcher bars, Buthe blurs the line between the canvas and its support, emphasizing the artwork’s physical construction.
Freedom-psychedelic art-Veronica Winters artist
Freedom, 22x30inches, colored pencil drawing by Veronica Winters

SHOP

How to paint realistic details by studying famous art & artists through art history

When I travel and visit art museums, I study the art. I often take pictures of closeups and details in the oil paintings to see how famous artists conveyed realism through texture and detail in their masterpieces. Some top art museums have digital art collections available to view and even download online these days but many don’t.

I find it enjoyable to take pictures of jewelry, fabric, bows, gowns, metal, gold, silver and other details I see in art. I learned a lot by studying such detailed paintings and if you’re interested in the realist oil painting techniques, I suggest making painted copies of your favorite paintings. I hope this blog post can inspire you to do just that. Enjoy!

All photos are taken by me- Veronica Winters unless noted otherwise. Also, many famous paintings are in the public domain and can be downloaded for free from art museums websites like the Met, the National Gallery of Art, etc.

Agnolo Bronzino-Eleonora of Toledo with Her Son Giovanni-painting details-blog
Agnolo Bronzino, Eleonora of Toledo with Her Son Giovanni, painting details of pearls and fabric. | photo: V. Winters. From 1539 to 1572, Bronzino served as the court painter to Cosimo I, duke of Florence. The Florentine artist, Bronzino painted in the Mannerist art style – emotionless figures and hyperrealist painting details of jewelry and fabric gowns.
Bronzino
Titian, a closeup of hands, fur and jewelry rings | photo: V. Winters
Holbein-the ambassadors closeup
Holbein, The ambassadors, a closeup of fur. National Art Gallery in London. Notice how soft the fur looks in comparison to carefully painted golden details in fabric.

A close up of a painting showing white lace, Metz, France. Photo: Veronica Winters
Art closeup at the CA’ d’ ORO palace in Venice, Italy
Sargent, Mrs. Joshua Montgomery Sears, a closeup of a white gown, Huston art museum

lady reading letters of Heloise and Abelard-1780-A. dAgesci
Auguste Bernard d’Agesci, A lady reading letters of Heloise and Abelard, 1780, oil painting, Art Institute of Chicago

Titian, Portrait of a Lady, a golden earring and pearl detail, the Pitti palace, Italy

Some ribbon and fabric details at the Smithsonian National Art Gallery
Turin, Italy. Here the meticulously created details of fabric are layered over the initial painting of a fancy yellow jacket.
oil painting closeup-the Soumaya Art museum, Mexico city, Mexico
oil painting closeup, the Soumaya Art museum, Mexico city, Mexico | I love the variety of textures created in this fabric.

veronica winters painting

white fabric detail-Smithsonian
White fabric detail at the Smithsonian National Art Gallery. | Notice how abstract the details look painted over the base color. Stroke direction and curvature are essential to describe forms, shapes and textures.

how to paint realistic details-white fabric and gold details- the Smithsonian
White fabric and gold details, the Smithsonian. | Notice, how gold reads as gold because of few light highlights added to the general shape of these golden accents. How to mix gold color: You should use browns with a touch of either red or yellow (depending on the reflected light) to color mix gold color. It’s not about mixing lots of yellow into the oil paint, rather it’s using ochre and brown oil paint like raw sienna, burnt sienna, raw umber and bunt umber to create the shape first and then adding some strategic highlights over it where the light hits it the most.
Élisabeth-Louise VigĂ©e Le Brun, The Marquise de Pezay, and the Marquise de RougĂ© with Her Sons Alexis and Adrien 1787. Image downloaded from the Smithsonian website. | This is a beautiful closeup of the female face that shows how to paint hair, face and fabric. The hair is always soft in classical art painting. The fabric has soft edges but definite highlights. The earring has the most defined edge. French female painter, VigĂ©e Le Brun was a self-taught artist who got quickly noticed by her future husband – famous art dealer – Jean Baptiste Pierre Le Brun. The artist enjoyed both the opulent lifestyle and career in Paris and way beyond France, painting the wealthy and royals in Austria, Russia, Italy, Germany, England, etc. She is known for her official portrait of Marie-Antoinette. Her high-paying clientele loved her art style – creative poses based on classical ideals, realism and color choices.

Élisabeth-Louise VigĂ©e Le Brun
The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien
1787
Élisabeth-Louise VigĂ©e Le Brun, The Marquise de Pezay, and the Marquise de RougĂ© with Her Sons Alexis and Adrien 1787. Image downloaded from the Smithsonian website. | Although I find Le Brun’s art less intriguing in terms of subject and meaning, I think her ability to paint realistic gowns and details is supreme. Notice how she catches the light on fabric in broad strokes of golden pink. We can feel the shimmer of fabric looking at this intense turquoise-blue and a lush golden sash.

details of hands and animal-the Smithsonian
details of hands and animal, the Smithsonian.
de heem details-the Smithsonian
de Heem, still life painting detail, The Smithsonian, National Gallery of Art | The seventieth-century painter, de Heem is one of my favorite Dutch still life painters who captured life of the wealthy in lux objects and food items. I learned a lot about classical realist painting by studying Dutch art, mainly composition, color choices and objects’ texture. His deliberate compositions feature careful balance of all objects and textures. Usually a piece of fabric leads the eye to the focal point. The background has subtle colors that support high-contrast still life.
de Heem, oil painting details of glass, fabric and silver. The Smithsonian.
Dutch painting of donuts and sweets at the Smithsonian.
Dutch painting of sweets at the Smithsonian.
ringling art museum_Munari_still life with plates
Munari, still life with plates, closeup, the Ringling Museum of Art.
Lavinia Fontana, jewelry painting detail, The Smithsonian
Lavinia Fontana, Portrait of Costanza Alidosi, closup of jewelry- c. 1595, oil on canvas, National Museum of Women in the Arts, Washington. | Famous female artist of her time, Fontana lived in Bologna, Italy in late1500s. It was highly unusual to have a name and a career as a female artist in Europe before late 19th century. It was also a strange choice to depict the mythological nudes at that time. Like other female artists of the past, she was trained by her father- Prospero Fontana in the late mannerist style. When she married, her husband became her manager; Apparently Lavinia made a lot of money painting portraits of noblewomen and religious subjects for churches because she had a big family of 11 children whom she supported!
Golden jewelry and fabric details at the Smithsonian
Lace and jacket fabric details at the Smithsonian.
Rembrandt, Lucretia, 1664, dress details. The National Gallery of Art (Smithsonian) has 737 works of art by Rembrandt! Notice how abstract the strokes are describing texture and light of the fabric. These are thick strokes with deliberate rotation and movement of the brush.
Rembrandt, Lucretia, 1664, dress and jewelry details. Notice how the artist uses greys to juxtapose colors. Thick, painterly strokes shape and sculpt the subject.

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Art, creativity & commercial success: the infamous fate of some famous artists

In this episode I discuss the birth of the 19th-century art movements, some famous artists and their career success. I share one of my personal life’s lessons in the arts and what you need to pay attention to working on your art and career as an artist. You can see the art and read here: https://veronicasart.com/the-infamous-fate-of-some-famous-artists/

If you find this episode interesting, share it with your friends and review the show!

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4 Best Brands of Colored Pencils: are they worth the splurge?

Are you an artist looking for the best quality colored pencils? In this episode (that’s also available in a video format on YouTube), I reveal the top 4 brands that are worth the splurge. Plus, I’ll tell you about the most expensive colored pencils on the market!
Whether you’re an artist, a student, or simply love to color, this video will help you choose the best colored pencils for your needs. If you’re tired of low-quality colored pencils and want to invest in the best, then this podcast episode is for you. I’ll compare each brand’s price, softness, and overall quality to help you make the most informed decision for your art supplies. Don’t miss out on seeing the best colored pencils for your next masterpiece! Warning. The episode is highly informative review of the top colored pencil brands!

On YouTube: https://youtu.be/vu0kycGEWzc

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3 Surprising Reasons How Art Improves Creativity & Well-Being

Discover the hidden power of art and how it can enhance your emotional well-being. Join me as I explore the often overlooked connection between art and emotion, and why it deserves more attention in our public education system.

Don’t miss out on the opportunity to enrich your life through the world of art – subscribe now!

To watch on Youtube: https://youtu.be/Zh0KvUedMpQ

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

5 facts you didn’t know about Victor Vasarely & Optical Illusion Art: the Absolute Eye Exhibition

While Naples is an upscale beach town with little good art on display, Naples Art Institute surprises the locals with its newest exhibition, titled “Victor Vasarely: The Absolute Eye.” The retrospective exhibition displayed over 100 serigraphs, lithographs, gouache paintings, drawings and a few small sculptures.

Hungarian-French artist, Victor Vasarely (1906-1997) is the leader of the Op Art (optokinetic art) movement, and his innovations in color perception and optical illusion had influenced numerous artists to come. Today his hand-pulled art prints sell for $4,000-30,000 a piece. Vasarely was 90 years old when he died in Paris, France.

Victor Vasarely, Op Art, The Absolute Eye exhibition, Naples, FL 2024

Better known as OP Art, Optokinetic art movement relies on mathematical principles to construct repetitive abstract shapes, stripes, grids or spirals to catch the involuntary eye movements we make when following moving patterns. In other worlds, this art stimulates the optokinetic response in us. Op Art takes this response as the basis to visually trick us but normally explores a wider artistic vision and techniques in art.

Victor Vasarely, Op Art, the Absolute Eye exhibition, Naples, 2024


5 Facts about Victor Vasarely and his Op Art:

1. From Medicine to Mastermind 

Before becoming the father of Op Art, Vasarely actually pursued a career in medicine! He switched paths mid-study, drawn to the power of visual communication.  Later, he studied graphic design at the private MƱhely School in Budapest and in 1930, he moved to Paris to work in advertising and design.

“Vasarely’s early geometric abstract research was inspired by purely abstract elements in nature and urban spaces. In 1947 he spent the summer on a small island off the coast of Brittany, called Belle-Île-en- Mer. He observed the polished stones in the sand, examined the prismatic behavior of the sea, as well as the refraction and reflection of light, the effect of creating space by shifting the viewer’s point of vision on a flat surface and the contrast of light and shadow that generates a vibration in the sight. This would mark the beginning of a true abstract approach for Vasarely. Although he later referred to this time in his life as “the wrong path,” it resulted in an important evolution in his work. It added more rounded elements to his paintings. When he returned to his previous geometric style, it was with the inclusion of dynamic rounded forms that seemed to bulge outward from the painting or collapse inward from the surface. These forms tricked the eye into experiencing that the image was moving. That kinetic illusion, combined with the three-dimensionality of the images on Vasarely’s canvases, became the foundation for the iconic aesthetic we now call Op Art.”

Naples Art Institute
Victor Vasarely, Op Art serigraph at the Absolute eye show, Naples, 2024

‘The extreme variety of its form leads the advertising designer to mute his personality.’

Victor Vasarely

2. Architect of 3-D Perception

Vasarely didn’t just paint illusions; he aimed to engineer them. His works use geometry, repetition, and color play to manipulate how viewers perceive depth, movement, and even color itself.  Thanks to his jobs in advertising and graphic design the artist learned enough about human psychology to understand how we process visual information.

“Our eyes are subjected to a constant flood of visual stimuli. In order to process and interpret them, the subconscious brain compares the images with memories and experiences. That’s what distinguishes personal perception from the actual physiological image. Large objects in the foreground, small objects in the back and lines converging at a vanishing point. As soon as the eye receives signals like these, it perceives even a two-dimensional image as spatial. That is why artists usually use so-called central perspective for their naturalistic depictions – not least of all in pictorial representations of cities. They work with lines that converge as they recede into the depths of space, just as they seem to do in the perception of reality. Vasarely, for his part, made frequent use of axonometric projection a geometrical method of constructing three-dimensional forms. The parallel side lines are drawn tipped over to one side at equal angles. This has a bewildering effect on visual perception: does the picture really depict a three-dimensional object?”

Naples Art Institute

His serigraphs depicting Zebras are considered the earliest examples of Op art. In the left corner we can see that this print is numbered and signed by the artist in graphite pencil.

3. Op Art for Everyone

 Unlike much avant-garde art, Vasarely believed in democratizing art experiences. He embraced public art commissions and architectural integrations, bringing Op Art to everyday spaces like buildings and metro stations. Influenced by the Futurists, Constructivists and Dadaists, Op Art spread all over Europe and came to the US in the 60s.

Victor Vasarely-op art-absolute eye show-blog
Victor Vasarely, Op Art, The Absolute Eye exhibition, Naples, FL 2024

Vega Structures

“Vega Structures is one of the best-known and most emblematic series produced by Vasarely at the height of his career named after the brightest star in the northern hemisphere’s summer night sky. Inspired by contemporary news reports about mysterious signals received from distant galaxies, Vasarely named many of his works after stars and constellations. The Vega pictures rely on convex- concave distortions of a grid-like network, a sophisticated combination of the cube and the sphere, symbolically referring to the two-way motion of the light that emanates from pulsating stars, and to the functioning of condensing galaxies and the expanding universe.

Through works such as “Vega-Fel-VR” (1971) and “Trivega” (1981), Serigraphs, the artist seeks to evoke the elusive universe of the galaxies, the cosmic pulsations and the biological mutation of the cell. The common denominator in these works is Vasarely’s realization that two dimensions can be expanded into three simply by deforming the basic grid, and that, depending on the degree of enlargement or reduction, the elements in the deformed grid can be transformed into rhombuses or ellipses.”
Naples Art Institute

Victor Vasarely, Op Art, The Absolute Eye exhibition, Naples, FL 2024

4. More Than Meets the Eye

Vasarely saw his art as a bridge between science and art. He incorporated mathematical principles and studied perceptual psychology to achieve the dynamic, almost psychedelic optical effects in his Op Art. 

In 1955, Victor Vasarely published his thoughts about Op Art in the Yellow Manifesto. In his writing, the artist recorded his ideas that he called Kineticism. He believed that art should be based on scientific principles to create a sense of movement, energy, depth expressed in geometric forms and optical illusions, rather than copying nature.

5. Beyond Canvas

Op Art wasn’t just about grid-like paintings. According to Tate, Vasarely experimented with various mediums, including sculptures, tapestries, and even architectural facades, creating illusory, flickering effects of depth, perspective, and motion. There are a few small sculptures presented at the show illustrating his interest in other materials and techniques.

Victor Vasarely, Op Art, The Absolute Eye exhibition, Naples, FL 2024
Victor Vasarely, Op Art, The Absolute Eye exhibition, Naples, FL 2024

What is a serigraph?

In the ” Absolute Eye” the majority of art we see are vibrant serigraphs produced by the artist. A serigraph is a a stencil-based printing process normally called the silkscreen printing. Warhol is the most famous modern artist who used this printing method to create his art. Roy Lichtenstein comes in second.

  1. Stencils: A separate stencil is created for each color used in the artwork. These stencils typically use a photo-sensitive emulsion on a fine mesh screen (originally silk, now often polyester or nylon). Areas left open on the stencil will allow ink to pass through moving it with a squeegee.
  2. Layering Ink: Each stencil is placed on a frame and ink is pushed through the open areas onto the substrate (usually paper, but other materials can be used too). This process is repeated for each color, building up the image layer by layer, resulting in thick, vivid colors to complete the image. Each layer must align and print perfectly to create a finished artwork, which requires some skill and patience from the artist. The high-quality inks produce rich textures and colors.
  3. Hand-Crafted Touch: While automated machines exist, silkscreens are usually made as limited editions because each layer is hand-pulled, each stencil is hand-made, and each full-color serigraph is numbered and signed by the artist. Therefore, such prints are limited editions by nature and have the appeal to art collectors. Subject wise, this latest form of printmaking is the easiest to learn and doesn’t usually have the refinement of image like lithography or intaglio do.
Victor Vasarely, Op Art, The Absolute Eye exhibition, Naples, FL 2024


After walking through the exhibition and getting to know the artist, I was impressed with Victor Vasarely’s ability and mathematical precision to draft geometric forms – this is something I find very difficult to do in my art. As I’ve done silkscreen and other printmaking methods, I can appreciate the artist’s attention to detail and precision with which he worked to produce his op art prints.

More importantly, his thorough understanding of geometry and mathematical perspective led him to discover his own ideal of beauty comprising the Universe. Instead of copying visual cues from Nature like trees or birds, the artist studied nature to see the underlying structure of everything living. While Op Art or geometric abstraction is not my favorite art movement, I can see how it can play its role in other artists painting including mine.

Sources:

Naples Art Institute, The Absolute Eye, retrospective art exhibition, January 2024, Naples, FL.

The Art Story, Britannica, My Art Broker, Tate

This is why you have unique perception of reality, emotions & awareness

In this episode I share my thoughts and experiences outlining our unique perception of reality and how to expand on our awareness, understanding and love.

Watch on YouTube: https://youtu.be/z7bFUwyNXRY

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

The Canvas of the Soul: How Art Improves Your Emotional Well-being

ingres-Princesse-de-Broglie-1853-closeup-of-face-and-jewelry-the-met-best-art-museums
Ingres, Princess de Broglie, 1853, closeup, the Met, New York

Imagine this: We can feel confidence and inspiration in bold brushstrokes of Sargent. Or, perhaps, we find solace in quiet portraits of Vermeer. Or maybe, the gaze of Frida’s self-portraits can reflect our own inner strength. Visual art, in its myriad forms, is a keepsake of our emotions. And the best part? It’s open to everyone, regardless of age, culture, country or education level.

lady reading letters of Heloise and Abelard-1780-A. dAgesci
A lady reading letters of Heloise and Abelard-1780 by Auguste Bernard d’Agesci, oil painting, Art Institute of Chicago

The Science of Art & Emotion

When we go out to an art museum to marvel at the technical skills of artists, research reveals a deeper magic at play. Studies have shown that engaging with visual art can trigger a cascade of positive effects on our emotional and mental well-being:

1.Reduced stress and anxiety: A 2019 study published in the Journal of the American Medical Association found that museum visits lowered cortisol levels, the stress hormone, in participants. Promoting relaxation, art can be a useful technique to lower your anxiety level without taking the prescription.

2. Enhanced mood and happiness: A 2015 study by the University of Westminster revealed that looking at art increased feelings of pleasure and excitement in participants.

3. Improved empathy and social connection: A 2020 study in PLOS One found that viewing art together fostered greater empathy and prosocial behavior among participants.

Federico Uribe art, Adelson Galleries, 2023, Miami Art

The Secret Weapon is Art Education

The impact of visual art isn’t just for art nerds; it’s an effective tool for nurturing well-being from a young age. Art education is often ignored in public schools giving more value to sciences or sports. However, we have many parts to us and we grow emotionally by incorporating many subjects and social cues into our life. Art isn’t about making pretty pictures; rather it’s about:

Building self-esteem and confidence: As children express themselves through art, they discover their unique creative voices, boosting their self-confidence and sense of accomplishment.

Enhancing cognitive skills: Studies show that art education improves critical thinking, problem-solving, and spatial reasoning skills, giving young minds a well-rounded workout.

Fostering emotional intelligence: Through art, children learn to identify and express their emotions, developing a healthy vocabulary for their inner world. I think this is the most overlooked, yet most powerful application of art in our daily experiences.

Tips to Tap into Art’s Therapeutic Power in You

Every person has the artistic side inside him. It may be dormant or not fully explored. As we nurture this part of our personality, we discover new ways of looking at the world. We become more creative in our jobs. We feel emotional connection to people. We engage with others with empathy. We see beauty in ordinary places. We become more connected to the source of our divine nature.

So if you’re in the mood to discover and process your emotions via visual art, here are some tips to get you started:

1. Visit an art museum or art gallery: 

When you travel to another state or city, place the largest art museum and a few art galleries on your list. Not everything is going to look as art to you or become your favorite, but you learn to explore art beyond your comfort zone; you also understand what you really like or dislike. Sometimes, I go out and get disappointed in the shown objects promoted as ‘art’, but there are moments when I find paintings or sculpture that inspire me to create art or try new art materials or just look at the subject differently. I often study paintings by looking at unusual composition, color use or texture created in paint. Such visits cultivate my taste and appreciation of art.

OtherWorld, interactive space, Columbus, Ohio

Digital art and technology: I find this new realm of technology exciting. I’m not talking about the NFT scams or bitcoin-get-rich schemes. I think that the interactive, digital art installations are becoming more creative and exciting in comparison to contemporary painting. Some interactive installations can help you explore yourself and grow your understanding of reality by going to these virtual reality rooms. I like how some artists combine nature and technology to create moving exhibitions. My favorite artists in this field are: Studio Drift, Studio Olafur Eliasson, Kusama’ Infinity Rooms. You can also explore new interactive spaces like Other World, a 32,000-square-foot immersive art installation in Columbus and Philadelphia. It’s an interactive, multilevel playground filled with large-scale art, mixed reality playgrounds, and secret passageways. It’s a surreal mix art, technology and interactive experience.

OtherWorld, immersive space in Columbus, Ohio. Mushrooms changing color and sound.

2. Let your inner artist shine: 

Grab a brush or a pencil and make a drawing of something in front of you. Sketch a tree outdoors or a flower on your table. Write a note next to your sketch about your feelings as you’ve been drawing it. It’s about finding joy in the process of creation.

3. Turn your home into a gallery: 

abbotsford house castle library
abbotsford house castle_interior2

Surround yourself with art that speaks to your soul. Photographs, paintings, small sculptures or even handmade coffee cups can create a nurturing environment that reflects your inner world. Sometimes I visit homes that have 100% white walls. These houses look empty of color and emotion. Lacking personality, such houses are generic and sterile. Every human being is unique and by exploring your emotions in art, you create beautiful and healing space for yourself and others around you.

midnight dream_bedroom interior shot_celestial painting

4. Engage with art in everyday life:

Notice the beauty in the architecture you pass, the patterns in nature, the colors of a sunset, the texture in your friend’s bag. Collect those moments in a sketchbook or pictures because the world is your scrapbook of memories and emotion.

Church in Venice with mosaic floor design

5. Art therapy: 

Art therapy is a profession and service that grew out of art-making. It’s about using visual arts as a tool for self-expression, emotional exploration, and healing. From trauma recovery to managing chronic illness, art therapy offers a powerful outlet for processing difficult emotions. If you think that drawing is not your thing, try making collage pieces out of magazines and postcards exploring your emotions. I find that I often make art and collages without any particular thoughts but the meaning reveals itself when the art is done… Just like writing or a combination of the two, such process can help you understand and process your painful past to move into the light.

Sometimes psychologists use projective tests to understand your psyche.

Deep Dive into Projective Tests:

Projective tests, like inkblots and incomplete drawings, offer a glimpse into unconscious thoughts, feelings, and conflicts. They often look like symmetrical blobs of paint juxtaposing negative and positive space. But how does it work, right?

The Projective Hypothesis: Imagine throwing a pebble into a still pond. Ripples emanate outwards, revealing the contours of the pond floor. Similarly, projective tests are thought to “disrupt” the calm surface of the mind, provoking responses that reflect our inner landscape. By presenting ambiguous stimuli, such as inkblots or unfinished sentences, psychologists encourage individuals to project their own interpretations and motivations, revealing facets of personality that might otherwise remain hidden.

Rorschach inkblot

Common Projective Tests:

  • Rorschach Inkblot Test: The Rorschach presents ten inkblots of varying shapes and complexity. Psychologists analyze the patient’s interpretations, focusing on content, location, and movement. A bat in the blot might indicate anxiety, while seeing multiple figures interacting could suggest interpersonal struggles.
  • Thematic Apperception Test (TAT): In this test, individuals tell stories about ambiguous pictures depicting people in various situations. The psychologist delves into the themes, emotions, and conflicts projected onto the characters, gaining insights into the patient’s underlying motives and needs.
  • Draw-a-Person Test: Simple as it sounds, this test can reveal volumes about self-perception and emotional states. The size, posture, and details of the drawing can offer clues about self-esteem, anxieties, and interpersonal relationships.

You can read about these tests here: https://pdx.pressbooks.pub/thebalanceofpersonality/chapter/chapter-3/

Evaluation and Interpretation: Projective tests are not designed to provide definitive diagnoses, but rather to offer additional information alongside other clinical tools. Psychologists consider contextual factors, compare responses to established norms, and analyze the specific details and patterns in the patient’s interpretations. Projective tests can reveal deeper dynamics:

  • Defense mechanisms: The way individuals cope with stress and anxiety can be evident in their interpretations, revealing defense mechanisms like denial, projection, or rationalization.
  • Unconscious conflicts: Underlying anxieties, fears, and desires can surface through projected themes and symbolism, helping psychologists get to the root of emotional struggles.
  • Relationship dynamics: Projective tests can shed light on how individuals perceive and interact with others, offering insights into potential relationship difficulties or attachment styles.

However, it’s crucial to remember that projective tests are not infallible and rely heavily on subjective interpretation with some cultural biases and individual quirks that can influence responses. While not perfect, they can be valuable tools for psychologists to gain a deeper understanding of their patients, their personalities, and the emotional forces that shape their lives.

6. Community art projects: 

School building in Nicaragua

It’s often difficult to make yourself do something outside the house if you’re introverted or feel tired after a work week. However by going out and participating in collaborative art projects, you gain a sense of belonging, connection, and collective creativity that improves your mood and well-being. Imagine painting a mural for your community or taking an art class to learn the basics of pottery or sculpture. This activity can make you feel needed and appreciated by other members of the circle.

In conclusion:

Art is a valuable tool helping people express their emotions in a safe environment. Children benefit from doing art greatly by learning to explore their feelings and their relationship to the world around them. Art nurtures creativity, intrapersonal skills and grows emotional intelligence that becomes useful in a wide range of daily tasks. Art reduces stress and anxiety.

Remember, the emotional impact of art is unique to you. So, the more you explore, experiment, and record, the more your soul expands with empathy, love and curiosity. Art provides emotional connection to ourselves and the world while other activities may not have the same reach. Create healing space in your mind, home, relationships by developing your skills in painting, drawing, sketching, photography, pottery, etc. The world awaits your light.

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Colored Pencil techniques Video class by veronica winters_s

4 best papers for colored pencil drawing

In this episode I list 4 different surfaces for colored pencil drawing I use the most often. There are many more drawing papers of course. Share your ideas in the comments on YouTube or in messages on Instagram

To watch on YouTube: https://youtu.be/LdXTinmciDc

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

A Tangled Triangle: Frida Kahlo, Diego Rivera, and Leon Trotsky Museums in Mexico City

Casa Azul, the Frida Kahlo’s house in Mexico City: is it worth the visit ?

Located in the Xochimilco district, CoyoacĂĄn neighbohood of Mexico City, the Blue House is the home and studio of famous surrealist female artist – Frida Kahlo. She is the most known Mexican painter promoted across numerous art museums in the US. Frida Kahlo was an amateur surrealist painter, a feminist icon, and a wife of famous Mexican muralist – Diego Rivera whom she married in 1929.

frida blue house courtyard
Frida’s courtyard: a cobalt-blue house pulsates with the vibrant spirit of Frida Kahlo.

The Casa Azul (Blue House) was built in 1904, long before Frida was born. It became her childhood home, a witness to her joy, pain, and unwavering passion for art. Here, amidst splashes of cobalt blue and Mexican folk art, the house became a shared haven for the artist’s tumultuous yet creative partnership with Diego Rivera. The Casa Azul museum doesn’t display famous art by Frida but mostly exhibits personal objects, small art, photography, pre-Columbian sculptures, documents, books and furniture of the artist.

frida blue house courtyard

The museum is a living space, infused with the echoes of Frida’s presence. Temporary exhibitions inside the house weave narratives around her life and art, while well-maintained lush garden, once Frida’s sanctuary, invites quiet contemplation.

Stepping into Frida’s World: the studio

Stepping into the museum is like stepping into Frida’s soul. Her studio, one of the rooms in the house, displays art supplies, objects, easel and inspiration of the artist. The windows bath the studio in warm light and provide the views into green-blue courtyard. It’s impossible not to notice that this house with a studio is modest in contemporary terms but it was definitely specious and cozy for that time period.

In the “Studio” room the easel takes a prominent space, which was given by Nelson Rockefeller to Frida Kahlo. This picture also captures the artist’s table with art supplies, books and pictures.

A Tangled Triangle: Frida Kahlo, Diego Rivera, and Leon Trotsky

Both Frida and Diego Rivera were fascinated with the socialist ideology and supported its ideals via art. Rivera painted several murals with political messages. They both had a very close relationship with Leon Trotsky whose house was just a few steps away from theirs.

Frida Kahlo and Diego Rivera had a tumultuous relationship. Although they shared passion and love for each other, Frida weathered many infidelities by her husband, and entered into extramarital affairs herself. In 1937, Leon Trotsky, the exiled Russian revolutionary, found refuge in Mexico, courtesy of Diego Rivera’s political leanings. He and his wife Natalia Sedova moved into Casa Azul, creating an unorthodox mix. As Diego became increasingly disillusioned with Trotsky’s political stances, Frida and Trotsky were known to have a short-lived affair, fueled by intellectual connection and perhaps a desire for revenge against Diego’s infidelity. When Trotsky and Natalia moved out, the friendship between Frida and Diego fractured, and Frida poured her emotional turmoil into her art, most notably the poignant “Self-Portrait Dedicated to Leon Trotsky.”

“Casa Azul” presents a collection of personal mementos, books, pictures, traditional Mexican crafts, pottery, etc. There is a display of medical corsets and costumes that reveal the depth of her struggles.

frida kahlo  museum review
Further down in the museum you’ll find a wall display of Frida’s crutches, corsets and medicines the artist used after her numerous surgeries.

The Artist’s Bedroom

The artist’s bedroom is modest with the mirror that her mother had put into her room after the accident. Unable to move for almost a year, Frida began to paint in her bed.

Kitchen

Kitchen space at the Frida’s house-museum. While the rooms are specious, you can see modest furniture, pottery, artifacts, folk art and personal items of the artists reflecting Mexican culture of that time period.

Frida’s dresses

A collection of Frida Kahlo’ dresses. Saint, muse, lover, victim and survivor. Frida Kahlo is the very model of the bohemian artist.

“Writer Carlos Fuentes described how Frida’s arrival at the Palacio de Bellas Artes would be announced by the sound of her jewellery and how the architectural grandeur of the palace, its paintings and the captivating music of its concerts would be instantaneously outshone by her striking presence. Some of her closest friends have described how Kahlo would take special care in choosing each one of her garments, styling herself from head to toe, with the most beautiful silks, lace, shawls and skirts, some of which can be admired in this gallery. On the street, children would ask her “Where is the circus?” and she would just smile graciously and continue walking.

October 1937 marked a major step for Frida’s future influence in the fashion world, when Vogue featured her for the first time in the pages of the magazine. Later, in 1939, AndrĂ© Breton organized Kahlo’s first exhibition in Paris. It was called Mexique and her Tehuana dress became an instant sensation among European elites. It is said that star designer of the day Elsa Schiaparelli created a dress in her honor that was named ‘La Robe Madame Rivera.

It was the Tehuana dress that Kahlo chose as her signature dress; to define her identity and to portray her cultural heritage and political beliefs. Her wardrobe is mostly composed of Mexican traditional pieces from Oaxaca and other parts of the country. Nonetheless, there are also ethnic garments from Guatemala and China, as well as an interesting collection of European and American blouses. Kahlo used to combine these pieces to style herself and her favorite colors were red, green, blue, black and white. The development of her distinctive style as a blend of traditional Mexican and European fashion, as well as the fundamental effects of her disabilities, is represented through this selection of Kahlo’s most iconic looks. Kahlo as a bohemian artist, a Tajuana, a hybrid – representing her own mixed European and Mexican blood.”

1. Carlos Fuentes, introduction to The Diary of Frida Kahlo,
New York, Abrama, Ine, 1995, p. 7. 2. Hayden Herrers, preface to Frida: A Biography of Frida Kahlo,
United States, Harper Perennial, 2002, p. X

Transforming Grief into Legacy:

Frida Kahlo is a symbol of female empowerment and artistic defiance in art history of the West. Her story, whispered through the cobalt-blue walls, continues to inspire artists and dreamers alike. Frida died in 1954. Grief-stricken, Diego Rivera set about creating a lasting tribute to her life and work. He transformed the house into a museum, officially inaugurating it in 1958. It was his way of keeping her spirit alive, sharing her story with the world.

Is it worth your visit?

While the museum has a historic value of course, it’s rather small in today’s terms, crowded, and doesn’t have as much art as you may think could be found there. It also requires advanced purchase of tickets stamped with day and time. So if you plan to visit it, you must purchase the tickets before traveling to Mexico. Personally, I didn’t find the house fascinating but the Rivera’s Pyramid- museum was really interesting and definitely worth your visit! The Blue House ticket price includes the visit to the Anahuacalli. Be aware that it’s located in a different part of town and we used Uber to go there.

Address: Londres 247, Del Carmen, CoyoacĂĄn, 04100 Ciudad de MĂ©xico, CDMX, Mexico. Visit: https://www.museofridakahlo.org.mx/visita/

Anahuacalli: A Temple of pre-Hispanic art rising from Diego Rivera’s passion

Diego Rivera pyramid ANAHUACALLI MUSEUM-veronica winters art blog
Diego Rivera pyramid museum or ANAHUACALLI MUSEUM in Mexico City. The Museum houses more than 45,000 pieces, 2,000 on permanent display. In 1941, Diego began building the Anahuacalli, an architectural blend of modern art and pre-Columbian culture. The artist bought the land to build a cultural destination for artists and art enthusiasts alike. Each corner of the building has four elements – the goddess of corn and earth- ChicomecĂłatl; the god of wind and air- EhĂ©catl; the god of fire-HuehuetĂ©otl, and the god of water and rain – TlĂĄloc.

The eruption of Xitle, in the year 400 BC, created a landscape of layers of lava that, when solidified, formed an ecosystem of desert plants. The architecture of Anahuacalli was integrated into this biosphere, thought by Diego as a sacred receptacle in connection with the underworld.

from the museum’s website

Rising from volcanic rock, the Anahuacalli’s name, derived from the Nahuatl language, translates to “house surrounded by water”. Throughout his life, Rivera amassed a vast collection of pre-Hispanic artifacts, captivated by the history, wisdom and beauty of ancient Mexican cultures. He dreamt of a space to house these treasures, not just as a collector, but as a storyteller, an educator, and an artist himself.

One of the halls inside the museum displaying sketches done by Diego Rivera.

In 1943, Rivera began translating his vision into reality. He designed the Anahuacalli, drawing inspiration from Mayan and Aztec pyramids, using volcanic rock and concrete to create a sense of permanence and power. The building’s façade features sculptures reminiscent of pre-Hispanic iconography, hinting at the treasures within. The building consists of different levels with a varied amount of natural light, symbolizing a journey from the underworld to the sun. As a collector, Diego Rivera amassed over 45 thousand pieces of pre-Columbian art – comprising Jalisco, Colima, Nayarit and MichoacĂĄn.

Inside, the museum unfolds like a journey through time. Dark rooms showcase Rivera’s collection of over 6,000 pre-Columbian artifacts – terracotta figurines, masks, ceremonial objects – each whispering stories of forgotten civilizations. Rivera carefully arranged these pieces, not as mere exhibits, but as characters in a grand narrative, weaving together threads of mythology, ritual, and daily life. Ancient figurines are fascinating to look at as they are varied and represent different time periods. This museum is as interesting as the Archeological museum in Mexico City.

The Anahuacalli was envisioned as a cultural space, a “City of Arts,” where artists of all disciplines could find inspiration and collaboration. He designed studios, gardens, and courtyards, dreaming of a vibrant hub where creativity could flourish across generations. Unfortunately, Rivera’s ambitious vision for the Anahuacalli remained largely unrealized. He passed away in 1957, leaving the project incomplete. His wife, Frida Kahlo, ensured the museum’s completion and official opening in 1964, though Rivera’s dream of a bustling “City of Arts” never materialized.

Diego Rivera Museum: soviet star built on the floor’s terrace of the museum. Don’t forget to step out to see the views of the lava sea and rugged nature of the region in Mexico City from the rooftop of the museum. The Anahuacalli terrace offers views that inspired the artist to create this place.

The Anahuacalli stands as a testament to Rivera’s legacy. It’s a well-organized, yet underrated art museum and an architectural marvel! Its pre-historic art collection is inspirational and educational for us to learn about the ancient wisdom and artistic spirit of the peoples of Mexico. It is a unique temple of Mexican art that you must see in person!

Anahuacalli museum of Diego Rivera is showing a vast collection of pre-Hispanic figures. Throughout his lifetime, Diego Rivera collected numerous sculptures and objects of pre-Hispanic art. Later in life, he built the space to house his collection and for others to enjoy the archeological collection today.

The ticket to the Frida Kahlo Museum includes admission to the Diego Rivera-Anahuacalli Museum! More information:https://museoanahuacalli.org.mx/


Leon Trotsky’s Turbulent Exile in Mexico City: a story of defiance and assassination captured inside the house-museum

Trotsky house-museum is situated very close to the Blue House and is worth your visit! It doesn’t require advanced reservations as it’s half-empty and obviously not as known to the West as Frida Kahlo’s art.

Leon Trotsky museum review
View from the street of Leon Trotsky’ house

Leon Trotsky, a towering figure of the Russian Revolution, found himself ostracized and hunted after falling out of favor with Joseph Stalin. His exile in Mexico City from 1937 to 1940 was a period of immense personal struggle, marked by intellectual defiance, political isolation, and ultimately, a brutal assassination.

From Revolutionary Hero to Exiled Pariah:

Trotsky’s early life was a whirlwind of revolutionary fervor. A brilliant orator and organizer, he played a pivotal role in the 1917 Bolshevik Revolution, becoming Lenin’s right-hand man. However, ideological clashes with Stalin led to his expulsion from the Communist Party and the Soviet Union in 1929. He embarked on a nomadic journey, bouncing from Turkey to France, Norway, and finally, Mexico, desperately seeking refuge.

One of rooms in a spacious Trotsky house-museum

Finding Solace in CoyoacĂĄn:

Mexico City’s CoyoacĂĄn neighborhood offered Trotsky a temporary haven. He and his wife Natalia Sedova settled in a fortified compound, dubbed “Fortress Trotsky.” Despite the constant threat of Stalin’s assassins, Trotsky remained intellectually active. He wrote prolifically, criticizing Stalin’s regime and advocating for a global proletarian revolution. His magnum opus, “The Revolution Betrayed,” became a scathing indictment of Stalinism.

House library at the Trotsky residence in Mexico City
Bathtub at the Trotsky house

A Beacon for Leftists, a Target for Stalin:

Trotsky’s exile attracted a motley crew of supporters, including painters Diego Rivera and Frida Kahlo. His home became a hub for leftist intellectuals and revolutionaries, who saw him as a beacon of hope against Stalin’s tyranny. However, this notoriety also made him a prime target for Stalin’s agents. Assassination attempts became a grim reality, culminating in the tragic events of August 20, 1940.

Leon Trotsky & Diego Rivera, one of many photographs displayed at the house-museum

A Brutal End to a Tumultuous Life:

RamĂłn Mercader, a Spanish communist recruited by Stalin’s secret police, infiltrated Trotsky’s inner circle. Gaining Trotsky’s trust, Mercader struck with an ice axe. While Trotsky initially survived, he succumbed to his injuries the next day. His assassination silenced a major critic of Stalinism and marked a tragic end to a life defined by revolutionary zeal and relentless pursuit of his ideals.

Mexican police showing the ice axe used by Mercader in the crime killing Trotsky.

Trotsky’s Legacy: A Complex Tale of Revolution and Exile

Trotsky’s legacy remains complex and contested. He is revered by some as a champion of socialist democracy and a tireless fighter for the working class. Others condemn him for his role in the Bolshevik Red Terror and his unwavering commitment to a revolution that ultimately paved the way for Stalin’s dictatorship.

His exile in Mexico City, however, stands as a testament to his unwavering defiance and intellectual commitment. Though ostracized and hunted, Trotsky remained a thorn in Stalin’s side, his voice echoing through his writings and inspiring future generations of revolutionaries. Trotsky’s story is a cautionary tale of the dangers of political idealism and the dark undercurrents of revolution. Yet, it also serves as a reminder of the power of dissent and the importance of fighting for one’s convictions, even in the face of seemingly insurmountable odds.

To read more about Frida: https://veronicasart.com/frida-kahlo-art-in-st-petersburg/

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Check out Visionary Art here: https://veronicasart.com/shop/

The art world’s enigma: highlights from Context Art Miami 2023

Carole Feuerman

CONTEXT Art Miami takes place every December alongside the Art Miami in downtown Miami. This upscale, glitzy art fair is the 33rd Edition of Art Miami and 11th Edition of CONTEXT Art Miami. It features emerging and mid-career artists presented by more than 240 International art galleries. CONTEXT also showcases commissioned art made for the fair.

Due to some nudity in the art this full-version video is available to some audiences on YouTube: https://youtu.be/brV6c_UVo1g

Contemporary art sculpture at the Context Art Miami

Coderch and Malavia-ALIS VOLAT PROPRIIS-sculpture-art fair miami 2023
Coderch and Malavia-ALIS VOLAT PROPRIIS-sculpture-CONTEXT art fair Miami 2023
Coderch and Malavia-Galene-sculpture-art fair miami
Coderch and Malavia-Galene-bronze sculpture-art fair Miami. Incredibly talented Spanish artists, Joan Coderch and Javier Malavia began creating art together in 2015. They create contemporary figurative realism sculpture together by modelling the pieces and casting them in bronze.
Joan Coderch was born in 1959 in Castellar del VallĂ©s, Barcelona, and he graduated from Barcelona’s Faculty of Fine Art in 1984. Javier Malavia was born in 1970 in Oñati, GuipĂșzcoa, and he graduated from Valencia’s San Carlos Faculty of Fine Art in 1993. Once they met, they discovered their artistic similarities, which led to their undertaking this new project that follows in the footsteps of masters of figuration such as Maillol, Rodin, Marini and Bourdelle.
Coderch and Malavia-Kymo-bronze sculpture-miami 2023
Coderch and Malavia-Kymo-bronze sculpture-CONTEXT ART Miami 2023
Carole Feuerman-context 2023-veronica winters art blog
Carole A. Feuerman (born 1945) is an American hyperrealist artist-sculptor. The artist is best known for her figurative art of swimmers and dancers. Feuerman is the only artist to make realistically painted outdoor sculptures and the only woman to sculpt in this style.

filippo tincolini-spacesman seat-marble, art contexxt miami
Filippo Tincolini, Spaceman seat, marble

Contemporary painting & wall art at the Context Art Miami

Takashi Murakami context art

Gabriel Moreno Art-context art miami
Gabriel Moreno, Epistolary relationship NÂș3, 150 x 180 cm, pencil, Bic blue pen, charcoal, on paper 320 gr. with finished in gold leaf. Context Art Miami 2023
Alvaro Petritoli, Art Movement Gallery, London, Context Art Miami. Ink on watercolour paper.

“Fireflies in the forest and stars in the night sky connect us with the wonders of childhood and fairytales. As creatures of mystery and magic, fireflies invite the viewer to follow their luminous trail in the delicate dance between light and dark. In relation to stars, they define a nocturnal atmosphere where microcosm turns into macrocosm and vice versa. As human beings we naturally found ourselves at the crossroad between these two dimensions. Apart from the sea and the sky, blue is the rarest color in nature. It is linked with eternity, supernatural beauty, religious transcendence, the beyond.

I paint forests from my imagination. They are not a representation of specific geographical locations. However these places exist as a manifestation of inner spaces.
In relation to stars, they define a nocturnal atmosphere where microcosm turns into macrocosm and vice versa. As human beings we naturally found ourselves at the crossroad between these two dimensions .
The forest as a threshold symbol into the unconscious was the conceptual starting point for these ink paintings. I’m drawn to this archetype loaded with symbolic connotations: a place of loneliness, healing, regression, entanglement, growth and self discovery.”

Shepard Fairey-exclamation 2019 silkscreen and collage
Shepard Fairey, exclamation, 2019, silkscreen and collage
Luciano Ventrone occasion oil on canvas- stefano forni gallery-context art miami
Luciano Ventrone, Occasion, oil on canvas. stefano forni gallery-context art Miami
Context art Miami 2023- blink group
Federico Uribe art-Adelson Galleries: Born in Bogota, Colombia, Federico Uribe lives and works in Miami. He studied art at the University of Los Andes in Bogota, and in 1988 left for New York to pursue a master’s degree in fine art under the supervision of Luis Camnitzer. In 1996, he abandoned his paintbrushes and began creating his sculptures out of everyday objects, whose beauty is often overlooked. Uribe constructs and weaves his sculptures in curious and unpredictable, repetitive and almost compulsive ways, yet still with reference to the history and tradition of classical art.

Uribe’s work has become prominent in the United States over the past decade, and has been collected by multiple museums, and featured in several museum exhibitions across the country. He has most recently created installations for the Hudson River Museum (NY), Mass MoCA (MA), the Montgomery Museum of Fine Art (AL), and the Montclair Art Museum (NJ). Federico Uribe currently has an exhibition at the Madison Museum of Contemporary Art (WI) on view through June 2024.
Federico Uribe art-Adelson Galleries

Contemporary 3-D art at the Context Art Miami

HOFA gallery-JULIAN VOSS-ANDREAE
HOFA gallery, JULIAN VOSS-ANDREAE, RECLINING WOMAN, 2022. Stainless steel (316L) Weight: 230 lbs (110 kg) 26 x 57 1/8 x 21 1/4 in

Julian Voss-Andreae, a German sculptor based in Portland (Oregon, USA) produces large-scale public and private commissions often blending figurative sculpture with scientific insights into the nature of reality. Voss-Andreae’s work has been featured in print and broadcast media worldwide and videos of his sculpture have gone viral with tens of millions of views. Prior to his art career, Julian Voss-Andreae studied quantum physics and philosophy at the Universities of Berlin, Edinburgh and Vienna and did his graduate research in the lab of 2022 Physics Nobel Prize laureate Anton Zeilinger, participating in a seminal experiment in foundational quantum physics. His expertise in diverse fields of science and a deep passion for the mysteries of the world have been a continual source of inspiration for his work.

Ai Weiwei-context art miami 2023
BREAKFAST: Brooklyn, Est. 2009, Flashbacks, Blue Lines, Edition 1/8, 2023, Flip-discs, software, camera, computer, 38 x 38 in (96 x 96 cm)
“Flashbacks” is the latest series from the artist BREAKFAST, which explores the fusion of art and memory. This interactive artwork records a brief clip of each individual who interacts with it, subsequently replaying a selection of these clips from the artwork’s memory.
The piece is constructed using Flip-Discs, a medium BREAKFAST has been perfecting since 2012. Each disc is intricately flipped using electromagnets.

BREAKFAST is celebrated for their digitally-driven kinetic sculpture. At the core of their work is a dedication to crafting advanced artworks that harmoniously blend software and hardware. These creations not only provide interactive experiences that transcend physical boundaries but also convey the poignant narratives of our dynamically evolving world.
Patrick Hughes: (British, b. 1939) Patrick Hughes’ first solo show was in 1961 in Mayfair, London. The catalogue introduction was by the critic David Sylvester. He has since held one-person exhibitions in Los Angeles and San Francisco, Chicago, Boston and New York, and in France, Germany, Italy, Holland, Belgium and Switzerland, one hundred and fifty-four so far.
Patrick made his first reverse perspective, or reverspective, relief painting in 1964 and has refined his technique since. These artworks are constructed of wooden pyramids in perspective but the wrong way round, with the furthest point of the space represented being closest to the viewer. The result is optical illusion. As the viewer looks and moves near the painting it seems to change seamlessly, giving an illusion of movement in three-dimensions.
Patrick Hughes received an honorary degree of Doctor of Science from the University of London in 2014 for his contribution to the study of the psychology of perception. Hughes wrote a book titled “Paradoxymoron” that gives insight into his thought process and ideas. His 3D art is in many private and public collections including art museums internationally.
Miss Bugs, Algorithm sunny day, context art Miami 2023

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Visit:

https://www.contextartmiami.com/galleries

The CONTEXT Art Miami Pavilion
One Herald Plaza @ NE 14th Street | Downtown Miami
On Biscayne Bay between the Venetian & MacArthur Causeways

The Omni garage parking is $40! 1645 Biscayne Blvd @ NE 15th Street, Miami, FL 33132 Mon – Sun: All day

Megan Seiter: art promotion and colored pencil techniques

Learn art promotion and colored pencil techniques with Megan Seiter

Megan Seiter is an accomplished, contemporary hyperrealist artist working in colored pencil. A winner of many prestigious awards, Megan creates beautiful floral paintings with a twist. Using the pan pastel and watercolor she draws realistic still life paintings with amazing precision and vibrancy. In the interview she shares her colored pencil techniques, art supplies and gives us valuable tips on art marketing, presentation, networking, gallery representation, and so on. You don’t want to miss this episode!

Parrot Tulips-Megan Seiter-hooked on art podcast
Parrot Tulips by Megan Seiter, colored pencil drawing

Megan Seiter website: https://www.meganseiter.com/

To watch on YouTube: https://youtu.be/53_ObOt26F8

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

The apotheosis of war

The Apotheosis of War, colored pencil and markers on paper, 12×16″, Veronica Winters

The US was involved in a number of wars in the past 100+ years.

Wars:

World War I (1914-1918)
World War II (1939-1945)
Korean War (1950-1953)
Vietnam War (1954-1975)
Gulf War (1990-1991)
War in Afghanistan (2001-2021)
Iraq War (2003-2011)


Proxy wars:

Chinese Civil War (1944-1949)
Greek Civil War (1946-1949)
First Indochina War (1946-1954)
Korean War (1950-1953)
Vietnam War (1954-1975)
Angolan Civil War (1975-2002)
Nicaraguan Revolution (1979-1990)
Salvadoran Civil War (1979-1992)
Soviet-Afghan War (1979-1989)

Russian-Ukrainian war (2022-


There is some debate about whether or not some of these conflicts can be classified as proxy wars. In Serbia, the US was involved in the NATO bombing campaign against Yugoslavia in 1999. This bombing campaign was launched in response to the Yugoslav government’s crackdown on ethnic Albanians in Kosovo. The bombing campaign lasted for 78 days and resulted in the deaths of hundreds of civilians.

The US has also been involved in the conflict in Libya. In 2011, the US led a NATO intervention in Libya to protect civilians from the forces of Libyan leader Muammar al-Gaddafi. The intervention resulted in Gaddafi’s overthrow and death. However, the conflict in Libya has continued since then, with various factions vying for power. The US has continued to be involved in the conflict in Libya, providing support to the internationally recognized government. However, the US has also been criticized for its role in the conflict, with some accusing the US of destabilizing the region and creating a power vacuum that has been exploited by terrorist groups. The US involvement in the conflicts in Serbia and Libya has been controversial. Some argue that the US interventions were necessary to protect civilians and promote human rights. Others argue that the interventions were illegal and counterproductive, and that they have contributed to the instability in both regions.

Additionally, the US has been involved in a number of other conflicts over the past 100 years, but it is difficult to say definitively whether or not these conflicts can be classified as wars or proxy wars. For example, the US intervention in the Dominican Republic in 1965 and the US invasion of Grenada in 1983 are often considered to be military interventions, but they could also be classified as proxy wars, as the US was supporting or opposing specific factions in those conflicts.

Written with knowledge of AI-based Google Bard.

PS. The US is currently involved in the Russian-Ukrainian war and the Israel – Palestinian conflict in 2023.

How to use color harmony in colored pencil drawing

veronica winters colored pencil

When you begin realistic drawing in colored pencil, artistic aim is to copy what you see in front of you or in your reference. Beginners in colored pencil drawing pay attention to small things like details and textures, and they’re important. However they become truly important only when the basic drawing is in place. If you begin shading one spot and forget about the rest of your composition, you might end up having the colored pencil drawing that has no consistency or unity in color harmony and composition. In this article I’d like to share a few strategies I often employ using color harmony to create mood and atmosphere in colored pencil drawing. Let me give you some ideas how to use color harmony in colored pencil drawing so you can discover your own unique approach to drawing.

Another extensive article on colored pencil portrait drawing and the use of values and color: https://veronicasart.com/realistic-colored-pencil-portrait-drawing-guide/

On YouTube: https://youtu.be/kFdssDSWL3c

Color wheel for colored pencil drawing

While color wheel isn’t everything for colorful pencil drawing, you do need to know these basic definitions and color triads.

Definitions:

  • Hue – means color. Red, green, yellow, etc.
  • Value – means how light or dark the shading is.
  • Chroma – is the color’s strength or color intensity. Colors can be super intense or muted.
  • Value – the lightness or darkness of a color.
  • Color Intensity – the saturation or purity of a color.
  • Neutralized color – the color with less intensity that’s either grayed down or mixed with its complement.
  • Local color – the natural color of an object as it appears in daylight (green of the cucumber or blue of the blueberries). Art students see only local colors in objects rather than the colors of light and reflections.
This is a page from my coloring book titled “How to color like an artist“, in which I explain basic color theory as well. My art instruction book titled “The Colored Pencil Manual” has the entire chapter devoted to color theory for advanced artists.

I know it’s difficult to remember all the definitions and I strongly recommend buying a color wheel because it’s visual. You can rotate the dial to see complementary colors, triads, etc. I still use it every time I design my colored pencil drawings. You can buy it at any art supply store or on Amazon.

Color Wheel is available on Amazon.
  • primary colors are red, blue, yellow. If you put all three primary colors (making them equal in intensity) your colored pencil drawing will be screaming with too much color.
  • secondary colors are orange, violet and green. They’re mixed with two primary hues.
  • complementary colors in colored pencil drawing – are opposite each other on the color wheel. Complements intensify each other. You don’t want to have all the complements in one drawing for that reason. Red-Green, Violet-Yellow, Blue-Orange.
  • analogous colors in colored pencil drawing – are hues adjacent to one another on the color wheel.
Analogous colors: red-red-orange-orange
Analogous colors: green-green-blue-blue
  • triadic colors in colored pencil drawing –
  • split complementary colors in colored pencil drawing – are the colors on either side of a color’s complement. For instance, if your primary color is blue, your split-complementary colors would be yellow-orange and red-orange. Violet’s complimentary color is yellow, and its split-complementary colors are yellow-green and yellow-orange. Blue-purple and red-purple are split complementary colors. Red and green are opposite each other on the color wheel, so red-orange and blue-green are split complementary colors. Split-complementary colors seem to be less color-intense.

  • tetradic colors in colored pencil drawing – are a color scheme that uses four colors that are equally spaced around the color wheel. The four colors are made up of two sets of complementary colors, which are also known as double complementary colors. To be honest, I don’t think this color scheme is very useful although you can try it of course. I think it’s too many bright colors competing for attention unless you use as single dominant color in this color scheme.
  • monochromatic color harmonies- colors composed of variations of the same hue but different in color intensity and value. Red is a hue. Its monochromatic variant is pink and maroon.
koh-i-noor colored pencils review
color wheel_color intensity-color harmony blog
Color wheel & Color intensity:
Color Intensity – the saturation or purity of a color. Neutral colors are mostly browns but
Neutralized color – is any color with less intensity that’s either grayed down or mixed with its complement.

Colored pencils don’t mix to grey unlike oil, acrylic and watercolor paint. Therefore you need to use grey colored pencils to neutralize the color so that there are 1-3 dominant colors in the picture, and the rest are neutralized. By using the grey colors you create selective focus as well as beautiful, subtle color variations and texture. In the closeup drawing below you can see grayed down fabric. I shaded with some bright hues first and then added light greys over them.
Blue lily dream, 20x30 inches, colored pencil on art board by Veronica Winters
Blue lily dream, 20×30 inches, colored pencil on art board by Veronica Winters

How to use color harmony to create mood and atmosphere in colored pencil drawing

I’d like to share 5 drawing tips on using color harmony to make your colored pencil drawings more realistic.

1. Consider overall color harmony design in your colored pencil drawing

Decide on the overall color theme of your colored pencil drawing. Is it light or dark? Is it monochromatic or in full color? How do you decide? Look at your main reference to see the dominant color. Make that particular color your main focus in colored pencil shading. Everything else should be less color intense to support the dominant color. The color harmony you decide on may not be unique to you but you make it unique by choosing the unusual point of view, stroke or subject. Your choice of a dominant color(s) and contrast determines the mood in the drawing. For example, light blues and pinks look serene, while deep reds and blacks make us feel very differently.

veronica winters colored pencil drawing-how to use colored pencil for beginners
If you look carefully, the only dominant color here is light blue-turquoise. Everything else is grayed down using colored pencil shading in greys and less bright hues. The overall theme is light. The dominant color is present throughout the composition. Its reflected in the silver plate. It’s noticeable in the background and crochet.

2. Test your colors to decide on the best color harmony

Once you decide on your leading or main colors for your drawing, look at your colored pencils to pick the colors from that color family.

Test your colored pencils on your drawing paper to have consistent color harmony and shading. If you see lots of blue in your reference, test all your blues to see which ones look similar to your picture. Start testing these colors right next to your reference and you’ll notice that some colors are totally off and don’t look right as your main hue. If you have a big box of colored pencils, you have many similar colors. You don’t need to use them all in one drawing because you can adjust your pencil pressure drawing in one blue to get a range of blue tones that’s similar to a number of various colored pencils.

colored pencil techniques
If you’re testing dark blue colored pencils based on your reference, do you see that not all of them fit that particular color range? Many blue colored pencils are too light or too greenish to be considered for the dark blue range.

3. Keep it simple to create consistent color harmony

Shade all shadows in one color first. Students love to jump around the picture, using all possible colored pencils to draw the portrait. Instead, pick one color to shade all your shadows first. Colored pencil shading in one color is key to create volume in portrait drawing.

veronica winters colored pencil
In this example you can see that I picked a single purple colored pencil to shade the deepest darks first. When I’m done with basic underpainting in one color, I shade with other colored pencils, layering them one by one.

You can make personal colored pencil drawings by focusing on a familiar subject that has unique story line or idea. For example, we all know how the human heart looks like but by designing my own composition and color scheme, I make my colored pencil drawing look different from everyone else’s.

blooming heart in steps-veronica winters colored pencil drawing
Here you can see that I used one dominant color – red for the shading of the heart and another one – dark green for the leaves. Because I created this colored pencil drawing on a light grey paper I also marked the highlights with white not to lose them by accident.

4. Add more tested colors to develop contrast in your color harmony

Most colors are warm and cool. This includes reds, greens, blues and even greys. Some are neutral like browns. You must consider how light or dark they’re. You can’t create a very dark shadow using light pink. You can’t shade around the highlight with a dark blue ( because dark blue is too dark for shading in the light).

Build contrast by having a range of tones in your colored pencil drawing going from very light colors to very dark ones. Of course, not all references call for it but keep it as a guideline for your art and colored pencil shading.

Most colors are warm and cool. This includes reds, greens and blues. Some are neutral like browns. You also must consider how light or dark they’re to build contrast in shading.

5. Look at your colored pencil drawing from a distance!

You lose all the details by looking at your art from the distance. You do see the inconsistencies in color, awkward shapes, weak shadows and highlights, or undefined edges.

If you consider all 5 rules you will be able to draw a photorealistic colored pencil drawing that has unity in color.

how to draw glass

On using color harmony to create unique and personal colored pencil drawings

veronica winters colored pencil art, mushroom heart
mushroom heart, 10×16, veronica winters colored pencil drawing

I’d like to share my approach to using color harmony to create unique and personal colored pencil drawings. I think it may be useful for advanced artists interested in colored pencil art.

veronica winters colored pencil

#1 Start with a good idea

Have a good idea in mind what colored pencil drawing you want to create. The idea is a visual story in color, subject or light. It doesn’t have to be the figure. It could be one object displayed in a unique light, rotation or point of view in artist drawing. This is the artistic vision and interpretation of a “boring” object that becomes fun to look at because of your unique interpretation of it. You can train yourself to see the world more creatively by improving your photography, reading, looking at art masterpieces and contemporary art.

I have a folder where I save art to learn from done by other artists. I study unique color choices, composition and subject. Sometimes, the subject isn’t new but the approach to drawing it is totally unique.

veronica winters colored pencil
lambent space, veronica winters colored pencil drawing, 19x25in

My idea starts from my imagination, reading, travel, emotions and thoughts. One day I imagined a seated figure with light passing through his body. I also imagined a rain of hearts above the figure. I made notes of this idea on my phone
I wanted to depict energy, chakras and the colors of the Universe in this colored pencil drawing of Buddha. I came home and started thinking of my references to illustrate this concept.

#2 Pick high-quality references for realistic colored pencil drawing

At first I wanted to paint a real person but I had no references of the pose. So I browsed pictures from my Thailand trip folder. I saw so many beautiful Buddhas and palaces there
And this green Buddha was made of semitransparent stone that looked like glass.

You need to pay attention where your references come from. Sometimes you can’t enter competitions drawing from someone else’s photo. Other times, you don’t have an emotional connection to the picture which is not yours. Or you need to get a photo release that takes time and effort. Personally I try to use my references but when it’s impossible to do, I go to Pixabay to find inspiration and you can too! Pictures are of high-quality and free for commercial use. The only problem with them is that they’re Photoshoped heavily. You must see if you have enough information to draw from as most filters remove warm/cool contrast from pictures.

This is my original idea designed in Photoshop. I used a combination of my pictures to illustrate the visual reference to draw from. As you can see I made considerable changes to the final drawing.

Picking the right references is not enough. They need to “connect” with each other in light and color temperature.

I always design my images around the main subject. I place it first and put smaller shapes around it. In this example, the largest shape is Buddha’s image and my design revolves around the figure. I used the ruler to make straight lines and place the hearts. I cut a heart-shaped template to have a consistent shape in my colored pencil drawing. I use Photoshop to plan the design as much as possible by layering and moving elements around the main figure to arrive at a perfect composition.

step-by-step drawing on canson colorline paper

#3 Decide on your color harmony in colored pencil drawing

This drawing has quite sophisticated color scheme. My color harmony is a combination of cool red, green and cool, bluish white.

My tip is to focus on picking 1-2 main colors in your color harmony. It doesn’t mean that you use just two colored pencils for that. It means that you pick the basic scheme, say, ‘yellow-purple’ and design your colored pencil drawing in these colors. The rest of them should be grayed down or become less prominent to support the main hues.

#4 Pick the right toned paper for your specific color harmony

veronica winters colored pencil
lambent space, veronica winters colored pencil drawing, 19x25in

I love drawing on Canson Colorline paper because it comes in a variety of bright colors. The texture is not overwhelming and colored pencils become very vibrant drawing on this paper. (I’m linking to this paper on Amazon but I find that DickBlick has better choices).

Once you picked you main color scheme, say ‘yellow-purple’, look at the color of your drawing paper. In general, don’t draw on yellow paper if your main color is ‘yellow’. Don’t draw on a purple drawing paper if your main color is ‘purple’. Pick the opposite color of paper (like green or orange) and test the colored pencils on it. Test a few colored pencils on it to see how either vibrant or dull they’re. Some colors may disappear on colored paper and others would be super bright.

#5 Have consistent shading in your colored pencil drawing

Begin shading the shadows first using one color. Don’t jump around the picture with many colors. Pick one color and shade all the darks with it. Mark the highlights with white colored pencil (or reserve the space for your highlights if you draw on white paper). Lastly, shade the middle tones connecting the darks with the lights.

Shade with the softest colored pencils, filling in large areas. If you start working with harder colored pencils like Polychromos, it might be frustrating to fill in large space. I save a lot of time and hustle for myself by drawing with the softest pencils like Prismacolor Premier and Luminance or Pablos, and then switching to harder pencils like Polychromos to work on the details in my colored pencil drawing.

Have fun creating your super vibrant colored pencil drawings with beautiful and unique color harmonies!

buddha art-veronica winters colored pencil
Lambent space, veronica winters colored pencil drawing, 19x25in, Canson Colorline drawing paper, lightfast colored pencils ( Faber-Castell Polychromos, Luminance and Prismacolor Premier colored pencils)

You can learn a lot more about color and color harmonies by taking my video course where I explain the properties of color and how you can design your images around color. I share my secret picking a perfect color scheme for my colored pencil drawings every time.

Design your perfect color harmony by taking this course:
https://veronica-winters-art-school.teachable.com/p/color-crush-course-for-colored-pencil-artist-by-veronica-winters

Colored pencil drawing on Ampersand pastelbord

This board could be an alternative to drawing on colored paper but you must consider the disadvantages working on it in colored pencil.

I like to experiment with different surfaces drawing in colored pencil, searching for the most archival support for my art. Since most people find the colored pencil work inferior to oil painting and even pastel painting, finding the right, archival surface takes the fear away from your clients who wish to buy your artwork otherwise.

This slightly sanded, colored pastelbord by Amersand is similar to the 800 grit Uart paper, which is great for soft pastel painting. Just like the Uart paper, the pastelbord has similar advantages and disadvantages to using it in colored pencil drawing.

Advantages:

  • Ampersand offers a nice variety of colors: sand, dark green, white, gray, and other neutral colors. It takes much less time to shade on colored surface rather than on white.
  • Artworks look vivid drawn on this board.
  •  This archival surface is durable. It doesn’t bend or crumble, stays flat at all times.
  • It offers easy display without glass. Just make sure you fix your art beforehand with 3 layers of final fixative. Now you have neither glass reflections nor scare to transport the art!
  • The Ampersand pastelbords come in standard sizes that makes it super easy to frame them!

Disadvantages:

  • Colored pencil shading on pastelbord is limited. It accepts few layers of pigment.
  • It “eats” my colored pencils. If you buy expensive, lightfast pencils, they don’t last long drawing on this surface, and you’d have to replenish them quite often.
  • It’s best to use harder pencils on these boards. I use Pablos to fill in all the detail.
  • The boards cost more than the average drawing paper, of course.

rose colored pencil by veronica winters
Pink rose, 9×12 inches, lightfast colored pencils on pastelbord, in private collection
peacock feathers
Peacock feathers, 5×7 inches, lightfast colored pencils on pastelbord, in private collection

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
These art instruction books are on sale on Amazon!
One mistake every beginner makes!

Art Supplies:

Colored Pencils:

Drawing paper:

Spray fixative for drawings:

Other art supplies:

Tombow mono eraser: https://amzn.to/3yOVmMT

I’m an Amazon affiliate. You can find these brands at other art supply sites as well.

Mental health, connection & illusion of reality

On unique perception of reality, emotions and judgment

Have you experienced talking to someone trying to explain your point of view only to hear these words back – ‘you’re being crazy’, ‘you’re wrong’ and ‘you’re overreacting.’ You try to prove your point but the other side needs a hearing aid to even listen to your opinion. Many people don’t want to hear another side because it will violate their perception, beliefs, order and views of the world. Most people protect their views and can’t stand contradiction because otherwise their way of life can crash down like a card house
 

Some people don’t want to consider a different point of view because it will destroy their reality or perception of themselves. They don’t want to understand that we all have unique perception of reality and the way we see ourselves isn’t the same as people see us. It turns into endless judgment and debate of your feelings instead of finding mutual understanding and love.

Sometimes people don’t want to hear the truth because they don’t want their illusions destroyed.

Friedrich Nietzsche

On Awareness

Every person has a unique perception of the world. Therefore, the same daily experiences have different interpretation of reality. One human sees the glass half-empty and another person half-full. If you’re a highly sensitive person you’re able to perceive the world on a much deeper level than other people which affects the level of hurt you experience in childhood and adult life. While most beliefs and perceptions form in childhood, some do change. It depends on your desire to be open to it. Awareness isn’t something that grows quickly and automatically. You have to be open to see beyond your daily experiences and be accepting of the opinions of others. You become more aware of your actions, causes and reactions. You learn to take control of your reactions by having a thorough understanding of your inner life, triggers and pain points. The more you know yourself, the more you understand others.

blue lily dream-veronica winters colored pencil
Blue lily dream, 20×30 inches, colored pencil on art board by Veronica Winters | Breath in. Become aware of your feet touching water. Give yourself permission to feel what’s alive around you. Become aware of cosmos that’s inside you. Feel the infinity in a single moment. Step into the river of a creative life force that’s always there. Let your emotions come to the surface to become open to receive guidance. Breath out. Experience all emotions with intensity. Painful. Joyful. Sincere. Allow yourself to let go what’s holding you back in daily life. Discover your true self.

Being fully aware of our thoughts, actions, feelings, body, intentions and everything that happens around us is being fully conscious. It may be difficult to gain full awareness of a situation or a person we interact with for quite some time until further information comes to light. As time passes fuller awareness emerges with more details and unaccounted points of view that either change the situation some or totally disrupt our understanding of reality.
People often project their personality and way of thinking onto others. All of us do this. It’s common to act in a certain way expecting the result based on your perception, beliefs and thinking. But the catch is that the other person is not You. So their perception of reality, inner motivation, values and beliefs may be the opposite of yours. What does it mean? It means that we can’t project our character, ethics and morality onto others expecting reciprocity or a positive exchange of energy. The other party would take your actions and deeds to interpret them through their prism of personal beliefs and values. Therefore the final outcome of any interaction is unknown and often not what you would expect to see

That’s how we can hurt others and not be aware of it. That’s how others can hurt us and not be aware of it. But that’s also how we can bring something special into someone’s life, enriching our mutual existence with positive energy.

On YouTube: https://youtu.be/z7bFUwyNXRY

If you are depressed you are living in the past.
If you are anxious you are living in the future.
If you are at peace you are living in the present.

Lao Tzu

On mental illness

I believe mental illness is grossly misunderstood. The very definition implies that people must be shamed because they are considered being crazy although mental illness is a lot more complicated and nuanced than that. “Mental illness” is a brain-heart-and-body response to adversity, emotional or physical abuse. It’s a distress signal, not craziness.

blooming heart colored pencil drawing by veronica winters-15.5x25
blooming heart colored pencil drawing by Veronica Winters | Check out visionary art for sale: https://veronicasart.com/


Depression, PTSD, anxiety and some other disorders happen to intelligent and talented people who function in our society the way ‘normal’ people are expected to behave. “Illness” develops inside a person’s mind and heart because of traumatic conditions. These include emotional and physical abuse in the family as well as traumatic events like car accidents, fire, failure at work, military combat, rape, etc. People learn to suppress their emotions when they served in the military or were raised in families that didn’t care much for child’s emotional well-being. When children are deprived of love and acceptance by parents they grow up starving for those feelings, still trying to conform to norms and expectations set within the family unit. Many people hide their emotions not to be shamed or called crazy because what they feel is not joy. These are thoughts of death, grief, and feelings of loneliness, emptiness, abandonment, worthlessness and numbness. Is it really crazy to feel what was perpetuated by others? Pain comes from rejection, disregard, shame, submission, disconnect and absence of love.


There are moments when depression happens to “happy” people because of personal failure at work, cheating of a spouse, death in the family, childbirth or divorce. Are those people mental or simply confused by life’s challenges? Reasons can be very different but the end result is the same. Depression.
Why are you mental if you were abused as a child, harassed as a teen or ignored as an adult? While it’s important not to be stuck in a victimhood mindset, you shouldn’t be marginalized, named or punished some more for the injustice that has already been served to your heart.

How to take control of your life

It’s important to become aware of these challenges to take control of your life because it’s you who changes the game. You need to grow new, green brunches in your heart to replace the dead ones. We all want to be loved but we need to learn to love ourselves first. Suffering can end with you taking small steps towards learning to love yourself, paying attention to your needs and finding support in circles, books, podcasts, music, dance, martial arts, yoga, drawing or whatever else that helps you heal and grow. Have an activity that helps you feel joy. Do it daily even if it takes just a few minutes of your busy day. Record your progress and thoughts in a notebook or in art sketches. Find new friends and activities that nurture your soul. Repeat. Repeat until the day you begin to feel joy and love.

It’s also a beautiful experience to find someone to love. When you’re in deep pain, it’s hard to get out of a dark pit to love anything or anybody. However, by becoming aware of your shadow and trying to take control over your daily routine, you can slowly change that. Giving love to somebody is a transformational experience that makes you feel warm and fulfilled. This is how you find connection to your soul and light. Also, be mindful of your thoughts and aim to replace or dismiss the negative ones. If you become aware of your angry, self-diminishing thoughts about yourself, would you direct them at your best friend? Probably not. So, why are you telling those thoughts to yourself? We are often more cruel and unkind to ourselves. By learning to be kind to our own heart and mind first, we can be kind to others. Over time we can spread our joy and laughter and help others heal as well.

I framed this colored pencil drawing using a real wood frame without the mat. It also has UV, non-glare plexi and acid free backing

3 undeniable reasons to visit the Wurzburg Residence & the Mirror Cabinet in Germany

My husband and I traveled the romantic road in Germany and this palace was a great start. The WĂŒrzburg Residence’s exterior is reminiscent of French Chateau architecture and features opulent rooms in Baroque and “WĂŒrzburg rococo” styles. It’s a feast for the eyes if you feel inspired by the visual beauty. Constructed in the 18th century, this architectural marvel emerged from the genius of Balthasar Neumann. Unlike many other European palaces, the WĂŒrzburg Residence was built in its entirety within one generation.

#1 A perfect blend of Baroque architecture and Rococo style

Commissioned by Prince-Bishop Johann Philipp Franz von Schönborn (reigned 1755-1779), the WĂŒrzburg Residence is a must-see palace! Its so beautiful and the Mirror Cabinet is one-of-a-kind room that I’ve never seen before. It features exuberant decoration of white stucco, gold leaf, sculpture, color and the reverse glass painting giving the room magical appeal. Nearly demolished during the World War II, it was reconstructed to its former glory of lavish opulence.

wurzburg palace room-veronica winters art blog

The court architect, Balthasar Neumann (born in 1687) oversaw the construction project that would span nearly 24 years. Neumann, merged the elements of Baroque and Rococo styles in one palace. Neumann worked with top architects of Germany and France – Lucas von Hildebrandt, Maximilian von Welsch, Robert de Cotte and Germain Boffrand, and many artists under the guidance of Antonio Bossi. Johann Wolfgang van der Auwera from WĂŒrzburg and Georg Adam Guthmann were the gifted sculptors and woodcarvers, and Giovanni Battista Tiepolo painted the frescoes in the 18th century.

wurzburg palace -veronica winters art blog

What is the difference between Baroque style and Rococo?

Baroque art is a style of art that originated in Italy in the late 16th century and spread throughout Europe in the 17th and 18th centuries. It’s known for its dramatic, emotional, exuberant impact and exaggerated movement of figures. Baroque artists used a variety of techniques to create their art, including exaggerated movement, high contrast, twisting and turning figures and elements, and rich color palettes. Baroque architecture and art features the opulence and exuberance that contrasts medieval modesty in art.

Rococo style is a later development of Baroque art that emerged in France in the early 18th century. It’s known for its lightness, elegance, and playfulness. Rococo artists often used soft, pastel colors, curved lines, and elaborate ornamentation in their works similar to the Baroque art.

This table summarizes some of the key differences between Baroque art and Rococo style:

CharacteristicBaroque artRococo style
Time period17th and 18th centuries18th century
OriginItalyFrance
Overall styleDramatic, emotional, and grandioseLight, elegant, and playful
Subject matterOften religious, but also mythological and historicalOften secular, depicting scenes of everyday life and leisure
Color paletteRich and vibrantSoft and pastel
Lines and shapesBold and angularCurved and delicate
OrnamentationElaborate and ornateMore restrained and elegant

Some examples of Baroque art include:

  • The Rape of the Sabines by Peter Paul Rubens
  • The Ecstasy of Saint Teresa by Gian Lorenzo Bernini
  • The Palace of Versailles in France
  • The Trevi Fountain in Rome

Some examples of Rococo style include:

  • The Swing by Jean-HonorĂ© Fragonard
  • The Pilgrimage to Cythera by Antoine Watteau
  • The Amalienburg in Munich
  • The Schönbrunn Palace in Vienna

#2 The beauty of reverse glass painting at the Mirror Cabinet

wurzburg palace-mirror cabinet-veronica winters art blog
The Mirror cabinet at the WĂŒrzburg Residence is a stunning room of art I haven’t seen anywhere else in Europe.

The recreation of the Mirror Cabinet

If you walk through the rooms, you’ll see pictures taken after the WWII showing the ruins of the city. The palace was reconstructed based on written materials, fragments and drawings.

The precious wall decoration of the Mirror Cabinet with the reverse glass painting created in 1740-1745 was almost completely destroyed in 1945. Only the furniture, the chandeliers and two door wings had been stored beforehand in a safe place. Since the glass plates had been plastered directly onto the wall, the first one had broken when an attempt was made to remove it. The reconstruction was based primarily on this original fragment, an extremely detailed painting of the room by Georg Dehn and numerous color slides taken by Carl Lamb in 1944.

From 1979-1987 it was thus possible to recreate the entire interior, imitating the old techniques. The stuccowork alone took 27,000 hours to complete, while the gilders spent 30,000 hours applying 2.5 kilos of gold leaf. The artist Wolfgang Lenz reconstructed the complex reverse glass painting.

On 16 March 1945 WĂŒrzburg suffered the same fate as Rotterdam, Coventry, Hamburg or Dresden. Within 17 minutes, 225 Lancaster bombers of the Royal Air Force dropped about 400 tones of high-explosive bombs and more than 300,000 stick-type incendiary bombs. WĂŒrzburg was razed to the ground by a gigantic storm of fire; 90 per cent of the historic city center was destroyed, and at least 5000 people were killed. But this was not the end of the war. Before American Forces reached the banks of the River Main below Marienberg Fortress on 2 April, the German Armed Forces blew up all bridges and prepared to defend the ruins of the city. Only after heavy artillery fire and three days of fierce fighting, with numerous military and civilian casualties, were American troops able to capture the whole of WĂŒrzburg on 6 April 1945.

Source: taken from the writing at the museum

The reverse glass painting:

Mirror Cabinet mirrors by Johann Michael Feuchtmeyer, closeup at the WĂŒrzburg Residence

What is the reverse glass painting?

The Reverse glass painting, also known as verre Ă©glomisĂ©, is a traditional decorative art technique where a design is painted on the backside of a piece of glass or glass plates, typically using oil or acrylic paints. The term “reverse” comes from the fact that the painting is viewed through the glass from the front, which is the opposite of traditional painting on canvas or other surfaces. The technique allows for a unique luminosity and depth to the colors due to the transparency of the glass, creating a distinct visual effect. To create a reverse glass painting, the artist begins by tracing a design onto the back of a piece of glass. The design is then painted in reverse order, starting with the smallest and most detailed elements and working towards the background. Once the painting is complete, the glass is flipped over, varnished and framed so that the image can be viewed from the front.

wurzburg palace
Wurzburg Reference | A closeup of the reverse glass painting recreated in the Mirror Cabinet at the Residence.

The history of reverse glass painting can be traced back to at least the 10th century in China. The earliest known examples of reverse glass paintings from China are religious icons, which were often used to decorate temples and shrines. Reverse glass painting was also popular in Europe during the Middle Ages and Renaissance. During this time, it was used to create religious stained glass windows, devotional panels, and mirrors. In the 17th and 18th centuries, reverse glass painting became increasingly popular as a folk art form. It was especially popular in Germany, Switzerland, and Poland, where it was used to create decorative objects for the home, such as clocks, picture frames, and furniture.

#3 Artistic inspiration behind opulent rooms & gardens

The WĂŒrzburg Residence reminded me of the Hermitage and the Catherine Palace with its Grand Staircase consisting of twisting figures and white staircase. Designed by the court architect-Neumann, the rooms have unique coloring of light, gentle hues and absolutely gorgeous stucco work. Paired with crystal chandeliers and frescoes, this palace stands at par with top palaces found in Europe.

wurzburg palace 7-veronica winters art blog
You can find White Hall statues by Johann Peter Wagner & the Tiepolo frescoes at the Residence.

The Imperial Hall features stunning celestial frescoes by Giovanni Battista Tiepolo. The Court Chapel consists of Baroque-style columns, sculpture and art that seem to be transported from the St. Peter’s Basilica’s interior. Lavish, ethereal creations created by artist- Antonio Giuseppe Bossi- take a while to process because of its beautiful interplay of light and shadow, color and air.

The Court Chapel at the Wurzburg Residence

The 3-D floor design:

Found in the Green Lacquered Room, the three-dimensional parquet design is a fascinating circular pattern of inlaid light and dark exotic woods. The floor was destroyed completely in the WWII and it took years to understand the pattern to reconstruct it out of 8 different kinds of woods. The floor design is similar to the Italian designs found in other European palaces.

The Garden of the Residence

Don’t forget to visit beautiful garden of the Residence by Balthasar Neumann designed during the reign of the Prince Bishop of WĂŒrzburg, Adam Friedrich von Seinsheim. Created by the Johann Prokop Mayer (1735-1804), the grounds are reminiscent of French design. It’s well-maintained and is a nice spot to take pictures.

WĂŒrzburg Residence tickets and parking: There is a large parking lot available in front of the Residence. Plus street parking is easy too. I visited the palace in early September 2023 and it wasn’t crowded at all. The single adult ticket was under $10 and they give great discounts to children, students, etc. They don’t allow any kind of bag/backpack inside the palace and so you need to have one euro to use their free locker. The administration also offers WĂŒrzburg Residence tours.

Official website of the palace: https://www.residenz-wuerzburg.de/englisch/residenz/index.htm

Address: Residenzpl. 2, 97070 WĂŒrzburg, Germany

Photo credit:

All photos are taken by Veronica Winters posted with permission of the Bavarian Palace Administration. No copying or re-print is allowed without a written permission from both parties. Courtesy of the Bavarian Palace Administration www.schloesser.bayern.de

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Collective consciousness

illusion 24x36 oil on panel--veronica winters painting
illusion 24×36 oil on panel

Some day I will disappear. Family, relatives, friends and people I passed by once will also be gone in a few decades. Strangers will occupy our homes, jobs and aspirations. My memories will end along with my art. We all come and go like tiny specks of the universe. So what’s the reason for people to want more power, influence, and reaches?

We all should live in fair comfort of course, but we run for greater success and importance. Many of us are workaholics feeling uncomfortable in stillness. Some hate their jobs but feel determined to continue living in the grind. Others drift without a direction, hope or love. Everyone complains about the lack of time to do something good. Yet we all have the same 24 hours in day.

If we all considered the nature of life in the universe, we would rebalance our priorities and outcomes. We would pay more attention to our inner life and our relationships with others. We would value even silly moments spent with friends and family . We would feel love more often. We would find joy in warm hugs and grey clouds. We would pay more attention to a beautiful light swirling in our morning coffee. We would see magic in a brisk walk in the woods. We could keep more joy in our hearts, yet we open spaces for envy and hate.

Artists try to rebalance the universe. Fill it with light and beauty while the psychopathic people govern with lust for more control, power and wealth. Most people can grow beautiful flowers of joy inside their hearts, awakening to their full consciousness, sociopathic personalities can’t.

The easiest thing to do is to sit on the bleachers and complain. If you don’t like something in your life, change it (It wasn’t me who said the last two sentences. Rather the president of the Oklahoma State University at my graduation in 2003). Accept help from people around you or offer it to others if you see it’s needed. We have a chance to create harmony and peace collectively. We still have the time.

veronica winters painting
colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
These art instruction books are on sale on Amazon!

How to start your own art collection: 3 powerful reasons to collect art today

underwater painting of woman veronica winters painting
Descend, oil painting on canvas, 36×48 inches, Veronica Winters

Thanks to the pandemic, art collecting has become a prominent topic in the past two years. The online art market is growing and young art collectors want to buy art with a click of a button instead of going through art shopping in snobby art galleries. Mature art collectors prefer gallery visits to make their decision about the art purchase. No two art collectors are alike.

There are several types of art collectors living today since there are many valid reasons to collect art. These reasons could include personal attachment, vanity or desire to impress others, passion to own art, social purpose, home decoration, emotional healing, feeling empty or incomplete without the wall art. Some art collectors make their purchase decisions based on their taste and budget. And there are those who collect art as an investment. Who are you? My guess is that many people who search for advice in art collecting actually search for ways to understand how to buy the best artists out there as an investment. So in this article you’ll find different strategies and reasons for art collecting.

1. Art collecting as decoration, attachment and altruism

If you want to buy art to support the living artists and help your community flourish, you do buy art based on your taste, focusing on what you like (which is generally suggested by all art consultants, gallery owners and online art market places). In the process you do learn to curate your taste, educating yourself about art history movements, styles of art, and contemporary art market. You collect art that inspires you or makes you think. You collect art that turns your empty wall space into another world you wish to inhabit. You don’t really need any art advisors or gallerists for decision-making in this regard. You make decisions based on your taste and joy of art collecting.

You may want to decorate your home and office and thus consider art size and color when purchasing art. You might have a lot of passion collecting art because paintings that you buy give you feeling of peace or remind you about a person, emotion or place. You may find yourself inspired and rejuvenated by looking at paintings in your living room or bedroom every day. (If you need tips how to arrange art for display based on your space, go here: https://veronicasart.com/6-tips-for-arranging-wall-art-in-your-home/

If you love the art and believe in an artist and collect him or her, your purchase satisfies your need and passion for art ownership. However, you can also consider the fact that another important collector may already have the artist you bought in his art collection that would be gifted to the museum at some point. Also some fairly unknown artists could sip into museums and corporate art collections over time.

2. Art collecting as an investment

If you want to buy art as pure investment, most artists are bad investment. Yes, you may be lucky. You buy a random artist you like and turn the painting over in an auction a few years later. But in most cases it doesn’t happen. If you want to collect art as an investment, your decision will be based not on the quality of art. It doesn’t matter how good or bad the painting is. You must purchase artists based on their fame. Obviously, a substantial financial gain is your main goal collecting art.

How to collect hot, emerging artists

If you want to collect art of emerging artists who don’t sell for millions just yet, you need to look at their network, not the art per se. Artists must be under 35 and be promoted and represented in the top galleries in New York as well as pushed by the non-profits and art museums of New York, mainly MOMA, Guggenheim, Whitney and Gagosian Gallery. Hence, the popularity of the artist largely depends on the network the artist is in. Where does this information come from? You can read the book by Magnus Resch “How to become a successful artist.” He publishes other books in this space and lectures in the ivy-league schools. He also produced his own online courses about art collecting. So if you plan to collect art as an investment or speculation, your read stops here. You find the Magnus’ website online, take his $1000 course and start collecting emerging artists as pure investment.

Who are those hot, established, famous artists?

Established or the blue-chip artists today include Picasso, Basquiat, Warhol. The price for their artwork keeps rising steadily, leaving everyone else in the dust. Post-war artists like Rothko sell well. Some 19-th century art, a few old masters and some contemporary artists are considered a good investment like Banksy,

  • Kaws
  • Hirst
  • Rashid Johnson
  • Andy Warhol
    Jean-Michel Basquiat
    George Condo
    Picasso
    Yayoi Kusama
    Keith Haring
    Ed Ruscha
    David Hockney
    Roy Lichtenstein
    Damien Hirst
    Edgar Plans
    Jordy Kerwick
    Harland Miller
    Javier Calleja
    Yoshimoto Nara
    Szabolcs Bozo
    Jordi Ribes
    Hebru Brantley
    Jonas Wood

The truth about the art market today is that although the top artists and their works keep rising in price, the overall art market is in a long-term decline according to the data collected by Resch. This means that everyone is trying to invest in those top famous, ‘hot’ artists while the rest of the art market is stuck in limbo. Small art galleries often go out of business quickly. Medium-size galleries cover their overhead costs with few of them churning considerable profit. As a result of this, “the winner takes it all” mentality applies to art business as well. And the winners are the top 4 art galleries – Houser & Wirth, Gagosian, Pace Gallery and David Zwirner art gallery.

Not everyone can afford buying his next blue chip artist because those artists sell for hundreds of thousand and even millions of dollars. An alternative to art collecting of hot names is to invest in fractional shares of the most famous artists or art collections. Some companies like Masterworks allow you to invest in their collections by buying a small stake in their art that’s similar to owning shares of a company.

While Asian art collectors buy art as an investment only, the American and English markets are quite different where people buy art for other reasons but investment, which leads us to the next reason to collect art.

3. Art collecting as an adventure and legacy

If you want to enrich your soul and collect art with purpose, you can become an art collector with the goal of leaving legacy in this world. Your desire is to give back to the community because you understand the importance of art in shaping culture and humanity.

You can build an art collection that becomes influential by itself in a decade or two of art collecting without collecting heavily promoted or already “hot” artists. When your art collection has a specific purpose that’s larger than life, it can potentially have social impact for generations to come.

Look at the art collections of the past that comprise the art museums today. Those wealthy art collectors thought of the importance of the arts and built their collections to leave legacy. Mammontov, Tretyakov were Russian industrialists who collected the best realist artists working at the moment. Today you can view their collections in art museums in Moscow and St. Petersburg, Russia. The Flaglers, Sacklers, Gertrude Stein, Peggy Guggenheim and many more were American art collectors. The Medici family and the Italian papacy commissioned one of the best artworks in the world. Kings and queens in European countries amassed great art collections that can be enjoyed by everyone visiting art museums and palaces these days.

5 Art collecting tips:

What do you need to start collecting art?

  • Set a budget.
  • Visit artists’ studios, fairs and shows.
  • Educate yourself about the art styles of the past and present as well as art trends.
  • Decide what style of art you love or wish to collect.
  • Have focus on the art style and some goal in mind.
  • Collect art direct from artists by contacting them on social media like Instagram or Facebook.
connection-oil on canvas-24x36 inches-veronica winters
connection, oil on canvas, 24×36 inches, veronica winters

Consider other costs to start collecting art

Art collecting is fun and it’s exciting to bring new artwork home. Overtime your art collection may become of considerable size. As a result you may face considerable storage costs, art consultant fees, fees to sell or acquire fine art, taxes and insurance to pay to preserve the blue chip paintings and sculpture.

If your art collection grows and becomes quite extensive you have to consider how you’re going to live with the collection and what happens when you’re no longer here. Relatives don’t usually have the same passion for the arts and it’s your job to find the placement for your art collection if you want to keep it together. This leads to questions about the estate planning. This foundation has great resources about estate planning that you could find here: https://www.joanmitchellfoundation.org/professional-development. Scroll down to see all the documents.

I hope this article brings you much closer to start collecting art! Visit my art store to pick your favorite painting or email me your questions.

Other articles that might interest you:

John Dalton-accelerate your creative vision-hooked-on-art-podcast

Accelerate your creativity with John Dalton

Irish artist, John Dalton is an accomplished writer, podcaster and craniosacral therapist. He is the host of two podcasts – “Further Emergence” and “John Dalton Gently Does it”. “Further Emergence” focuses on topics of spirituality and emotion, while “John Dalton Gently Does It” is dedicated to interviews with contemporary figurative artists. John has an extensive experience working in the field of craniosacral therapy as he founded the Australian Institute of Cranio Sacral Therapy in 1998.

Dalton’s books include “The Gentle Snap,” “Maya Noise,” “Why Do We Get Sick? Why Do We Get Better? – A Wellness Detective Manual” and “But then again . . .” available on Amazon.

To contact John: https://www.johndalton.me/ | https://www.furtheremergence.com/

John is a kind and sensitive person who shares his views on art and life. We discuss his background in animation and therapy. He shares his observations about artists in regards to self-doubt, financial pressure, and art contests. John advises how artists can improve upon their art submissions. He also shares his thoughts on the comparison game, affirmations, illusion of reality, hope, loneliness, rejection and reparenting of yourself to get rid of emotional pain.

The only things that I’ve seen that’s real in existence are communication and love.

John Dalton

To watch on YouTube: https://youtu.be/yTsQtpfLcbQ

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

veronica winters colored pencil

The One Colored Pencil Technique you must master to create Photorealistic Colored Pencil Drawings

Colored pencil shading techniques

If your aim is to create photorealistic colored pencil drawings, you need to master the very basic drawing concepts, which includes colored pencil shading. Whatever subject you draw in colored pencil, it’s important to control your pencil pressure to achieve realistic result.

Pencil pressure

For instance, when you press on your pencil very lightly, you won’t be able to achieve rich darks or create enough contrast in colored pencil drawing. At the same time if you’re heavy-handed, your drawing may become too muddy or overworked quickly. So it’s all about finding that perfect balance in colored pencil shading.

colored pencil drawing of Jasmine by veronica winters-pencil pressure- colored pencil techniques
This is my colored pencil drawing done on pastel paper, which has a lot of texture. Paper’s texture is the number one enemy of every colored pencil artist. I had to do lots of paper’s tooth filling doing colored pencil shading. My pencil pressure played a big role in it because I had to increase my pencil pressure a lot shading with a very sharp colored pencil. This was true for both black and white colored pencils. I could of used a solvent to do colored pencil blending to achieve a different effect but I left it untouched. I wanted to preserve this sketchy feeling in this colored pencil portrait.

You do need to increase your pencil pressure in colored pencil drawing when:

  • you try to blend some areas with light pencils shading over the dark layers
  • you blend the areas around the highlights
  • you want to build up contrast in progression
  • or when you work on textured paper and have to do lots of filling of a paper’s tooth.
colored pencil drawing of flower of life by veronica winters-pencil pressure- colored pencil techniques
This colored pencil drawing closeup shows several colored pencil shading techniques at once.

#1 I shaded with white colored pencil over the dark area using a unique stroke to create the texture I wanted. While some dark is showing through, I applied the white colored pencil with medium pencil pressure.
#2 I did a lot of shading with colored pencils on the light side of her face using a very heavy pencil pressure to raise the lights as much as possible. White colored pencil sits on top of all other light colors I shaded with there.
#3 I shaded with a light pencil pressure to create that purple circle so that some previous layers still show through it.
#4 I used a very light grey colored pencil to shade over the purple with heavy pencil pressure. It lightened up and blended the area.

Check out available video courses here: https://veronica-winters-art-school.teachable.com/

Colored pencil techniques: colored pencil shading in white and off-white colors

When you work on your colored pencil shading using heavy pencil pressure, the area becomes very waxy and so filled with the pigment that you can’t layer more color over it. That’s the desired outcome. However, if you feel like you want to add even more color to that area, spray it lightly with a fixative. Wait for it to dry and shade over it again.

colored pencil drawing of Ice Maiden by veronica winters-pencil pressure- colored pencil techniques
This colored pencil drawing was done on a white matboard with various pencil pressure to blend some areas and to create contrast. In the following closeups you can see 3 colored pencil blending techniques used.
#1 I used white colored pencil and medium pencil pressure to lighten up the geometric shape. It also blended it.
#2 I used a very soft white colored pencil (Luminance or Prismacolor Premier or Pablo) to shade around the highlight leaving the highlight itself uncolored. If your colored pencil is hard this kind of blending is difficult and incomplete.
#3 I used soft, light grey colored pencil and a very heavy pencil pressure to blend the area shading with colored pencils.

I hope that this article helps you in your creative colored pencil drawing and you also find some new colored pencil drawing ideas. Controlling your pencil pressure shading with colored pencils is a must. So next time you draw, pay attention how you press on your colored pencils and observe what results you’re getting. If you’d like to learn more about colored pencil drawing, check out these art books or watch my free videos on YouTube. You may find your answers there. 🙂

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
These art instruction books are on sale on Amazon!
Professional Drawing paper for Colored pencil drawings I use the most often…

Art supplies on Amazon

If you’d like to connect with me:

7 art corruption schemes that rule the art world

I got interested in art sales, art marketing and promotion mechanics at the top tier of the art market years ago visiting art fairs, shows, Art Basel Miami, etc.
I had questions that seemed to have no answer. One of the questions I wanted to find the answer to was why some weird artists sold for thousands if not millions of dollars, while the majority of artists were not of interest to those top art collectors/investors. It’s shocking and sad and frustrating but it is what it is. It took me a while to convince myself to make it public. I was afraid to be misunderstood, explaining shady money laundering schemes. Fortunately, recent scandals with art advisor Lisa Schiff and Hunter Biden made it easy for me to illustrate my points


Video on YouTube: https://youtu.be/ybHfOoa9lp0

To read: https://veronicasart.com/how-to-spot-art-market-fraud-in-contemporary-art-world/

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

Top scams to avoid on Instagram & other social platforms

As I’m fed up with daily scams reaching my inbox, I’ve decided to list some of the most annoying ones here. When you’re new to these messages, it’s easy to get scammed but when you get several similar ones in a day, it becomes much easier to spot, report and block them on Instagram! Below you’ll find the screenshots from my direct messages and comments scammers leave on my Instagram account . The sad part of all of this is that these scammers target artists they want to take advantage of because we’re naĂŻve and trusting and want to sell our art.

#1 Buying followers scams.

instagram followers scam

There’re two kinds of scams. They either sell you followers for your money or they provide you with a service selling “real and engaged” followers. The end result is that you spend your money and all new followers disappear from your account amazingly quickly. In the first instance, you buy ‘engagement’ but the engaged followers come from bots of India and Pakistan. It’s a scam that won’t give you real followers.

top art scams on instagram

In the second instance, Instagram scams involve service companies. Service companies like Trusy Social masquerade as legit companies but they are not. Trusy Social claims to provide a service to accelerate Instagram growth by delivering “real and engaged followers that are not bots or fake accounts” with ” hyper niche targeting”. This service claim was written on the front page of their site. I tried their service in February-March, 2022. After I started a 2-month subscription to their service I did see a boost of activity on my posts. However these were done by fake accounts. Trusy also added fake followers, not the real ones as was promised. Those new followers began to disappear daily off of my account when I stopped monthly payments. Every such account stated that the “user is not found”. In a few months I was free of all fake followers losing all the money I paid for zero real followers. While I thought I paid for a plan to get real engagement, accounts and followers, I got a bunch of fake accounts that left as quick as they appeared. Btw there is no expert advice or hyper niche targeting of users either. None. The only true promise was a responsive account manager so that my emails were answered quickly. I paid using PayPal, opened a case and lost it because their policy said that the company ‘provided me with service’. So don’t fall for something that can’t be true. Don’t pay for followers.

#2 Art collectors interested to purchase your art as the NFTs.

These are incredibly annoying scams. They offer you good money to purchase your art as NFTs. They send you to a website where you need to make your NFTs either paying for them so they can purchase the nfts from you or to connect your wallet and they steal your money. Block and Report such accounts! The NFT is the real thing but the market crashed last year with the stock market crash and now Instagram is flooded with these NFT art collector scams.

There’s another version of this when they invite you to a crypto trade.

nft scams
top nft scams on Instagram

#3 PR firms selling you PR service writing an article on a big news site like LA Weekly.

The problem is that their writers don’t really work for the company and at best, you’re buying an expensive spot in an article that may appear as sponsored ad. My guess these articles don’t stay up for long either. The cost of the spot is over $600 according to Mogul Press’s outreach specialist! But ‘if budget is an issue’ it’s just $450.

mogul press scam

#4 Buying art as an anniversary gift

I’m also getting emails that look like so:

Hello There,
My name is Stefany Lee from Miami Fl, i actually observed my husband has been viewing your website on my laptop and i guess he likes your piece of work. I’m also impressed and amazed to have seen your various works too, you are doing a great job. I would like to purchase ” Blue Lily Dream, colored pencil drawing $2,300 ” as a surprise to my husband on our anniversary. Also , let me know if you accept CHECK as mode of payment.
Thanks and best regards. Steffany Lee

These are fishing scams as the want to send you big checks for your art. To make it short, you won’t be able to cash this check because it will bounce, and you might spend around $200 paying for shipping to a non-existing shipping company they ask you to ship through. That’s how they make money…Collecting $ from artists…

I’m also getting messages from ‘light workers’, palm readers, illuminati people, etc. All of them try to scam you out of your hard-earned money!

#5 Hacking your account

Finally, I’d like to warn you about various apps that ask you to log in using your Instagram, Facebook or google accounts. Many of these apps take your log in information and hack your account! Be super careful because you can lose your account in no time and these social companies don’t restore them. Install a two-step verification logging in. At least you decrease the chance of the account hack this way.

My facebook account got hacked because I logged in to INShot photo editing app using my facebook log in. I had to change my log in several times a day being notified of suspicious activity after that. They broke into my account in the middle of the night anyways, took my money, posted and advertised on Facebook on my behalf. The scam doesn’t stop here.

Hackers who hack your account pretend that they are you and try to scam your followers via direct messages. I got messages from a few accounts I followed and they asked me to go to a specific site or to give them my phone or to vote for them on a weird site. These messages sounded strange to me because I knew the people whose accounts got hacked. It’s easy to get caught in this if you’re not vigilant about the scams.

I’m going to update this post with new scam alerts in the future. My hope is that you manage to avoid falling into a web of horrible people who prey on artists to scam. If you’d like to share your scam alert, reach me on Instagram.

If you’d like to check out my work, go here: visionary art for sale.

https://veronicasart.com/shop/

Basic copyright law for artists to learn on a go

In this podcast episode I summarize some basic rules to follow to protect your art from copyright infringement in the US. I discuss fair use, fan art use, copyright protection for art, copyright expiration dates, copyright use of photography, etc.

You can read about this topic here: https://veronicasart.com/copyright-law-for-artists-rules-to-protect-and-avoid-copyright-infringement-of-original-art/

If you find this episode helpful, please share it with your friends or

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

Copyright law for artists: rules to protect and avoid copyright infringement of original art

In this article you’ll find some basic information on copyright law for artists. While I’m not an attorney, I have researched this topic quite a bit to give you some clear guidelines for copyright protection for art and what you need to consider doing as an artist painting, digitizing your art and giving images to art magazines. As I worked with various publishers, I didn’t pay attention to the copyright law for artists and I didn’t ask questions where I should of asked them. Also, I had no idea where fan art ended and fair use began. I hope that this article helps you understand what rights your have to protect your art, how to use photos for references, what fan art and fair use of original art means, and so on. Let’s dive right in.

veronica winters colored pencil

What is copyright protection for art?

Copyright protection for original art is a legal framework that grants creators exclusive rights over their original works of authorship, including art. It provides creators with the ability to control how their works are used and allows them to profit from their creations. Copyright protection arises automatically upon the creation of an original work in a fixed and tangible form, such as a painting, sculpture, or drawing. No registration or formalities are generally required to obtain copyright protection, although registering your work with a copyright office can provide additional benefits.

Here are some key points regarding copyright protection for original art:

  1. Scope of Protection: Copyright protection extends to a wide range of original art, including paintings, sculptures, drawings, photographs, digital art, and more.
  2. Exclusive Rights: Copyright grants certain exclusive rights to the creator or copyright owner. These rights typically include the right to reproduce the work, distribute copies, publicly display or perform the work, and create derivative works.
  3. Duration of Protection: Copyright protection generally lasts for the creator’s lifetime until his death plus 70 years after the artist’s death in the US. The exact duration depends on various factors, including the country where the copyright is sought and whether the work was created by an individual or a corporate entity.
  4. Copyright Infringement of Original Art: When someone uses a copyrighted work without authorization, it is considered copyright infringement. This includes copying, distributing, displaying, or creating derivative works based on the original art. Copyright owners have the right to take legal action against infringers and seek remedies such as damages and injunctions.
  5. Fair Use in Art: Fair use is a legal doctrine that allows limited use of copyrighted material without permission from the copyright owner. Fair use is determined on a case-by-case basis and considers factors such as the purpose and character of the use, the nature of the copyrighted work, the amount used, and the effect on the market for the original work. Fair use is a complex concept and often subject to interpretation. More on this topic of fair use of original art later.
  6. International Protection: Copyright protection is recognized internationally through various international agreements and treaties. While specific laws and regulations may differ between countries, the Berne Convention for the Protection of Literary and Artistic Works and the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS) are two international agreements that establish minimum standards for copyright protection.
  7. Copyright Notice and Registration: While not mandatory, it is generally recommended to include a copyright notice (e.g., “Copyright © [year] [name]”) on your art to inform others of your rights. Additionally, registering your work with a copyright office provides certain advantages, such as the ability to sue for statutory damages and attorney’s fees in case of infringement.

What’s the copyright duration after the first publication of original art in the U.S.?

In the United States, copyright protection for original art begins automatically upon the creation of an original work fixed in a tangible medium of expression. Since March 1, 1989, registration with the U.S. Copyright Office is not required to secure copyright protection, although it is beneficial for enforcement purposes. The Copyright Act of 1976 went into effect on January 1, 1978, which means that any original art created after this date is automatically copyrighted by the creator and lasts for 70 years after the artist’s death.

This copyright law for artists has undergone some amendments and updates since 1976, including the Digital Millennium Copyright Act (DMCA) in 1998 and the Music Modernization Act (MMA) in 2018. These amendments have addressed emerging issues related to digital media, internet, and other technological advancements.

The copyright duration of original art depends on several factors, including the type of work and when it was created. Here are the general guidelines for copyright duration in the United States, based on the current copyright law (as of September 2021):

For works created by an individual artist:

  • Original art created on or after January 1, 1978: The copyright duration is the life of the author plus 70 years after the author’s death.
  • Anonymous works or works created under a pseudonym: The copyright duration is 95 years from the year of first publication or 120 years from the year of creation, whichever expires first.
  • Works created before January 1, 1978, but not published or registered by that date: The copyright duration is the same as if they were created on or after January 1, 1978 (life of the author plus 70 years).

For works created by a corporate entity or “works made for hire”:

  • Works created on or after January 1, 1978: The copyright duration is 95 years from the year of first publication or 120 years from the year of creation, whichever expires first.

These guidelines are subject to various exceptions, extensions, and specific circumstances. For example, certain works created by the U.S. government, copyright restoration for foreign works, and copyright terms under previous copyright laws may have different durations. Copyright protection for art and its duration varies in other countries as each country has its own copyright laws and regulations. It is crucial to consult the copyright laws of the specific jurisdiction in question to determine the applicable copyright duration. For up-to-date information on copyright duration, consult an intellectual property attorney or refer to the U.S. Copyright Office website.

blue lily dream-veronica winters colored pencil
Blue lily dream, 20×30 inches, colored pencil on art board by Veronica Winters

Does copyright protection for art in the U.S. work in other countries?

Copyright protection for art in the United States does not automatically extend to other countries. Copyright is primarily territorial, meaning that it is granted and enforced based on the laws of each individual country. So, while your artwork may be protected by copyright in the United States, it does not guarantee the same level of protection in other countries.

However, there are international agreements and treaties in place to facilitate and harmonize copyright protection across borders. The most significant of these is the Berne Convention for the Protection of Literary and Artistic Works, which has been ratified by a large number of countries worldwide. Under the Berne Convention, member countries must provide a minimum level of copyright protection to works originating from other member countries, treating them in a manner no less favorable than their own nationals. Other international agreements, including the Universal Copyright Convention (UCC) and the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS), also help establish standards and mechanisms for protecting copyright internationally but it will depend on country by country basis. Son don’t count on this! Here is the case of a famous artist-photographer Jingna Zhang whose photography was stolen yet she lost her case in a European court because of differences in law of two countries.

copyright for artists-zhangjingna-zemotion case
This is one of the Instagram posts made by a well-known photographer-Zhang Jingna (zemotion on Instagram). The artist stole her picture by copying her photo to create a painting. All he did, he reversed the image. As you can see it’s copied 95%. What’s more incredible, the artist wins not only the art contest getting prize money, but also wins the case in Luxembourg court!! The artist ripped off her work, won a prize of €1,500 from the government of Luxembourg and Ministry of Culture, and had it presented to Hereditary Grand Duchess of Luxembourg Princess StĂ©phanie.

When art is in the public domain in the United States?

In copyright law for visual artists the image enters public domain depending on a year of first publication. In the United States, original art published before 1923 is considered to be in the public domain. Art can be freely used, reproduced, and modified without permission from the original creator. So to avoid the copyright infringement of original art is not to use art imagery created after 1923.

Art published between 1923 and 1977: The copyright duration for these works varies. If the copyright was properly renewed, the copyright term is 95 years from the year of first publication. However, many works from this period have fallen out of copyright due to failure to renew or comply with other formalities. Determining the copyright status of works from this period may require further research.

Works published from 1978 onwards: For original art created by individuals, the general rule of life of the author plus 70 years applies. After this duration, the work enters the public domain. However, different rules may apply to works created by corporations or works made for hire.

Determining the public domain status of a specific artwork can sometimes be complex. Copyright protection for art can vary between countries. The public domain status of an original painting in one country may not necessarily apply globally. For works from other countries, the copyright duration and public domain criteria should be checked according to the laws of the respective country.

What are copyright law renewal rules in the US?

Copyright renewal rules in the United States were applicable to works published between 1923 and 1977. Prior to the current copyright law, which went into effect in 1978, copyright owners had to follow specific renewal requirements to extend the duration of their copyright protection.

Pre-1978 Copyright Law: Under the Copyright Act of 1909, which was in effect until December 31, 1977, copyright protection initially lasted for 28 years from the date of publication. At the end of this initial term, copyright owners had the option to renew the copyright for an additional 28-year period. To renew the copyright, the copyright owner had to file a renewal registration with the U.S. Copyright Office during the 28th year of the original copyright term. This renewal registration had to include specific information and be accompanied by a fee. If the copyright owner failed to file a proper renewal registration, the copyright expired at the end of the initial 28-year term, and the work entered the public domain. Renewal requirements varied depending on the year of publication. Before 1964, renewal registration had to be made with the Copyright Office. From 1964 to 1977, renewal could be accomplished through either actual renewal registration or by virtue of a publication with a proper copyright notice.

Subsequent Copyright Law Changes: The copyright renewal requirements changed with the enactment of the Copyright Act of 1976, which went into effect on January 1, 1978. Under the current law, renewal registration is no longer necessary to maintain copyright protection for art. Works created after 1977 are granted copyright protection automatically upon creation, and the duration is based on the life of the author plus 70 years. Determining the renewal status of a specific work published between 1923 and 1977 can be complex. The renewal requirements were subject to various rules, formalities, and deadlines, and not all works were renewed.

pomegranate heart oil painting, 5x7, visionary art by veronica winters
Pomegranate Heart, oil painting, 5x7in, Veronica Winters

What is copyright protection for art on movie stills and publicity photos?

Copyright law regarding movie stills and publicity photos is generally similar to copyright protection for other types of visual works. In the United States, movie stills and publicity photos are considered creative works, and they can be protected by copyright if they meet the requirements of originality and fixation in a tangible medium of expression.

Ownership: The copyright in movie stills and publicity photos is typically owned by the person or entity that created them. In most cases, this is the photographer or the studio/company that commissioned the photographs.

Duration: Copyright protection for movie stills and publicity photos is governed by the same duration rules as other visual works. For works created by an individual, the general rule is that copyright lasts for the life of the author plus 70 years after their death. For works created by a corporate entity or as “works made for hire,” the copyright duration is typically 95 years from the year of first publication or 120 years from the year of creation, whichever expires first.

Fair Use: The fair use doctrine can apply to movie stills and publicity photos, allowing limited use of copyrighted material without permission from the copyright owner. Fair use is determined on a case-by-case basis and considers factors such as the purpose and character of the use, the nature of the copyrighted work, the amount used, and the effect on the market for the original work.

Licensing and Permissions: Using movie stills and publicity photos without proper authorization may infringe upon the copyright owner’s rights. To legally use these images, it is generally necessary to obtain permission from the copyright owner or their authorized representative. This may involve negotiating a license, paying a fee, or complying with specific terms and conditions.

The copyright law on movie stills and publicity pictures is complex, plus other countries have their own copyright laws.

Iconic Movie stills & copyright infringement of original art

Movie stills from iconic movies like Star Wars, Mission Impossible, the Dune and alike are generally subject to copyright protection. As creative works fixed in a tangible medium, movie stills are considered original expressions and are typically protected by copyright law. This applies to stills from well-known movies. The copyright in movie stills is typically owned by the photographer who took the stills or the studio/company that commissioned the photographs. The duration of copyright protection for these stills follows the general rules mentioned earlier, typically lasting for the life of the author plus 70 years or a specific period based on corporate ownership.

Using movie stills from iconic movies without proper authorization or a valid legal basis may infringe upon the copyright owner’s rights. To use movie stills legally, it is generally necessary to obtain permission from the copyright owner or their authorized representative. This may involve negotiating a license, paying a fee, or complying with specific terms and conditions. Unauthorized use of copyrighted material can lead to legal consequences, including claims of copyright infringement. If you intend to use movie stills from Star Wars or any other copyrighted work, it is advisable to consult with a copyright attorney or seek permission from the copyright owner or their representatives for specific guidance and permissions tailored to your intended use.

Fan art & copyright infringement in art

Fan art refers to artwork created by fans that is based on characters, settings, or other elements from existing copyrighted works such as movies, TV shows, books, or video games. Fan art is a complex area of copyright law, and its legality depends on various factors.

Fan art is generally considered a derivative work because it incorporates elements or characters from existing copyrighted works. Copyright law for artists grants the original copyright owner the exclusive right to create derivative works based on their original work. Creating and distributing fan art without permission from the copyright owner may infringe upon their rights. It involves copying, displaying, and distributing copyrighted elements without authorization, which is generally considered copyright infringement.

Fan art & fair use

Fan art may potentially qualify as fair use under certain circumstances. Fair use is a legal doctrine that allows limited use of copyrighted material without permission from the copyright owner. The determination of fair use depends on various factors, including the purpose and character of the use, the nature of the copyrighted work, the amount used, and the effect on the market for the original work.

However, the legality of fan art under fair use is a complex and context-specific analysis, and each case is evaluated individually. Merely labeling something as fan art does not automatically qualify it as fair use. It’s a fact-specific determination that requires considering the specific details of the artwork and the relevant legal principles. For example, images of Star Wars movies, including promotional stills and other related materials, are not in the public domain. Star Wars is a highly copyrighted and trademarked franchise owned by Lucasfilm Ltd., which is now a subsidiary of The Walt Disney Company. The original Star Wars films, as well as subsequent releases and associated materials, remain protected by copyright. As a general rule, copyright protection lasts for several decades after the death of the author or the creation of the work, depending on the applicable copyright laws. For Star Wars movies and associated images, the copyright protection is held by the copyright owner, typically the production company or studio.

Some copyright holders may tolerate or even encourage fan art within certain limits. They may allow fan art to exist as a form of fan expression and promotion of their original work. Some copyright holders may establish guidelines for fan art or grant licenses for its creation and distribution.

Many artists use pictures of famous people for their art or create art based on famous artist style. Depending on the amount of modification of the original, such new, created art can pass as a new creation because it's been modified enough to count as a new artwork. Some artists paint in the style of Picasso or Vermeer but they don't infringe on the copyright because of a considerable modification of the original. There is a debate about the AI art trained to create pictures based on some famous artists and art. Some artists are furious about this but the thing is, the copyright for art may fall into this category of 'created in the style of'' or modified enough to pass as a new artwork. It will be interesting to see how the copyright law changes with the introduction of AI-generated images. 

Fan art & Commercial use

The commercial use of fan art, such as selling prints or merchandise featuring the artwork, can increase the likelihood of copyright infringement claims. Commercial use typically carries greater risk because it can impact the market for the original work and may be seen as exploiting the copyrighted material for financial gain.

Copyright law for artists can vary between countries, and the legal status of fan art may differ accordingly. If you plan to create or use fan art, it is advisable to consult with a copyright attorney who can provide guidance based on the specific circumstances and applicable copyright laws in your jurisdiction.

What is fair use of original art?

Fair use is a legal doctrine in copyright law that allows for limited use of copyrighted material without obtaining permission from the copyright owner. It is a flexible and context-specific concept that aims to strike a balance between the rights of copyright holders and the public’s interest in accessing and using creative works. While fair use is primarily based on the U.S. legal framework, similar concepts exist in other countries, although they may be referred to by different names or have different criteria.

The four factors determining fair use under U.S. copyright law are:

  1. Purpose and Character of the Use: This factor examines the purpose and character of the use of the copyrighted material. Transformative uses, where the work is modified or used in a new or different context, are more likely to be considered fair use. Nonprofit, educational, or critical uses are also often favored under this factor.
  2. Nature of the Copyrighted Work: The nature of the copyrighted work is considered, such as whether it is factual or creative. The fair use defense may be stronger for using works that are more factual or published.
  3. Amount and Substantiality of the Use: The amount and substantiality of the copyrighted material used in relation to the entire work are evaluated. Using small portions or excerpts of a work may be more likely to be considered fair use, especially if it does not affect the market value of the original work.
  4. Effect on the Market for the Original Work: The impact of the use on the market for the original work is assessed. If the use of the copyrighted material negatively impacts the market potential or potential licensing opportunities for the original work, it may weigh against fair use.

Fair use is a nuanced and fact-specific analysis. No bright-line rules exist, and courts consider each case individually, weighing these factors and considering other relevant circumstances. Fair use determinations can vary depending on the specific facts and context of the use, and the outcome may differ between different cases. In the context of art, fair use may be relevant when artists incorporate copyrighted material into their work for purposes such as commentary, criticism, parody, or transformative expression. However, each case must be evaluated on its own merits with legal advice from a copyright attorney.

Sacrifice oil painting
Sacrifice, 18×24 in, oil on canvas

How to register a copyright for original art?

Copyright law for visual artists is clear on one thing. Copyright registration for original art is not a requirement for obtaining copyright protection. Copyright protection begins automatically upon the creation of the artwork. However, registration offers certain benefits, such as the ability to sue for statutory damages and attorney’s fees in case of infringement. It also serves as public evidence of the copyright claim.

To register a copyright for original art in the United States, follow these steps:

  1. Create the Artwork: Copyright protection arises automatically upon the creation of an original work in a fixed and tangible form. Before registering a copyright, ensure that your artwork is complete and fixed in a physical or digital format.
  2. Determine Eligibility: Not all works are eligible for copyright protection. Generally, original works of authorship, including paintings, sculptures, drawings, and digital art, are eligible. However, facts, ideas, and common symbols or designs may not qualify for copyright protection.
  3. Complete the Application: Visit the website of the U.S. Copyright Office https://copyright.gov/ and navigate to the Register your Works system. Create an account and follow the instructions to complete the online application. Provide accurate information about the artwork, the author, and the copyright claim.
  4. Submit Deposit Materials: As part of the registration process, you’ll need to submit deposit materials, which typically include copies of the artwork. The specific requirements may vary based on the nature of your art (physical or digital). Follow the guidelines provided by the Copyright Office for submitting deposit materials.
  5. Pay the Registration Fee: There is a registration fee associated with copyright registration. The fee amount depends on various factors, such as the type of work and the method of submission. Make sure to pay the fee as required by the Copyright Office.
  6. Wait for Processing: The processing time can vary, but it generally takes several months for the registration to be completed. You may receive a certificate of registration once the process is finished.
Registration of a claim in an original work of authorship copied from the Copyright Office
Electronic filing:
Single author, same claimant, one work, not for hire$45
Standard Application$65
Paper Filing (Forms PA, SR, TX, VA, SE)$125
Registration of a claim in a group of unpublished works$85
Registration of a claim in a group of published photographs or a claim in a group of unpublished photographs$55
Registration of a claim in a group of works published on an album of music$65
Registration of a claim in a group of serials (per issue, minimum two issues)$35
Registration of a claim in a group of newspapers or a group of newsletters$95
Registration of a claim in a group of contributions to periodicals$85
Registration of a claim in a group of short online literary works$65
Registration of updates or revisions to a database that predominantly consists of non-photographic works$500
Registration for a database that predominantly consists of photographs and updates thereto:
Electronic filing$250
Paper filing$250
Registration of a renewal claim (Form RE):
Claim without addendum$125
Addendum (in addition to the fee for the claim)$100
Registration of a claim in a restored copyright (Form GATT)$100
Preregistration of certain unpublished works$200
Registration of a correction or amplification to a claim
Supplementary registration
Electronic filing$100
Paper Filing for correction or amplification of renewal registrations, GATT registrations, and group registrations for non-photographic databases (Form CA)$150
Correction of a design registration: Form DC$100
Registration of a claim in a mask work (Form MW)$150
Registration of a claim in a vessel design (Form D/VH)$500
Registration fees as of 7/15/2023

The benefits of copyright registration for original art

The specific benefits of copyright registration for original art may vary between countries, and the advantages mentioned below primarily apply to the United States.

Legal Evidence: Copyright registration provides a public record of your copyright claim, serving as evidence of the validity of your copyright and the date of creation. This can be crucial if you need to enforce your rights in court, as it simplifies the process of proving ownership.

Statutory Damages and Attorney’s Fees: If you register your artwork with the copyright office prior to infringement or within a specific time period after publication, you may be eligible to seek statutory damages and attorney’s fees in a copyright infringement lawsuit. Statutory damages can provide compensation even if you cannot prove the actual damages you suffered, and attorney’s fees coverage can significantly reduce the financial burden of litigation.

Presumption of Ownership: Copyright registration creates a legal presumption of ownership and the validity of your copyright. This means that in case of a dispute or infringement, the burden of proof may shift to the opposing party to challenge your copyright claim.

Enhanced Remedies: Registration allows you to seek additional remedies in court, such as the possibility of obtaining an injunction to stop the infringing use of your art. It also opens up the potential for higher damages in some cases.

Licensing and Commercial Opportunities: Copyright registration can enhance your credibility and make it easier to negotiate licensing agreements and commercialize your art. It provides a clear demonstration of your commitment to protecting your work, which can be attractive to potential licensees or buyers.

International Protection: Copyright registration in your home country may also facilitate copyright protection in other countries. Many countries recognize and respect the registration of copyright in other jurisdictions through international treaties and agreements.

Copyright law for visual artists in art magazines

Leisure Painter, February 2023

The ownership of copyright in a scenario where an art magazine prints an artwork depends on the specific circumstances and agreements involved. Generally, the copyright ownership remains with the artist who created the artwork unless there is a transfer or assignment of rights in a written format. Also, in general, images belong to the artist but the writing may not!

Here are a few possibilities:

  1. License or Permission: The artist may grant the art magazine a license or permission to reproduce and publish the artwork in the magazine. In this case, the artist retains copyright ownership, but the magazine has limited rights to use the artwork as specified in the license agreement.
  2. Work Made for Hire: If there is a contractual agreement stating that the artist created the artwork as a “work made for hire” for the magazine, then the copyright ownership may belong to the magazine as the employer or commissioning party. However, specific requirements must be met for a work to be considered a “work made for hire” under copyright law.
  3. Assignment of Rights: The artist may assign or transfer their copyright ownership to the art magazine through a written agreement. This means that the magazine becomes the new owner of the copyright for the artwork.

The default assumption is that the artist retains copyright ownership unless there is a clear agreement to transfer or assign rights. The specific terms and conditions should be outlined in a written agreement between the artist and the art magazine to clarify the ownership and usage rights of the artwork. If you are a visual artist and you are approached by an art magazine or any other publication to feature your artwork, it’s advisable to review any agreements or contracts carefully, consider consulting with a copyright attorney, and negotiate the terms to ensure that you retain appropriate rights and receive fair compensation for the use of your art. I would ask the editor directly about the copyright ownership before agreeing to give art or write a specific article.

Ai-generated art & copyright infringement in art

visionary art-veronica winters art blog
https://veronicasart.com/what-is-visionary-art-themes-style-and-artists/ | AI-generated image

The application of copyright law to AI-created images is evolving as technology advances. Here are some key considerations regarding copyright law for visual artists and AI-generated images:

  1. Authorship: In traditional copyright law, authorship is typically attributed to human creators. However, when it comes to AI-generated images, determining authorship becomes more complicated. If an AI system autonomously creates an image without human intervention, the question of who qualifies as the author may arise. Different jurisdictions may have different approaches to this issue, and legal frameworks may need to be adapted to address the unique aspects of AI-generated works.
  2. Human Involvement: If human input, creative choices, or interventions are involved in the AI-generated image, the law may consider the human as the author or co-author, depending on the extent of their contribution. For instance, if an artist utilizes AI tools as a tool to assist or enhance their creative process, they may retain copyright over the resulting work.
  3. Originality and Fixation: Copyright protection generally requires that a work be original and fixed in a tangible medium of expression. If an AI system generates images based on pre-existing works or data without adding sufficient originality, the resulting images may not meet the threshold of originality required for copyright protection. However, if the AI system creates novel and original images that are fixed in a tangible medium, they may qualify for copyright protection.
  4. Ownership: Ownership of copyright in AI-generated images can be complex and may depend on various factors, such as contractual agreements or specific laws in the jurisdiction. It is important to consider who owns or controls the AI system, as well as any agreements or terms of use associated with its usage.
  5. Derivative Works: If an AI-generated image is based on pre-existing copyrighted works, it may be considered a derivative work. Creating and distributing AI-generated images based on copyrighted materials without permission may infringe upon the original copyright owner’s rights.
  6. Fair Use and Transformative Use: The fair use doctrine, which allows limited use of copyrighted material without permission, may apply to AI-generated images under certain circumstances. If the AI-generated image is used for purposes such as criticism, commentary, parody, or transformative use, it may be considered fair use. However, fair use is a fact-specific analysis and should be evaluated on a case-by-case basis.

I hope that this article helps you protect your original art and make informative decisions about the copyright law for visual artists moving forward.

One of the helpful books about art law, corruption in the art market and other issues can be found in this book- “Art Law in a Nutshell” by DuBoff-King.

SHOP visionary art for sale now!

4 best colored pencil shading techniques

Learn how to create depth and dimension in your colored pencil drawings with these top four colored pencil shading techniques. In this article you’ll discover the most useful shading techniques that you can apply to any subject you draw. I also share some necessary tools that can help you create colorful pencil drawings.

Colored pencil shading techniques in art help create the illusion of depth, volume, and form in a two-dimensional artwork.

Before you begin drawing, place your paper on a hard and smooth surface. You can use the backing from your drawing pad. Don't draw on soft surfaces under your paper because your drawings will lack definition. It's much easier to create tight shading and sharp edges drawing on paper that has a field sketch board underneath it. They come in different sizes under many brands.

#1 Crosshatching in colored pencil drawing

Crosshatching in art definition:

Crosshatching is the most useful colored pencil shading technique that’s used to create a variety of effects in colored pencil drawings including volume creation and blending. Hatching involves creating parallel lines or strokes to indicate shading. The lines can be closely spaced or widely spaced, depending on the desired effect. By varying the density and direction of the lines, different values and textures can be achieved.

Top 4 shading techniques
This is an example of hatching shading technique. I used 3 different colored pencils to make the lines shading in a single direction.
Crosshatching shading concept

Cross-hatching is similar to hatching, but it involves layering sets of parallel lines in different directions. By overlapping the lines, darker and more complex shading with colored pencils can be achieved, creating depth with colored pencils. When I crosshatch the lines, I rotate my paper often to create tight shading with depth and volume. If you shade every object in one direction, you’ll make it look flat lacking volume. Crosshatching is the most useful shading technique for beginners and advanced artists.

hatching and crosshatching-shading techniques with colored pencils-veronica winters
In the first image you can see a lot of hatching. In the second image the hatching lines “get canceled” by applying the same lines in a different direction-crosshatching them. When shading is tight and continuous those lines become almost unseen and well-blended.

#2 Colored pencil shading with tiny circles

I often use shading with tiny circles to blend colored pencils, to soften the edges around the highlights, to make transitions between the tones, and to add colorful dimension to my art. This meticulous method of shading with tiny circles allows for precise control in color application. Because we see no visible lines, shading with tiny circles allows artists to create subtle variations in light and shadow, adding dimension to colored pencil drawings.

Pencil pressure is important using this shading technique. The more pencil pressure you use, the more blended the surface will be. Usually, art students look for special tools and blending techniques for colored pencils, but most blending can be done with simple shading with tiny circles, drawing on Bristol Vellum paper!

child of love, colored pencil on paper, close up,19x25, veronica winters
In this closeup you can notice shading with tiny circles around the highlights/strong lights. I also did a lot of shading with circles on the boy’s skin not to make strong, linear lines. | Child of love, colored pencil on paper, close up,19×25

#3 Creating contrast with strong and soft edges in colored pencil drawing

Creating depth with colored pencils involves artistic control of edges. Art students shade everything the same way. Therefore, art lacks contrast and definition. I make a creative decision what I want to have in focus and out of focus. This is where the edges come in. To define the edge you must use a very sharp point of colored pencil. Re-define and outline the sharpest edges during your entire shading process because they tend to disappear during shading with colored pencils. Step back from your drawing to see if they pop or not. I usually place sharp edges in my focal point.

Not everything must have a strong edge. Some edges must remain soft and muted as we see them in real life. Therefore, I intentionally blend, soften or crosshatch some of the edges to keep them out of focus. It’s one of the most useful colored pencil shading techniques.

closeup detail, psychedelic art
In this closeup you can see that the forest floor has soft shading and edges. The lights are not outlined. The wing is. The wing has strong lights and edges to bring it forward. | Magic Tree Portal, drawing detail, colored pencil drawing on matboard by Veronica Winters

#4 Shading with greys to blend the colored pencils

veronica winters colored pencil drawing
Create, colored pencil drawing, 19×25 inches

I love adding dimension to colored pencil drawings by shading with grey colored pencils over the previously applied color layer. It does two things. This shading technique does awesome blending without the use of solvents or time-consuming blending with pencil blenders. Second, this shading technique adds new dimension to color in art. By making some areas less bright, I’m able to control and bring forward major colors that are part of my overall composition and design. This is one of my favorite shading techniques for portraits because I can create depth with colored pencils, shading over local colors.

Blue lily dream, 20x30 inches, colored pencil on art board by Veronica Winters
This is a closeup of one of my colored pencil drawings where I used a lot of grey colored pencils to shade the fabric. I applied some colors first and then shaded over them with light greys. | Blue lily dream, detail, 20×30 inches, colored pencil on art board by Veronica Winters

Normally I don’t use the stippling technique because it’s too time-consuming but if you have a subject calling for it, by all means use it. All four shading techniques can be used in colored pencil drawing of any subject – landscape, still life, portrait, etc.

If you’d like to learn more about colored pencil techniques, check out the video courses here: https://veronica-winters-art-school.teachable.com/

Happy drawing!

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
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Art supplies:

How to use grids in art to create realist painting

What is a grid method in art?

The grid method is a technique used in drawing and painting to help artists accurately replicate an image or scene changing the scale of the picture. The artgrid is one of the ways to transfer the outlines onto enlarged canvas with maximum precision. The artist can grid a small reference photo to enlarge the image to a big canvas with maximum accuracy. It involves breaking the reference image into a grid of equally-sized squares, and then creating an enlarged grid on the drawing or painting surface. The artist then copies the lines seen in each square of the grid with the corresponding details of the reference, resulting in a precise and proportionate representation of the original image. It’s especially useful in portrait and figure painting.

Hyperrealist artists often use grids in art to create realistic portraits, landscapes, still life or other complex compositions that require precise proportions and details. It takes many years to learn to create accurate and precise drawings by hand and the grid process helps achieve the same result in a much shorter time. The realist artist spends his time working on an original idea and outline sketch, erasing and composing the image on a sketch piece of paper. Then he simply grids that sketch to enlarge it to a desired scale getting ready to paint it. Having clean outlines and no residue on canvas is important to realist drawing and painting. By breaking down the complex picture into smaller, manageable parts, the artist can focus on recreating one section at a time, which can make the process of transferring the overall composition less overwhelming. Therefore, grids in art or gridding is often used by artists although it’s not the only way to transfer and upscale images. Nowadays, artists use projectors, transfer paper, print outs, etc for this purpose.

You can take almost any image and grid it using a pencil and a ruler. Number each square and transfer the lines you see inside each square. See the demo below.

How to use grids in art

To use the grid method, the artist first needs to select a reference image or a composite scene to draw or paint. The artist needs to decide on the size of the grid squares, which often depends on the image’s complexity. Once the grid is established on both the reference image and the drawing or painting surface, the artist can start filling in each square with the corresponding details, using the lines of the grid as a guide for accurate placement and proportion. In the images below, you can see my process of gridding the photo and then transferring or copying the outline onto my drawing paper.

how to use grid in art-grid method-veronica winters
How to use grids in art: Besides using the transfer paper or a light box, you can use the grid method to enlarge and transfer images onto your fine paper or canvas. The grid method is one of the oldest methods used by artists including Durer. Print your reference and then measure equal squares of 1 inch to divide the space. The length of each square is your choice and depends on the complexity of the reference. If the image has lots of details, you can make smaller squares to be more precise about image transfer. Say, it could be half an inch square. If the reference is simple like you see above than a 1.5inch distance is ok. Pick an even number because it’s much easier to measure and grid it. I use a very light pencil pressure to do artgrids. Also I use the 2B graphite pencil and the kneaded eraser to erase the artgrid afterwards.
This reference’s ratio is about 6×10 inches, which means that I can enlarge it to 12×20, 18×30, 24×40 and so on. You multiply the number by two to get the enlargement. Also if the image has lots of squares, you want to number them both vertically and horizontally to keep track of the squares when you begin to transfer the image.
This is a sample rather detailed grid you can use for your designs. If you use Photoshop you can layer the grid over the image and use ‘multiply’ function to see the grid on your reference.

Is grid art cheating?

The short answer is no. Is using a ruler by an architect called cheating? It’s simply a tool to achieve the accurate result. You also learn to eye-size the objects from a reference doing art grids. So there is nothing wrong with it, in my opinion. While the grid method is a useful tool for artists, some argue that it can also hinder creativity and spontaneity in the artistic process. It depends on the art style, in my view. I doubt it hinders your creativity. Abstract artists and many other artists who paint with spontaneity simply don’t need to use the grid because their painting technique isn’t about meticulous precision, rather it’s about gesture and expression – the opposite technique and result of the hyperrealist painters.

colored pencil techniques video course by veronica winters
https://veronica-winters-art-school.teachable.com/

Who invented the grid method in art?

Grids in Art History

I think it’s not quite clear who invented the grid method to upscale and transfer images but at the same time the grids or the grid lines were used with different intent and purpose for centuries including Egyptians and Greeks. Mathematical grids have a different purpose from the artist’s, using an artgrid to scale-up and transfer the image. Art grids used in architecture had a different purpose from a simple image transfer and enlargement. Grids were important in design because they were used to create balanced and harmonious designs and compositions involving geometry, math and scale as you can see in one of the pictures below.

One of the churches’ interior in Venice where you can see a complex mosaic floor design. Photo by Veronica Winters

Pompeii geometric floor design. Photo by Veronica Winters

The grid is a series of intersecting lines that divide a surface into equal parts. In ancient Greece and Rome, for example, grids were used to create ancient Greek mosaics and floor patterns and to plan the layout of architectural structures. In the medieval period, grids became a key tool in the creation of stained glass windows, which required careful planning and precise placement of colored glass pieces. The grid provided a framework for the design, allowing for accurate and proportional depictions of figures and scenes. During the Renaissance, grids continued to be used in architectural design and in the creation of frescoes and other large-scale murals. Artists such as Leonardo da Vinci and Albrecht DĂŒrer used grids as a tool for creating accurate perspective and proportions in their drawings and paintings. In the 20th century, the use of grids in art took on a new significance as modern and contemporary artists began to explore the grid as a conceptual element in their works. In the early 1900s, Russian avant-garde artists such as Kazimir Malevich used grids in his abstractions, creating works that emphasized pure geometric form and color over representational imagery. Later, American artists such as Sol LeWitt and Agnes Martin embraced the grid as a foundational element of their minimalist art, using it to create precise, geometric compositions that explored the relationship between order and randomness.

Pompeii geometric floor design. Photo: Veronica Winters

If you’re interested in art history, geometry and design, I recommend to read “Rhythmic form in art” by Irma A. Richter. I wish this book had more illustrations but you can get a thorough understanding how artists designed their art images based on mathematic shapes and forms. If you struggle with composition, you’ll learn how to apply geometry to your compositions. You can also find many books of MC Escher’s drawings and study his use of art grids, perspective and design.

What artists used grid method?

The grid method has been used by many artists throughout history, particularly those who create realistic and detailed works of art. Grids are not useful for gestural, free style painting. They’re needed to create hyperrealist art or art that has strong sense of geometry and design. Here are some famous artists who have used the grid method in their work:

Leonardo da Vinci: The Renaissance master is known to have used the grid method to achieve accurate proportions and perspective in his drawings and paintings.

Albrecht DĂŒrer: The German Renaissance artist also used the grid method to create detailed and precise works, particularly in his prints and engravings.

Chuck Close: The American painter is famous for his photorealistic portraits, which he creates using a grid method that allows him to break down the image into small sections and build it up piece by piece.

David Hockney: The British artist is known for his use of the grid method in his photographic works, which often involve multiple photographs arranged in a grid to create a single image.

Johannes Vermeer: The Dutch Baroque painter is thought to have used a camera obscura and a gridded glass plate to achieve the precise perspective and proportions in his paintings.

Gustave Dore: The French illustrator and engraver used the grid method extensively in his detailed and intricate illustrations for books such as “The Divine Comedy” and “Don Quixote.”

MC Escher: must have used the art grids to create his complex art compositions that have incredible geometric designs and perspectives!

Wypych-Anna-artist interview in podcast with veronica winters
Art by Anna Wypych. Hooked on Art Podcast interview can be found here.

There are a number of contemporary artists who use the grid method to transfer and enlarge their images onto panels and paper. For example, a contemporary realist artist Tanja Gant (interview) and a Polish painter Anna Wypych grid their surfaces to do realistic painting. Do you know any other contemporary artists using art grids to enlarge their references? Let me know!

https://veronica-winters-art-school.teachable.com/

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
These art instruction books are on sale on Amazon!

Art supplies:

7 income streams for artists to make money

7 Income streams for artists to make more money today

We must make money to make more art! It’s difficult for artists to think like a business because our motivation is not to make money rather to create something beautiful. But life is expensive these days and we must make money to make as much art as possible! We must make art to fill this world with emotional beauty, which shouldn’t come at our own expense and endless sacrifice.

Most artists want to sell in a gallery so we don’t have to deal with the art sales. But small and mid range galleries barely cover their costs. I worked with several art galleries locally that disappeared because their overhead costs were way over their revenue. If you find a good commercial gallery, you must consider it as a partnership not to undercut the owner if you’re approached to sell the represented art direct to your customer.

Art doesn’t sell on its own when you start out. Don’t wait to be discovered! Have a very active presence both online and offline to sell your art direct to your clients.

Veronica Winters

Income streams for artists

Promotion

Always assume responsibility to promote your art online, offline and anywhere in between. Use local and national magazines and newspapers to put your art in front of people. You must be of interest to the writer or magazine, so pitch an engaging story on a particular topic instead of writing ‘hey-look-at-my-art’ email. Newspaper journalists like to print artists who have a strong connection to the local community. They usually cover local events that benefit the community. Write a short email with a paragraph how your art benefits others.

Fan base

Focus on building your fan base or community around you – people who like, support and buy your art or service from you. This is not about begging, forcing or making them to buy. It’s about finding real fans who enjoy your work on their wall and, want to support you.

Passive income streams

Now let’s look at some income streams for you to consider to make money as an artist. There is passive income as well as income coming per hours spent working on a job that can be compare to having a regular job.

#1. Selling digital products

You can be selling books and digital products/downloads explaining your painting techniques, or sales strategies or grant writing knowledge- something of interest and value that other artists need to know and you’re good at. You can sell these digital products on Amazon kindle, your web store, Instagram or other social platform.
These digital pdf downloads can sell on its own without active promotion but these sales would be small and inconsistent. Writing time can vary greatly to create a digital asset. In my case it takes up to a year to write one book).

Printed books industry is declining rapidly along with digital books and art magazines. However, if you create and manage a successful book launch, your book may become a bestseller. I learned about this strategy many years later so I didn’t have a chance to implement it.

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
These art instruction books are on sale on Amazon!

Launch strategy to sell books on Amazon

The strategy is to have a strong base of at least a hundred top fans who write a book review at the launch day when the book goes live on Amazon. You must collect as many reviews as possible on the launch day to boost the algorithm and sales of your book. You must give something in return to people who write reviews (digital book file or something else). I didn’t know about this strategy when I began selling books on Amazon a decade ago. I simply listed them on Kindle. The sales were going well on their own years ago but this industry declined sharply and I get less than $300 a year from it now. This doesn’t count for my royalties coming from my latest two books published by Dover. I’m paid in royalties direct from this company every 6 months and it’s 4 times more than my sales on Kindle.

#2. Selling courses

It’s a booming industry. I think the decline of the printed book industry relates to the boom in this one.

Let’s look at your investment of time vs. the benefit of having your video course up and running. I spent an insane amount of time creating my first comprehensive course in colored pencil drawing. It took me almost a year to record, edit, narrate and put it all together. I probably overdid it because most courses are between 1-2 hours long and I made 18 lessons of 1hr classes. So it depends how much time you want to invest into your course design. You must know how to record and edit your videos. Outsourcing is possible of course and in this case you have to set a budget for that.

Let’s look at your expertise vs. a quick way to make money. Today we can pick from thousands of courses. Why? Because anyone can make a course. The quality of the course varies greatly. Usually the reviews can spot strengths and weaknesses of the creator. It doesn’t mean you can’t make your own course. Think what value you give to your customer to design your video course. If you’re not sure, pay attention what people ask you about most often and consider making the course on this topic.

A course won’t sell on its own without marketing if you list it on your own platform. Some aggregate platforms like Skillshare, Udemy, Domestika already have students and traffic and the companies spend their money advertising to bring more students in. So if you upload your course to these platforms (which is free), you’ll get reasonable traffic to your course, which would very monthly. These companies take a substantial cut from your sales. But you can upload your course to all these free platforms and get paid from all of them producing just one class.

To list your course with a full control over its price and sales, you can use teachable platform. However you pay quite a lot in yearly fees up front $348-$3000 /year for maintenance of your courses. That’s regardless your sales or profit. Plus they take a cut from every sale you make, which depends on your payment plan. You do have an option to start with a free plan listing 1 course. I love this platform because customer service is great and they take care of all transactions, taxes and other issues that may arise especially selling courses internationally. An alternative to Teachable is Samcart or Thrivecart. Pricing starts at $49 per month. And I’m sure there are many more platforms available for creators now.

To sell courses in volume you must have some form of marketing in place or active following to promote it. Otherwise your sales would be small and inconsistent. A sales funnel should be in place to attract new customers to buy your courses.

#3. Selling merchandise printed on demand

Selling merchandise printed on demand is trickier than you think. Everyone talks about how great it is to sell prints and get paid but it’s not that simple. No one talks about it. Despite the ease of opening your store and uploading files, you’re stuck with the same problem – low or zero traffic to your store front when there’s no active community around you.

Let’s look at time spent to open your print shop vs. the traffic problem.

Again your success in sales of prints relates directly to your marketing effort, engagement and your following on social platforms. New people can find you via SEO to buy commercial art listed on third party platforms like Society 6 or Red Bubble. To be successful, you must do a lot of research first. Research long tale keywords for the product you want to make using Ubersuggest. You need to understand what’s popular and trending in your niche (use Google trends) to create a commercially successful product. That’s one of the reasons why some artists sell prints like hotcakes and others don’t. Look at top products selling on Society 6, Red Bubble, Etsy to figure out what you can offer that’s better. Price point matters selling merchandise. Start researching your competition to see what they’re doing and how they are pricing their work.

All content on my site is copyrighted but you’re welcome to share this entire article with your friends!

Check out my art shop here: https://veronicasart.com/shop/

veronica winters colored pencil drawing of cosmic buddha in frame

Active income streams

These are major passive income streams. Now let’s look at the active income streams. The following strategies require your ability to communicate and connect with people, offering something of value to them.

#4. Teaching art

As artist you’re in a unique position to to teach art online, off-line, in private lessons, and group classes even if you don’t have a college degree. You can organize lucrative cruise workshops or workshops in a beautiful vacation spots to boost your art income. That’s always been a lion share of my work and income that’s fairly consistent and can be compared to having a full-time job. All these teaching opportunities are totally possible and pay well when you ask for it. You must manage time, schedule and students progress. So if you’re disorganized or can’t set boundaries with people, it could be a problem. But if you enjoy teaching and love to see your students grow, it becomes a very beautiful and rewarding job to have as an artist!

#5. Working with brands

Let’s look at brand sponsorships. Brands are interested in your following numbers and active community. Brands can either give you products to use and promote or they can actually pay you for your work promoting their products on social media and YouTube. You need to have a rate card (price list) to negotiate payment for your service as opposed to receiving no money but art supplies.

#6. Collaboration

It’s great to collaborate with other artists or organizations that are a step ahead of you. This leads to more opportunities down the road and creates friendships. Connect with other artists (who are ahead of you) and participate in group shows with them.

Selling art is a very social skill where you have to meet a lot of people to socialize first. You don’t want to be that salesy rep. You want to genuinely connect with people building a relationship over time. Connect with local community, restaurant business owners to display your art. Business people are interested to collaborate with you when they can make money. Think what you can offer in exchange for the use of their space. What makes artists cringe is that we are the opposite of business people. We are here to create something beautiful and money making is not our goal. It’s the purpose of every business person however.

  • Connect with local Interior designers.
  • Connect with spa owners.
  • Connect with people at your local art museum
  • Connect with health care & insurance industry
  • Connect with businesses that don’t relate directly to art so you benefit them by bringing additional traffic or offer other value to display and sell your art. Framing store, art supplies store, musical instruments shop, gift shops in museums, botanic gardens, etc.

Connect. To speak eloquently about your art for their benefit!

https://instagram.com/veronicawintersart

paintings on sale, veronica winters painting, fine art, art painting
paintings on sale, veronica winters painting, fine art, art painting

#7. Meet art collectors at art museums

This idea comes from Brainard Carey (you can find him on YouTube and at the Praxis Center). Buy a membership at your local art museum to meet art patrons at special events and show previews. Ask them about their interests & invite them to your studio to build a relationship with them without asking for sales! This builds trust and friendship. They’ll want to buy from you when you establish a relationship with them.

Other important things to consider for your art business:

  • List building
  • Publicity efforts
  • Social media growth
  • Connection and service to others
  • Underpromise and Overdeliver
  • Ask for reviews or testimonials from your past collectors and fans to build more trust
hooked on art podcast with veronica winters artist
Leave a review of my podcast on Apple & Spotify, send me the screenshot of your review and I’ll give you access to my video mini course for free!
Apple: https://podcasts.apple.com/gb/podcast/hooked-on-art-podcast/id1578503310
Spotify: https://open.spotify.com/show/601b3tkDmePVnsFPCRrDTm?si=cded1d145ffd4c7a

Learn from your mistakes

Learn from your mistakes not to get discouraged and quit, rather to be able to pivot and adjust your strategies. The case of Netflix is clear. Once a disruptor and innovator no more. Life changes constantly and we must be able to adapt and change with it.

Pick a strategy that’s easy to implement in accordance with your personality at first. Then add another strategy to your action. You must take action on 1-3 strategies to see the results. You need to implement them. Without taking action, it’s just the information without its proper use. Good luck and let me know what you think of this article by messaging me on Facebook or Instagram. 🙂

P.S. Study great art marketers of our time – Jeff Koons, Kinkade, Warhol.

Art supplies sold on Amazon:

You can find me here:

Because you’re interested in art sales, you might be interested in this article and video here: https://veronicasart.com/the-quality-of-your-art-makes-no-difference-in-sales-what-you-must-know-as-an-artist-selling-art/

Pros and cons drawing on wood in colored pencil

In this article, I’d like to share my experience doing colorful pencil drawing on wood. I list both advantages and disadvantages working on wood.

The advantages of colored pencil drawing on wood

  • The panels are very durable and stable. They resist warping.
  • The panel has a 1-inch depth, which is good for wall display.
  • Wood panels prevent warping.
  • The panels look like paintings that aid professional presentation and make people more excited to purchase art. Drawings on wood don’t need a mat.
  • Because the wood surface is so stable it accepts many materials and techniques in addition to the colored pencils. For example, I tested it adding acrylic inks to its surface. I also added Fine Tec iridescent colors with a tiny bit of water, various markers, acrylics, resin, glass, diamond dust, glitter. The possibilities are endless!
  • The wood panels accept layers of color when primed with the right primer for drawing that I list below.
  • You can play with the negative space of the wood panel by not coloring the entire surface, rather allowing it to show in art because it has it’s own pattern and color.

veronica winters colored pencil-portrait painters
“Celestial Day“, 16x20in, colored pencil on wood panel

Drawbacks in colored pencil drawing on wood

  • It’s much harder to draw on wood panels in comparison to drawing on bristol vellum paper! It can be frustrating to fill in the surface.
  • The surface tends to “eat” the colored pencils.
  • Hard colored pencils may slide off of the surface.

I highly recommend buying a very small panel to test all the materials and techniques on it first.

veronica winters colored pencil
Let it be, 12x16in, mixed media on wood panel. This colored pencil drawing has colored glass, glitter and resin to produce unique look.

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
These art instruction books are on sale on Amazon!

Art supplies list for colored pencil drawing on wood

how to draw on wood art blog by veronica winters

Wood Panels

Obviously, we can find many brands of wood panels suitable for colored pencil drawing. I happen to use Da Vinci Pro panels because they are sturdy and have a 1-inch depth that makes them look like paintings. I usually buy my art supplies at JerrysArtarama although some of them are available on Amazon.

Da Vinci pro panels come in different sizes and surface preparation. If you plan to draw on those, buy the panels that are NOT primed. You’ll prime them with one of the primers listed below. These panels come in primed for oil and acrylic painting and I find that even the smoothest, primed surface isn’t good enough for drawing. They’re made of birch wood and are available on Amazon here: https://amzn.to/3OUEGw4

Art Primers for colored pencil drawing on wood

I did some colored pencil drawing on wood with and without a primer. I prefer using the primer to have that extra tooth in the surface to grab the colored pencils. Primers seal the surface to prepare it for drawing in colored pencil.

There are several primers that you can test to use to cover wood panels, panels and paper. All of them are quite similar but give a slightly different grip or tooth to the surface to apply the colored pencil to.

  • I like Colourfix Primer because it comes in several colors!! You can tint the surface with this primer and draw like you draw on toned paper. https://amzn.to/3WKbwjm Colourfix Primer Clear 250Ml, Brand: Art Spectrum.
  • Golden Acrylic Primer for Pastels has more texture than the Colourfix but is also used for surface prep. You can find it here: https://amzn.to/43DNbzC.
  • Finally, there’s another ground with superfine texture for drawing –Golden Silverpoint/Drawing Ground. You can buy it here: https://amzn.to/3MSqbq1
Golden Silverpoint/Drawing Ground, how to draw on wood
Golden Silverpoint/Drawing Ground is a liquid acrylic used for the preparation of supports for drawing media. The ground is designed for the achievement of fine detailed lines on a permanent, lightfast, flexible ground. Developed for easy application, the ground has a very fluid consistency that will level as it dries. A single coat of Silverpoint provides a smooth, durable surface, ideal for use with a silverpoint stylus or other metals, such as brass, gold, copper, or even a steel paperclip.

You need to test them first to see which one will work for your colored pencil drawing. You might not like all of them.

Primer: https://amzn.to/3WKbwjm Colourfix Primer Clear 250Ml, Brand: Art Spectrum

Art Fixatives for colored pencil drawing

There’re numerous brands of fixatives for drawing. I recommend listening to the video with a technical cosnultant Ed Brickler to understand the differences and to figure out which ones will work for you. I’m including some of the best ones below.

Grumbacher Final Fixative is an excellent spray to protect colored pencil drawing. Don’t buy Krylon fixatives as they can present problems.
https://amzn.to/3MT4WUO

Sennelier Delacroix Fixative https://amzn.to/3MT4WUO is also an excellent spray for pencils that has a super fine mist. Both sprays are hazardous and must be sprayed in a very well ventilated space or outdoors with low humidity levels.

One of safe fixatives is Spectrafix.

SpectraFix is a safe fixative for drawings. https://amzn.to/3OSNZfS Personally, I haven’t tried it yet but it was recommended to me by a technical consultant (watch the video below on that).
To read about fixatives and varnishes, go here: https://veronicasart.com/fixatives-varnishes-what-you-need-to-know-to-preserve-your-art/

How to frame colored pencil drawings on wood

This is a tough one! The panel has a 1-inch depth, which is good to prevent warping and it also aids professional presentation but it makes it quite difficult to find a proper frame for it. So you have to search for “canvas-depth frames” that would compliment your drawings. Regular frames won’t have enough depth to cover the panel’s sides.

You still must use a non-glare plexiglass to protect the drawing from UV-light and moisture.

veronica winters colored pencil, how to frame art
This is a colored pencil drawing done on a 1-inch, Da Vinci Pro wood panel. It’s framed with a canvas depth wood frame (rabbit width is 1 inch to accommodate the wood’s depth), UV, non-glare plexiglass. The result is that it looks like a painting, not a colored pencil drawing. There’s no glare and the colored pencil drawing looks vibrant and clear of reflections.

“Celestial Night” is a 16×20″ colored pencil drawing on wood. It’s framed with a non-glare plexiglass and solid wood, canvas frame. This colored pencil drawing has high-quality plexiglass with a much greater depth than glass, which offers superior protection from light. However, the wider the depth of plexi the less colorful it becomes because it absorbs some of the color in the original colored pencil drawing.

artist drawing for sale, veronica winters colored pencil
“Celestial Day” is a colored pencil drawing is framed with the UV-protective plexiglass with custom-cut real wood frame. The weight is over 10lb.

To read about framing of colored pencil drawings, go here: https://veronicasart.com/how-to-frame-art-on-paper-and-on-canvas/

veronica winters colored pencil drawing
Canvas float frame completes the look of this beautiful, colored pencil drawing titled “Alignment”. It doesn’t have glass or plexiglass.
veronica winters colored pencil
Summer Solstice is framed with real wood, black-gold canvas float frame and is ready for wall display! It has a coat of resin with glitter over the colored pencil drawing!

If you’d like to learn more about colored pencil drawing, take one of my video classes here: https://veronica-winters-art-school.teachable.com/

Art supplies:

Contact:

Uncover the secrets to networking to grow your art career with art advisor Emily McElwreath

Emily McElwreath is an art advisor, curator and podcaster working in New York. Her formal education includes an MA from Purchase College in Art History with a Concentration in Contemporary Art Criticism and an Art Business Certification from Christie’s Education. Years ago she left the position of director of communications and education at the Brant Foundation art study center to pursue her passion in the arts as an independent art curator, advisor and educator. McElwreath has organized numerous educational talks, tours and programs on university campuses and art museums, including the Whitney, The Metropolitan Museum of Art and Sotheby’s Education. She is the host of the Art Career Podcast.

I asked naĂŻve questions and got honest answers about art marketing, networking, and art presentation for artists. Listen to the full interview to learn how you can put your best leg forward in your art portfolio presentation, as well as how you can network effectively to build your professional presence in the arts.

Contact Emily McElwreath: The Art Career Podcast & https://www.mcelwreath.co/

On YouTube: https://youtu.be/HZxqjGTubuY

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

Giuseppe Arcimboldo Art: the fusion of symbolism and illusion

Born in Milan, Giuseppe Arcimboldo was a rather mysterious Italian painter who lived from 1526 to 1593. He is known for his optical illusion portrait paintings or composite heads, which are made of a variety of objects such as fruits, vegetables, fish, flowers, books, twigs, and animals arranged to create a human form. His innovative style of portrait painting that looks fresh and contemporary even today, was appreciated by his royal patrons during his lifetime. The artist fell into obscurity after his death until the Dada and surrealism movements re-discovered the artist. Arcimboldo’s portraits were symbolic and allegorical, representing various aspects of nature and political power of the Habsburg’s royalty.

Just like any Italian Renaissance artist Arcimboldo went through years of schooling in a workshop of a master artist first. Artists received training in several related fields that included sculpture, architecture, craft and design, not just painting. He was highly skilled in a variety of painting techniques, including oil painting, fresco, and tempera. After that the artist began his artistic career as a designer of stained glass windows for the cathedral. Arcimboldo was called to Vienna in 1562 by Maximilian to become a court painter for the Habsburg emperors in Vienna and Prague, creating portraits and other paintings for the royal family-Emperor Ferdinand I of Habsburg (1503-1564), then his son Maximilian II (1527-1576) and his son, the Emperor Rudolf II. Besides portrait painting, Arcimboldo also designed elaborate celebrations for the court, including weddings, festivals, pageants and coronations. He created exuberant special effects and made drawings for the Habsburg family. He also painted landscapes, still lifes, and religious scenes there before returning to Milan in 1587.

Giuseppe Arcimboldo Four Seasons in One Head 1590-national gallery washington dc
Giuseppe Arcimboldo, Four Seasons in One Head, 1590, The National Gallery of Art, Washington DC. | In this painting we can see an old man made of twigs, flowers and fruit that’s probably a self-portrait of an aged artist, painted not long before his death. The National Gallery acquired the painting from a New York dealer. The tree-trunk face is grumpy old and comical, but vivid cherries, grape leaves and apples form a nature’s-made crown he deserved to carry.

Some of Arcimboldo’s most famous weird paintings are:

Arcimboldo painted several copies of the same idea in his paintings that the emperors gifted to other royalty members and important figures in the European court. That’s why we can see similar paintings in different art museums these days. Arcimboldo painted the Seasons series several times! Some copies were made on canvas rather than on wood, considering easy transportation of art. (Canvas is light while wood panels are much heavier). The Four seasons and The Four Elements are his most famous paintings that were dedicated to Maximillian in 1569.

“The Four Seasons” (a series of four paintings, each representing a season of the year)

Arcimboldo, 4 seasons at the Louvre
Arcimboldo, Four Seasons at the Louvre, Paris, France https://collections.louvre.fr/en/ark:/53355/cl010065017 | Commissioned by Emperor Maximilian II (1527 -1576) for Elector Augustus of Saxony (1526-1586), the paintings show some symbolism representing the royal court. The crossed swords of Meissen and the coat of arms of Saxony appearing on the winter coat, and the date of 1573 inscribed on the shoulder of L’ Summer, signed by the artist. 

The Four Seasons have multiple layers of meaning. The obvious one is the change of seasons but the four paintings may also suggest the four ages of man: childhood, adolescence, maturity and old age as well as everlasting peace and abundance of the Hapsburg’s empire.

Giuseppe_Arcimboldo La Primavera
Giuseppe Arcimboldo, La Primavera, Spring, The Four Seasons series, oil, 1570s

“The Four Elements” (a series of four paintings, each representing an element of nature)

In antiquity, four elements were believed to compose all matter. In Arcimboldo’s art these elements contain additional meaning and symbolism suggesting the political power of the royal family.

Arcimboldo, Water, the Elements series, 1566, Vienna, Austria

A poem by Giovanni Battista Fonteo offered to the Emperor in 1569, together with a series of Seasons and another on the Elements, gives voice to the allegorical heads, each of which reveals the power of the empire whose power is part of an infinite time, throughout the eternal cycle of the seasons.

the Louvre
Giuseppe Arcimboldo, the Waiter, 88 x 67 cm, oil on canvas, private collection, 1570s
  • Other famous paintings include:
    “The Librarian”- a portrait of a man composed of books and other library-related objects.
  • “Vertumnus” – a portrait of the Holy Roman Emperor Rudolf II, depicting him as the Roman god of the seasons and change.
  • “The Waiter”- a portrait of a man consisting of barrels and jugs.
Autumn and Winter: two heads made from flora
Arcimboldo-inspired etchings, Anonymous, Italian, 16th to early 17th century, http://www.metmuseum.org/art/collection/search/656760

Art style & symbolism

Giuseppe Arcimboldo worked during the Late Renaissance period, and his work is often associated with the Mannerist style, although I think he has little in common with this art style. Mannerism (1520s-1600) was an art style that emphasized the distortion of human figure. It’s known for excessive twisting of poses and highly-detailed but artificial representation of space and figures. Figures were very elongated like they had some extra bones and thus were incorrect anatomically. Of course, it was intentional as artists probably wanted to get away from classical representation of human form. Famous mannerist painters are Parmigianino, Vasari, Bronzino and El Greco. Like other Mannerist painters, Arcimboldo’s work pushed the boundaries of traditional painting techniques and classical conventions but he didn’t paint the elongated figures. His art was a precursor to surrealism being rich in symbolism and illusion, manifesting incredible creativity, wit, and ingenuity.

a young woman and her little boy-bronzino-1540-national gallery of art-washington dc
A young woman and her little boy, Bronzino, 1540, National gallery of art, Washington DC

He used objects to create the illusion of a face. Some of Arcimboldo’s inspiration comes from Leonardo da Vinci who worked in Milan in late 1400s. In the da Vinci’s sketches we can find grotesque figures and faces that may have influenced the artist.

Bust of woman with protruding mouth-etching by Wenceslaus Hollar after da vinci.
Bust of woman with protruding mouth, etching by Wenceslaus Hollar after Da Vinci, 1660, the only state, the Metropolitan Museum of Art. | Printmakers made “copies” of famous art to disseminate them to wider audiences. This etching shows a grotesque female figure that Da Vinci sketched. Similar figures and portraits by Da Vinci probably influenced Arcimboldo while he lived in Milan.

Maximilian’s personal interest included the study of nature as scientists collected specimens studying the natural world. There were numerous objects in the imperial art collection displayed in special chambers. The art collection display included weird metalsmith objects like a nautilus seashell becoming a chicken or a coconut as a drinking cup.

Arcimboldo-the elements series-Earth-1570
Arcimboldo, The Elements series, Earth, oil on wood, 70 x 48.5 cm, 1570, private collection

Arcimboldo’s portraits look like puzzles that have allegorical meanings. While Giuseppe Arcimboldo sought to explore the connections between humans and the natural world, the symbolism of ripe fruits and vegetables is quite subtle – it points at the abundant nature of the Empire. The symbolism of his paintings serve as glorification and celebration of the royal court and its power. For example in one of his paintings of four seasons- Fire is a composite portrait of a man made of flames and fire-related objects. Those objects are the fire striker is the Hapsburg’s emblem that forms the nose and ear. The spark probably suggests the power of the royal family. Pendants are the imperial symbols -the golden ram and the double-headed eagle. The Earth has the suggested crown with some imperial emblems including the ram’s skin and the lion’s skin, which suggest the connection to the Golden Fleece and Hercules. Water represents the sea life with many aqua species. Air is made of a flock of colorful birds. As The Four seasons and The Four Elements were dedicated to Maximillian, they celebrated the Habsburg’s empire and reign over the seasons. As seasons cycle and change, the empire remains eternal though all of them.

Arcimboldo, Fire, Four Elements Series, 76 x 51 cm, oil on wood, 1566, Vienna, Austria
Arcimboldo, the Cook, Visual Pun series, oil on canvas, 52x41cm, 1570, Sweden | His invertible paintings are fascinating as well. A grotesque figure of a cook is reminiscent of da Vinci’s grotesque faces. Invertible paintings can be rotated upside down to reveal a different image and meaning.

Arcimboldo, Vertumnus (Emperor Rudolph II), 68 x 56 cm, oil on wood, 1591, Sweden

Maximilian’s son -Rudolf II moved the court to Prague. So his art display of objects and art got housed in Prague castle. While the artist returned to Milan, he still painted for the court and created one of his best paintings – “Vertumnus” – a portrait of the Holy Roman Emperor Rudolf II, depicting him as the Roman god of the seasons, nature and change. The symbolism suggests peace, abundance and prosperity of the empire.

Arcimboldo-Flora young man-Soumaya museum in Mexico city
Arcimboldo. I took this picture at the Soumaya museum in Mexico city that’s why it has such a reflection, but you can see that it’s a variant on the theme of 4 seasons he painted for the court.

Design and Architecture

Besides painting, Arcimboldo was also known for his skills in design and architecture. He was appointed as court architect and was responsible for designing and overseeing the construction of various buildings, including the castle at Prague and the cathedral at Olomouc in the Czech Republic.

Arcimboldo’s designs include:

The Castle at Prague – Arcimboldo was appointed court architect by Emperor Maximilian II, and one of his first major projects was the redesign of the castle at Prague. He created a number of decorative elements for the castle, including frescoes and stucco work.

The Cathedral at Olomouc – Arcimboldo was also responsible for the design of the cathedral at Olomouc, which is located in the Czech Republic. He created a number of decorative elements for the cathedral, including the intricate stucco work and the sculptural reliefs on the exterior.

The Jesuit College at Vienna – Arcimboldo also designed the Jesuit College at Vienna, which was one of the most important educational institutions in the city at the time. The building featured a number of intricate decorative elements, including frescoes and stucco work.

The New Castle at Prague – Arcimboldo was also involved in the redesign of the New Castle at Prague, which was used as a residence by the Habsburgs. He created a number of decorative elements for the castle, including frescoes and stucco work.


In art collections

The Instruments of Human Sustenance in the manner of Arcimboldo-the Met
The Instruments of Human Sustenance in the manner of Arcimboldo-the Metropolitan Museum of Art http://www.metmuseum.org/art/collection/search/367504

Arcimboldo’s paintings are held in private and public collections around the world. In Italy, his paintings can be found in the Pinacoteca di Brera in Milan. The Kunsthistorisches Museum in Vienna and the Louvre Museum in Paris also hold significant collections of his work. At the Met you can find engravings done in the manner of Arcimboldo’s art. It was common to “copy” and distribute popular paintings via lithography and etchings. Denver Art Museum displays variants of “Summer,” 1572 and “Autumn.” The National Gallery of Art in Washington, D.C. has one painting but many are in private collections today. According to the Smithsonian magazine ( https://www.smithsonianmag.com/arts-culture/arcimboldos-feast-for-the-eyes-74732989/ ) the Kunstkammer was looted during the Thirty Years’ War (1618-48), and a number of Arcimboldo’s paintings were carried off to Sweden. The composite heads disappeared into private collections, and Arcimboldo would remain rather obscure until the 20th century, when painters from Salvador Dali to Pablo Picasso are said to have rediscovered him. He has been hailed as the grandfather of Surrealism.

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References:

Links to works and references are included in text. Other references are: Arcimboldo: Nature and Fantasy, video produced by National Gallery of Art

If you find a mistake in this article, please email me the correction.

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
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What are symbols of transformation in art?

Symbols of transformation in art can represent various concepts, such as growth, change, rebirth, and metamorphosis. They represent the process of personal growth, which is often painful and difficult but because we’re able to overcome our challenges, the process of transformation happens to renew our souls. As a result, symbols of transformation in art, music and literature often represent the journey of the soul or the process of self-discovery. Here you’ll find some of the most common symbols of transformation, most of them having multiple meanings depending on context and culture.

veronica winters colored pencil drawing
Create, colored pencil drawing, 19×25 inches

What are the symbols and meanings of transformation in art?

Tree

Magic Tree Portal, colored pencil drawing on matboard by Veronica Winters
Magic Tree Portal, colored pencil drawing on matboard, 20x30in by Veronica Winters

The tree is a common symbol of growth and transformation because it grows from a seed into a large, complex organism. It can also represent strength, stability, and resilience. The concept of a “Tree of Life” is present in every ancient culture on our planet. It has the everlasting quality and wisdom, connecting the Earth to both Heaven and the Underworld.

The Aztecs believed that gods traveled up and down the Ceiba tree, a cotton tree with a large, broad trunk. Some scholars believe it served as a model for the Mesoamerican world tree, connecting the underworld, earthly realm, and heavens.

tree of life mural design-Mexico city-veronica winters art blog
Tree of Life, mural design of the indigenous peoples, Mexico city, photo-veronica winters

Water

Water is a powerful symbol of transformation in art, representing the ability to cleanse, purify, and renew oneself. It’s constantly changing form and shape, from liquid to vapor to ice. In myths and art we often see gold or silver chalices filled with water to use in mythical ceremonies. In Christian religious ceremonies water represents purification, renewal, and regeneration.

underwater painting of woman veronica winters painting
Descend, oil painting on canvas, 36×48 inches, Veronica Winters

Butterflies

Butterflies are often used as symbols of transformation in art, representing the process of metamorphosis from a caterpillar to a beautiful winged creature. It’s seen as a symbol of rebirth, renewal, and resurrection. It can also represent the journey of self-discovery, as the caterpillar must shed its skin and emerge from its cocoon in order to become a butterfly. The butterfly is a symbol of transformation because it begins its life as a caterpillar and then undergoes a metamorphosis into a beautiful butterfly. This process can be seen as a metaphor for the journey of the soul, as we all undergo changes and transformations throughout our lives.

blooming heart colored pencil drawing by veronica winters-15.5x25
blooming heart colored pencil drawing by veronica winters

Moth – Similar to the butterfly, the moth is also a symbol of transformation due to its metamorphosis from a cocoon. However, it is often associated with darker, more mysterious transformation.

Canova, Cupid and Psyche, marble sculpture, louvre-veronica winters art blog
Canova, Cupid and Psyche, marble sculpture, Louvre-veronica winters art blog

The lotus

Bliss, 18x24in, closeup of oil painting by veronica winters

The lotus is a symbol of purity and enlightenment in Asian cultures, as it grows from the mud at the bottom of a pond and emerges into the sunlight. It can represent the journey of spiritual growth, as we strive to rise above our limitations and achieve a higher level of understanding. We often see the representation of Buddha and Bodhisattvas sitting on an open lotus.

Ancient Egyptian blue lotus art found in Florence’s archeological museum. Photo: Veronica Winters

We can find the depictions of the blue lotus in Egyptian culture that is said to have psychedelic powers. The lotus grows in muddy water and yet produces beautiful flowers that can be seen as a metaphor for the process of overcoming adversity and finding beauty in the midst of darkness.

romantic paintings of women popsurrealism
Where Joy Blooms, 12×16 inches, oil and aluminum leaf on panel, unframed, available
blue lily dream-veronica winters colored pencil
Blue lily dream, 20×30 inches, colored pencil on art board by Veronica Winters

The yin and yang

The yin and yang symbol is a symbol of balance and harmony. It can represent the duality of nature, as everything has its opposite. It can also represent the journey of self-integration, as we strive to find balance within ourselves. We must have both light and dark to live in balance and understand and experience all feelings. Nature also finds harmony in this constantly shifting duality.

The triquetra

The triquetra is a symbol that has been used by many cultures and religions throughout history, but it is perhaps best known as a Celtic Trinity Knot symbol that represents the concept of unity and interconnectedness. The word “triquetra” comes from Latin, and it means “three-cornered.” The symbol itself consists of three interlocking loops or arcs, forming a shape that resembles three interconnected circles or a trefoil knot.

In Celtic culture, the triquetra was often used to represent the three aspects of the goddess, or the three realms of earth, sea, and sky. It was also used as a symbol of the Holy Trinity in Christianity, with the three loops representing the Father, Son, and Holy Spirit. In other cultures, the triquetra has been used to represent other concepts such as past, present, and future, or birth, life, and death. It has also been associated with various mystical and spiritual beliefs, such as the power of threes and the interconnectedness of all things.

Snake

snakes -feathered serpent at National Museum of Anthropology in mexico-veronica winters art blog
“Feathered serpent” at National Museum of Anthropology in Mexico City

The snake is a symbol of transformation in many cultures because it sheds its skin and emerges with a new, fresh appearance. It can also represent healing and wisdom. In some ancient Latin American cultures snakes represented the energy of everything living. The Mexica’s conceptually related serpents to water, earth, sky and rebirth, depicting them traveling across the sky. In Mayan “stone of the sun”, fire serpents carried the sun across Heaven.

feathered serpent-20x30-veronica winters colored pencil drawing
feathered serpent, 20x30in, colored pencil on art board, Veronica Winters

The octagon and the star octagram

The octagon and the star octagram is a polygon with 8 sides and angles. We find it as the shape of buildings and rooms. It is also one of the most beautiful geometric shapes in Islamic art and architecture, where it is used in the design of mosques, carpets, and other decorative objects.

This is a closeup of a ceiling I saw in Seville with the octagram pattern throughout the ceiling.

The star octagram, also known as the octagram, is a shape that consists of two overlapping squares, forming an eight-pointed star. The octagram said to represent balance, harmony, and the connection between heaven and earth. In some contexts, it is also associated with magic and mystical beliefs. In Christianity, the octagram has been used as a symbol of resurrection and new life, as it is formed by combining the square (representing the earthly world) with the circle (representing the divine or heavenly realm). In Jewish tradition, the star octagram is known as the Star of David and is a symbol of the Jewish people and their faith.

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
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The Phoenix

Phoenix contemporary figurative ainting
Phoenix, oil on panel 18×24 inches

Birds – Birds are often used as symbols of transformation in art, particularly in Native American and ancient Egyptian cultures. They represent the ability to soar to new heights and transform oneself. The phoenix is a mythical bird, a symbol of rebirth, as it is said to rise from the ashes of its own destruction. It’s often depicted in red-yellow colors mimicking the fire. It can represent the hope that even after a difficult time, there is always the possibility of renewal, as we all have the ability to overcome challenges and come out stronger on the other side. The phoenix is a powerful symbol of transformation, resurrection, and immortality.

The Hummingbird

A spiritual symbol, the hummingbird is a tiny, colorful bird that is known for its rapid wing beats and ability to hover in the air. In many cultures, it is considered a symbol of joy, love, beauty, and positive energy. Its presence is believed to bring joy and happiness, and it is often seen as a messenger of hope and renewal.

In Native American traditions, the hummingbird is often seen as a messenger of joy and happiness. Its rapid wing beats are believed to create a vibration that can bring positive energy and lightness of being to those around it. The bird is also associated with love and harmony, and its presence is said to be a sign of good luck in matters of the heart. In other cultures, such as in Central and South America, the hummingbird is associated with energy, vitality, and transformation. Its ability to hover in the air is seen as a symbol of agility and adaptability, and its brightly colored feathers are believed to represent the sun and its life-giving energy.

Masks

Masks are often used as symbols of transformation in art, particularly in African cultures. They represent the ability to transform oneself into a different being or persona. The Venetian masks counseled the real person in carnivals. Artists often use the mask as a symbol of revealing your true self “once all masks get removed” metaphorically speaking.

oil painting of lovers in Venice
Promises: Lovers of Venice, 18×24″ oil on gilded panel, available

Skull

Although the skull is associated with death and the impermanence of life, it can also be seen as a symbol of transformation because it represents the cycle of life and death, or the idea of rebirth or transformation after death.

apotheosis of war 12×16-veronica winters

The Wheel & Circles

flower of life drawing, veronica winters colored pencil
The flower of life, colored pencil drawing on paper, 18×25″

The wheel is a symbol of transformation because it represents the cycle of life and death. This can be seen as a metaphor for the journey of the soul, as we all go through cycles of growth and change throughout our lives.

Circles are often used as symbols of transformation in art, as they represent the cycle of life and the process of change and growth. Circles are often the depictions of the divine in life. Circles become a part of many geometric shapes in sacred geometry including a geometric pattern-the flower of life.

The Sun

The sun has various interpretations depending on culture and time. In Egypt, the god of the sun was Horus often shown in a human form with a falcon head that was also represented as a beetle crossing the sky. Horus held the supreme power over the universe as creator and sustainer in Egyptian mythology.

“The god of the rising sun grants life and dominion over all that the sun encircles for one million one hundred thousand years…”

Ancient Egyptian sign. the Met
transformation
Faience Wedjat-eye amulet, Egyptian, ca. 1090–900 BCE, on view at The Met Fifth Avenue in Gallery 171

The Egyptian god Horus had a human body and the head of a falcon. His eye represents the sun, whose setting and rising symbolizes loss and recovery in Egypt. | http://www.metmuseum.org/art/collection/search/243794
Relief panel showing two baboons offering the wedjat eye to the sun god Khepri, who holds the Underworld sign, Late Period–Ptolemaic Period, 400–200 BC.
Two baboons offer wedjat eyes to Khepri, the newborn sun in a beetle form. Khepri (the beetle) holds a disk with a star above it that represents the Underworld. The sun with the rays is below the beetle. According to the Met, the baboons seem to represent Thoth because they hold the wedjat eye signs and wear the shen-rings on their heads that look like the moon disk and horns of the Thoth baboon. http://www.metmuseum.org/art/collection/search/549700
Pectoral and Necklace of Sithathoryunet with the Name of Senwosret II, Middle Kingdom, Dynasty 12
Reign: reign of Senwosret II, Date: ca. 1887–1878 B.C. Gold, carnelian, lapis lazuli, turquoise, garnet (pectoral), Gold, carnelian, lapis lazuli, turquoise, green feldspar (necklace).
http://www.metmuseum.org/art/collection/search/544232

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Unlocking the secrets of master oil painters: interview with George O’Hanlon & Tatiana Zaytseva at Natural Pigments

Learn why the 20th-century art will be lost faster than the old masters’ paintings housed in various art collections worldwide. Meet George O’Hanlon and Tatiana Zaytseva, co-founders of Natural Pigments.

In this episode, we’ll be exploring the hidden truth about today’s art supplies and how the incorrect use and poor quality can cause cracking, fading and other issues with art. We’ll discuss the oil painting techniques and art materials of the old masters. By the end of this interview, you’ll have much better understanding how to use oil paint, mediums, gesso and other art supplies in your own paintings, and you’ll be able to understand the various techniques used by the artists before the 19th century. Don’t miss out on this chance to learn from the best!

Based in northern California, Natural Pigments manufactures and sells rare and hard-to-find materials for professional fine artists and decorators. The art supply company produces high-quality artists’ materials that were used in historical painting until the nineteenth century.

Contact: George O’Hanlon, Technical Director + Tatiana Zaytseva, Administrative Director of Natural Pigments https://www.naturalpigments.com/

Understand how to create the best oil paintings possible using high-quality art supplies correctly.

Interview:

  • 2-23min Why George went to Russia and how he met his future wife Tatiana.
  • 24-30min George’s surprising discovery of the old masters painting techniques
  • 39min The proper use of mediums in oil painting
  • 46min How the “Painting Best Practices Workshop” was born
  • 48min Is it ok to have acrylic underpainting with oil painting?
  • 51:40min Does gesso quality matter?
  • 57min The importance of having high-quality art materials and how to use them correctly to make lasting art
  • 59min Main advantage painting with lead white. The difference between titanium white and lead white. Is lead poisoning real for artists? The safely issues with the lead white oil paint.
  • 1hr Safe use of solvents
  • 1:09 The lightfastness of colors
  • 1:15 Medium to paint thick textures in oil painting
  • 1:17 Gilding process and preparation of surface
  • 1:24 the best surfaces for oil painting and gilding
  • 1:31 The most famous artist who creates art painting with Natural Pigments!

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Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

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How to draw fur in colored pencil: the secret tool you need to succeed

When it comes to drawing realistic fur with colored pencils, there are a variety of techniques you can use to create texture, pattern, color, and shading that mimics the look of real animal fur. Whether you’re drawing long fur or fluffy fur, a cat tail, dog tail, or any other type of animal tail, there are a few key things to keep in mind. When it comes to creating realistic animal drawings, the texture of the fur can make or break the artwork. Colored pencils are a great medium to use when drawing fur, as they allow for precise and detailed strokes that can mimic the look of individual strands of hair. In this article, I’ll focus on drawing tips, ideas, techniques and a simple tool for drawing realistic fur with colored pencils on white paper. (I usually draw on colored paper and the colored pencil technique is different for that).

How to draw fur with colored pencil

#1 Start with a good reference photo

Before you begin drawing, it’s important to have a good reference photo of the animal fur. Look for a photo that clearly shows the texture and pattern of the fur, as well as highlights and shadows. The more detailed the reference photo, the easier it will be to create a realistic colored pencil drawing. Take photo that has a clear division between light and shade (or highlights and shadows).

I found this free photo on Pixabay that you can use as a practice reference. There’s a clear light coming from the left and shadow on the right. The cat is very colorful and in focus. The fur patterns are simple to repeat.

#2 Use directional strokes in colored pencil drawing of fur

One of the most important factors to consider is the texture of the fur or the direction of the hair growth. To create a natural-looking texture, it’s important to use a combination of short, directional strokes in varying lengths and pressure levels. Depending on the type of fur you’re drawing, you may need to use different stroke techniques to create the desired effect. For example, for long fur, you may need to use longer, more fluid strokes to create the appearance of length and movement, while for fluffy fur, shorter, more jagged strokes may be more effective.

how to draw fur-photo with fur direction
Study the fur’s length and direction because different parts of the animal’s face will have slightly different coloring and fur’s length. Use short, directional strokes to mimic the look of individual strands of hair. Vary the length and direction of the strokes to create a natural-looking texture.
#1- These are rather wide stripes and fur’s patterns that WRAP AROUND the body. Most students draw them too flat. Observe how the animal’s fur wraps around the neck, stomach, etc.
#2 Copy the unique patterns of the fur as precise as possible.
#3 Some fur is rather long. Use multidirectional strokes to re-create it.
#4 This fur is very short but super soft with the blurry edge. Edges are important.
#5 These are rather long and sharp-edged hairs that wrap around the eye.
#6 Extremely short and multi-colored fur.
#7 Very long, directional strokes.

#3 Layering

Build up layers of color. Another important aspect in colored pencil drawing of fur is layering. Building up layers of color gradually can help you create depth and dimension. Gradual layering also helps you blend different colors together for realistic appearance. Use a light touch of colored pencil while layering colors, and build up the darker shades gradually.

Start with a light layer of the base color, and then gradually add darker shades to create depth and dimension. Use a light hand and short, light strokes to mimic the texture of fur. Use a variety of colors to create a realistic fur texture.

#4 Light direction: highlights and shadows

To create depth and dimension in your colored pencil drawing of fur, pay attention to the light direction. You must have both strong highlights and shadows to create some depth and dimension. Use darker shades in areas where the fur is more dense, and lighter shades in areas where the fur is more sparse or where highlights are present. Adding highlights can help create a three-dimensional effect and make the fur appear more lifelike.

how to draw fur in colored pencil step-by-step-veronica winters
Here is a short step-by-step colored pencil tutorial for beginners: 1. Layer the general pattern of the fur using light to medium pencil pressure. 2. Start with a light layer of the base color, and then gradually add darker shades to create depth and dimension. 3-4. Use Tombow mono eraser to lift out the lighter strands. Pay attention to fur’s direction to do the lift outs. 5-6. Build up layers of texture by layering the variety of colored pencils to create a realistic fur texture. Erase. Layer again. And finally take a very sharp colored pencil to draw fine strands that are darker than white.

Shadows

Use darker colored pencils to create shadows in the areas where the fur is more dense. Pay attention to the direction of the light source in your reference photo to ensure that the highlights and shadows are accurate. For that I make a separate image by converting the original photo to a black-and-white one. This way I can clearly see the light direction that I must copy.

Highlights

There’re several ways to draw the highlights in colored pencil. It depends on the drawing paper’s tone as well as your own preference. In this tutorial I focus on drawing the lights of the animal’s fur on white paper. In general, using a white colored pencil to add highlights to the fur can be ineffective. It works well when you do the following trick, however.

After layering the base of color, take the Tombow mono eraser and erase parts of the fur paying attention to its length, strength and direction. This becomes the foundation for texture. Then you start drawing around those “puled out whites”. Then take your drawing outside and spray it lightly with a final fixative. I recommend Sennelier or Grumbacher brands. Wait for it to dry completely!

To continue building up the texture drawing the animal fur, you can add refined lines in a very soft, white colored pencil. You can continue shading with darker colored pencils around the lights. And you can use the mono eraser once again to texturize the fur even more, shading in a slightly different direction. These are steps 3-6 in the drawing of the jaguar.

This drawing is a blend of fantasy and reality and therefore the patterns on the animal’s nose and cheeks are not real. They resemble the patterns of the overall design in my colored pencil drawing. Also it’s totally possible to use white markers to define the whiskers a lot more. I simply chose not to do it on this drawing.

#5 Adding refined texture in colored pencil drawing

To blend or not to blend, right? I think that the colored pencil blending is the opposite of drawing fur and texture in colored pencil. You want to imitate the texture in the cat’s fur or other animal fur. Therefore, you can blend the colors some at the first step when you’re layering the base but refrain from blending the animal’s fur at the end of the drawing process in colored pencil. Never use a blending stump or a piece of tissue paper in colored pencil blending. It’s ineffective and damages the surface. Use a sharp pencil to create fine lines instead. You need to do this towards the end of your colored pencil drawing process when you have the base shading done.

feathered serpent-20x30-veronica winters colored pencil drawing
Feathered Serpent, 20x30in, colored pencil on art board, Veronica Winters

Remember, drawing realistic fur with colored pencils is a skill that takes patience and practice to develop. Don’t be discouraged if your first attempts don’t turn out exactly how you’d like. By starting with a good reference photo, building up layers of color, using directional strokes, adding highlights and shadows, and practicing regularly, you can create stunning animal drawings with lifelike fur texture. Also be open to experimenting with different techniques, and trying new things until you find the approach that works best for you. With some effort and positive attitude, you’ll be able to create stunning drawings of animal tails with lifelike fur texture, pattern, and color.

colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
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Check out the article where I show how to create fur texture and fur shading using scratchboard art. https://veronicasart.com/how-to-start-scratchboard-art-tools-techniques-tips-to-make-fur-texture/

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The 15 best art museums in the world you must visit

Best art museums in the world for art lovers offer a unique experience to learn about art history and humanity as we can study art masterpieces in context of socio-economic and political changes rather than from a technical point of view. Top art museums for art lovers offer visitors a chance to appreciate the beauty, cultural significance, creativity, and history of different people from across the world regardless current views on culture appropriation or colonialism issues. While we can argue which must-see museums are the best ones because art is always subjective, I list the 15 best art museums in the world based on the art collection variety, size and overall museum experience. Every art collector and art enthusiast is going to be inspired by these top art museums in Europe and the US.

#1 The Vatican Museums, Vatican City, Italy

The Vatican Museums house an extraordinary art collection of most famous ancient Greco-Roman art, Egyptian art, Italian Renaissance art and Baroque art. The Vatican City has a maze of rooms, hallways, museums, chapels, pavilions, apartments, including the Ethnological Museum and the Pio Clementino Museum as well as beautiful gardens and St. Peter’s Basilica. The Vatican library houses an incredible collection of books, manuscripts, and other documents. Plan to spend a day on the grounds of the Vatican City. You must see:

The Sistine Chapel Ceiling by Michelangelo: This masterpiece is one of the most famous artworks in the world, depicting scenes from the book of Genesis. The ceiling, completed in the early 16th century, is renowned for its monumental beauty and complexity of figures placed in space. Figures twist, turn and stare, carrying Michelangelo’s sculptural quality in painted form. No photography or talking is allowed in the chapel.

The School of Athens by Raphael: This fresco is one of the most famous paintings of High Renaissance art significant as a reflection of Renaissance humanism, depicting a group of ancient Greek philosophers and thinkers. Located in the Vatican Palace, The Raphael Rooms are a series of 4 rooms that include The Transfiguration mural. Just like Leonardo and Michelangelo, Raphael showed thorough planning designing the figures in space with correct perspective and balanced composition.

Raphael fresco closeup-veronica winters art blog
Raphael, the School of Athens’ fresco closeup. Photo by Veronica Winters, 2021 | These pictures get distorted because of the camera’s angle and lens. In this part of the mural you can see the Michelangelo figure (right).
One of Raphael’s frescoes in the Vatican rooms. Photo by Veronica Winters, 2021

The Laocoön Group: Found in 1506, a Hellenistic sculpture from ancient Greece dating from around 40-30 B.C., depicts a priest of Apollo in the city of Troy, Laocoön and his sons being strangled by sea serpents.

Laocoön and his sons in Vatican courtyard-veronica winters art blog
Laocoön and his sons in Vatican courtyard, Photo by Veronica Winters, 2008 | According to the museum’s notes “Laocoön warned the Trojans against taking in the wooden horse left by the Greeks outside the city gates. Athena and Poseidon, who were favoring the Greeks, sent two great sea-serpents to kill them. From the Roman point of view, the death of these innocents was crucial to the decision of Aeneas, who heeded Laocoön’s warning, to flee Troy, and this led to the eventual founding of Rome.” Pope Julius II (1503-1513) bought the marble sculpture to display it in the Cortile delle Statue. I don’t know if the information is still correct but I remember from my art history class that Michelangelo ran to see the newly found sculpture to figure out if it were made from a single marble block (and it wasn’t).
  • The Apollo Belvedere: This ancient Roman sculpture depicts the god Apollo, and is considered one of the greatest works of antiquity because it captures the perfection or the highest ideal of art in human figure. ‘Belvedere’ roughly translates as a ‘beautiful view’ from Italian. Youthful, nude man has just released an arrow from his bow allowing viewers to admire his lifelike beauty made of marble. According to the museum, the sculpture has been dated to the 2nd century A.D. and is considered to be a copy of an original bronze statue of 330-320 B.C.
  • The Gallery of Maps – a long corridor lined with colorful maps of Italy, commissioned by Pope Gregory XIII in the late 16th century. But to be honest, any hallway or corridor in the Vatican is an amazing work of art that beats the gallery of maps.
the vatican soldier-costume design by Raphael-Veronica Winters art blog
The Vatican’s soldier dressed in a form originally designed by Raphael. Photo by Veronica Winters, 2021

The Belvedere Torso is the marble torso with the identity of the figure being open to interpretation for centuries! It’s a beautiful fragment of a Hellenistic statue from ancient Greece. This fragmented statue was found in Rome at the end of the 15th century. “Current hypothesis identifies the male marble sculpture as the Greek hero Ajax, contemplating his suicide. According to the museum’s notes Ajax becomes enraged when Achilles’ armor is awarded to Odysseus and not him during the Trojan Wars and so he kills himself. “The head was leaning sadly towards the right hand which was gripping the sword with which the hero would take his own life. The sculpture dates from the 1st century B.C. and is signed by the Athenian sculptor Apollonios, an artist of the neo-Attic school, who was most probably inspired by a bronze from the first half of the 2nd century B.C.”

The PietĂ  and St. Peter’s Basilica

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The PietĂ , a closeup of the marble sculpture by Michelangelo, 1499. Photo by Veronica Winters, 2021

Located in the St. Peter’s Basilica in Vatican City, the PietĂ  is an emotional sculpture by the Italian Renaissance artist Michelangelo. It depicts the Virgin Mary holding the dead body of Jesus after his crucifixion. The Renaissance sculpture is one of the most famous artworks in the world. The PietĂ  was commissioned by Cardinal Jean de BilhĂšres, who was a French ambassador in Rome. Michelangelo was just 23 years old when he carved the ethereal statue from pure white, Carrara marble in 1499. It is the only piece of sculpture that Michelangelo ever signed.

The PietĂ  is a powerful and moving work of art. The Virgin Mary is shown grieving the death of her son holding him on her knees, but she is also shown with a sense of peace, hope and faith. Michelangelo was a religious man and he created emotional depiction of the Christian faith. From the technical point Mary appears to be disproportionally tall in comparison to the body of Christ but who really cares when this beautiful sculpture speaks volumes of human emotion.

St. Peter’s Basilica is an architectural marvel on its own right that can’t be missed! It was designed and constructed by several famous architects and artists including Bramante, Michelangelo, Bernini and Maderno. The Baroque art, sculptures, tabernacle and dome inside the basilica impress with their overflowing rich decorum, monumentality, life-like appearance and scale. And while it’s not a museum in a traditional sense, it is one of the top must-see attractions for art lovers in the world.

#2 The Hermitage Museum, Saint Petersburg, Russia

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The Hermitage with a carriage, Photo by Veronica Winters, 1997

The Hermitage Museum is one of the largest, top art museums for art lovers in the world, housing over 3 million works of art and artifacts in a Winter Palace where Catherine the Great ruled Russia for 34 years, from 1762 to 1796. Catherine came to power after overthrowing her weak-minded husband, Peter III. The Empress was a highly intelligent woman, shrewd politician and powerful ruler who oversaw a period of great change and expansion for Russia. She promoted education and the arts, and she expanded the Russian Empire into new territories.

Located in a beautiful northern capital of Russia -Saint Petersburg, one of the best art museums in Europe was founded in 1764 when Empress Catherine the Great acquired 225 paintings by Western artists. She displayed her art collection in the private apartments of the palace first, which she called the Hermitage, which means “my solitude” in French. (Russian nobility spoke French until the revolution in 1917). As an avid art collector, Catherine the Great kept expending her art collection that included the antiques, sculpture, porcelain, furniture, giant semi-precious stone vases, jewelry and paintings. So she expended the building for it as well that was called the Great Hermitage and then the New Hermitage Palace after that. Consisting of 6 connected buildings, the “Hermitage complex” is also called the Winter Palace (one of the buildings) because the Empress spent most of her time in it. Her Summer Palace is located in Tsarskoye Selo. Catherine the Great loved to entertain Russian and European royalty with balls, theatre, and masquerades at the palace. The winter palace also held grand receptions and ceremonies for state and government officials. The Hermitage buildings served as a home and workplace for nearly a thousand people, including the Imperial family.

Main rooms in the Hermitage:

The Pavilion Hall

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The Pavilion room in the Hermitage, photo: Veronica Winters

The pavilion hall is the most stunning room in the Small Hermitage, designed in the mid-19th century in white and gold hues with oriental and classical decorum by Russian architect Andrei Stakenschneider. It’s so ethereally beautiful it reminds me of a magical, white wedding cake. Big, crystal chandeliers are reminiscent of the Versailles grandeur. In that room you can find big, mechanical clock with a peacock and moving figures, presented to Catherine by her lover Potemkin.

the pavillion room in hermitage-veronica winters art blog
The pavilion room in hermitage-veronica winters art blog

St. George’s or the Great Throne Hall. Designed in neoclassical style in white and gold, the hall features the royal throne for the receptions.

The Armorial Hall. Used for special events, this great hall was created for celebrations. The Alexander Hall is named after Alexander I. In the Concert Hall you”ll find a silver shrine of Alexander Nevsky, the patron saint of St. Petersburg, entirely made of silver.

This short video gives a great overview of the Hermitage showing main rooms in the palace as well as major art collection.

The Malachite room at the Hermitage

Created in 1838, the Malachite room is one of the most valuable drawing rooms in the palace because of its precious stone columns, tables, vases and fireplace decorum. Malachite is a dark green, semi-precious stone coming from the mountain region of Russia – Ural. The room also features golden doors, dark red curtains, gilded elements and incredibly rich, ornate ceilings and wooden floors.

The Diamond Storeroom

The treasury is located away from the excursion routes around the museum, and not everyone knows about it. The secret room displays the jewels of the Romanov dynasty and St. Petersburg collectors, as well as diplomatic gifts, church utensils dating back to the Byzantine era, as well as masterpieces by Faberge, Pozier and other court jewelers. It requires a separate ticket that’s sold in edition to the general admission ticket to the Hermitage.

Art Collection at the Hermitage

If you look at every displayed art object and painting in the palace, it will take you about 8 years to go through everything. At least that’s what they say! In all seriousness, this top art museum is so massive, you can easily spend two days in it. Featuring an extensive collection of European art, the most popular art museum in Russia includes works from the old masters and other famous artists such as Rembrandt, Leonardo da Vinci, Rubens, Van Dyck, Hals, and Vincent van Gogh. The art museum’s collection includes works of art from ancient Egypt, Greece, and Rome; paintings from the Renaissance, Baroque, and Rococo periods; and sculptures, tapestries, and other decorative arts from around the world. The Hermitage also has a large collection of Russian art, including paintings by Ilya Repin, Vasily Kandinsky, and Kazimir Malevich. You must reserve the entire day to walk through the best art museum in the world!!!

The Soviets sold over 250 works to the West in early 1930s and so Russian people said good-bye to Jan van Eyck, Titian, Rembrandt, Rubens, Raphael, and many more famous artists! One of super wealthy art collectors was Andrew Mellon who purchased the art and ended up donating his art collection to the government. So these famous paintings are now displayed at the National Gallery of Art in Washington, D.C.

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Leonardo daVinci, Benois Madonna, 1478

Today you can view the following works in the Hermitage’ art collection:

  • The Kolyvan vase is a giant stone vase made of jasper by Avraam Melnikov, 1843. It weights almost 19 ton with 8.55 ft in hight.
  • Leonardo da Vinci’s “Benois Madonna” got its name from a family who owned this painting before it entered the Hermitage’s art collection. it is considered one of the most important works in the museum’s collection.
  • Copy of an ancient Roman mosaic floor is located in the Pavilion Hall. The artist is unknown.
  • Canova’s “Cupid and Psyche” marble sculpture, 1808 and “Three graces”, 1816 are so beautiful, they can make you cry. The Hermitage has a collection of 9 sculptures by Canova from the Yusupov collection. Canova’s Psyche Revived by Cupid’s Kiss, exists in two aderations only. In the Hermitage one, the artist draped the legs of Psyche completely unlike in the second one housed in the Louvre. The Yusupov’s sculpture was damaged during the fire in his residence and it was transported and restored in the Hermitage later on.
  • Tenerani, “Psyche in a Faint”, marble statue of the 19th century
  • Bartolini, “Nymph with a scorpion,” marble statue of the 19th century commissioned by tsar Nicolas I. Bartolini was one of David’s students and a friend of Ingres, he created utterly beautiful, neoclassical sculptures that were often copied.
  • James Cox, The Peacock clock,1770s is displayed in the Pavilion Hall.
  • Giorgione, Judith.
  • Diego Velazquez’s “Lancheon”, 1617.
  • Rembrandt’s “The Return of the Prodigal Son”, 1665 – This monumental painting is considered one of the greatest works of art ever created and is a masterpiece of Dutch Baroque painting because it shows the triumph of love and forgiveness over bitterness and loss. There is also Rembrandt’s “Flora”, 1634 that he painted after marrying his wife.
  • Michelangelo’s “Crouching Boy” – This sculpture is one of only a few surviving works by Michelangelo that are not in Italy, and it is considered a rare example of his early, unfinished work.
  • Raphael’s “Conestabile Madonna” – This painting is considered one of the most beautiful and important works in the Hermitage’s collection of Italian Renaissance art.

#3 The Louvre, Paris, France

The Louvre art museum is located in Paris, France. The Louvre is the most famous and visited art museum in the world. It houses an extensive collection of Western art from the Middle Ages to the 19th century, including Rembrandt, Michelangelo and Leonardo da Vinci’s iconic masterpiece behind glass, the Mona Lisa.

The Card Sharp with the Ace of Diamonds, closeup detail, oil painting 1636–1638 by the French artist Georges de La Tour, the Louvre | veronica winters

The Louvre, the best art museum in Europe, is home to numerous masterpieces including:

  • Grande Odalisque”, also known as ”Une Odalisque or La Grande Odalisque”, completed in 1814, is a Jean Auguste Dominique Ingres oil painting depicting an odalisque or concubine. It is currently housed in the Louvre, Paris.
  • “The pastoral concert” by Titian, 1509
  • The Virgin, Saint Anne, and the Child Playing with a Lamb, da Vinci, 1503-19
  • Saint John the Baptist, da Vinci 

Canova, Cupid and Psyche, marble sculpture, 1793, louvre-veronica winters art blog
Canova, Psyche Revived by Cupid’s Kiss, marble sculpture, 1793, the Louvre | Photo: Veronica Winters | Cupid and Psyche exists in two variants made by Canova. In the Hermitage one, the artist draped the legs of Psyche completely unlike in the second one housed in the Louvre. I absolutely love the movement of arms and the diagonals of legs and bodies in these perfectly made, marble figures.
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Michelangelo, the dying slave at the Louvre | Photo: Veronica Winters | This sculpture is part of a series of sculptures known as the “Prisoners” or “Slaves.” It dates between 1513 and 1530, during Michelangelo’s time working on the tomb of Pope Julius II in Rome. I love how the artist curved the body creating movement in the figure. It looks so beautiful even without the polished luster of finished marbles.
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Canova, Cupid and Psyche, marble sculpture, 19th century, Louvre | Photo: Veronica Winters. I love Canova’s art although it borders sweetness. An incredible talent and perseverance he possessed to create such beautiful works of art.
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The Venus de Milo from the galleries dedicated to Classical and Hellenistic Greece in the Louvre, made between 130 and 100 BCE, during the late Hellenistic period. Photo: veronica winters. This is one of the best GGrec-Roman sculptures existing today. The proportion, movement and simplicity are divine.
  • Leonardo da Vinci’s “Mona Lisa” – This small portrait of a woman is the most famous painting in the world and is considered a masterpiece of early Renaissance art.
  • “The Winged Victory of Samothrace” – This ancient Greek sculpture depicts the goddess Nike (Victory) standing on the prow of a ship and is considered one of the greatest masterpieces of Hellenistic art. I love this sculpture’s force and movement that communicates confidence and vigor.
  • Eugene Delacroix’s “Liberty Leading the People” – This painting depicts the allegorical figure of Liberty leading the people of France during the Revolution of 1830 and is considered a symbol of the fight for freedom and democracy.
Jacques-Louis David’s “The Coronation of Napoleon”1805-1807. This incredibly large painting depicts Napoleon Bonaparte and his wife Josephine being crowned emperor and empress of France in Notre-Dame Cathedral in 1804. This gigantic painting (20ft x 32ft) has remarkable detail that you must see up close. It’s an incredible fit of the artistic genius to design such balanced composition in a gigantic oil painting, which measures 6.21 meters tall and 9.79 meters wide, making it one of the largest paintings in the Louvre Museum in Paris.
Johannes Vermeer’s “The Astronomer” 1668 This small but exquisite painting depicts a scholar examining the stars and is considered one of Vermeer’s masterpieces. I love the quietness and natural light in his paintings, also the suggested detail and mysterious nature of figures.
  • ThĂ©odore GĂ©ricault’s “The Raft of the Medusa” – This monumental painting depicts the aftermath of the shipwreck of the French frigate Medusa in 1816 and is considered a masterpiece of Romanticism that created much controversy during the painting’s reveal.
  • Elisabeth-Louise VigĂ©e Le Brun, La Paix ramenant l’Abondance
  • The woman in the mirror, oil painting, 1525 / 1550 by Titian
  • Egyptian colossal statue of Sphinx de Tanis
  • Jacques-Louis David, Portrait of Madame RĂ©camier, 1800 is one of my favorite neoclassical paintings by the master. It’s a commissioned portrait of the Parisian socialite Juliette RĂ©camier shown reclining on a classical, Pompeian style recliner. Because the painting is unfinished, it shows brushwork and simplified color choices that are great for a study if you’re a realist artist.
The Card Sharp with the Ace of Diamonds is an oil-on-canvas painting 1636–1638 by the French artist Georges de La Tour-veronica winters.
The Card Sharp with the Ace of Diamonds, oil painting, 42x57in, 1636–1638 by the French artist Georges de La Tour, the Louvre | veronica winters. The second version of this painting is located in the Kimbell Art Museum, TX

#4 The National Gallery of Art, Washington D.C, USA

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Élisabeth-Louise VigĂ©e Le Brun, Madame d’Aguesseau de Fresnes, 1789, closeup detail, oil painting on wood, 42x32in, 1789 | Photo: veronica winters | A court painter to Marie Antoinette since 1779, rare female artist fled France during the revolution. In her portraits she didn’t reveal the turmoil painting classical ideals mixed with the orient costumes popular in art during those times.

The National Gallery of Art – Washington D.C, USA is one of the best art museums in the United States and the world located in the National Mall among other Smithsonian museums and institutions. Free to visit, it offers an extensive art collection with incredible paintings, sculpture and objects. Build in 1937, The National Gallery of Art is a must-visit art museum for art lovers in the United States, featuring a vast collection of European and American art, including works by Vermeer, Monet, David, Manet, Bosch, Whistler, Sargent, Fragonard, and Van Gogh. Some famous artists include:

  • Titian, Doge Andrea Gritti, c. 1546/1550, oil on canvas
  • Rembrandt van Rijn, Lucretia, 1664, oil on canvas
  • Hiram Powers (sculptor), The Greek Slave, model 1841-1843, carved 1846, marble
  • Titian, Woman Holding an Apple, c. 1550, oil on canvas
  • Georges de La Tour, The Repentant Magdalen, 1635/1640, oil painting
  • Leonardo da Vinci, Ginevra de’ Benci, 1474/1478
  • Jean SimĂ©on Chardin, The House of Cards, 1737, oil painting
  • William Michael Harnett, The Old Violin, 1886, oil painting
  • John Singer Sargent, Nonchaloir (Repose), 1911, oil painting
  • Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623
  • Raphael, The Alba Madonna, 1510, tondo painting
  • Joseph Mallord William Turner, Keelmen Heaving in Coals by Moonlight, 1835
  • Hieronymus Bosch, Death and the Miser, 1485/1490, Painting
  • Titian, Venus with a Mirror, 1555, oil painting
  • Auguste Rodin, The Thinker (Le Penseur) model 1880, cast 1901, sculpture
  • Edgar Degas, Little Dancer Aged Fourteen, 1878-1881, sculpture
  • Gian Lorenzo Bernini, Monsignor Francesco Barberini, 1623, sculpture
  • Jacques-Louis David, The Emperor Napoleon in His Study at the Tuileries
    1812
Caspar David Friedrich, Northern Landscape, spring, 1825. I love how this German artist depicted nature – powerful and somber. His mastery of subtle color shifts can be admired in the museum. The pictures just don’t do it justice.
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A young woman and her little boy by Florentine artist Agnolo Bronzino, 1540, the National gallery of art, Washington DC. | Bronzino was the principal portraitist to the court of Cosimo I de’ Medici, Duke of Florence in the mid-sixteenth century. A master of rich textures and detail, this artist is so intriguing to me because all his paintings show painted figures of royalty with very restrained emotion. The x-ray study of this painting revealed a significant changes made to it where the boy and gloves were added later on, while her gown got enlarged and embellished.
Titian, Woman Holding an Apple, closeup of hands, 1550 oil on canvas
jewels closeup of Lavinia Fontana painting at the National Gallery in Washington DC
Lavinia Fontana, Portrait of Costanza Alidosi, closup of jewelry,1595, oil on canvas, National Museum of Women in the Arts, Washington |  Fontana was one of few successful Italian Renaissance and baroque women artists who made it in the history of art.
Giuseppe Arcimboldo, Four Seasons in One Head, 1590, the National Gallery in Washington DC. This is one of the most fascinating artists of the late Renaissance who was a court painter in Vienna and Prague. He painted the heads combining plants, animals, and other objects that were optical illusions.

“The flowers and fruit (apples, plums, grapes, and cherries) in the Four Seasons compare with the same or similar nature motifs in Arcimboldo’s other works. In particular, the gnarled and rather menacing tree trunk and branches find exact parallels in the versions of Winter in the Louvre and in the Kunsthistorisches Museum, Vienna. The Four Seasons has the additional interest of the more engaging three-quarter view, unlike the strict profile Arcimboldo adopted for the Seasons and the Elements. The Four Seasons stands out in other respects as well. By contrast to the whimsical character of much of Arcimboldo’s work, the mood is darker and more somber. The Four Seasons is also the most closely related of all Arcimboldo’s composite heads to the physiognomic studies of Leonardo da Vinci, Arcimboldo’s predecessor in Milan. Painted around 1590, after Arcimboldo had returned to his native city, the Four Seasons is one of his last works. If not a self-portrait of the artist in the “winter” of his life, the painting is a summa of his career.” from: https://www.nga.gov/collection/art-object-page.142008.html

The Annunciation, closeup, Van Eyck, 1436. I think this is one of the paintings that was sold to Mellon from the Hermitage collection. This is a closeup of a larger painting to show the incredible mastery of the Flemish artist. Van Eyck was one of the first artists to master the technique of oil painting. Glazing was one of the oil painting techniques he used to describe the light passing through objects. You can explore the symbolism of this painting here: https://www.nga.gov/collection/highlights/van-eyck-the-annunciation.html

As you can see the National Gallery of Art in Washington DC is one of the best art museums in the United States to visit for art lovers.

#5 The Metropolitan Museum of Art, New York, USA

The Met is the largest art museum in the United States with one of the most comprehensive art collections in the world. It contains more than 2 million works of art, including ancient artifacts, European paintings, glassware and tableware, furniture, and some contemporary art. I love how well-lit and structured the art displays are at this top art museum.

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Ingres, Princesse de Broglie, 1853, detail closeup of jewelry and fabric at the Met

The art collections at the Met are divided into the following groups: African Art, American Art, Ancient American Art, Ancient Near Eastern Art, Arms and Armor, Asian Art, The Costume Institute, Drawings and Prints, Egyptian Art, European Paintings, European Sculpture and decorative Arts, Greek and Roman Art, Islamic Art, The Robert Lehman Collection, The Libraries, Medieval Art and The Cloisters, Modern and Contemporary Art, Musical Instruments, Oceanic Art, Photography.

Still Life with Oysters a Silver Tazza and Glassware by Heda-closeup-the Met-best art museums
Still Life with Oysters a Silver Tazza and Glassware by W. Heda, oil on wood, 1635, closeup of the painting displayed at the Met. I absolutely love Golden Age Dutch painters for their use of contrast, detail and composition. Heda was one of the best still life painters in the seventeenth century.

Art Collection Highlights

There are several Post-Impressionism paintings on view created by Vincent van Gogh. Irises, Self-portrait with a straw hat, sunflowers, roses, and some more!

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http://www.metmuseum.org/art/collection/search/436533 | Vincent van Gogh, shoes, 18×21 in, 1888 at the MET
  • Emanuel Leutze’s “Washington Crossing the Delaware” 12â€Č 5″ x 21â€Č 3″, 1851- This large-scale painting depicts George Washington leading his troops across the Delaware River during the Revolutionary War and is considered a symbol of American patriotism.
  • Ancient Egyptian Temple of Dendur – This ancient temple was built over 2,000 years ago and was gifted to the United States by the Egyptian government in 1965. Roman Period, completed by 10 B.C.
  • There are several, exquisite paintings by Jan Vermeer.
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Marble Statue Group of the Three Graces, marble sculpture at the MET | Roman copy of a Greek work of the 2nd century B.C. These dancing girls represent The Three Graces: Aglaia (Beauty), Euphrosyne (Mirth), and Thalia (Abundance).

There are several portraits displayed at the Met painted by Spanish artist Diego Velazquez.

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http://www.metmuseum.org/art/collection/search/437870 | Diego Velazquez, María Teresa (1638–1683), Infanta of Spain, 13 1/2 x 15 3/4 in, oil on canvas, 1651, at the Met. The daughter of King Philip IV of Spain, María Teresa became the heir to the throne in 1646. In 1660 the infanta married Louis XIV, her first cousin, becoming queen of France. This portrait of a royal girl attracted my attention because of its unusual headpiece. She probably wore a wig with these beautiful ribbons that remind me of the lemon slices. I love how the artist painted the sparkle so freely.
Still Life with Oysters a Silver Tazza and Glassware by Heda-the Met-best art museums
Still Life with Oysters, a Silver Tazza, and Glassware, Willem Claesz Heda, Dutch, 1635 | I’ve seen several very similar still life paintings in Europe painted by Heda using the same wineglass, cut lemon and a silver goblet as his props. So don’t be confused!
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“Man in a Turban,” Rembrandt van Rijn, Dutch, 1632. I love this painting for dramatic light and heavy brushwork that defines textures so well. He always illuminated the faces in his art leaving the rest of the composition in a shadow. Rembrandt collected a lot of props for his art, so when he got broke he had to auction off most of his collection. Orientalism was a popular theme in art due to the trade between the republics.
"Man in a Turban," Rembrandt (Rembrandt van Rijn) Dutch, 1632
“Man in a Turban,” closeup of a painting showing incredible textures and details, Rembrandt van Rijn, Dutch, 1632
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Auguste Rodin, bronze sculpture, “The thinker” is one of the best known works by the artist. Thinker was made to sit over the doorway of the Gates of Hell, contemplating the fate of the damned. The sculpture got popular among the art patrons and the artist produced several castings of this pose.
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Auguste Rodin, St. John the Baptist at the Met. I remember seeing the same cast at the Princeton Art Museum in California. I thought the facial expression was very life-like seeing it in person that gets lost in photography.

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JosĂ©phine-ÉlĂ©onore-Marie-Pauline de Galard de Brassac de BĂ©arn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres,
French, 1851–53. The Virgin Adoring the Host, Jean Auguste Dominique Ingres French, 1852. The museum also has many preparatory drawings produced by the artist.
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Amazing details of the realistic earring and soft skin. Ingres, Princesse de Broglie,1853, closeup, The MET.
Oedipus and the Sphinx, g. moreau 1864-the met-best art museums
Oedipus and the Sphinx, Gustave Moreau, French, 1864, at the MET. Moreau exhibited his painting at the Paris Salon of 1864. He found inspiration in painting mythological scenes and stories from the Bible using his wild imagination that inspired other artists like Odilon Redon and Oscar Wilde.
 Gustave Moreau French, 1864
Oedipus and the Sphinx, Gustave Moreau French, 1864, closeup detail. “The Greek prince Oedipus confronts the malevolent Sphinx, who torments travelers with a riddle: What creature walks on four legs in the morning, two legs at noon, and three legs in the evening? Remains of victims who answered incorrectly litter the foreground. The solution is the human, who crawls as a baby, strides upright in maturity, and uses a cane in old age.” -taken from the description at the Met.

#6 The Prado Museum, Madrid, Spain

The Prado Museum is Spain’s national art museum that houses incredible art collection of over 35,000 artworks including collections of European art from the 12th to the 19th century. It includes works from famous artists such as Francisco Goya, Diego VelĂĄzquez, and El Greco. I greatly enjoyed visiting one of the top art museums in the world to see some amazing Spanish artists who painted large-scale art that’s off the art books for some reason. Here is an example of one unbelievably talented Spanish artist- Jose Moreno Carbonero (Malaga, 1860 – Madrid, 1942).

El prĂ­ncipe don Carlos de Viana-Jose M Carbonero-Prado
El prĂ­ncipe don Carlos de Viana, oil on canvas, 1881, Height : 311.5 cm ; Width : 243cm, Jose Moreno Carbonero at Prado art museum. While you can read the details about the subject for this painting here https://www.museodelprado.es/coleccion/obra-de-arte/el-principe-don-carlos-de-viana/0803bb04-cec0-4544-9890-94c329fef4af the artist painted it at the age of 21! The painting shows the prince who had to live a life of an outcast until his death at 40 years of age. Despised by his father for the succession to the Crown, the prince lived a life of seclusion and constant intrigue. I love how the artist painted his emotional state visually referencing a sad dog, old books, dust and clutter. The prince looks disappointed and resigned. Technically, this oil painting is incredible being painted in lush, broad strokes looking so real.

The second painting created by Carbonero is even more striking. I wish you could see the sheer scale and all the details in the painting!

ConversiĂłn del duque de GandĂ­a-Jose Moreno Carbonero-Prado-best art museums
ConversiĂłn del duque de GandĂ­a, Jose Moreno Carbonero,oil on canvas, 315 x 500 cm at Prado. |
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ConversiĂłn del duque de GandĂ­a-Jose Moreno Carbonero, painting closeup at Prado, Madrid.
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Las Meninas, oil on canvas, 320.5 x 281.5 cm by Diego Velazquez, closeup: This 17th-century painting is perhaps the most famous artwork in the Prado. It depicts a group of people, including the Spanish royal family, in a large room, with Velazquez himself appearing behind the infanta.
the best art museums
The Garden of Earthly Delights by Hieronymus Bosch, 1490 – 1500. Oil on oak wood panel.
Closeup | The Garden of Earthly Delights by Hieronymus Bosch: This triptych painting is one of Bosch’s most famous works, depicting scenes of paradise, earthly pleasure, and damnation. It’s speculated that Bosch (1450 –1516) died of cholera.
  • The Third of May 1808, 1814 by Francisco de Goya: This painting depicts the execution of Spanish citizens by French troops during the Peninsular War. It is considered one of the most important works of Spanish Romanticism.
  • The Descent from the Cross, created c. 1435 by Rogier van der Weyden: This Flemish masterpiece depicts the moment when Jesus’s body is taken down from the cross after his crucifixion using unusual composition in which the Mary’s figure mimics the Christ’s.
  • “The Triumph of Death” 1562 by Pieter Bruegel the Elder: This haunting painting depicts a landscape filled with death and destruction, with skeletons and corpses littering the scene. It is a powerful commentary on the transience of human life.

#7 The Art Institute of Chicago

Chicago downtown

The Art Institute of Chicago is definitely one of best art museums in the world for art lovers. This top art museum in the United States has an extensive collection of over 300,000 works of art, spanning over 5,000 years of human creativity, including works by renowned artists such as Monet, Picasso, Dali, O’Keffee, Magritte and many more. The art museum’s collection includes a wide range of artistic styles and mediums, from classical antiquities to contemporary art installations. The Art Institute of Chicago is also known for its exceptional architecture, with its iconic lion statues guarding the entrance and its notable Modern Wing designed by Renzo Piano. In addition to its permanent collection, the top art museum hosts a variety of temporary exhibitions throughout the year, making it a dynamic destination for art lovers. artic.edu

  • American Gothic by Grant Wood: This iconic painting is a quintessential representation of American folk art. It depicts a stern-looking farmer and his daughter standing in front of their farmhouse.
  • Nighthawks,1942 by Edward Hopper, American, 1882–1967: This painting is one of the most recognizable works of American art of the 20th century. It depicts a late-night diner scene, with a group of customers sitting at the counter.
  • Virgin and child with an angel, 1485 by Sandro Botticelli, Italian, 1445-1510: is a beautiful gentle painting of the mother and son. While it’s not the best painting by the artist, it offers a good representation of the early Italian Renaissance art.
  • A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat: This pointillist masterpiece is known for its intricate technique of using tiny dots of paint to create an image. It depicts a scene of people relaxing on a grassy bank by the river.
  • The Bedroom, 1889 by Vincent van Gogh, Dutch, 1853-1890 : This iconic painting depicts the interior of Van Gogh’s own bedroom in Arles, France. It is known for its vibrant colors and bold brushstrokes. The gallery also displays one of his self-portraits, 1887.
  • Water Lilies,1906 by Claude Monet: This series of paintings depicts the tranquil and serene water lily pond in Monet’s garden at Giverny. The paintings are known for their luminous colors and impressionistic style.
  • The child’s bath, 1893 by Mary Cassatt is one of the famous paintings by the female artist who liked to depict women and children at daily activities.
  • At the Moulin Rouge, 1892-95 by Henri de Toulouse-Lautrec. The artist spent a lot of time drawing singers and other characters at the Moulin Rouge. This painting features unusually colored singer May Milton sticking out from the right edge of the painting, which gives the sense of immediacy to the scene. Her face was cut off from the painting at some point but then reinstated.
  • Doge Andrea Gritti, 1530/1540 by Workshop of Titian, Italian, 1477-1576
  • John Singer Sargent, Life study of an Egyptian girl, oil on canvas, 1891 – it’s a beautiful painting of a young nude girl fixing her hair in a complicated pose. Created in classical style, this artwork has little visible brushstroke. This painting is a full-length figure study painted in Cairo.
  • Magritte, time transfixed, 1938. This is one of the most famous surrealist paintings by Magritte who combined and juxtaposed unrelated objects together playing with scale.
  • Abbott A. Thayer, Winged Figure, oil on canvas, 1889. This is an allegorical painting of a female figure with wings that looks very contemporary due to its freedom of brushstrokes yet it’s rooted in classical painting.
  • Rembrandt, young woman at an opened half-door, oil on canvas, 1645
best art museums-the art institute of Chicago
Tintoretto- Tarquin and Lucretia-art institute of chicago
Tintoretto, Tarquin and Lucretia, 1580, oil on canvas, Italian, 1518-1594 , The Art institute of Chicago | The rape of Lucretia by Tarquin, son of the king of Rome, incited the people to overthrow the monarchy and establish a republic around 510 BCE. Lucretia committed a suicide after the rape not to dishonor her family. Tintoretto depicted violence with distortions of the anatomy and perspective, placing figures at a diagonal and letting colorful fabric and pillows fly to create movement. The pearl necklace breaks off her neck, dropping down to the floor next to a dagger.
Eustache Le Sueur- Meekness, bst art museums
Eustache Le Sueur, Meekness, Oil on panel, 39 7/8 × 26 3/8 in., 1650, French, 1616-1655 | French artist painted 8 Beatitudes, the ideal qualities Jesus identified in his Sermon on the Mount in the Bible. Guillaume Birssonnet commissioned the pieces for his chapel in Paris home. Only the Annunciation altarpiece and two of the Beatitudes survive to the present day.
Manfredi- Cupid Chastised-art institute of chicago
Bartolomeo Manfredi, Italian, 1582-1622, Cupid Chastised, oil on canvas, 1613, The Art Institute of Chicago | Manfredi launched his artistic career by making copies of famous Caravaggio. So he assimilated many elements from the Caravaggio’s art style, such as visual balance, light and shadow drama and the use of common people in mythological scenes. Manfredi painted this beautiful piece after now lost Caravaggio. In this artwork, the god of war, Mars punishes Cupid for his involvement in the embarrassing love affair between Mars and Venus (boy’s mother). This visual story may also comment on the conflict between love and war. I’m amazed by the breath and delicacy of Cupid’s skin tone. Also, the rotation of figures and the movement of bright fabric creates beautiful, dynamic composition.
The Banquet, 1958, RenĂ© Magritte, oil painting, Belgian, 1898–1967. This is one of 4 oil paintings existing with this title. There are also 5 versions in gouache. Magritte loved to superimpose objects placing them in non-existing relationships. He played with the visible and the invisible motif to create this painting.
Toby Edward Rosenthal- Elaine-the art institute of chicago
Toby Edward Rosenthal, Elaine, 1874, 38 9/16 × 62 1/2 in., American, 1848–1917 | The Art institute of Chicago | Toby Edward Rosenthal found inspiration for this composition in Idylls of the King, a 19th-century version of the Arthurian legends written by Alfred, Lord Tennyson. In the poem, Elaine dies of a broken heart after being spurned by Sir Lancelot; Rosenthal’s painting depicts Elaine’s postmortem voyage from Astolat to Camelot: “In her right hand the lily, in her left / The letter—all her bright hair streaming down.” Rosenthal’s artistic choices reflect the influence of the Pre-Raphaelites, a group of English artists who favored highly naturalistic details, richly colored surfaces, and subjects drawn from medieval literary sources. After it was purchased by an American patron, Rosenthal’s work sparked Elaine hysteria: clubs were formed in her honor, dirges and waltzes were composed, and copies of Idylls of the King sold out in bookstores. Source: museum’s plague
Pieter Claesz - Still Life-1625-the art institute of chicago
Pieter Claesz, Still Life,18 7/8 × 30 1/4 in, oil on panel, 1625, Dutch, 1596/97–1660 | The art institute of Chicago | Another famous Dutch still life artist who painted realistic and detailed images of food, glass and tableware.
Pieter Claesz, Still Life, 1625, closeup

#8 The National Gallery – London, UK

The National Gallery is one of the best art museums in Europe for art lovers to see. Located in Trafalgar Square, London, and it boasts one of the most extensive collections of Western European paintings in the world. It includes works from famous artists such as Leonardo da Vinci, Van Gogh, Bellini, Ingres, Rubens, Holbein, and Rembrandt.

Hans Holbein the Younger-the ambassadors-national gallery in London
Hans Holbein the Younger, The Ambassadors, oil on oak, 207x20cm, 1533 at The National Gallery in London. | The man on the left -Jean de Dinteville was a French ambassador to the court of Henry VIII in 1533. If you zoom in on the golden dagger, you’ll see the number suggesting that he was 29 years old. The second man is George de Selver, Bishop of Lavaur who is 25 years old. The book under his arm reveals his age. The painting was commissioned by de Dinteville for his home in Champagne. This painting is highly symbolic because every element has special meaning in it. The broken string of the lute may represent the political and religious discord. There is an array of beautifully-painted objects behind the men that seem to suggest their interest in sciences of measuring time and space.

This is one of the most fascinating paintings displayed at the art gallery not only because of all the intricate, realistically painted details but also because of this bazaar skull-the symbol of mortality- that looks extremely elongated when you face the painting. When you move to the right of the painting, the same skull looks almost right. It seems that the artist used a special instrument to create such distortion similar to the one you see in the painting below.
In the second painting below the distortion is incredible but when you look through the monocle-like instrument it looks just right. Holbein painted the royalty of the Tudors court for the most part but I think this painting represents the height of his mastery. The artist is the most known for his portrayal of Henry VIII who stands in an overly confident pose looking directly at the viewer. The original was lost during fire but we know about it thanks to multiple copies made from that painting. Holbein died of plague around 45 years of age!

Highlights from the art collection

  • Rembrandt, Self Portrait at the Age of 34 plus 25 more artworks by the artist!
  • Hans Holbein the Younger, the Ambassadors,
  • Jean-Auguste-Dominique Ingres, Madame Moitessier
  • Giovanni Bellini, Doge Leonardo Loredan
  • Jan van Eyck, The Arnolfini Portrait
  • Joseph Mallord William Turner, The Fighting Temeraire
  • John Constable, The Hay Wain
  • Michelangelo Merisi da Caravaggio, The Supper at Emmaus
  • Diego VelĂĄzquez, The Toilet of Venus (‘The Rokeby Venus’)
  • Leonardo da Vinci, The Virgin of the Rocks
  • Paul Delaroche, The Execution of Lady Jane Grey
  • Giovanni Battista Moroni, Portrait of a Lady (‘La Dama in Rosso’). There are several portraits displayed in the art collection. All of them are remarkable.
Paul Delaroche-the execution of lady jane grey-national gallery London
Paul Delaroche, 1797 – 1856, The Execution of Lady Jane Grey, oil on canvas, 246 × 297 cm, 1833 at the National Gallery London
Paul Delaroche, 1797 – 1856, The Execution of Lady Jane Grey, oil on canvas, 246 × 297 cm, 1833, closeup details of painted jewelry, fabric and hands. Lady Jane Grey reigned for 9 days as Queen of England in 1553. The 17-year-old Lady Jane was deposed by the faction supporting king Edward VI’s half-sister and heir, Mary Tudor. Tried for treason, she was beheaded at Tower Hill in 1554. Delaroche shows the moment right before the execution with two ladies-in-waiting unable to watch the horror scene. This painting feels very real with high-contrast lighting and life-size figures. It’s also unbeliably well painted where you can spend hours examining all the details in the Delaroche’s art.
Moroni-the Tailor-national gallery London
Giovanni Battista Moroni, (1520/4 – 1579), The Tailor, 1565-70, oil on canvas, 99.5 × 77 cm | Walking through the gallery, this oil painting stopped me in my tracks because the tailor’s face looked so real and thoughtful, which was probably the effect of painting this person from life. Painting from life always looks more real and natural even if there are no details or the anatomy isn’t quite correct. I love how the artist shows this person caught up in a simple task. His outfit and a sword belt suggest his high status in a guild.
Giovanni Battista Moroni, (1520/4 – 1579), The Tailor, closeup, 1565-70, oil on canvas, 99.5 × 77 cm
Giovanni Battista Moroni, (1520/4 – 1579), The portrait of a lady, closeup, 1556, oil on canvas. In the gallery you can find another another painting by Moroni – the lady in red, which is also very beautiful and skillful depicting the jewelry and fabric of the sitter.


I wanted to include this picture to show you how small most of the Vermeers are. Yet, all of them have amazing detail, composition and light.
Diego VelĂĄzquez, The Toilet of Venus-The Rokeby Venus- national gallery London
Diego VelĂĄzquez, The Toilet of Venus, The Rokeby Venus, National Gallery London | The Rokeby Venus, also known as “The Toilet of Venus,” is a painting by the Spanish artist Diego VelĂĄzquez. It was acquired by the National Gallery in London in 1906 and has been a part of the gallery’s collection ever since.
However, in 1914, the painting was attacked by a suffragette named Mary Richardson, who slashed the canvas seven times with a meat cleaver. She was protesting the arrest of fellow suffragette Emmeline Pankhurst and chose the painting because she believed it represented the objectification of women.
Fortunately, the damage was not severe, and the painting was restored by the gallery’s chief restorer, Helmut Ruhemann. Today, the cuts are still visible, but they have been carefully repaired, and the painting remains on display at the National Gallery.
The Rokeby Venus was painted by Diego VelĂĄzquez between 1647 and 1651. VelĂĄzquez was the court painter to King Philip IV of Spain, and the painting is believed to have been commissioned by the king’s minister, Gaspar de GuzmĂĄn, Count-Duke of Olivares. The painting depicts the Roman goddess Venus, who is shown reclining on a bed, looking into a mirror held up by Cupid, while her attendants help her with her toilette. It is considered one of VelĂĄzquez’s greatest masterpieces and one of the most famous depictions of the female nude in Western art.
Rembrandt, Self-portrait at the age of 34, closeup, The National Gallery, London
Jan van Eyck, portrait of a man, 1433
Leonardo da Vinci, The Virgin of the Rocks-national gallery London
Leonardo da Vinci, The Virgin of the Rocks, painted between 1495 and 1508, National gallery London | This is the second version of the painting. The first version is in Louvre. It’s always fun to see famous paintings in citu because the scale and presentation of art very so much, affecting our perception of paintings. A lot of Italian Renaissance paintings have custom-build frames of incredibly high quality and elaborate detail since most of them decorated the churches.
Ingres, Madame Moitessier-closeup of jewelry and hand-national gallery London
Ingres, Madame Moitessier, closeup of jewelry and hand, national gallery London
Francesco Hayez Suzanna at her Bath
Francesco Hayez (1791 – 1881) Suzanna at her Bath, closeup. I think it’s a beautifully painted nude with subtle shifts in skin tone we all can study. Just like in the Valpinçon Bather,1808 painted by the French Neoclassical artist Jean-Auguste-Dominique Ingres, we can observe a beautiful play between smooth, white skin and the gentle folds of the fabric.

#9 The Rijksmuseum, Amsterdam, Netherlands

The Rijksmuseum is the most extensive art museum in the Netherlands, housing over 1 million works of art from the country’s cultural heritage, ranging from paintings and sculptures to decorative arts, prints, and photographs. One of the best art museums in Europe, it includes art from famous Dutch painters such as Rembrandt, Vermeer, and Frans Hals. Located in Amsterdam, it’s famous for its collection of Dutch art and history. Some of the most famous works in the collection include:

“The Milkmaid” by Johannes Vermeer: This painting, completed in 1658, depicts a young female servant pouring milk. There are a few more paintings by the artist – “Woman reading a letter” 1663, “View of the Houses in Delft” 1658 and the “”Love letter” 1670.

Woman Reading a Letter, Johannes Vermeer, c. 1663 oil on canvas, h 46.5cm × w 39cm × d 6.5cm, The Rijksmuseum
  • “The Night Watch” by Rembrandt: This large-scale painting, completed in 1642, depicts a group of Dutch militiamen and is considered one of the greatest masterpieces of the Dutch Golden Age.
  • “The Jewish Bride” by Rembrandt: This intimate portrait, completed in 1667, depicts a young Jewish couple in a tender embrace and is considered one of Rembrandt’s most romantic works. Actually, there are many artworks displayed in the museum including etchings and lesser known paintings next to the famous paintings, such as Self-portrait as the Apostle Paul, Rembrandt van Rijn, 1661; Portrait of a Woman, Possibly Maria Trip, Rembrandt van Rijn, 1639 and so on.
Portrait of a Woman, Possibly Maria Trip, Rembrandt van Rijn, 1639, The Rijksmuseum, Amsterdam
  • “The Battle of Waterloo” by Jan Willem Pieneman: This large-scale painting, completed in 1824, depicts the final battle of the Napoleonic Wars and is considered one of the most significant historical paintings in Dutch art.
  • “The Doll’s House” by Petronella Oortman: This miniature dollhouse, completed in the late 17th century, is one of the most elaborate and well-preserved examples of a Dutch dollhouse and provides a fascinating glimpse into the daily life of a wealthy Dutch family. There is an array of the dollhouses at the museum.
  • “Still life with gilded beer jug,” by Willem Claesz. Heda, 1634 – a very similar still life painting I mentioned earlier. Heda created dramatic, hyperrealist paintings with the items of luxurious living at that time.
  • “Rest on the Flight into Egypt,” by Jan Brueghel (I) (manner of), 1600 – 1699, oil on copper.

#10 The Pitti Palace, Florence, Italy

The Pitti Palace, located in Florence, Italy, has a remarkable art collection that often gets overlooked by tourist guides. And while everyone visits the Uffizi Gallery, the palace offers an equally beautiful experience and inspiration. This is definitely one of the best art museums in Europe. The palace was designed in the 15th century by Filippo Brunelleschi, the architect of the famous dome of the Florence Cathedral. The building features a grand façade and spacious interior courtyards. The Pitti Palace has been home to several prominent Italian families, including the powerful Medici family, who lived in the palace during the Renaissance. The palace was also used as a residence by the King of Italy after the unification of Italy in the 19th century. The palace is surrounded by expansive gardens that are not well-maintained and was a disappointment for me on my visit back in 2021. The Boboli Gardens, located behind the palace seem to be overrated and in desperate need of funding to bring them back to their former glory.

Raphael-woman with a veil-Pitti Palace-Florence
Raphael, woman with a veil, 1515, the Pitti Palace in Florence | The Pitti Palace holds a number of beautiful Raffaels!

With a collection of over 200,000 works of art, The Pitti Palace is so incredibly reach in art, it’s a must-see art museum for art lovers! It houses a vast collection of Renaissance and Baroque paintings, as well as works by Italian artists from the 18th to the 20th centuries. The palace also contains the Royal Apartments, which are decorated with ornate furnishings and artworks. Some rooms have so many famous artists on their walls including Raphael, Botticelli, Perugino, Van Dyck, and Rembrandt it’s truly stunning! Famous paintings occupy every inch of the wall space.

Portrait of a Lady -La Bella-titian-1536-la-bella-totale-Pitti palace
Portrait of a Lady, La Bella, Titian, 1536, Pitti palace

Some of the most famous paintings in the Pitti Palace include:

  1. Madonna of the Chair by Raphael: Madonna della Seggiola, completed in the early 16th century, is one of Raphael’s most famous depictions of the Madonna and Child. The circular painting is noted for its tender depiction of the mother and child. Uniquely presented in space, famous art has beautiful color harmony and graceful flow of lines. There are many paintings by Raffael in the Pitti palace. I think their presentation is also very interesting with unique, elaborate golden frames, some of them suspended on the wall like the opened shutters.
  2. Raphael (Urbino 1483 – Rome 1520), Woman with a Veil, 82 x 60.5 cm, 1515
  3. Bust of Antoninus Pius, Roman Art, Mid 2nd century A.D., Greek Marble, 67.5 cm
  4. Bust with the Head of Aristotle, Roman Art, reek marble and onyx, 2nd century AD
  5. Titian (Pieve di Cadore 1488/90 – Venice 1576), Portrait of a Lady (“La Bella”), oil on canvas, 1536-1538, 89 x 75.5 cm
  6. Canova, Venus, marble sculpture, Height 171.5 cm, 1812 . There are some really beautiful neoclassical sculptures including Venus and the bust of Napoleon besides painting at the palace.
  7. Judith with the Head of Holofernes, Cristofano Allori (Firenze 1577-1621)
  8. Martyrdom of St. Cecilia, Orazio Riminaldi (Pisa 1593- 1630), oil on canvas, 334 x 216.6 cm, 1625
  9. Bust of Cosimo I de’ Medici, Baccio Bandinelli (Florence 1493 – Florence 1560)
  10. Charity, Lorenzo Bartolini (Savignano, Prato 1777 – Firenze 1850)
  11. The Seven Wonders of the World, Bernard Rantwyck (Flanders, active c. 1573 – 1596),
    36×47 cm,1611
  12. Monumental vase, SĂšvres Factory, 1784, 200 cm, Porcelain painted in “blue Nouveau” and gilded; gilded bronze
  13. Still life with fruit and a crystal vase, Willem van Aelst (Delft 1626-27 – Amsterdam post 1683)
  14. St. Francis of Assisi, Jusepe de Ribera (1591-1652)
Psyche Abandoned by Pietro Tenerani, 1819, gallery of modern art at the Pitti palace
Canova, Venus, marble sculpture, Height 171.5 cm, 1812
Statue in Amour, Roman art, Carrara marble, mid 2nd century A.D.
Andrea del Sarto, St. John the Baptist, c. 1523
Raphael
Self-portrait, Raphael, oil on panel, 1506

Have I convinced you to visit the Pitti palace in Florence???

#11 The Palace of Versailles

Located just outside Paris, the Palace of Versailles is a stunning French royal palace located in the town of Versailles built in the early 17th century as a hunting lodge for King Louis XIII, but it was greatly expanded and renovated by his son, King Louis XIV, who transformed it into one of the most opulent and extravagant palaces in the world. During the reign of Louis XIV, the Palace of Versailles became the center of political power in France. Consider spending most of the day in this must-see art museum walking through its opulent rooms, gardens, and furnishings containing over 60,000 works.

The art collection at Versailles includes decorative objects, tapestries, furniture from the 17th-18th centuries and art by famous artists of the period, such as Jacques-Louis David, Jean-Marc Nattier, François Boucher, Elisabeth Vigée Le Brun, Ingres, Adélaïde Labille-Guiard, Jean-Marc Nattier, and Hyacinthe Rigaud. These works are primarily portraits of the royal family, as well as mythological scenes and landscapes. The palace is famous for its stunning architecture and lavish interior design, including the Hall of Mirrors, the Royal Chapel, and the Grand Apartments. It also features extensive gardens and fountains, which were designed by the famous landscape architect André Le NÎtre. The Hall of Mirrors and the garden designs were copied by other European royalty to match the grandeur of their courts. There are several famous paintings of Napoleon Bonaparte that can be found in the Palace of Versailles that document the life and legacy of Napoleon Bonaparte, who was one of the most significant figures in French history.

Marie-Antoinette-with-a-rose_1783 by le Brun
Marie Antoinette with a rose, 1783, Elizabeth le Brun. The artist showed the queen in a classic, blue-gray silk gown. There were several copies of this painting made, including the one kept at the Palace of Versailles. It was rare to be a woman artist in the 18th century as only artist-fathers could train their daughters to become artists. Elisabeth Vigée Le Brun was so talented she became a court painter to Marie-Antoinette, Queen of France (1755-1793) whom she painted many times. Marie-Antoinette spent nineteen years at Versailles living a very lavish lifestyle for which she lost her head during the revolution.
Versailles gate of Louis XIV the sun king-veronica winters art blog
Versailles gate with the emblem of Louis XIV the Sun King, Photo by Veronica Winters, 2014. Louis XIV was the French king who was known as the “Sun King” (1638-1715). He ruled France for 72 years, making him the longest-reigning monarch in French history. Louis XIV was known for his extravagant lifestyle and his lavish court at Versailles. He was also a powerful and successful military leader. He led France to victory in several wars, including the Franco-Dutch War and the War of the Spanish Succession. Louis XIV was a controversial figure. Some historians see him as a brilliant leader who brought France to the height of its power. Others see him as a tyrannical ruler who squandered France’s resources and led to the French Revolution. But isn’t the controversy necessary for any great leader to be one?
the hall of mirrors chandelier-veronica winters art blog
  1. The Hall of Mirrors – This is perhaps the most famous feature of the Palace of Versailles, with its 17 mirrored arches that reflect the sunlight streaming in through the windows. The hall is also adorned with beautiful ceiling paintings by Charles Le Brun.
  2. The Royal Chapel – This stunning chapel features marble floors and walls, a vaulted ceiling, and elaborate stained glass windows. It is also home to a famous sculpture of the Assumption of the Virgin Mary by Antoine Coysevox.
  3. The Grand Apartments – These apartments were once used by the king and queen and are adorned with beautiful frescoes and gilded furnishings. One of the most famous rooms is the Queen’s Bedchamber, which features a magnificent bed decorated with carvings, gold leaf, and richly colored textiles.
  4. The Gallery of Battles – This gallery features paintings depicting the most significant battles in French history, from the Battle of Tolbiac in 496 to the Battle of Wagram in 1809.
  5. The Gardens – The gardens of Versailles are a work of art in themselves, with fountains, sculptures, and geometrically designed paths. They are also home to many statues and other works of art, including the famous sculpture of Apollo by Jean-Baptiste Tuby.
Versailles-the hall of mirrors-veronica winters art blog
Versailles, the Hall of Mirrors, Veronica Winters, 2014 | The Hall of Mirrors is a grand Baroque style gallery was intended to illustrate the power of the absolutist monarch Louis XIV that was originally designed by the architect Jules Hardouin-Mansart in the late 17th century. The Hall of Mirrors is a long, rectangular that runs the length of the palace’s central building, with 17 large arched windows on one side and 17 mirrored arches on the other side, facing the gardens. The windows are framed by gilded mirrors, which reflect the light from the gardens outside. The walls are decorated with marble and gold leaf, and the ceiling is painted with a fresco depicting the history of France by Charles Le Brun. The paintings depict important events from the reign of Louis XIV, such as his military victories and the founding of the French Academy of Sciences. It is 73 m (240 ft) long and 10.50 m (34.4 ft) deep. With its height of 12.30 m (40.4 ft). The mirrors in the Hall of Mirrors are an important feature of its design, as they reflect the light from the windows and crystal chandeliers to create a dazzling effect. The mirrors were made using a complex process that involved coating glass with a mixture of tin and mercury to create a reflective surface. This was a highly skilled and expensive process at the time, and it is estimated that over 350 mirrors were used in the construction of the gallery.

The Catherine palace has a ‘copy” of the Versailles Hall of Mirrors in St. Petersburg, Russia. The Hall of Mirrors in the Catherine Palace was designed in the late 18th century by the architect Francesco Bartolomeo Rastrelli, who also designed many other rooms in the palace. The Hall of Mirrors in the Summer Palace is a large ballroom with a series of large mirrors along one wall, similar to the Hall of Mirrors in Versailles. However, unlike the French version, the mirrors in the Summer’s Hall of Mirrors are not arched, but rectangular in shape. The mirrors are surrounded by gilded woodwork and decorative paintings on the ceiling and walls. The Hall of Mirrors in St. Petersburg was used for grand receptions, balls and treaty signings during the reign of the Russian tsars.

#12 The National Museum of China, Beijing

While I’ve never been to China, I’d like to list the The National Museum of China because it’s also one of the largest art museums in the world, showcasing the country’s rich history and culture through art, artifacts, and exhibitions. It includes works from ancient Chinese dynasties, modern art, and calligraphy. National Museum of China, Beijing: The National Museum of China is the largest museum in the country, featuring an extensive collection of Chinese art and artifacts dating back over 5,000 years. It is located in Beijing, on the eastern side of Tiananmen Square. The NMC has a permanent collection of over 1.4 million objects, covering various aspects of Chinese history and culture.

#13 National Museum of Anthropology, Mexico City

Museo Nacional de AntropologĂ­a is located in Mexico City. While it’s not an art museum per se, you can’t skip it if you’re in town! I spent almost all day there walking from one gallery to the next. This is one of the best art museums for archeology lovers that consists of 23 permanent archeology exhibit halls with each culture presented in a separate gallery organized in chronological order. The further you go, the more interesting it gets. After visiting this archeological museum I got a much better overview of the tribes, gods, ancient culture and art of the Mexico region. The Oaxaca, Maya and Aztec rooms impress with rich archeological collections, including the pyramid’s design and decorum, and the most famous Aztec Calendar, commonly known as the “Sun Stone,” which turns out to be the sacrifice stone to rip the hearts out from people’s chests!!

snakes -feathered serpent at National Museum of Anthropology in mexico-veronica winters art blog
Ancient statues of snakes (the feathered serpent god) at the National Museum of Anthropology in Mexico city. Photos by Veronica Winters, 2023

In recent excavations, archeologists have found mass-burials of sacrificed people dressed as warriors buried inside the pyramid in the Teotihuacan -most important political and religious center erected in 150-200 AD (now about 30 km away from Mexico-city). The number of victims and the symmetrical arrangement of sacrificed bodies indicate that the building and the rituals were in direct relationship to the culture’s astronomy, agriculture and calendar.

Mayan calendar-sacrificial stone-knives-veronica winters art blog
“Mayan calendar” was named as such when it was first discovered, however the true meaning of this stone is different. It was the place for human sacrifice, which the indigenous people loved to do to appease the god of rain. The stone knives were made to cut people’s chests and take their hearts out!! In the museum in Mexico city you can find other “tools” that Mayans made to make people bleed in other parts of their bodies. | Images: Veronica Winters, 2023

#14 Moscow Kremlin Museums, Moscow, Russia

I was torn on this one. Although the Uffizi Gallery in Florence does have a great collection of Italian art but so does the State Russian Museum in St. Petersburg, which has a wonderful collection of Russian art. Also, the Great Peterhof Palace with its golden fountains is a must-see art museum. And the Catherine’s Summer Palace in St. Petersburg is another art marvel. So I decided to list a historic site here that’s not an art gallery per se. However, it offers a unique cultural experience that’s very different from the rest of the Western Europe.

Every nation has its historic center. The Kremlin is a historic fortress located in the heart of Moscow and is a UNESCO World Heritage site and a symbol of the Russian statehood. It is a complex of buildings that include the Armoury Chamber and the architectural ensemble of the Cathedral Square, consisting of the Assumption, Archangel and Annunciation cathedrals, the Church of Laying Our Lady’s Holy Robe, the Patriarch’s Palace with the Twelve Apostles’ Church and the ‘Ivan the Great’ Bell Tower complex, as well as the exhibition halls in the Assumption Belfry and in the One-Pillar Chamber of the Patriarch’s Palace. Reserve several hours to visit everything and be aware that the must-see diamond fund may have a separate entry ticket. Some of the top attractions to see within the Kremlin complex are:

st basil cathedral-christmas lights-veronica winters art blog
St.Basil Cathedral during Christmas season

The Armoury Chamber: This museum houses an impressive collection of royal treasures, including Fabergé eggs, carriages, and ceremonial weapons.

The State Kremlin Palace: This grand concert hall is one of the largest in Russia and is used for major events and performances.

The Ivan the Great Bell Tower (left): This iconic tower is one of the tallest structures in Moscow and offers stunning views of the city. The Archangel cathedral (right), constructed in 1505-1508 by the Italian architect Aloisio Novyi, is the most unique monument in the whole ensemble of the Cathedral Squire of the Moscow Kremlin. It was the residence of grand princes, which was planned and realized by Ivan III – the Grand Prince and the sovereign of All Russia (1462-1505). During his reign Russia became free from the Mongol-Tatar Yoke in 1480). It was also the burial place of grand princes of Moscow. The cathedral is dedicated to the Archangel Michael, the patron saint of princes.

The Cathedral of the Assumption: This cathedral was the main church of the Russian Orthodox Church and was used for the coronation of Russian tsars.

Annunciation cathedral in Kremlin. The current appearance of the church with enclosed galleries and 9 golden domes was formed in 1560s. Having a square footprint under the central part of the building, the Cathedral lost its symmetrical silhouette and balanced interior of a small Moscow church of the 15th century. The design is close to the times of Ivan the Terrible.

The Grand Kremlin Palace: This palace was built in the 19th century and was used as the residence of Russian tsars and later Soviet leaders.

The Tsar Bell also known as the Tsarsky Kolokol, Tsar Kolokol III, or Royal Bell, is a 6.14-metre-tall (20.1 ft), 6.6-metre-diameter (22 ft) bell.

The State Historical Museum: This museum contains a vast collection of artifacts and exhibits that tell the story of Russia’s rich history.

kremlin at night and st basil cathedral-veronica winters art blog

The Diamond Fund:

Cap of Kazan. 1553-1558; frame of the top – 17th century. Photo of the museum. Gold, yellow sapphire, rubies, tourmalines, turquoise, pearls, fur, Embossing, casting, engraving, niello, filigree, enamel, Height: 24,8 cm; circumference: 65,0 cm

The Diamond Fund: is a museum located within the Kremlin complex in Moscow, Russia. It contains an impressive collection of jewels, precious stones, and artifacts related to the Russian royal family and nobility in Russian history. Some of the items on display at the Diamond Fund include:

Throne of Tsar Mikhail Fyodorovich, The Orient; Russia, The Moscow Kremlin Workshops, before 1642.
Gold, precious stones, pearls, wood, velvet, brocade; embossing, flat chasing
  • The Imperial Crown of Russia: This crown was made in 1762 for the coronation of Catherine the Great and contains more than 4,000 diamonds, including the famous Orlov diamond.
  • The Orlov Diamond: This diamond is one of the largest and most famous in the world, weighing 189.62 carats. It is said to have belonged to the Mughal Emperor Shah Jahan before being acquired by Catherine the Great.
  • The Shah Diamond: This diamond weighs 88.7 carats and is said to have been owned by the Persian ruler Nadir Shah.
  • The Imperial Sceptre: This sceptre was made in 1741 for the coronation of Empress Elizabeth and is adorned with a large diamond known as the Great Imperial Crown Diamond.
  • The Imperial Sword: This sword was made in 1801 for the coronation of Tsar Alexander I and is adorned with more than 1,000 diamonds.
Russian Cap of Monomach
Russian Cap of Monomach, Russian State Regalia, photo of the museum. The Monomakh’s Cap: This crown was made in the first half of the 14th century and is the oldest surviving Russian crown. It is made of gold, silver, and is adorned with pearls and precious stones, pearls, velvet, satin, fur; casting, forging, embossing, engraving, granulation, carving, filigree, enamel.

Barmy (regalia collar) of Tsar Alexey Mikhailovich, Istanbul, 1660-1662, gold, diamonds, rubies, emeralds, sapphires, fabric; chasing, enamel, carving

Sceptre and orb of the grand attire
Crown, sceptre and orb of the grand attire, photo of the museum. Cap of Tsar Mikhail Fyodorovich – Moscow Kremlin Workshops, 1627. Gold, silver, precious stones, pearls, fur; casting, embossing, engraving, enamel. Sceptre and orb – Western Europe, late 16th century. Gold, precious stones, pearls; casting, chasing, engraving, enamel, flat chasing.

Gold Chain of Tsar Mikhail Fyodorovich, The Moscow Kremlin Workshops, 1613-1626, gold, chasing, carving, flat chasing, riveting.

The Crown of the Tsarina Alexandra: This crown was made in 1900 for the coronation of Tsar Nicholas II and is adorned with diamonds, sapphires, and other precious stones.

Cap of Tsar Mikhail Fyodorovich
Cap of Tsar Mikhail Fyodorovich, photo of the museum, The Moscow Kremlin Workshops, 1627.
Gold, silver, precious stones, pearls, fur; casting, embossing, engraving, enamel.
Crown of Empress Anna Ioannovna, kremlin
Crown of Empress Anna Ioannovna, 1730. Silver, diamonds, rubies, tourmalines
Casting, chasing, engraving, gilding, Height: 31,3 cm; circumference: 68,0 cm. Photo of the museum.

#15 The British Museum – London, UK

The British Museum is one of the best art museums in the world that has over 8 million works in its collection, covering the history of human civilization from the beginning of time. It is also home to some of the most impressive pieces of art from ancient Egypt and Greece, including the Rosetta Stone, the Parthenon sculptures, and the Elgin Marbles. I think your desire to visit this museum will depend on your interests because if you don’t care about history and archeology, this museum might not be great for you. Some of the most popular and significant areas of the museum’s collection include:

Greek and Roman antiquities: The must-see art museum has an extensive collection of ancient Greek and Roman artifacts, including the Parthenon sculptures (also known as the Elgin Marbles) and the Rosetta Stone.

I must say that if you go to the British museum for ancient Egyptian art, travel to Florence and visit their archeological museum that has an amazing art collection of well-preserved Egyptian art and artifacts.

Ancient Egypt: The British Museum’s collection of ancient Egyptian artifacts is one of the largest in the world, with over 100,000 objects ranging from mummies and sarcophagi to sculptures and hieroglyphic inscriptions. You’ll see coffins from 240 BC, the wall paintings from Nebamun’s tomb chapel from 1350BC, Book of the Dead of Hunefer papyrus from 1450BC and many more other exciting artifacts that are fun for the kids to learn about.

Ancient Egyptians mummified not only people but also animals, birds and even crocodiles because animals were sacred to the gods in Egypt. The afterlife was incredibly important to the Egyptians. They consulted the Book of the Dead for proper spells to go through challenges on the way to the ‘heaven’ or immortality. Ancient Egyptians mummified the dead by removing most internal organs and placing them in designated jars. The brain wasn’t preserved and the body was wrapped up in bandages after treatments with salt and oils.
You can see the Gayer-Anderson cat in the Egyptian sculpture gallery in Room 4. The Gayer-Anderson cat is a small bronze statue of a seated cat that is currently housed in the British Museum’s Department of Ancient Egypt and Sudan. The statue is named after Major Robert Grenville Gayer-Anderson, a British army officer and collector who donated it to the museum in 1939. The statue is believed to date back to the Late Period of ancient Egypt, which lasted from around 664-332 BCE. It is thought to have been made as a votive offering to the goddess Bastet, who was the protector of the home and the goddess of cats.

The Gayer-Anderson cat is a beautifully crafted piece, with intricate detailing on the fur and a regal expression on its face. It is also notable for its inscriptions, which include the name of a high-ranking priest named Udjahorresnet, who served during the reign of the pharaoh Psamtik I. The statue has become famous for its association with Gayer-Anderson, who was an eccentric collector and scholar of Middle Eastern art and architecture. He acquired the statue during his time in Egypt in the 1920s and 1930s, and it became one of his most prized possessions. You can find it here: https://www.britishmuseum.org/collection/animals/gayer-anderson-cat

The Rosetta Stone is a large slab of black basalt inscribed with a decree issued at Memphis, Egypt in 196 BC. The decree is written in three scripts: ancient Greek, demotic (a form of Egyptian script used by ordinary people), and hieroglyphics (a script used by priests and nobles). The stone was discovered by a French soldier during Napoleon’s campaign in Egypt in 1799 and eventually ended up in the possession of the British after the defeat of Napoleon’s forces. The Rosetta Stone was a major breakthrough in the decipherment of Egyptian hieroglyphs. The Greek text was relatively easy to translate, and by comparing it to the Egyptian texts, scholars were able to begin to understand the meaning of the hieroglyphs. The decipherment of the hieroglyphics on the Rosetta Stone was a major breakthrough in the understanding of ancient Egyptian culture and language. It allowed scholars to translate many other Egyptian texts and provided important insights into the culture, religion, and history of ancient Egypt. It’s on permanent display in the Egyptian Sculpture Gallery. Despite its historical significance, the stone looks quite boring in comparison to other Egyptian statues. It’s 1 meter in length and 70 centimeters in height, and weights around 760 kg. However, its role in unlocking the secrets of ancient Egypt has made it one of the most important artifacts in the world.

Middle Eastern civilizations: The museum has an impressive collection of artifacts from the Middle East, including the Cyrus Cylinder, which is considered the world’s first declaration of human rights.

Gold griffin-headed armlet, from the Oxus treasure, Achaemenid Persian, found in Takht-i Kuwad, modern Tajikistan and dated 5th – 4th century BC. Ancient Iran room 52

The Standard of Ur: This is a Sumerian artifact from ancient Mesopotamia, dating back to around 2500 BCE. It is a wooden box that is decorated with inlaid panels of shell, lapis lazuli, and red limestone, and is thought to have been used as a military standard.

Asia: The museum’s collection of Asian art and artifacts is also significant, with highlights including the Admonitions Scroll, a Chinese painting from the 6th century, and the Amaravati sculptures, which date back to the 2nd century BC.

Contemporary art: In addition to its historical collections, the British Museum also has a collection of contemporary art, including works by famous artists such as Damien Hirst and Ai Weiwei.

The Middle East

While Thailand has unbelievably rich and beautiful palaces and Japan offers peaceful temples, big art museums are not there. I’ve never been to India, the Middle East or China, so it’s difficult for me to make a comparison although I wish to see the Indian temples in citu one day. There are several excellent art museums in the Middle East that showcase the region’s rich artistic and cultural heritage.

  1. The Museum of Islamic Art, Doha, Qatar: This museum, located in the heart of Doha, is dedicated to Islamic art and culture from across the Islamic world, including North Africa, the Middle East, and Central Asia. The museum’s collection includes ceramics, textiles, jewelry, calligraphy, and other works of art, dating from the 7th to the 19th centuries.
  2. Louvre Abu Dhabi, United Arab Emirates: Opened in 2017, the Louvre Abu Dhabi is the first outpost of the famous Parisian museum outside of France. The museum features a collection of art and artifacts from around the world, with a particular focus on bridging the gap between Eastern and Western art. The collection includes ancient artifacts, contemporary art, and everything in between.
  3. The Sharjah Art Museum, Sharjah, UAE: This museum, located in the emirate of Sharjah, is one of the largest art museums in the Middle East, featuring a collection of contemporary art from across the region and beyond. The museum regularly hosts exhibitions and events that showcase the work of emerging and established artists.

Rome

I also want to make a special note about Rome because it’s the center for so much ancient Greco-Roman art! More ancient architecture is getting discovered underground or meshed between the modern apartments in central Rome even today. Here are some of the top art museums in Rome (in addition to the Vatican museums):

Galleria Borghese

Borghese gallery, Damien Hirst, the Minotaur sculpture, Archaeology Now
Borghese gallery, Damien Hirst, the Minotaur sculpture, Archaeology Now, exhibition, 2021
Apollo and Daphne, Bernini 1625-veronica winters art blog
Apollo and Daphne, Bernini, 1625, Borghese gallery. Photo by Veronica Winters, 2021

The Galleria Borghese is a stunning 17th-century palace-turned-museum that houses a collection of masterpieces by renowned Italian artists commissioned by Cardinal Borghese. Its collection includes sculptures, paintings, and decorative arts, all displayed in opulent rooms that evoke the grandeur of Baroque Rome. While some rooms are going overboard decorated with art, they house very famous Baroque sculptures by Bernini like Apollo and Daphne, David, and the rape of Proserpina. There’s an entire wall dedicated to the Caravaggio’s art. And you can find Raphael and Titian there too. You can see pictures here: https://veronicasart.com/damien-hirst-genius-or-imposter-solo-show-at-villa-borghese-in-rome/

caravaggio wall in borghese gallery-veronica winters art blog
You can see the entire wall filled with Caravaggio’s paintings at the Borghese gallery in Rome. Photo by Veronica Winters, 2021

Capitoline Museums are a group of art and archaeological museums located on Capitoline Hill in Rome. They feature an impressive collection of ancient Roman sculptures, as well as Renaissance and Baroque paintings, including works by Caravaggio and Titian. And National Roman Museum is a network of four museums in Rome that focus on the ancient Roman world. Its collections include ancient Roman sculptures, mosaics, and frescoes, as well as other artifacts from ancient Greece and the Near East.

Galleria Nazionale d’Arte Antica at Palazzo Barberini, Rome is a fairly modest gallery that displays some of the most famous paintings like Caravaggio’s Judith Beheading Holofernes, 1602. 

Caravaggio, Judith Beheading Holofernes, 1602, Barberini palace, Rome-veronica winters art blog
Caravaggio, Judith Beheading Holofernes, 1602, The Barberini Palace, Rome. Photo by Veronica Winters, 2021

I hope you enjoyed traveling across the world visiting the best art museums in the world virtually. If you have a chance, visit each one in the nearest future. Subscribe to my monthly VIP email list. 🙂 And share this article with your friends!!!

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Nicole Finger: Unlocking the Secrets of Stunning Realism Art

Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

Nicole Finger-Freedom-30x36-oil-hooked on art podcast
Nicole Finger, Freedom, 30×36 inches, oil painting

Colorado-based realist artist, Nicole Finger is a super-talented, highly-realistic oil painter who creates figurative realism art inspired by her family and surroundings. Immersed in beauty of the San Juan Mountains in Telluride, the artist enjoys juxtaposing stunning snow peaks with gentle tulips and peonies. She creates luscious textures painting almost any surface she chooses- donuts, tacos, jackets, lace and portraits. Painting large, realist artist captures your attention with fresh color palette and an unusual placement of common subjects on canvas. Finger loves the precision in oil painting and depicts the sunlit portraits of her children so realistically you want to marvel every detail in her art.

Finger holds a BFA degree from the University of Colorado, Boulder and is represented by several art galleries including Victory Contemporary in Santa Fe and Skidmore Contemporary Art in Santa Monica. The artist received top awards for her realist painting in 2022 including IGOR, Best Portrait Award 6th Annual National Juried Exhibition, (ANJE) , Honorable Mention, John Dalton Art Prize, Finalist, International FiKVA Award Finalist, 16th International ARC Salon semi finalist, American Women Artists (AWA) Juried Spring Online Show- Presidents Award and many more!

Her art is in many corporate collections including San Francisco Delta Sky Club Collection, San Francisco International Airport, Copper Mountain Hotel, St. Joseph’s Hospital, Denver, Children’s Hospital, Denver, Rocky Mountain Hospital for Children, Children’s Hospital, Parker, St. Mary’s Hospital, Grand Junction, Greeley Hotel, Greeley, First Warning Music, New York, NY and many more.

Nicole_Finger_Gossamer_24x36_oil-hooked on art podcast
Nicole Finger, Gossamer, 24×36 inches, oil painting, realism art

Contact Nicole: Website: fingerpaintingart.com | current project & charity info: https://www.instagram.com/postcodeukraine/ https://contribute.to/postcodeukraine

“The strength of the mountains and the fragility of the flowers and how that is a metaphor for life. It’s timeless and fleeting to be appreciative and grateful. It’s here. It’s beautiful and then it’s gone.”

Nicole Finger
NicoleFinger_WhereTulipsandWildflowersDance-hooked on art podcast
Nicole Finger, Where Tulips and Wild flowers Dance, oil painting

Interview:

1-10 min art overview

13:23 image transfer process

15:45-17:20 underpainting technique

17:40 What’s so exciting about the process of realism oil painting?

19:50 Photography process

21:30 Ideas and technique of oil painting “Freedom”

24:00 About artists on the Moon Project

27:20 “Floralscapes” series inspiration & meaning

31:40 Painting of Svetlana and Postcode Ukraine project

35:20 Going out to art galleries

36:00 What inspires the artist to create art

37:20-39:40 How the artist markets her realism paintings (art marketing tips)

41:48 Wearable art painting (paintings on dresses)

46:50 Greatest success

47:50 & 51:00-59:00 Getting into museum art shows and galleries, tips for young artists

49:50 What the artist wants to say with her hyperrealism art

Nicole_Finger_AntlersandLace_36x36_oil_2020-hooked on art podcast
Nicole Finger, Antlers and Lace, 36×36, oil painting
Nicole Finger art-hooked on art podcast
Nicole Finger art-hooked on art podcast

To watch on YouTube: https://youtu.be/rZ-5HYMysEc

How to use Instagram for artists

I’ve been using Instagram for several years to see it change and evolve. I spent hundreds of dollars on Instagram courses claiming to help me build the audience. While I don’t have crazy following like so many artists out there, I did learn a thing or two about it with lots of sweat and tears. I’ve decided to share some simple truths about the social platform that you can apply to your account today to see some growth and to hopefully cut on frustration Instagram can give us. Overall, I like it a lot. It’s my favorite social network mainly because it’s so visual and it’s easy to present art and connect with others in the art community. Perfect for us – artists because it’s still free!

Why you need to be on Instagram

Every art professional, gallery owner, curator, artist and art writer is on Instagram. You can connect to or reach out to people in a very informal way. Something that was totally impossible to accomplish a few years ago!

If you have no website, no worries! Art professionals check your Instagram account first, website second!! You can host your art portfolio on Instagram for free.

You expose your art to new audiences every day showing your inspiration and behind-the-scenes footage. In other worlds, you find your audience, opportunities and art collectors on instagram.

How to use Instagram effectively

  • The name of your account must include your artist name. If it’s taken, expand on it a bit more by adding art/painting/sculpture, etc. The word that describes your expertise the best.
  • Treat your Instagram account like your portfolio. This means deleting photos showing what you ate or where you bathed. Think of it as your professional portfolio with the best images of your artwork available to sample. People are very quick to judge. So when they get to your account, they must see the consistency in style and theme.
  • Include yourself into some of the shots. My photos perform a lot better when I’m standing next to my painting or I’m actually painting… This is important and makes IG different from regular, clean product photography. People want to connect to real artists, not just our artwork. Let them see your art, studio and the creative process! We’re always very interested in the process of making something (hint: make short videos and reels. More on that later).
  • Show your WIP shots in a carousel placing your finished piece first. Shots of art with supplies in them work well. I think that you can experiment with wip shots in a video format since the reach is declining quickly posting photos only.
  • Use description space to write a story about your process and art. How did it come together? What challenges did you have? Focus on inspiration, rather than art supplies. Although sometimes it can work as well.
  • Follow your favorite artists, curators and art brands on IG. Leave meaningful comments to engage and befriend them like you befriend people in real life… This is a long-term strategy. You can’t expect to see them liking or engaging with you but there is a chance that you can develop a meaningful connection this way. Don’t pressure people to like you. It’s annoying. Rather try to connect to someone you really admire or like…
  • Use dm’s to connect with people as well. There are no rules here. Don’t be obnoxious but think how you can be helpful or inspiring to others.
  • Beware of spam! Don’t respond to messages stating that they can help you grow your account for a certain amount of $$ you spend with them. Also, there are big art accounts out there as well that promote you for $25-100 per post. Most of these accounts are scam. Don’t waste your hard-earned money on these strategies. Some take the money and give you a following that disappears in a couple of days or a couple of months. If you see that the engagement is low on big art accounts (500k-million), it means these are not real. There are some very large, legit aggregate accounts that post the best artists on their feed. Most of the time posting on their feed is not free, while the best artists can get a free post, which translates to considerable following to the artist’s account. I think the best strategy with big accounts is to use their branded hashtag, so when they look for art, they can spot your video or image.
  • Your Instagram account will grow not only because of your daily engagement with other users but also because what you do outside of Instagram. This is important. You have to be social and proactive showing your art and personality elsewhere and the Instagram following becomes a byproduct of your main publicity efforts that include art shows, publications, guest posting on big sites and podcasts…

Reels

  • Reels. Yes, you have to deal with them. All my courses went out of the window because the Instagram is having a new tantrum (strategy) in place that’s not discussed yet. Have you noticed a decline in reach when you just post a photo? The carousels of carefully curated images don’t perform as well as they used to. It seems that Instagram wants to become a video app to compete with tiktok now. (I’m rolling my eyes here:))
  • My top tip on reels is to treat it as a very short demo of your drawing/painting process. First 3 seconds of your vertical video are very important. I’ve experimented with reels quite a lot to understand what does and doesn’t work. My actual painting/drawing reels do the best. Posting time matters but not to the extend as the quality of your reel. Show mini-tutorials and behind-the-scenes.
  • Frequency. In my experience, posting reels every day doesn’t do much for my account growth. It seems that the second reel would get less reach and interaction and sometimes it performs just as bad as a regular photo post. Play with your reels and timing to see if it’s the same for you or different. Let me know how it goes! https://www.instagram.com/veronicawintersart/
  • The immediate post engagement is very important for your reel to rank well. So reply to your comments instantly. Don’t delay.

Hashtags

Hashtags are still important. But not all hashtags are good for your business. Pick the relevant ones to your artistic practice. Avoid using large hashtags that have over 500k posts with them. Reason being if your account is small, your chance of being seen with a big hashtag is a fraction of a second. If you do your research and pick medium-size hashtags in your niche, you increase you chances to be noticed.

Facebook

What about Facebook, you may ask? I think it’s still a powerful platform that has a slightly different, older demographic. Due to the recent changes in privacy, a lot of targeting is gone and my guess is that Facebook will transition to reels sooner or later. You’ve got to understand where your customers are, what platform they prefer to engage so you spend more time there. I think Facebook groups can be useful to build friendships, which is not possible on IG. I hope this post is helpful.

To wrap up, pick one platform to be active on it almost every day. Be professional by posting your art and story. Don’t obsess with the numbers, rather build real relationships and find inspiration and opportunities by being present and social there. Stay positive and helpful. I know it can be hard at times but I think people go to Instagram and Facebook for inspiration as a way to relax from day-to-day stress and work.

Connect with me here:


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Amazon links to art supplies I use the most often:

What is visionary art? Themes, style and artists

ai generated woman in cosmic space- deep dream generator-veronica winters blog
AI generated digital art using Deep Dream Generator

What is visionary art?

Visionary art definition:

Visionary art is a genre of art that focuses on spiritual and mystical experiences, deep exploration of human psyche often involving altered states of consciousness or depiction of wide states of awareness. It is characterized by a highly detailed, surrealistic style that often incorporates beautiful symmetrical patterns, vivid colors, dreamlike states, spiritual and mystical experiences, religious or psychological symbols and fantastic imagery. Visionary art is often associated with spiritual movements such as shamanism, Buddhism and new age spirituality, and it is frequently inspired by experiences with plant medicine, meditation, dance, yoga and other forms of spiritual practice. It can also incorporate spiritual practices, cultural heritage and symbolism. Therefore the term ‘visionary artist’ is often used interchangeably with ‘spiritual artist’ and ‘psychedelic artist’ because all three groups of artists explore deeper states of consciousness that may exist beyond our everyday perception of reality. In my opinion, visionary art is a more encompassing term than the psychedelic art but the spiritual art is even more encompassing that the visionary art because most art can be called ”spiritual’ since it addresses our emotions.

divine spirit 24x36-veronica winters painting
Divine Spirit, 24×36 in, oil painting on canvas panel

Visionary art history

The term “visionary art” as we understand it today was not commonly used in the 19th century, but there were artists who created works that might be considered visionary in nature during that time period. For example, the Symbolist movement that emerged in the latter half of the 19th century often incorporated mystical and visionary themes into their work. Artists such as Gustave Moreau, Odilon Redon, and Arnold Böcklin created works that were highly symbolic and often depicted dreamlike or otherworldly scenes. William Blake (1757–1827) was an English poet and artist who is considered to be one of the most important visionary artists of the 19th century. His work often explores themes of religion, mythology, and the imagination.

The Creation by William Blake 1825 at the Met-visionary art
The Creation by William Blake 1825 at the Metropolitan Museum of Art, visionary art http://www.metmuseum.org/art/collection/search/371141

Similarly, the Pre-Raphaelite Brotherhood, which was active in the mid-19th century, often created works that were highly detailed and rich with symbolism. Many of their works were inspired by literature and mythology, and they often depicted scenes from the imagination or the realm of fantasy. While these artists might not have been explicitly identified as “visionary artists,” their surreal paintings often explored the same themes and ideas that are central to the genre of visionary art that emerged in the 20th century. A Swedish artist, Hilma af Klint (1862–1944) is considered to be one of the pioneers of visionary art in visionary art history movements. She created a series of abstract paintings that she called “Paintings for the Temple.”

odilon redon-orpheus-pastel on paper 22x27
Orpheus, c. 1903–10 by Odilon Redon (French, 1840–1916), The Cleveland Museum of Art collection

The term “visionary art” was used by the art critic and scholar Roger Cardinal in the 1970s to describe the work of the late 19th-century symbolic artists – William Blake, Gustave Moreau, and Odilon Redon. The term was also used in the 1960s by the art critic Lawrence Alloway to describe a genre of art that was inspired by spiritual or mystical experiences. Today, the genre encompasses a wide range of artists, styles, and media, from painting and sculpture to digital art, AI art, video art and multimedia installations.

Thracian Girl Carrying the Head of Orpheus on His Lyre by Gustave Moreau-1865
Thracian Girl Carrying the Head of Orpheus on His Lyre by Gustave Moreau-1865, Oil on canvas, 154 x 99.5 cm. MusĂ©e d’Orsay, Paris

Carl Jung‘s ideas about the collective unconscious and archetypes have had a significant influence on the development of visionary art symbolism. Jung believed that the human psyche contains universal patterns and symbols that are shared across cultures and time periods ( like the shared term for a ‘mother’). He called these patterns and symbols archetypes. Many visionary artists have drawn on Jung’s ideas to explore the deep layers of the psyche and to tap into the archetypal imagery that resides within the collective unconscious.

Visionary artists often use symbols and imagery that are drawn from a variety of cultural and spiritual traditions, as well as from their own personal experiences and visions. For example, artist Alex Grey has said that his artwork is inspired by his experiences with LSD and DMT, as well as by his studies of various spiritual traditions, including Buddhism and Hinduism. Some visionary artists, use their artwork as a means of exploring the deep layers of the psyche and uncovering hidden aspects of the self. Both Carl Jung and visionary artists have the shared interest in exploring the depths of the human psyche and tapping into the archetypal imagery that resides within the collective unconscious.

white light journal book-art by Andrew Gonzalez
Joe Rogan fan art
painting of Joe Rogan, Joe Rogan, the host of the Joe Rogan Experience podcast, often mentions his experiences with the use of psychedelic mushrooms and how they helped him see and process his emotions and his relationship to the world.

“The graveyard is the richest place on earth, because it is here that you will find all the hopes and dreams that were never fulfilled, the books that were never written, the songs that were never sung, the inventions that were never shared, the cures that were never discovered, all because someone was too afraid to take that first step, keep with the problem, or determined to carry out their dream.”

Les Brown

Who are contemporary, famous visionary artists?

There are several famous visionary artists although this term is often used interchangeably with psychedelic artists and spiritual artists. The list is constantly evolving as new artists emerge and new styles develop. Here are a few well-known visionary artists in no particular order:

  1. Alex Grey – Grey is perhaps one of the most famous visionary artists. He’s also known as one of contemporary psychedelic artists. His highly detailed visionary paintings often depict human anatomy and consciousness in surrealistic and spiritual ways using repeated patterns and designs seen on a psychedelic trip.
  2. Allyson Grey is a life-long spiritual partner and wife of Alex Grey. Her art is quite different from her husband’s although they often work together on artistic projects, such as CoSM -Chapel of Sacred Mirrors. She paints psychedelic patterns and designs that don’t involve the human form.
  3. Rob Gonsalves is a Canadian artist who passed away in 2017. He created imaginative realism paintings that could also fall into a category of visionary art painting or contemporary surrealism art and even op art. His talent was to realistically convey the sense of magic and wonder in painting that he achieved visually with some optical illusion techniques. Technically his art showed a lot of prep work and influences of the surrealists, op art, and architectural drawing.
  4. Ernst Fuchs – Fuchs was an Austrian painter and printmaker who was associated with the Vienna School of Fantastic Realism. His work is characterized by a highly detailed, ornate style that often incorporates religious and mystical themes.
  5. Amanda Sage – Sage is a contemporary visionary artist who creates vibrant figurative art that explore the connection between humanity and the natural world. She also paints vibration and patterns layered over the figure to show spiritual dimension of human beings.
  6. Android Jones – Jones is a digital, psychedelic artist who creates highly detailed works that explore themes of consciousness and spirituality.
  7. Mati Klarwein – Klarwein was a painter who was associated with the psychedelic movement of the 1960s. His work is characterized by a highly detailed, surrealistic style that often incorporates religious and mythological themes.
  8. Roger Dean – his art features many light, mythical, landscapes that are welcoming and fantasy-like.
  9. Veronica Winters – fine artist interested in exploring wider states of consciousness in painting and colored pencil drawing using color harmonies, patterns and symbols.
  10. Luke Brown – psychedelic artist that also incorporates the symbolism of shamanic cultures and Asian religions.
  11. Carey Thompson – is a contemporary psychedelic artist that utilizes geometric themes and colors in his artwork.
  12. Laurence Caruana
  13. Autumn Skye Morrison
  14. David Heskin
  15. OrphnĂ© AchĂ©ron is a contemporary artist inspired by antiquity, mythology and medieval times. OrphnĂ©, “Nymph of the Darkness” was the wife of Acheron, branch of the Styx, carrying the souls of the dead… This name chosen by the artist evokes Eternity, Mythology, immersion in mysterious depths. The artist combines indian ink and gold leaf to create black-and-white-and-gold, figurative drawings of strength, melancholy, contemplation, chaos, peace and mystery. Orphne also relies on visual elements taken from Egypt, Roman art and Medieval era to create dark fantastic creatures and figures that also carry the light.
  16. There are numerous digital artists that you can find on Instagram who create art with a combination of programs and AI. Check out digital art by visionary artists on Instagram: Danjc.Imagine, Surreal.lifelines, CrystalDreams.AI, Astrodeum.
Rob Gonsalves’ imaginative art painting, “Star dust”

Visionary art symbolism. What do artists want to say with visionary art?

Visionary art is often characterized by a deep sense of exploration, inquiry, and experimentation, and by a willingness to push the boundaries of what is considered “art” and “reality” in order to explore new dimensions of experience and consciousness. Some of the common themes found in visionary art include:

  1. Exploration of consciousness: Many visionary artists use their work as a means of exploring the nature of consciousness, and the ways in which altered states of consciousness can give rise to new forms of perception and understanding.
  2. Spiritual or mystical experiences: Many visionary artists draw inspiration from spiritual or mystical experiences, and use their work to communicate the profound insights and transformative experiences that can arise from such encounters.
  3. Environmental or social issues: Some visionary artists use their work as a means of raising awareness about environmental or social issues, and to inspire action and change.
  4. Healing and transformation: Most visionary artists believe that their work can serve as a tool for healing and transformation, both on an individual and a collective level.
  5. Uniting the personal and the universal: Visionary artists seek to create works that bridge the gap between the personal and the universal, and that speak to the shared human experience in a way that is both deeply personal and universally resonant.

Visionary art themes, styles and subjects:

There are several themes or ideas that are commonly associated with visionary art. These include:

  1. Surrealistic imagery: Visionary art often features strange and dreamlike imagery that is not found in everyday life. The images are often highly detailed, and may feature bizarre combinations of objects and creatures.
  2. Vibrant colors: Many visionary artists use bright, bold colors in their work to create a sense of energy and vibrancy.
  3. Spiritual or mystical themes: Visionary art often explores spiritual and mystical themes, such as the nature of consciousness, the interconnectedness of all things, and the search for higher states of being.
  4. Altered states of consciousness: Many visionary artists are inspired by altered states of consciousness, such as those induced by meditation, psychedelics, or other spiritual practices.
  5. Visionary art techniques: Visionary art often features highly detailed paintings with the use of repeated geometric patterns and mirrored designs that are often seen while tripping.
  6. Imagery from nature and mythology: Many visionary artists draw inspiration from the natural world and from mythological and religious stories.
  7. A focus on the inner world: Visionary art often explores the inner world of the artist or viewer, rather than the external world. This can lead to works that are highly personal and introspective, yet speak to universal themes of love and connection.
meaning of life-hand 9x12 oil painting-veronica winters art
Meaning of life (hand) 9×12 oil painting, veronica winters

In terms of the visionary art techniques, the visionary style often involves meticulous attention to detail and the use of various tools and materials to create textures, repeated patterns, geometric designs and mirrored images. Many visionary artists also incorporate various digital technologies into their work, such as 3D modeling and digital painting software. However, not all visionary art is created in this style, and not all art created in this style is necessarily visionary in content.

Subjects:

A lot of visionary artists combine figurative art like a female figure, portrait or humans with the natural world, space and architecture. Even the still life subjects like books can become alive with images of ethereal worlds coming out of their pages.

  1. Spiritual and mystical themes: Many visionary artists draw inspiration from spiritual and mystical traditions, and their work often features imagery related to themes such as meditation, enlightenment, and transcendence.
  2. Nature: The natural world is a common subject in visionary art, with many artists drawing on the beauty and complexity of natural forms to create geometric shapes and designs and combine those with the animals, birds and plants.
  3. Altered states of consciousness: Many visionary artists are interested in exploring the nature of consciousness and the ways in which altered states of consciousness can give rise to new forms of perception and understanding.
  4. Mythology and symbolism: Many visionary artists draw on mythological and symbolic imagery to explore themes related to the human experience, such as birth, death, and transformation.
tree in space-ai visionary art-veronica winters art blog
tree in space, AI-generated art

What are visionary art styles or types of visionary art?

There are several types of visionary art, each with its own unique aesthetic qualities and characteristics. Some of the most common visionary art styles include:

  1. Fantastic Realism: This style emphasizes highly detailed, realistic renderings of surreal and dreamlike imagery. The works often feature complex compositions.
  2. Psychedelic Art: This style emerged in the 1960s and is characterized by super bright, almost acidic colors and abstract, repetitive or mirrored patterns. The works often explore themes related to altered states of consciousness and the spiritual dimensions of psychedelic experiences.
  3. Digital Art: With the advent of digital technologies, many visionary artists have begun to explore new forms of expression using digital tools and techniques. This can include digital painting, 3D modeling, and other forms of computer-generated imagery. It’s easier to re-create complex geometric designs using the software rather than trying to paint the geometry.
  4. Sacred Art: This style is inspired by religious and spiritual traditions and often features iconic imagery, such as mandalas, sacred geometry, and depictions of deities and mythological figures.
  5. Surrealism: This style emphasizes the exploration of the unconscious mind and often features dreamlike imagery and unexpected combinations of objects and forms. The subjects are often depiction of dreams.
  6. Visionary Abstraction: This style is characterized by abstract imagery that is inspired by visionary experiences or altered states of consciousness. The works often feature complex patterns and textures, as well as a strong sense of movement and energy.

Art supplies artists use to create visionary art:

Visionary art is a diverse genre that encompasses a wide range of materials, tools and subject matter.

Materials:

  1. Paints: Many visionary artists use traditional painting materials such as oil, acrylic, and watercolor to create their works.
  2. Drawing materials: Pencils, pens, markers, and other drawing materials can be used to create detailed, intricate images.
  3. Mixed media: Many visionary artists combine different materials and techniques to create multi-layered and textured works of art. This can include collage, assemblage, and sculpture.
  4. Digital tools: With the rise of digital technology, many visionary artists are using digital tools such as digital painting software like Photoshop, Illustrator and Procreate and 3D modeling programs to create their work. AI programs include Midjourney, Stable Diffusion, Deep Dream Generator and many more.
“”Masters of Deception” art book that features art of Rob Gonsalves, Escher, Dali and other op art artists on Amazon

Is there a difference between spiritual art and visionary art?

These terms are often interchangeable and overlap each other. Spiritual art is created with the intention of expressing or exploring spiritual themes or experiences. This can include religious art that is created within a specific religious tradition, as well as other forms of art that explores broader spiritual themes such as the search for meaning and purpose, the interconnectedness of all things, or the nature of consciousness. Visionary art a specific genre of art that is characterized by highly detailed, surrealistic imagery and geometric forms and patterns that is intended to evoke spiritual or mystical experiences. While visionary art may explore spiritual themes, it is often more concerned with depicting the visionary experiences of the artist or viewer, rather than with conveying specific spiritual teachings or beliefs. In other worlds, spiritual art is a lot more encompassing because it can incorporate a very wide range of art.

visionary art-veronica winters art blog

Why is vision important in art?

In essence vision in art doesn’t equal to the term as visionary art. Vision in art means to have a unique view of the world. Vision is unique to every artist because it is through our visual sense that we experience and interpret the world around us. Vision allows us to perceive and appreciate the colors, shapes, textures, and patterns that make up the visual world, and it allows us to appreciate the visual qualities of art. Vision can be used to create new ways of seeing and understanding the world. Visionary artists, in particular, use their vision to create works that challenge our conventional ways of perceiving the world and that invite us to explore new dimensions of experience and consciousness. This gives art unique meaning and depth.

In art, vision plays a crucial role in the creation and appreciation of visual images. Artists use their vision to translate their inner experiences and ideas into visual form, and they use their technical skills to manipulate color, light, and form in ways that create a particular mood or atmosphere.

For viewers, vision is important in art because it allows us to appreciate the visual qualities of art, such as the use of color, texture, and composition. Vision allows us to engage with the visual world of art, to appreciate the beauty and complexity of visual images, and to interpret the meanings and emotions that are conveyed through visual form.

Is it difficult to sell visionary art?

Visionary art can be difficult to sell for a number of reasons. Here are some factors that may contribute to the challenge of selling visionary art:

  1. Niche market: Visionary art is a relatively niche genre, and may not have the same level of mainstream appeal as more traditional art forms. This can make it more difficult for artists to find buyers for their work.
  2. Non-traditional styles and techniques: Many visionary artists use non-traditional styles and techniques in their work, which can be challenging for some buyers to appreciate or understand.
  3. Limited exposure: Because visionary art is a relatively new genre, it may not receive as much exposure in galleries or other exhibition spaces, which can limit its visibility and make it more difficult for artists to find buyers.
  4. Pricing: Because visionary art can be highly detailed and time-consuming to create, it may be priced higher than more traditional forms of art, which can make it more difficult to sell.

Despite these challenges, there is a growing community of collectors and enthusiasts who are interested in visionary art, and many artists have been able to successfully sell their work through online platforms, art festivals, and other venues that cater to this niche market. Additionally, as more people become interested in the transformative potential of visionary art, it is possible that the demand for this genre may grow in the future.

Visionary art museums & galleries around the world:

Wat Rong Khun - the White Temple
Wat Rong Khun – the White Temple in Thailand, photography by Veronica Winters

There are several museums and galleries around the world that specialize in visionary art, or that feature exhibitions of visionary art alongside other forms of contemporary art. Here are some examples:

  1. The Chapel of Sacred Mirrors (CoSM), New York, USA – CoSM is a sanctuary and exhibition space founded by visionary artists Alex Grey and Allyson Grey. The chapel features a permanent collection of Alex Grey’s artwork, as well as temporary exhibitions and events focused on visionary and spiritual art.
  2. The American Visionary Art Museum, Maryland, USA – This museum is dedicated to showcasing self-taught and visionary artists from around the world. The collection includes a wide variety of works, from traditional folk art to contemporary pieces that push the boundaries of what is considered “art.”
  3. La Casa de la Vision, Barcelona, Spain – This gallery specializes in visionary and psychedelic art, with a focus on emerging artists and underground movements.
  4. The Outsider Art Museum, Amsterdam, Netherlands – This museum features works by self-taught artists and outsiders, including many visionary artists. The collection includes both historical and contemporary works, and the museum often hosts special exhibitions and events focused on visionary art.
  5. The Museum of Visionary Art (Museum der Visionskunst), Frankfurt, Germany – This museum features works by international visionary artists, as well as artifacts related to visionary and spiritual traditions from around the world.
  6. The Visionary Art Museum of Belgium (MusĂ©e d’Art Fantastique), Brussels, Belgium – This museum features works by visionary and fantasy artists, as well as artifacts related to the history of visionary and fantastical art.
  7. Wat Rong Khun – the White Temple, is a privately owned and constructed Buddhist temple in Pa O Don Chai, Mueang District, Chiang Rai Province, Thailand. It is owned by artist Chalermchai Kositpipat, who designed and built it in 1997.
Egyptian doorway to space -ai visionary art-veronica winters art blog
To read about psychedelic art and artists: https://veronicasart.com/psychedelic-art-guide-history-styles-music-spiritual-dimensions/

Check out my visionary art for sale here.

11 great movies about famous artists

What are the best movies about artists?

There are many great movies about artists that offer a glimpse into the creative process, the struggles of the artist, and the impact of their work on society. I don’t know if watching movies about famous artists makes us more or less vital in the society as it seems that all eyes go the top tier of the art market while the rest of artists deal with indifference, low pay and a lack of art appreciation in society. Perhaps, these movies do leave an impact on our understanding and appreciation of artists who often try to reflect on the world we all live in. After all, most artists don’t have Money as a motivation to produce art, yet artists have to play a game in a consumer-driven world trying to be more visible, making a living as artists and not baristas.

best movies about famous artists-veronica winters art blog

Here are some of the best movies and documentaries about artists in no particular order:

  1. Girl with a Pearl Earring (2003): This historical drama is based on the novel by Tracy Chevalier and explores the relationship between Vermeer and his fictional muse, Griet. The film features Scarlett Johansson as Griet and Colin Firth as Vermeer.
  2. Tim’s Vermeer (2013): This documentary explores the theory that Vermeer may have used a camera obscura to create his paintings. Inventor Tim Jenison attempts to recreate one of Vermeer’s paintings using this method and the film follows his process. It’s a must-see documentary for every artist who learns classical painting techniques.
  3. Frida (2002): This biographical drama tells the story of Mexican artist Frida Kahlo, who was known for her powerful and expressive self-portraits. The film explores her relationship with her husband, fellow artist Diego Rivera, and her struggles with physical pain and political turmoil. Frida has become a brand in the US with almost all art museums rolling out shows about Frida like there are no other women artists deserving even a fraction of attention. It seems the fact because of all the drama and tragedy in Frida’s life. The movie is really good, however but not for a movie night with a kid.
  4. Loving Vincent (2017): This unique film is the first fully painted feature film, with every frame of the movie a hand-painted oil painting. It tells the story of the life and mysterious death of Vincent van Gogh, one of the most famous artists in history. The moving images in painted pictures are fascinating to watch! Also, this movie is wonderful to show to kids.

5. Basquiat (1996): This biographical drama tells the story of Jean-Michel Basquiat, an artist who rose to fame in the 1980s New York art scene. His art is in a stratosphere selling for millions today. While I’m not going to explore the hidden truths about corruption in the art market, this documentary gives a good idea into his life and how he made it in the art world. The film explores his early life, his friendship with Warhol who helped him launch his career, and his struggles with drug addiction.

6. Pollock (2000): This biographical drama tells the story of American abstract expressionist painter Jackson Pollock. The film explores his rise to fame, his artistic process, and his struggles with alcoholism and mental health issues. If you know nothing about the artist’s life, this movie does offer a satisfying experience showing what it often feels like to be an artist.

7. Mr. Turner (2014): This biographical drama tells the story of British artist J.M.W. Turner, who is known for his landscapes and seascapes. The film explores his personal life, his relationship with his father, and his evolution as an artist.

8. “Big Eyes” (2014) is a really good biographical drama film directed by Tim Burton and starring Amy Adams and Christoph Waltz. The film tells the story of artist Margaret Keane, who painted popular portraits of children with big, saucer-like eyes. However, her husband Walter Keane claimed credit for her work, leading to a legal battle over the authorship of the paintings. The film explores the complex and sometimes disturbing relationship between Margaret and Walter, as well as the societal pressures that kept Margaret from speaking out about her work for many years. It also delves into the commercialization of art and the exploitation of artists that often follows. “Big Eyes” gives a very good insight into a life of an artist and how the commercial side of it is very different from the art itself – the issue a lot of artists struggle with today. The film was nominated for several awards, including a Golden Globe for Best Actress (Drama) for Adams. It’s a well-crafted movie with excellent performances, drama and tension between a husband and wife.

9. “The Price of Everything” (2018) is an HBO documentary film directed by Nathaniel Kahn that explores the contemporary art world and the value of art in today’s society. The film features interviews with artists, collectors, dealers, and auction specialists, as well as footage from art fairs, auctions, and exhibitions. The film examines how the art market operates and how artworks are assigned their value. It also raises questions about the commodification of art and the tension between art as a creative endeavor and art as a financial investment ( that leads to corruption in the art market). Some of the key figures featured in the film include Jeff Koons, Gerhard Richter, Larry Poons, Njideka Akunyili Crosby, and Amy Cappellazzo. The film provides an insightful and thought-provoking look at the contemporary art world and the complex issues surrounding the valuation and exchange of art. “The Price of Everything” was nominated for several awards, including a Primetime Emmy for Outstanding Arts and Culture Documentary.

Egon_Schiele_death and the maiden-oil on canvas-1915
Egon Schiele, death and the maiden, oil on canvas, 1915

10. “Egon Schiele: Death and the Maiden” is a 2016 biographical drama film directed by Dieter Berner, which explores the life and work of Austrian painter Egon Schiele who died of Spanish flue being just 28 years of age. The film follows Schiele’s life from his early years in Vienna to his rise as an influential figure in the Expressionist movement, and focuses on his relationships with his muses and models, as well as his artistic process and friendship with famous artist Gustav Klimpt. The film is notable for its visual style, which seeks to replicate Schiele’s distinctive aesthetic through a combination of live-action footage, animation, and computer-generated imagery. Overall, “Egon Schiele: Death and the Maiden” is an interesting exploration of the life and work of one of the most controversial and provocative artists of the early 20th century. The film offers a unique perspective on Schiele’s art and the social and cultural context in which it was created, and is worth watching for fans of biographical dramas and art history. The movie is in German language and has a lot of nudity making it not suitable to watch with children.

11. “M.C. Escher: journey to infinity” is a beautiful documentary film about the life and work of Dutch artist Maurits Cornelis Escher. It’s available for free on YouTube. Directed by Robin Lutz, the film explores Escher’s unique artistic vision and his influence on modern art and mathematics. Escher is best known for his intricate prints and drawings that depict impossible geometric shapes, optical illusions, and tessellations. He was fascinated by mathematics and used it as a tool to create his art. Through interviews with experts in the field of art history and mathematics, as well as archival footage and images of Escher’s work, the film provides insight into the artist’s creative process and his impact on the art world. The film also delves into Escher’s personal life, including his early years in Holland, his travels to Italy and Spain, and his later years in Switzerland. It features interviews with Escher’s sons, as well as artists, mathematicians, and curators who have studied and exhibited his work. “M.C. Escher: Journey to Infinity” premiered at the 2020 International Documentary Film Festival Amsterdam (IDFA) and has since been released in theaters and on streaming platforms. It is a visually stunning and informative tribute to one of the most fascinating and influential artists of the 20th century.

https://youtu.be/tmyzMOqqvqQ

Some other movies to consider:

woman holding a balance Johannes Vermeer, 1664
Woman holding a balance, Johannes Vermeer, 1664

There are a few other movies that focus on the life and work of Dutch artist Johannes Vermeer.

  1. The Music Lesson (1999): This short film directed by Jean-Pierre Gorin is inspired by Vermeer’s painting of the same name. The film explores the relationship between a woman and a music teacher and features a re-creation of the painting.
  2. The Art of Painting (1993): This short film by Peter Greenaway explores Vermeer’s painting of the same name. The film presents a detailed analysis of the painting and the symbolism within it.

“Woman in Gold” (2015): While not strictly a biopic of Klimt, this drama film directed by Simon Curtis tells the story of Maria Altmann (played by Helen Mirren), a Jewish refugee who seeks to reclaim a painting by Klimt that was stolen from her family by the Nazis during World War II. The painting in question is “Portrait of Adele Bloch-Bauer I,” also known as the “Woman in Gold,” which is now housed in the Neue Galerie in New York City. “Woman in Gold” examines the political and historical context of one of his most famous paintings and doesn’t have that much focus on Klimpt’s personal life. It also lacks drama and pace to call it great.

“Nightwatching” is a 2007 biographical drama film directed by Peter Greenaway, which explores the life and work of Dutch painter Rembrandt van Rijn. The film focuses on the creation of Rembrandt’s famous painting “The Night Watch,” and the events that led up to its creation. The film presents a fictional account of Rembrandt’s life, and portrays him as a complex and tortured artist struggling with his relationship with his wife, his mistress, and his patrons. The film also examines the political and cultural climate of Amsterdam in the 17th century, and how it influenced Rembrandt’s work. “Nightwatching” received mixed reviews from critics, with some praising its visual style and creative approach to storytelling, while others criticized its slow pacing and lack of coherence. Not sure this film is that great but if you’re a die-hard fan of Rembrandt, it might be your thing.

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Psychedelic Art Guide: history, styles, music & spiritual dimensions

Exploring Psychedelic Art: history, themes & artists

david faulkner-mr crystalface-face the abyss-psychedelic art
David Faulkner aka. Mr. Crystalface, Face the abyss, https://www.mrcrystalface.com/

Psychedelic art is a form of visual art that emerged in the 1960s in the US and is characterized by super vivid colors, super-detailed geometric patterns, symmetrical designs and unusual subjects. Psychedelic art reflects the experiences and sensations experienced on psychedelics, such as LSD, iboga, ayahuasca, peyote and mushrooms. Today, psychedelic art is gaining popularity due to a rise in psychedelics research and some celebrity talk about the healing powers of the medicine – mushrooms and ayahuasca. In this article, we’ll explore the history, themes, characteristics, and examples of psychedelic art.

The use of psychedelics is a complex and controversial topic that has been debated by experts in various fields. Some argue that psychedelics have therapeutic potential and can be used to treat mental health conditions like depression, anxiety, and addiction. Others argue that the use of psychedelics can have negative consequences, such as increased risk of psychosis or hallucinogen persisting perception disorder (HPPD) especially if you’re schizophrenic. The use of psychedelics is illegal in most countries, and it is important to approach any drug use with caution and informed decision-making. If you are considering using psychedelics, it is recommended that you consult with a medical professional and do your own research to fully understand the potential risks and benefits. This article is an exploration guide and as I’m not an expert in this research by any means, please refer yourself to the list of organizations listed below studying the healing powers of the sacred medicines.

psychedelic Aztec tree in space-what is psychedelic art blog veronica winters
AI-generated psychedelic Aztec tree art

History of Psychedelic Art

Psychedelic art emerged in the 1960s in the US, alongside the counterculture movement and the rise of psychedelic drugs. Influential hippie artists of the time, such as Wes Wilson, Rick Griffin, and Victor Moscoso, created neon-colored posters and album covers for rock bands, such as The Grateful Dead and Jefferson Airplane. Their works had bright colors, bold typography, and trippy visuals that reflected the psychedelic experience. The art was often used to promote concerts and events, and it became a part of the overall psychedelic aesthetic of the time. The ancient history of psychedelic art is just coming to light however as more information and research gets shared in books, podcasts and other research.

Psychedelics art in ancient cultures:

Image: Ancient psychedelic art of indigenous tribes living in today’s Mexico. I took the picture of this beautiful tapestry at the archeology museum in Mexico city.
Psychedelics have been used in ceremonies by many ancient cultures for centuries. Graham Hancock claims that even some cave paintings dating back some 30,000 years ago depict the altered states of consciousness. If you look closely at art of any ancient culture, you'll notice the key feature of psychedelic art - a repetitive pattern or design. This happens because when you take the sacred medicine, your sight, hearing and sense of smell change drastically and you see the world in geometric and symmetrical forms, grids and very complex, almost kaleidoscopic designs. These colorful, symmetrical patterns can be found in art of many prominent ancient cultures. Let me explain.

This is one of elaborate Thai decorations I took at the palace years ago. It’s a paw of a gigantic decorative snake at the entrance. I think that the visual idea for this and many other beings present in ancient Thai architecture is derived from the psychedelic experiences of artists due to the repetitive and symmetrical nature of seeing the world while on a journey.

#1 Indigenous cultures of the Americas:

Many indigenous cultures in the Americas, such as the Mazatec people of Mexico and the Shipibo people of the Amazon, have used various plant-based psychedelics such as ayahuasca, peyote, and psilocybin mushrooms for spiritual and healing purposes. Their art is simple, yet it features perfect geometric designs that you normally don’t observe in nature.

animal pot pattern in archeology museum in mexico city

#2 Ancient Egyptians:

The ancient Egyptians used the blue lotus plant, which has psychoactive properties, for medicinal and religious ceremonies. The murals in the tomb of Pharaoh Tutankhamun, depict scenes of people using the blue lotus in a ceremonial context.

These are some picture closeups I took at the archeological museum in Florence. It shows ancient Egyptian stones with art depicting blue lotus -the flower known for its psychedelic properties.

#3 Ancient Greeks:

The ancient Greeks may have used various psychoactive substances, including cannabis, opium,and ergot (a fungus that contains LSD-like compounds), for medicinal and spiritual ceremonies. The painting “The Thriasian Mysteries” by the artist Polygnotus, depicts people participating in Dionysian rituals that involved the consumption of psychoactive substances.

I took this picture in Pompeii. This is a mosaics floor with the illusionary geometric design that could have been inspired by the geometric designs seen on a spiritual journey.

You died before you died and so didn’t die.

Brian C. Muraresku appeared on Joe Rogan Experience podcast #2047 talking about his over a decade long research that he put in a book “The Immortality Key: the secret of the religion with no name”. In the podcast episode Brian describes ancient Greek ritual of drinking a special potion at the Temple of Eleusis, which was a carefully balanced brew of alcohol, herbs, spices and ergot. (Ergot was a hallucinogenic fungus in rye and barley). Only women prepared the drink that gave the users transcendent experiences. This ancient religious practice got destroyed by the third century after Roman acceptance of Christianity as a main religion.

the history of psychedelic art
“Before the birth of Jesus, the Ancient Greeks found salvation in their own sacraments. Sacred beverages were routinely consumed as part of the so-called Ancient Mysteries – elaborate rites that led initiates to the brink of death. The best and brightest from Athens and Rome flocked to the spiritual capital of Eleusis, where a holy beer unleashed heavenly visions for two thousand years. Others drank the holy wine of Dionysus to become one with the god. In the 1970s, renegade scholars claimed this beer and wine – the original sacraments of Western civilization – were spiked with mind-altering drugs. In recent years, vindication for the disgraced theory has been quietly mounting in the laboratory. The constantly advancing fields of archaeobotany and archaeochemistry have hinted at the enduring use of hallucinogenic drinks in antiquity. And with a single dose of psilocybin, the psychopharmacologists at Johns Hopkins and NYU are now turning self-proclaimed atheists into instant believers. But the smoking gun remains elusive….The Immortality Key reconstructs the suppressed history of women consecrating a forbidden, drugged Eucharist that was later banned by the Church Fathers. Women who were then targeted as witches during the Inquisition, when Europe’s sacred pharmacology largely disappeared…” taken from the book’s description. It’s sold on Amazon.
polyphemus and galatea mosaics in cordoba
“Polyphemus and Galatea” mosaic wall displayed at the mosque in Cordoba, Spain. These are examples of Greco-Roman wall and floor designs that might have been influenced by the ceremonial drink.
Greco-Roman Mosaic floor design displayed at the mosque in Cordoba, Spain. You can clearly see the geometric patterns that I think first appeared in Greek art under the influence of psychedelics.

#4 Ancient Indians:

The ancient Indians used a variety of plant-based psychedelics, such as the soma plant, for spiritual and religious purposes. I think that Indian and Thai ancient architecture has a lot of visual influence derived from the use of psychoactive ingredients in potions they probably used in their religious ceremonies.

This picture comes from Pixabay. It shows Hampi, India. This type of architecture is quite similar to the effect of psychedelics when shapes and structures have perfect repetition.

Thailand

These are snapshots from my trip to Thailand. In some of these pictures you can clearly see the use of elaborate repetitive patterns and designs in Thai decorum. Also the repetitive structure in architecture may be influenced by the initial use of psychedelics.

Mandala art originated in India that became a spiritual and ritual symbol of Buddhism that spread to Tibet, Nepal, China, Korea, and Japan. The image first appeared in the Rig Veda in the 1st century BCE. Mandalas are a symbolic diagram used in the performance of sacred rites and meditation. They represented – Fullness, Wholeness, Infinity – the feeling you may receive during your psychedelic journey. Mandala art is closely associated with the practice of meditation. The three types of mandalas are: Sand mandala, Healing mandala, Teaching mandala. Just like “The flower of life”, Mandala has a circular, geometric design that symbolizes the ideal state of Universe. Mehndi mandala art painted on hands looks very similar to the visual feeling of geometric patterns seen on hands during the psychedelic journey.

#5 Ancient Persians:

The ancient Persians used opium and other psychoactive substances for medicinal and spiritual rituals. (Islam became the dominant religion in the Persian Empire after the Arab conquests of the seventh century. The first Persian Empire was shaped by Zoroastrianism. The Persian-speaking world became predominantly Muslim in the mid-seventh century.) When we look at production of Qurʌān manuscripts with elaborate calligraphic, biomorphic and decorative motifs we can see many repetitive geometric designs painted in several colors and gold that has evolved into a high art. You can see pages at the Library of Congress.

history of psychedelic art blog
This is a fascinating book written by Keith Critchlow who researched Islamic art, and connected geometric patterns and sacred geometry to help us understand the creation of the Universe. The author illustrated the patterns’ construction, which is useful for any artist interested in geometric designs and architecture. From the book’s description: “Numerous drawings connect the art of Islam to the Pythagorean science of mathematics, and through these images we can see how an Earth-centered view of the cosmos provides renewed significance to those number patterns produced by the orbits of the planets. The author shows the essential philosophical and practical basis of every art creation–whether a tile, carpet, or wall–and how this use of mathematical tessellations affirms the essential unity of all things. An invaluable study for all those interested in sacred art, Islamic Patterns is also a rich source of inspiration for artists and designers.” Available on Amazon.

If you’re in Europe, You can see Islamic designs in situ in Spain. One of the most famous fortresses is Alhambra in Granada, Spain. It was the inspiration for the famous artist- M.C. Escher. He studied Moorish tessellations in Alhambra to create his original drawings.

Here you can see one of geometric and biomorphic designs at the Alhambra, Granada. These numerous designs decorate all walls and ceilings in many churches I visited in Spain. These ornate decorations are colored in other mosques. Such decorations give an amazing feeling of the divine existence once inside the church. I don’t know if it’s because such decorum is very different from the Italian Renaissance and Baroque art or simply the fact that the divine nature of the Universe reflects itself in these beautiful patterns.
Escher’s art from the Magic Mirror Book on Amazon.
islamic art
Mezquita-Catedral, the Great Mosque of CĂłrdoba is one of the oldest structures still standing from the time Muslims ruled Al-Andalus (Muslim Iberia including most of Spain, Portugal, and a small section of Southern France) in the late 8th century. This is one of the most beautiful cathedrals I’ve seen in this world. It’s impossible to describe the breathtaking feeling while looking up at the dome decorated with numerous Islamic patterns of Moorish architecture. It’s dark, quiet and serene inside.

#6 Ancient Chinese:

The ancient Chinese used various psychoactive substances, including cannabis.

A closeup of a Chinese vase at the Chicago art institute.
Chinese vase pattern at the Smithsonian museums
Chinese vase at Chicago Art Institute-blog
Chinese vase at the Chicago Art Institute. By looking at ancient Chinese art I can clearly see the influence of the psychedelic medicine – the symmetrical designs and geometric shapes depicted as a decoration.

#7 Indigenous cultures of Africa:

Many indigenous cultures in Africa have used psychoactive plants for spiritual and healing purposes, such as the iboga plant in Gabon and the kanna plant in South Africa. The art style features repeated and symmetrical designs that are inspired by these experiences include the intricate textiles and beadwork of the Ndebele people of South Africa and the colorful paintings of the Dogon people of Mali. In his book titled”Supernatural” Hancock describes the use of iboga in African culture.

Graham Hancock did extensive research on the subject of psychedelics use in ancient cultures going back to the cave paintings. He goes on a journey to see Stone Age Art in painted caves of prehistoric France, Spain, and Italy, and rock shelters in the mountains of South Africa. He also travels to the Amazon rainforest to participate in the Ayahuasca ceremony with shamans, whose paintings contain images of “supernatural beings” identical to the animal-human hybrids depicted in prehistoric caves. Hallucinogens such as mescaline also produce visionary encounters with exactly the same beings. Are these real “dimensions” we see while on a journey? You’ll find this book on Amazon.

Mushroom man cave painting
Mushroom man cave painting/ petroglyph of anthropomorphic figure in a mask. Image credit: Fondazione Passare . Anthropomorphic means attribution of human emotions and intent to non-human entities or divine spirit in human form.

Tassili n’Ajjer is a site with prehistoric cave art in Algeria. “More than 15,000 drawings and engravings show the climatic changes, the animal migrations and the evolution of human life on the edge of the Sahara from 6000 BC to the first centuries of the present era. The geological formations are of outstanding scenic interest, with eroded sandstones forming ‘forests of rock’.” There is an image of a man, possibly a shaman, with many mushrooms growing out of his body found there. Dating back from 9,500 to 7,000 BC , it’s the oldest known petroglyph that depicts psychedelic mushrooms.

Shamanism

Apart from leading rituals and festivals, the shaman’s main task is healing. It’s achieved by sucking the on different parts of the body and extracting stones that represent the disease. Shaman initiation involves a process that last at least five years, consisting of difficult exercises in austerity and quests for peyote visions.
Sorcery: The kieri or “tree of wind” is a psychotropic plant of genus Solandra, the use of which is reserved for the most powerful shamans. Because it’s less benevolent god than peyote, the powers of the kieri can also be used to cause harm. The ”tree of wind” can also grant the gift of music. According to Indians, the witchcraft arrow differs from the votive arrows because of having “crazy” designs on it. It carries pollen inside the kieri that causes dizziness and disorientation in bewitched people. The wax figure represents the receiver of the spell. Source: the archeological museum in Mexico City.
This pottery of ancient indigenous tribes found in Mexico features lots of geometric designs that could be inspired by visions taking peyote. Peyote is a small, button shaped cactus native to the southern parts of the United States and northern Mexico.
psychedelic art of Indians in Mexico
Bottom left image shows a bule with yakwai sacred tobacco and a rope with knots that represents the sins confessed by peyoteros during pilgrimage to wirikuta desert. While the beaded art is contemporary it shows the traditional designs of the region.

The Peyote Dance:

During the pilgrims’ peyote visions at Wirikuta, serpents of rain appear to Huichol pilgrims. Huichols say that peyote seekers bring these serpents with them when they return to their sierra communities. During the great peyote celebration at the beginning of the rainy season, peyote seekers transform themselves into these serpents. They dance with white feather apparels and take rain to the four routes of the universe. (This text is taken from the archeology museum in Mexico City).

Peyote chant: The blue flowers, which are behind the mountains, which are talking… You who claim to know it all, interpret them.

Teotihuacan, local people sell clothing with patterns inspired by ancient tribal art of the area.

Why psychedelics were used in ancient cultures:

Psychedelics may have been used in ancient cultures for various reasons.

  1. Spiritual and Religious Practices: In many ancient cultures, psychedelics were used in spiritual and religious practices as a means of connecting with the divine. Shamans and other spiritual leaders would use psychedelics to enter altered states of consciousness and communicate with spirits, ancestors, or deities. In his book-the Immortality Key- Brian Muraresku describes his research on the use of psychedelics in ancient Greece. The Greeks and Romans had once in a lifetime ceremony in Eleusis drinking potion that alleviated the fear of death.
  2. Healing Practices: Ancient cultures used psychedelics as a form of medicine to treat physical and mental ailments. For example, certain indigenous tribes in South America have used ayahuasca as a medicine for centuries to treat a variety of emotional and psychical traumas.
  3. Rites of Passage: In some cultures, psychedelics were used in rites of passage to mark important transitions in a person’s life, such as puberty, marriage, or death. The use of psychedelics in these ceremonies was believed to help individuals gain a deeper understanding of themselves and their place and connection in the Universe.
  4. Artistic Inspiration: Ancient artists recorded the beauty of the divine spirit in art. It’s obvious to see the use of psychedelics in art of several ancient cultures. For example, the Mayans created colorful pottery and symmetrical and geometric art. The Islamic artists perfected the use of patterns in their designs of Islamic mosques. The geometrical patterns of Islamic art are the most sophisticated ones I’ve seen so far. They reveal the cosmological laws and hidden reality of the creation of the Universe. Greco-Roman art has many remnants of mosaic floors’ geometric patterns. Thai and Indian architecture features repetitive structure and designs that are visually very similar to psychedelic experience.
blooming heart colored pencil drawing by veronica winters-15.5x25
Blooming Heart, colored pencil drawing

Psychedelics can treat trauma:

Psychedelics, when used in a therapeutic setting in nature or in a ceremony under the guidance of a trained professional or indigenous shaman, have shown promising results in treating trauma. Some celebrities like Will Smith and Prince Harry are becoming more open to talk about their experience healing emotional traumas drinking ayahuasca. Psychedelics can help you deal with the most deep, painful and suppressed emotions you can't seem to concur in your life. You travel very deep inside your mind and heart as the sacred medicine gives you guidance and lets you on an emotional journey to relive some moments with a different perspective. You feel, see and hear everything in a powerful synthesis that's often described as the synesthesia. With a set intention and guidance, the medicine takes you where you NEED to go, NOT where you think you will go. This means that you would explore your deepest wounds to find understanding and healing of your deepest pain. This also means that you can enter into both a very beautiful world and a scary one. Every journey is necessary even the dark one to learn from it because the darkness is our shadow we need to embrace and to learn from to become whole. That's why it's so effective in treating people with various conditions. You can heal your wounds in one or few sessions, which could take years in therapy. While on a journey, you receive guidance in thoughts, music and visuals. The post integration session with a psychologist or shaman can help you integrate these experiences into your daily life.

It’s like opening an invisible portal in your mind that lets you experience a parallel reality of the spiritual realm that’s incredibly powerful, complex and intelligent. It shows you the forces of both the light and the dark worlds where you explore yourself and your relationship to the divine and intelligent Universe.

Veronica Winters
Magic Tree Portal, colored pencil drawing on matboard by Veronica Winters
Magic Tree Portal, colored pencil drawing on matboard, 20x30in by Veronica Winters

Here are some ways in which psychedelics may help treat trauma:

  1. Increased emotional openness: Psychedelics can help individuals feel more emotionally open and connected to their feelings. This can be helpful for individuals who have experienced trauma, as they may have difficulty accessing and processing their emotions. This relates to people who not only experienced war but also to anyone struggling to process and accept what they feel because of childhood traumas, such as psychological and physical abuse.
  2. Reduced fear and anxiety: Psychedelics have been shown to reduce fear and anxiety in individuals, which can be helpful for those who experience anxiety and panic attacks as a result of trauma.
  3. Increased self-awareness: Psychedelics can increase self-awareness, helping individuals better understand their thoughts and emotions. This can be helpful for those who have experienced trauma, as they may struggle with feelings of shame or guilt.
  4. Enhanced communication: Psychedelics can enhance communication between different parts of the brain, leading to new insights and perspectives. This can be helpful for individuals who have experienced trauma, as it may allow them to reframe their experiences in a new light.
  5. Spiritual experiences: Some people report having spiritual experiences while on psychedelics, which can lead to feelings of connectedness and healing.

It’s important to note that while psychedelics may show promise in treating trauma, they should only be used in a therapeutic setting under the guidance of trained professionals or a shaman. It’s also important to have a safe and supportive environment when using psychedelics.

Avaƛa by Ashley Christudason-artist_jungle_eye on instagram - psychedelic art
Avaƛa by Ashley Christudason, 2021, digital psychedelic art

Psychedelic artists:

Vision Crystal, 1997, oil on wood, 16in
by Alex Grey https://www.alexgrey.com/

Here are some notable psychedelic artists, both past and present in no particular order:

  1. Andrew Gonzalez
  2. Luis Tamani
  3. Pablo Amaringo
  4. Amanda Sage
  5. Cameron Gray
  6. Crystalface
  7. Olga Klimova Art
  8. Ashley Christudason (Jungle Eye)
  9. Adam Scott Miller
  10. Daniel Mirante
  11. Dan Lam
  12. Wes Wilson
  13. Rick Griffin
  14. Simon Haiduk
  15. Victor Moscoso
  16. Alex Grey
  17. Robert Venosa
  18. Martin Sharp
  19. HR Giger
  20. Android Jones
  21. Luke Brown
  22. Martina Hoffmann
  23. Carey Thompson
  24. Chris Dyer
  25. Randal Roberts
  26. Allyson Grey
  27. Justin Totemical

This is by no means an exhaustive list, and there are many other talented psychedelic artists out there who have contributed to this fascinating art movement.

Psychedelic art can be found in a variety of mediums, from paintings and drawings to digital art and music album covers. Some examples include Alex Grey’s visionary and spiritual paintings, and the album covers of Pink Floyd’s The Dark Side of the Moon and The Liquid Bloom’s Re. Generations cover painted by a Peruvian artist Luis Tamani. Today, contemporary psychedelic artists, such as Android Jones and Amanda Sage, continue to create psychedelic-inspired works that push the boundaries of traditional art.

visionary art, psychedelic art
white light journal paperback art book, Art by Andrew Gonzalez

The importance of visionary and psychedelic artists:

veronica winters colored pencil
Omnipresent mind, colored pencil on paper, 19×25 inches, closeup
  1. Expanding consciousness: Their art often explores spiritual, mystical, or psychedelic experiences that can help expand our understanding of the world and our place in it. By depicting these experiences through visual art, they can help us access and explore different states of consciousness and emotion. Many psychedelic artists wish to channel feelings of love and connection.
  2. Challenging norms: Visionary and psychedelic art often challenges the norms of mainstream culture, pushing boundaries and exploring ideas that are not typically represented in mainstream art.
  3. Inspiring creativity: Many artists and creatives are inspired by the work of visionary and psychedelic artists, and their work has had a significant influence on popular culture.
  4. Celebrating unity: Visionary and psychedelic art often celebrates love and unity, exploring different cultures, beliefs, and experiences in ways that can help build understanding and empathy across different communities.
pablo amaringo artist- book about ayahuasca art journey-psychedelic art-visionary art
This book has well-written essays and descriptions of Pablo Amaringo’s Art. He shares his visionary art inspired by his shamanic visions after drinking ayahuasca. Art book is available on Amazon .

What is psychedelic art style?

The visual elements of psychedelic art are striking and often surreal but differ from surrealism, imaginative realism or fantasy art. Super bright colors, very detailed geometric patterns, mirrored, symmetrical images, birds, animals, insects and unearthly shapes or beings are common features, and they reflect the heightened sensations and altered states of consciousness that come with psychedelics. Other characteristics of psychedelic art include the use of psychedelic typography, such as wavy and distorted lettering, animals, plants and the incorporation of spiritual and mystical themes that are often explored by mythical and visionary artists as well. Many psychedelic artworks share a sense of otherworldliness, transcendence, and a fascination with the inner workings of the mind. Experienced in safe conditions with integration session before and after a trip, psychedelic journey is a very unique trip tailored to every individual and thus the imagery and knowledge gained during the trip reflects each person’s unique trauma and healing experiences.

The experience of seeing geometric shapes and patterns to create psychedelic art

Psychedelic art incorporates vivid colors, complex geometry and mirrored or kaleidoscopic images that are viewed under the influence of psychedelics. When someone takes a psychedelic substance, their brain experiences changes in perception, leading to visual distortions and heightened sensitivity to colors, patterns, and music. Complex and constantly changing geometric shapes, in particular, can appear to be constantly shifting, morphing, and pulsating, creating a sense of movement and vibrancy in the visual field.

The experience of seeing geometric shapes and patterns while under the influence of psychedelics is a phenomenon that is often referred to as “visual geometry” or “form constants”. These visual effects are thought to occur as a result of the way that psychedelics interact with the brain’s neural pathways and sensory processing centers. Psychedelics like LSD and psilocybin are known to interact with the serotonin system in the brain, which is involved in regulating mood, appetite, and sleep, as well as sensory perception. When someone takes a psychedelic substance, their brain experiences an increase in neural activity and communication, leading to a breakdown in the normal functioning of the brain’s sensory processing centers. Some researchers believe that these geometric patterns reflect the underlying structure and organization of the brain’s visual processing system, which becomes more apparent when the system is disrupted by the psychedelic substance. It’s very difficult to translate this visual experience on canvas and Alex Grey seems to be the most successful artist doing it. However, with the rise of AI -generated art and digital art, it’s much easier to reconstruct very complex geometric patterns and shapes visually that often involves multiplication, kaleidoscopic and mirror-like reflection of geometric patterns.

AI generated image illustrating psychedelic art. (Deep Dream generator)

Furthermore, many psychedelic artists draw inspiration from spiritual and mystical traditions that use geometric shapes as a means of accessing altered states of consciousness. For example, mandalas, which are geometric patterns used in Hinduism and Buddhism, are often used in psychedelic art to represent the self and the universe, and to facilitate meditation and spiritual reflection. The use of geometry in psychedelic art can also be seen as a way of exploring the fundamental building blocks of reality and the mathematical principles that govern the natural world. The use of geometry in psychedelic art reflects both the subjective experience of altered states of consciousness and a fascination with the mathematical and spiritual dimensions of the natural world.

veronica winters trippy paintings
Bliss, 18x24in oil painting by veronica winters

Some psychedelic art style influences:

Psychedelic art is a broad category that encompasses a wide range of styles and aesthetics. While artists try to capture their feelings and messages in a visual format, they also use other visual influences to create their art, including:

  1. Surrealism: Many psychedelic artists draw inspiration from the surrealist movement, which emphasizes the irrational and the unconscious mind. Surrealist imagery often features dreamlike or absurd elements, and can be disorienting or unsettling.
  2. Pop Art: The pop art movement of the 1960s and 70s had a strong influence on psychedelic art. Pop art often features bright colors, bold lines, and commercial or consumerist imagery, and can have a playful or ironic tone.
  3. Art Nouveau: The Art Nouveau movement of the late 19th and early 20th centuries, with its sinuous, organic lines and floral motifs, has also been an influence on psychedelic art. Art Nouveau style has the same principles of symmetry in image creation.
  4. Op Art: Op art, which emerged in the 1960s, is characterized by the use of optical illusions and geometric patterns to create a sense of movement or depth. Many psychedelic artists incorporate op art techniques into their work to re-create a different kind of reality.
  5. Digital Art: With the advent of digital technology, many contemporary psychedelic artists work with digital tools to create complex, abstract images that are difficult to produce using traditional media.

Some popular computer software used to create psychedelic art in digital format:

There are many software programs that can be used to create digital psychedelic art. Some of the most popular ones include:

  1. Adobe Photoshop – This is one of the most widely used image editing programs and offers a wide range of tools and filters for creating digital psychedelic art.
  2. Adobe Illustrator – This vector graphics editor is often used to create psychedelic designs with geometric shapes and patterns.
  3. Procreate – This digital art and drawing app is popular among iPad users and offers a variety of tools and effects for creating psychedelic artwork.
  4. Corel Painter – This painting software is often used by artists to create digital paintings with a psychedelic style.
  5. Fractal Explorer – This program allows users to create intricate fractal designs, which can be used to create psychedelic art.
  6. GIMP – This free and open-source image editing software offers a wide range of tools and filters for creating digital art with a psychedelic style.
  7. Mandala Maker – This online tool allows users to create intricate mandalas, which can be used in psychedelic artwork.

There are several AI programs and tools that can be used to create psychedelic art. Some popular examples include:

  1. Deep Dream – This is a neural network-based algorithm that can generate psychedelic images by processing an original image through multiple layers of artificial neural networks.
  2. Neural Style Transfer – This is another AI-based algorithm that can generate psychedelic art by transferring the style of one image onto another.
  3. Artbreeder – This is an online tool that uses AI to generate new and unique psychedelic art by combining different images and styles.
  4. Runway ML – This is an AI-based software that can be used to create psychedelic art and other types of generative art.
  5. Ganbreeder – This is another online tool that uses AI and generative adversarial networks (GANs) to generate psychedelic art.

AI programs and tools offer a fantastic to create psychedelic art and explore the potential of artificial intelligence in the creative arts.

AI-generated image that shows psychedelic colors and shapes

Psychedelic Art Meanings and Interpretations

Dreams inspire my work, as do various philosophies on spirituality, consciousness and existence. 

Mr. Crystalface (David Faulkner)

The interpretation and meaning of psychedelic art can vary because it’s a deeply personal experience. However, in the 1960s it was a celebration of freedom and experimentation that carried over the negative stereotypes associated with psychedelic art into our culture. One negative idea is that it promotes drug use or is “bad” art, but if you uncover true meaning or purpose of the sacred medicine, you may have life-changing experiences that can help you live in a totally different way with more love and compassion for yourself and others. Sacred medicines help us heal and see beyond our day-to-day reality. They connect us to the vast consciousness of the Universe.

Contemporary psychedelic art is widely inspired by a variety of spiritual and mystical traditions from around the world as well as deeply personal, healing experiences. Many psychedelic artists have been influenced by Eastern religions like Hinduism and Buddhism, as well as shamanic traditions from indigenous cultures of the Americas. It’s a form of spiritual and mystical art, showing transcendental experiences. Most contemporary visionary artists try to capture the altered state of consciousness or the illusive state of mind that shows feelings of profound love, the power of higher consciousness and our interconnectedness with everything living. Contemporary psychedelic art can transport you to healing, nature-infused worlds to feel the connection. When we feel depressed we are disconnected from the source. By experiencing that connection on a ceremonial psychedelic journey, you may lose the fear of death that was described in ancient Greek literature. Today artists try to capture the essence of Oneness in their psychedelic art, which can include mandalas, spiritual symbols, natural world with animals and plants as well as depictions of mystical experiences and spiritual forms rather than just beautiful geometric shapes.

Awakening, mixed media on cradled panel, 18x24 inches
Awakening, mixed media on cradled panel, 18×24″

Psychedelic art wallpaper

If you’re a fan of psychedelic art, you may be interested in incorporating it into your home decor. One way to do this is by using psychedelic art wallpaper. This type of wallpaper typically features vibrant colors, sophisticated geometric patterns, and surreal imagery that can add a trippy and mind-bending vibe to any room. You can find a wide variety of psychedelic art wallpaper designs online, ranging from vintage-inspired patterns to more modern and abstract styles. Whether you’re looking to create a psychedelic-inspired bedroom, a colorful living room, or a funky workspace, psychedelic art wallpaper can be a great way to infuse your space with a sense of playfulness and creative energy. Check out my art posters here: https://veronicasart.com/product-category/art-posters-for-sale/ or entire art shop here: https://veronicasart.com/shop/

psychedelic mandala art veronica winters
https://veronicasart.com/product/green-eye-mandala-art/ | Green eye & leaves psychedelic mandala art, 6×6 inches, framed to 8×8″
psychedelic art
Check out beautiful digital art by Cameron Grey. He offers wallpaper and many printed products of his visionary art on his site-parablevisions.com | Image: C Grey, Perhaps The Dreams Are of Soulmates

The difference between psychedelic and visionary art

It’s important to note that psychedelic art and visionary art are often used interchangeably, but there are some differences between the two. While both styles incorporate bright colors, geometric patterns, and spiritual themes, visionary art often has a more introspective and mystical quality, and it’s often created by artists who have had transcendent experiences, such as meditation or spiritual practice without the use of psychedelics. Psychedelic art, on the other hand, is more closely associated with the use of psychedelics, and it often has a more overtly trippy quality like in the art of Allyson Grey, co-founder of CoSM. Despite these differences, both styles share a fascination with altered states of consciousness and the inner workings of the mind, and they are often inclusive of a variety of contemporary artists.

David Faulkner aka. Mr. Crystalface, Self, https://www.mrcrystalface.com/

Visionary artists

Like psychedelic art, visionary art is a diverse genre that has many talented artists. Here are some visionary artists, both past and present in addition to previously mentioned psychedelic artists in no particular order. This is not an exhaustive list, and there are many other visionary artists who have created stunning and thought-provoking works that blur the line between art and spirituality.

  1. Marijke Koger-Dunham
  2. Roger Dean
  3. Ernst Fuchs
  4. Mati Klarwein
  5. Veronica Winters
  6. Randal Roberts
  7. Luke Brown
  8. Carey Thompson
  9. Laurence Caruana
  10. Autumn Skye Morrison
  11. Mark Henson
  12. David Heskin
  13. Orphne Acheron
  14. Xavi Panneton

The difference between psychedelic art and surrealism

While both psychedelic art and surrealism share some similarities in terms of their use of unconventional imagery, there are several key differences between the two art movements.

Psychedelic art emerged in the 1960s as part of the counterculture movement, and is characterized by its use of vivid colors, swirling patterns, and distorted forms. Psychedelic art often aims to create a visual representation of the psychedelic experience or altered states of consciousness, and is often associated with the use of mind-altering substances.

Surrealism, on the other hand, emerged in the 1920s as a literary and artistic movement, and is characterized by its use of unexpected, irrational, and dreamlike imagery with Dali being the most famous artist in the movement. Surrealist art often aims to challenge conventional perception, and to explore the unconscious mind capturing or interpreting dreams. While some surrealist artists may have been influenced by the use of mind-altering substances, this was not a defining characteristic of the movement.

Another key difference between the two art movements is their underlying philosophy. While psychedelic art is often associated with the counterculture movement and its emphasis on individual freedom and liberation, as well as the medicinal quality of psychedelics, surrealism is rooted in a Freudian philosophy that seeks to challenge societal norms and explore the unconscious mind based on dreams rather than on altered reality during the trip.

photo taken at the Dali art museum in Spain

Famous Surrealist artists:

  • Dali
  • Magritte
  • Remedios Varo
  • Max Ernst
  • Andre Breton
Dali late artworks
Dali’s art displayed at the Dali Art Museum in St. Pete, Florida

How to reach an altered state of mind without the use of psychedelics:

It’s possible to reach an altered state of mind without the use of psychedelics. Here are some ways:

Meditation: Meditation is a practice that involves focusing your attention and quieting your mind. With regular practice, meditation can lead to altered states of consciousness, including feelings of bliss, oneness with the universe, and spiritual experiences.

Breathwork: Breathwork is a practice that involves intentional breathing exercises to induce altered states of consciousness. Different types of breathwork techniques, such as holotropic breathwork, rebirthing, and pranayama, can be used to achieve different states of consciousness.

Yoga: Yoga is a physical and spiritual practice that originated in ancient India. In addition to physical postures, yoga incorporates breathing techniques, meditation, and other practices that can lead to altered states of consciousness.

Sensory deprivation: Sensory deprivation involves removing external stimuli, such as light and sound, to induce altered states of consciousness. This can be done through float tanks, isolation tanks, or other types of sensory deprivation chambers.

Dance: Certain types of dance, such as ecstatic dance or trance dance, involve moving the body to music in a way that can induce altered states of consciousness.

It’s important to note that altered states of consciousness can be powerful experiences and should be approached with care and respect. It’s also important to seek guidance from trained professionals and to have a safe and supportive environment when exploring these practices.

Liquid-Bloom-Re.Generations-Cover-art by Luis Tamani, psychedelic art, visionary art and music
Liquid-Bloom-Re.Generations-Music Album Cover with art created by Luis Tamani

Music & psychedelics

Psychedelic substances like LSD, ayahuasca and psilocybin are known to alter perception, mood, and cognition in a way that enhance the experience of listening to music. Many people report that music sounds more intense, meaningful, and transcendent while under the influence of psychedelics. One reason for this may be that psychedelics increase the brain’s sensitivity to sensory stimuli, including sound. This can lead to an enhanced appreciation of music, and can also cause synesthesia, a perceptual phenomenon where different senses become cross-wired, causing people to “see” colors or patterns in response to certain sounds or musical notes. While the music influences the visuals during the trip, it mostly enhances the meaning or messages you receive during the psychedelic experiences by creating a supportive and immersive environment.

There is a cultural connection between music and psychedelics as well. In the 1960s, the counterculture movement embraced both psychedelic substances and music, with many iconic rock bands like the Beatles and the Grateful Dead incorporating psychedelic themes and sounds into their music. Psychedelic music, with its emphasis on improvisation, experimentation, and unconventional sounds, became a hallmark of the era. There are many musicians and bands that have experimented with psychedelic substances and incorporated psychedelic themes and sounds into their music. Here are a few examples:

The Beatles: The Beatles were famously associated with LSD and other psychedelics in the 1960s, and their music from this period, including albums like “Sgt. Pepper’s Lonely Hearts Club Band” and “Magical Mystery Tour,” is characterized by a trippy, psychedelic sound.

Pink Floyd: Pink Floyd is another iconic band associated with psychedelics, particularly the use of LSD. Their album “The Piper at the Gates of Dawn” is considered a classic of psychedelic rock, and later albums like “The Dark Side of the Moon” and “Wish You Were Here” also feature psychedelic themes and sounds.

The Grateful Dead: The Grateful Dead were known for their association with the counterculture and the use of LSD, and their music was a blend of rock, folk, and psychedelic sounds. Their concerts were often characterized by long improvisational jams that could stretch for hours, creating an immersive and psychedelic experience for audiences.

Jimi Hendrix: Jimi Hendrix was a guitar virtuoso and one of the most influential musicians of the 1960s. His music incorporated elements of psychedelia, blues, and rock, and his performances were known for their improvisational and experimental qualities.

Tame Impala: Tame Impala is a contemporary band that has been influenced by psychedelic rock and other genres. Their music often features swirling, trippy sounds, and their lyrics can have a psychedelic or introspective quality.

psychedelic art
Liquid Bloom, The Face of Love, album cover art titled “Limbic Resonance” by psychedelic artist Amanda Sage

Music list of contemporary spiritual artists playing on Spotify:

Today, we can find musicians who both incorporate their psychedelic experiences into their music and create music for the purpose of listening to it during the spiritual journey, shamanic ceremony or to dance, meditate, or practice yoga. Just like in art, we can find a cross over between the psychedelic music and spiritual one. One such example is Liquid Bloom. Liquid Bloom is a collaborative music project spearheaded by producer Amani Friend of Desert Dwellers. The project blends ambient, world, and psychedelic elements to create a meditative and hypnotizing sound. Liquid Bloom has collaborated with PoranguĂ­, Deya Dova, Mose, Arsen Petrosyan, Ixchel Prisma, Rara Avis, Shamans Dream, and Numatik drawing inspiration from nature and the power of music to heal and inspire. You can find these artists on Spotify!

  • Liquid Bloom
  • Desert Dwellers
  • Maneesh de Moor
  • Pere
  • Starling Arrow
  • Freedom Cafe
  • Tina Malia
  • East Forest
  • Ajeet & Peia
  • Jessica Om
  • Alvaro Santamaria
  • Christian Bollmann & Daniel Namkhay
  • Danit
  • Darpan
  • Porangui
  • Bird Tribe
  • The white arrow
  • Nessi Gomes
  • Tina Malia
  • Sheila Chandra
  • Ohme and many more!
Native Indians giving a ceremonial cleansing in the center of Mexico city, 2023

Why shamans are important for your psychedelic journey?

Shamans are often seen as important guides and facilitators for psychedelic journeys because they have a deep understanding of the spiritual and psychological dimensions of the experience. They have often undergone extensive training and have experience when it comes to working with altered states of consciousness. They can provide guidance, context, healing, and connection. Their main task is healing. They can help to facilitate a safe and meaningful journey, and can help the person to integrate the experience into their life in a way that is positive and transformative. Trained psychologists can help you integrate your experience with the medicine as well.

Some of the ways in which shamans can be important for psychedelic journeys include:

Guidance: A shaman can provide guidance and support during a psychedelic journey, helping the person to navigate the experience and providing a sense of safety and security.

Context: A shaman can help to provide a cultural and spiritual context for the psychedelic experience, which can help the person to better understand and integrate the experience into their life.

Healing: Shamans are often seen as healers, and can use their knowledge and skills to help a person work through psychological or spiritual issues that may arise during a psychedelic journey.

Connection: A shaman can help the person to connect with the spiritual or mystical dimensions of the experience, which can be transformative and life-changing.

What’s the difference between the CBD and psychedelics?

The main difference between CBD and psychedelics lies in their effects on the brain and the experiences they produce. Here’s a breakdown:

CBD (Cannabidiol):

  • Non-psychoactive: Doesn’t induce the mind-altering, “trippy” experiences associated with psychedelics.
  • Potential health benefits: Research suggests it may help with anxiety, pain, insomnia, and other conditions, although more research is needed.
  • Mechanism of action: Interacts with the endocannabinoid system, influencing various physiological and cognitive processes.
  • Legality: Generally legal in most places, though regulations can vary.

Psychedelics:

  • Psychoactive: Produce alterations in perception, emotions, and thoughts, often including intense visual and auditory distortions.
  • Experiences can be varied: Can range from mystical insights to frightening hallucinations, depending on the substance and individual factors.
  • Mechanism of action: Primarily bind to serotonin receptors in the brain, leading to increased neuronal activity and altered signal transmission.
  • Legality: Restricted or illegal in most countries due to their mind-altering effects.

Here’s a table summarizing the key differences:

FeatureCBDPsychedelics
Psychoactive effectsNoYes
LegalityGenerally legalRestricted/illegal
Mechanism of actionEndocannabinoid systemSerotonin receptors
Potential health benefitsAnxiety, pain, insomniaVaried, research ongoing
Common experiencesNoneAltered perception, emotions, thoughts

Top sources for further information:

Information about these substances is constantly evolving, and it’s always best to consult reliable sources for the latest research and legal updates.

Organizations studying psychedelics:

In recent years, there has been a resurgence of interest in the therapeutic potential of psychedelics, and several organizations have emerged to study the use of these substances in medicine and psychology. Here are top organizations that are studying psychedelics:

In this video you’ll see a lecture on the DMT studies and how patterns change depending on the level or dose taken altering the state of mind.
DMT geometry levels explanation taken from the video above. Depending on the dose, human mind sees various geometric patterns based on a level or state reached under the DMT influence.

Multidisciplinary Association for Psychedelic Studies (MAPS): MAPS is a non-profit research and advocacy organization that is dedicated to exploring the therapeutic potential of psychedelic drugs like MDMA, LSD, and psilocybin. MAPS conducts clinical trials and studies to investigate the use of these substances in treating conditions like PTSD, depression, and anxiety.

Heffter Research Institute: Heffter is a non-profit organization that supports research into the therapeutic use of psychedelics. Heffter funds clinical trials and studies that investigate the use of substances like psilocybin and MDMA in treating addiction, anxiety, and depression.

Beckley Foundation: The Beckley Foundation is a UK-based organization that supports research into the therapeutic and medicinal properties of psychedelics. The foundation funds studies into the use of substances like psilocybin, LSD, and DMT in treating conditions like depression, anxiety, and addiction.

Center for Psychedelic Research at Imperial College London: The Center for Psychedelic Research is a research group at Imperial College London that is dedicated to investigating the effects of psychedelic drugs on the brain and behavior. The center conducts studies on the use of substances like psilocybin, LSD, and DMT in treating mental health conditions like depression and addiction.

Soul Quest Ayahuasca Church of Mother Earth: Located in Orlando, Florida, this organization provides retreats and shamanic experiences giving ayahuasca and other psychedelic medicines. Staff, shamans and guides create safe and healing environment helping you with post-integration as well.

As research into these sacred substances continues to expand, it’s likely that we’ll see the emergence of new organizations and initiatives dedicated to exploring the potential benefits of the medicine.

veronica winters painting

Art shop

Some published books about psychedelic research:

There are a number of books that have been published about psychedelic research over the years.

  • “The Psychedelic Explorer’s Guide” by James Fadiman: This book provides practical advice and guidance for people interested in exploring the use of psychedelics for personal growth and spiritual development.
  • “How to Change Your Mind” by Michael Pollan: This book explores the history of psychedelic research, the science behind the use of psychedelics, and their potential therapeutic benefits.
  • “The Doors of Perception” by Aldous Huxley: This classic book explores Huxley’s experiences with mescaline and provides a philosophical and cultural perspective on the use of psychedelics.
  • “The Harvard Psychedelic Club” by Don Lattin: This book tells the story of how Timothy Leary, Richard Alpert (later known as Ram Dass), and other researchers at Harvard in the 1960s conducted pioneering studies on the use of LSD and other psychedelics.
  • “Acid Test” by Tom Shroder: This book tells the story of how a group of researchers and advocates are working to bring psychedelic therapy back into the mainstream and explores the potential benefits and challenges of this approach.

This book list was written with ChatGPT

Conclusion

Psychedelic art is a fascinating art form! Its history, style and spiritual dimensions offer a glimpse into the human psychic, divine spirit and hidden interconnectedness with everything living in the Universe. By exploring and appreciating psychedelic art, we can gain a greater understanding of ourselves and the world around us. If you’re interested in exploring similar topics or art styles, be sure to check out surrealism and visionary art movements. Visionary and psychedelic artists help us expand our consciousness, inspire creativity, and heal our hearts. By exploring new realms we can learn more about ourselves and others feeling the interconnectedness of everything living in the Universe, seeing the divine spirit and being one with nature.

SHOP visionary art for sale now!

If you have a question or want to say’ hello’, connect with me here:

Fixatives & varnishes: what you need to know to preserve your art

Do you know how to varnish art using the varnishes and fixatives correctly? There are numerous videos on Instagram with artists varnishing their art dead wrong. They pour the liquid onto the surface and brush it all over the canvas. I saw one artist at an outdoor art event varnishing her painting in a frame with bugs flying all around her! If you really care about your art and want to preserve it, using your art materials properly is a must. Otherwise paintings may crack or discolor over time.

What’s the difference between varnishes and fixatives?

Key difference between varnishes and fixatives is that varnishes are made for oil and acrylic paintings and fixatives are manufactured for dry media or drawings.

So don’t use a varnish on your drawing! Use final fixative for pastels, pencil, charcoal, colored pencil, and other media on paper, etc. Read labels carefully to decide which fixative or varnish is appropriate for your artwork. A lot of them produce harmful vapors containing acetone and turpentine. However there are some “healthier” alternatives available on the market today. More on that later.

veronica winters colored pencil
Omnipresent mind, colored pencil on paper, 19×25 inches, interior

3 reasons to varnish your art

The environmental changes can produce environmental smudge on a surface of the unvarnished oil or acrylic painting that would be very difficult or even impossible to remove later on. One example is the growth of mold on the painting’s surface. Varnishes and fixatives protect your art from UV light, dust and environmental changes. Varnishes are removable, so that a painting can be cleaned and re-varnished, if necessary.

High-quality varnishes and fixatives bring all the colors out in a painting or drawing. The surface becomes nice and even. Colors seem to gain depth and saturation. Personally I love to see how my drawings and paintings transform after varnishing.

How to varnish your colored pencil drawings, pencil and charcoal drawings, pastels and other dry media art

All fixatives come in several denominations - matte, gloss, semi-gloss, etc. Personally, I prefer matte fixatives because the surface becomes nice and even and doesn't reflect the colors. If you like gloss varnishes, know that it takes a lot more fixative to saturate the paper and make it glossy evenly. 
  • Read directions on the label carefully. Test the spray on a separate piece of paper or magazine page first.
  • Spray 15-18 inches away from your drawing, holding the can at an angle. Move quickly from left to right.
  • Do short spurs and thin layers. Let each layer dry completely for at least half an hour.
  • Spray in a clean and well-ventilated area or outside. Humidity level must be less than 65% in a 55-60F temperature. Otherwise, you may trap the moisture or condensation on the artwork and it would turn cloudy. Depending on the type of fixative, fumes can be hazardous. Once fumes evaporate, bring the artwork inside. I use my bathroom’s countertop to lay art flat and use the bathroom’s ventilator to get rid of the smell completely. Ed S Brickler, technical consultant from Chartpak has a dedicated space in his garage to do the varnishing.
  • Workable fixative is often used to increase the texture of your paper. Colored pencils are made of wax and when the surface becomes too waxy and you can’t layer more color, you can spray it with a workable fixative to increase paper’s tooth so it accepts more layers of colored pencil. I often use a very light layer of final fixative to give me this extra layer to work on. I don’t find the workable fixative as useful as the final one.
  • I strongly advice against buying cheap fixatives because they give uneven coverage and can ruin your drawings.
  • If your colored pencil drawing has some bloom, fix it with a gloss spray first and then use a matte fixative over it. The gloss fixative should even out the surface and get rid of wax bloom.

How to varnish pastels & charcoal drawings

I used to draw in soft pastels before I switched to drawing in colored pencil. Main secret to drawing in pastels is to work from dark to light in layers. Purposefully draw darker in the first layer or two, fix it with a fixative. Then apply lighter layers, fixing each layer. Don’t spray the finished pastel painting heavily because the fixative will darken and change the color. Or use a very light final coat spraying it very lightly.

Drawing with charcoal is about the same. Draw in layers and fix each layer with a fixative.

Don’t spray art if you have sharpie in it. Sharpie will bleed and dissolve.

How to store drawings and art on paper

The best way to store your colored pencil drawings, pencil or charcoal drawings is to lay them flat with glassine paper covering the art. Parchment paper could work as well although the glassine paper is highly recommended and preferred by art professionals. It’s also used for shipping art to create the barrier between unframed art and packaging.

Safe alternatives to traditional fixatives

Non-toxic final fixatives for dry media and colored pencil art

These are the two brands of final fixatives that are made differently and are non-toxic. If you know more about non-toxic fixatives, let me know! I don’t recommend using the Brush and Pencil fixative because the nozzle produces uneven spurs of fixative. It also crumbles thin paper.

How to varnish oil paintings

Oil paintings must be varnished when the paint is dry completely. 6 months must pass before placing a final varnish over the oil painting. But because of possible environmental damage finished oil paintings can be varnished with a retouch varnish first and then varnished with the final varnish in 6+ months.
how to varnish paintings

There are two types of varnishes for oil and acrylic paintings – spray varnishes and liquid varnishes. All varnishes come in several denominations – matte, gloss, semi-gloss, etc. Personally, I prefer matte varnishes because the surface becomes nice and even and doesn’t reflect the colors. If you like gloss varnishes, know that it takes a lot more varnish to even out the gloss.

Damar varnishes seem to be dated because they yellow or darken over time. So synthetic varnishes are preferred to preserve paintings from deterioration.

It's difficult to remove the varnish safely if the paint layers are super thin or the painting was varnished too early.
Princeton 4750 Neptune Mottler Brush can be used for varnishing oil paintings
  • Your space must be very clean. Liquid varnishes attract dust and particles like a magnet that can settle on a varnished surface. The brush should be high-quality and soft not to leave streaks.
  • Pour the varnish into a small and clean glass bowl and deep the brush into it. Start brushing your painting from top left corner moving to the right and then down the painting. You need to be rather quick because the varnish starts drying almost immediately. If you feel that the surface becomes too sticky in one spot, don’t brush over it, rather let it dry. Repeat the process in your second, thin layer moving at a different angle or direction to make sure that everything is covered.
  • Varnishes are self-leveling and applying them in thin layers is the best.
  • If you use spray final varnishes, apply thin layers, letting each layer dry completely for up to an hour. Also, change the direction with each new layer to cover the entire painting surface evenly.

How to varnish acrylic paintings

Same rules apply to varnishing acrylic paintings. However, the first thing is to use “medium & varnish” acrylic varnish. Varnish your acrylic paintings in three days with either matte or gloss final varnish over it.

If you gesso your canvases and panels with acrylic gesso or use acrylic underpainting for oil painting, allow acrylic-based gesso or paint to dry for 3 days before starting painting on the surface!

References & resources:

If you’re unsure how to use your particular varnish or fixative, go to the manufacturer’s website. Companies have their own blogs and videos showing how to use their products correctly.

This information is based on my conversation with technical consultant from Chartpak inc- Ed Brickler. You can watch our conversation in a video below. This interview is also available on my Hooked on Art podcast on Spotify & Apple.

Here is a great resource on oil painting varnishing from Gamblin: https://gamblincolors.com/oil-painting/gamvar-picture-varnish/

Amazon links to art supplies I use the most often:

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Dan Lam: questioning reality with resin-based psychedelic art | Hooked on Art Podcast Interview 2023

Dan Lam: questioning reality with resin-based psychedelic art in 2023

Subscribe & Rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

psychedelic resin art sculptures by dan lam- hooked on art interview 2023
Psychedelic resin art sculptures by Dan Lam- hooked on art podcast interview 2023 | images copyright Dan Lam

Vietnamese-American contemporary artist, Dan Lam plays with color, texture and form to create her psychedelic resin art sculptures. Questioning reality, she explores her ideas visually asking the viewers to embrace curiosity and fun. The artist works from her studio in Texas making big and small playful resin art sculptures out of different materials including foams, polyurethanes, resins, acrylics, and
polymers. The experimental sculptures become blobs, drips, and squishes that you can find in an art museum, gallery space or Meow Wolf center in Texas.

The artist received her BFA from the University of North Texas in 2010 and earned her MFA degree from Arizona State University in 2014. She amassed an impressive social media following on Instagram and TikTok of over 1 million followers combined. In the interview Dan talks about the resin art techniques and how she combines the materials to make her drippy sculptures. She also shares her experiences taking the psychedelics and how they changed her perception of reality. Dan shares her tips how to grow Instagram following, what inspires her and so much more!

Lam has exhibited her resin art sculpture in Dallas, San Francisco, New York, Paris and Munich. Her colorful, psychedelic art can be found in the collections of Miley Cyrus, Demi Lovato, 2Chainz, The Game, Lily Aldridge, and the Tisch family. Lam has collaborated with several tech companies like Facebook and Virgin.

"My work explores sensational dichotomies, such as beauty vs. repulsion, and chance vs. control, by combining unconventional materials, organic forms, and bright colors...I embrace an intuitive process that relies on play, experimentation, and striking a balance between control and flexibility. I am most interested in viewer experience and creating work that encourages interaction." 

Video is available on YouTube: https://youtu.be/SoACf9pE6NM

Artist’s portfolio: https://bydanlam.com/

Vizcaya Museum and Gardens: Florida’s best mansion to see

VIZCAYA MUSEUM-veronica winters art blog
VIZCAYA MUSEUM, one of central rooms in the mansion of James Deering

VIZCAYA MUSEUM review

What a fantastic place to visit in Coconut Grove, Miami’s oldest neighborhood! In fact, this is the most beautiful estate museum I’ve visited in the US so far. It’s better then the Ringling estate and the Flagler one. Reminiscent of the old European architecture, the mansion reminds me of Venice and its mysterious charm. James Deering envisioned the mansion build in style of several European historical periods and so some rooms have Venetian influence, others Spanish. There’s also a large room with Chinese art.

VIZCAYA MUSEUM-room-veronica winters art blog
VIZCAYA MUSEUM-room, all pictures are by Veronica Winters

VIZCAYA MUSEUM-elevator-veronica winters art blog
VIZCAYA MUSEUM-a small elevator that was build just in case Deering needed to come down from the second floor..
VIZCAYA MUSEUM-little phone room

The Garden

old trees in the garden

The garden is similar to the one in Versailles. Every corner of the garden is eternally beautiful! I can sit and sketch there for hours if I could. It’s amazing to see this Mediterranean Revival art style integrated into the Florida landscape of mangroves and lizards. Get ready to spend at least two hours walking down the garden and examining the rooms of the estate. The cafĂ© has tasty food and drinks if you’d like to have a bite there. What a treasure and a must-see in Miami for sure!

VIZCAYA MUSEUM-garden-veronica winters art blog
VIZCAYA MUSEUM-garden

History

Vizcaya mansion used to be the winter residence of James Deering, an industrialist from Chicago. Born in 1859, Deering was incredibly wealthy and owned several properties in France, Chicago, Miami and New York. A retired multi-millionaire, he moved to Miami because of his poor health. The 130 acre estate took nearly a decade to complete. James died at 65 years of age and his nieces sold the estate to the county after the two hurricanes devastated the property they couldn’t maintain.

VIZCAYA MUSEUM-staircase-veronica winters art blog
VIZCAYA MUSEUM-staircase
VIZCAYA MUSEUM-little window-veronica winters art blog
VIZCAYA MUSEUM-little window

Art

VIZCAYA MUSEUM-stained glass windows
VIZCAYA MUSEUM-stained glass windows
VIZCAYA MUSEUM-pompeii sculpture-veronica winters art blog
VIZCAYA MUSEUM-Pompeii-like sculpture
VIZCAYA MUSEUM-sphynx-veronica winters art blog
VIZCAYA MUSEUM-sphynx in the garden
One of sculptures found in the vast garden
VIZCAYA MUSEUM-marble sculpture of Marion Deering McCormick, Jose Clara, 1927

The museum is open Wednesday through Monday, 9:30 a.m. to 4:30 p.m, including December 31 and January 1. https://vizcaya.org/ | ADDRESS: 3251 South Miami Ave. Miami Fl. 33129

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ART WYNWOOD 2023: the sudden rise of commercial, mind-blowing art that changes the game in art collecting

Leo Manelli at art wynwood 2023-veronica winters art blog
Leo Manelli, Bel-Air Fine Art Gallery at Art Wynwood 2023 (price estimate 6000-12000 euros)

On February 16, 2023, ART WYNWOOD kicked off its 10th edition with exuberant crowds, diverse art and energetic vibe. Held during the presidents day weekend, the art fair welcomed art collectors big and small to enjoy art, cocktails and trendy hangout. Smaller than the CONTEXT Art Miami, this winter art fair was held in the same spot – One Herald Plaza @ NE 14th Street, on Biscayne Bay, Downtown Miami. Thursday’s VIP Preview benefited The Bass – Miami Beach’s contemporary art museum.

MARCO GRASSI HOFA gallery at art wynwood miami
Marco Grassi, HOFA gallery at Art Wynwood Miami
broken koons balloon dog sculpture-veronica winters art blog
During the opening night -VIP preview-someone knocked off Jeff Koons’s shiny balloon dog sculpture made of glass. Staff was very quick to take care of it and the crowd dissolved as quickly as it appeared around the broken sculpture. The gallery that displayed the balloon sculpture was also quick to delete the entry in the computer. Bel-Air Fine Art continued to show art that evening and no one seemed to be asked to pay for it. My guess, art of this kind gets insured to prevent accidents and stealing. You can see it in the video I shot displayed below.
MartĂ­n Mancera, Putin, mixed media,78in galeria casa cuadrada art wynwood- veronica winters art blog
MartĂ­n Mancera, Putin, mixed media,78in, galeria casa cuadrada, art wynwood 2023, $25000

ART WYNWOOD attracted international crowd of the rich during the opening night in downtown Miami. Some walked off their yachts to see the show, others stepped out of their winter houses to enjoy the artsy night. People with dogs, women in hats, men in colorful shirts. Hispanic. White. Black.

The most fascinating part about such art fairs is the variety of presented art. Painting, drawing, sculpture, mixed media art, light-based art, textile art, photography – these general categories take on a new life here. Walking into the art fair in Miami can be both exciting and draining seeing so much art at once. Cutting-edge, contemporary art often tests the limits of what’s possible, appropriate or imaginable. Attracting wealthy viewers from afar, most paintings are very large to occupy the white walls at the fair. In fact, some art won’t fit your regular living room wall. They range from 50 to 80 inches in length. That’s how big those artworks are. Sculpture is often a hard-sell in a commercial gallery but it doesn’t seem to be the case here. It’s quite impressive to observe an array of subjects, materials and sizes presented at the Art Wynwood.

Jorge Jiménez Deredia, Capullo, marble sculpture, Contessa gallery at ART WYNWOOD
vladimir kush, kush fine art gallery at art wynwood
Vladimir Kush, Kush Fine Art gallery at Art Wynwood

Art Galleries

Art Wynwood showcased contemporary art from more than 50 established and emerging international galleries. The galleries included the following: 

  • Aldo Castillo gallery: Aldo presented Daniele Fortuna who uses a variety of materials to create the the sculptures so they can be touched.
  • Blink Group Fine Art presented Hebru Brantley’s fiberglass and acrylic sculpture that borders childhood memories, pop-up culture, shiny colors and Hero narratives.
  • Bel-Air Fine Art showed Leo Manelli’s acrylic paintings that combine classical art with contemporary pop culture.
  • Chase Contemporary: RISK debuted four new Virtual Reality graffiti prints, which  come to life through the screen when activated via a phone camera. 
  • Heitsch Gallery showed Eike König, whose sarcastic social commentary is internationally recognized.
  • Liquid Art System presented hyperrealist art by Attilio Cianni and sculptures by Peter Demetz
  • Cernuda Arte presented works from 20th century modern artists Wifredo Lam and Carlos Alfonzo
  • Contessa gallery showed Jorge JimĂ©nez Deredia‘s sculpture.
  • HOFA gallery presented popular Italian artist Marco Grassi who creates big figurative abstractions in gold and silver leaf, paint and resin.
  • Quidley & Company showcased a variety of wall art.
  • Goldman Global Arts Gallery presented a collection of 15 artworks by artists, including Leon Keer, Hebru Brantley, Dan Kitchener, Kai, and Okuda.  
  • Kush Fine Art Gallery presented paintings and sculptures of Russian-American artist Vladimir Kush who works in metaphorical realism combining surrealism and natural elements.
  • Laurent Marthaler showcased new works from Swiss artists Crystel Ceresa and Daniel Cherbuin.
  • Avant Gallery presented Tim Tadder’s works created with Artificial Intelligence.  
christian alexander albarracin-paper sculpture-blink group gallery-art wynwood
Christian Alexander Albarracin, paper sculptures, Blink group gallery at Art Wynwood
hijack-got your nose, contessa gallery, art wynwood
Hijack, got your nose, mixed media on wood cut, $62000, Contessa gallery, Art Wynwood 2023
DANIELE FORTUNA, girl with a pearl earring, aldo castillo gallery-art wynwood 2023
DANIELE FORTUNA, girl with a pearl earring, 27x17x26, acrylic and mixed media on wood, $8500, Aldo Castillo Gallery, Art Wynwood 2023
Jorge Jiménez Deredia, gemelos, sideview, bronze sculpture-contessa gallery-art wynwood-veronica winters art blog
Jorge Jiménez Deredia, Gemelos, sideview, bronze sculpture, $65000, Contessa gallery at Art Wynwood
joe black, beautiful game, plastic flowers side-eternity gallery miami-art wynwood
Joe Black, Beautiful Game, plastic flowers, eternity gallery Miami, Art Wynwood 2023
Leo Manelli, acrylic painting, Bel-Air Fine Art Gallery at Art Wynwood 2023
attilio cianni art wynwood 2023
Attilio Cianni, Liquid Art System Gallery at Art Wynwood 2023
Eddy Maniez.Fr- Moon Fish, resin,crystal silicone-gallery got-art wynwood
Eddy Maniez.Fr- Moon Fish, resin, crystal silicone, Galerie Got at Art Wynwood
roberto fabelo-a bit of us-art wynwood
Roberto Fabelo, a bit of us, bronze sculpture, 44x30x21, $145000, 6 of 7, Cernuda Arte gallery
This is a visual summary of my visit to the Art Wynwood art fair in Miami, February 2023

Location:

Tickets are: VIP-$225, General admission – $36.50, Senior/Student-$25. Garage parking is $30

http://www.artwynwood.com | February16-19, 2023 | Location: ​The Art Wynwood Pavilion, One Herald Plaza @ NE 14th Street, on Biscayne Bay between the Venetian Causeway & MacArthur Causeway, Downtown Miami

If you’d like me to cover your art gallery, event or show, Contact

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Jack of the Dust mask skulls-hooked on art podcast interview of Andy Firth

Jack of the Dust: the man behind the skulls in 2023

Subscribe & Rate this podcast on Spotify and Apple | Show your support for the podcast: here | Podcast Host: Veronica Winters, MFA | veronicasart.com

Jack of the Dust skulls-Hooked on Art Podcast Interview
Images: Jack of the Dust handmade sculptures of skulls | Hooked on Art Podcast Interview

In this candid interview Andy Firth aka Jack of The Dust shares his art, heart and vision. Andy is a self-taught Australian artist who established his art business in a home garage in 2013. Now he produces artful skulls in 4-6 releases a year and manages a crew of 15 people to make and ship art globally! He sculpts his original pieces by hand combining various materials such as clay, acrylic paint, and cinema-grade urethane resin to resemble various surfaces and textures that include skin, bone, steel, and stone.

Andy borrowed the term ‘Jack-of-the-dust’ from the Royal Navy of the 1800s. These were ship’s assistants who worked in the dusty bread storeroom. In the interview the artist explains his connection to the term and how it relates to his brand name and work.

The vanitas theme was one of major topics explored by artists throughout art history. The depiction of a skull, coffin, hourglass and dying flowers often illustrated the impermanence of human life in paintings. The skull served as a reminder of inevitable death in art. Yet, it has another meaning for Andy, which he eagerly shares in this interview.

The artist gives his reasons why art is important. He also shares his views on AI art. Andy explains his creative process, gives some cool art marketing and Instagram tips, and acknowledges the importance of failure to propel and ignite his creative and passionate career in the arts. Tune in now!

Video is available on YouTube: https://youtu.be/1EJOTNOlJ58

Contact Jack of the Dust: https://jackofthedust.com/

How to draw glass in colored pencil

how to draw glass

5 tips drawing glass in colored pencil

In this post I’d like to explain the basics of drawing glass and other glass-like, transparent or reflective objects in colored pencil. At the end of this article you’ll find additional resources such as my online video course and drawing demonstrations that will give you more colored pencil drawing ideas on how to draw glass.

Drawing crystal or glass or other reflective surfaces is not as difficult as you may think once you understand the basic principle behind it. Observation is key!

How to draw wine glass veronica winters
Drawing of wine glass, Veronica Winters

How to draw glass: tip #1 | Symmetry & ellipses

The accuracy of shapes is the first important element in colored pencil drawing of any surface like a wine glass or cup. When you draw the wine glass, the shape of the wine glass itself must be perfect or very accurate having symmetrical sides and correct ellipses.

In the beginning, it’s a very laborious process to get the accurate drawing of shapes but overtime you’ll become a better draftsman, and it will be much easier to keep the shapes accurate, even and symmetrical. Therefore, to draw realistically, you must strive for achieving the most accurate shape (outline) of your drawing.

The overall shape of the object mustn’t be crooked or uneven.

how to draw wine glass
This is an example of me using the folding technique on tracing paper. I basically sketch out a wine glass/cup/vase as I see it. Then draw the line right through the center. Fold. Trace my best side onto another side. Unfold. Then I transfer that symmetrical outline onto my drawing paper. I have extensive instructions of this drafting technique in my art book “The Colored Pencil Manual”.
Why don’t we just transfer the outlines right from a reference using a window light or a light table? Camera lens distort reality and produce crooked forms. If you use a zoom lens, sometimes you can almost see a fish-eye effect that is very noticeable on linear objects and architecture. Don’t be a slave to your camera.

How to draw glass: tip #2 | General pattern

glass object venice pavilion 2017
Unique glass object at the Venice pavilion, 2017 | Here the general pattern of crystal glass is quite difficult to ‘copy’ unless it’s drawn really big.

In colored pencil drawing of glass and crystal you should aim to break it down to general pattern first and then fuss over the details. See if the crystal glass has patters with ray cuts, squares, etc. You want to be perfect at repeating this pattern as it curves around the form. Only after that you look at the abstract shapes and colors found within this pattern.

how to draw glass
I created this drawing over a decade ago when I was learning how to draw glass in various shapes such as marbles, wine glass and crystal. The crystal vase has a rather simple, ‘repeatable’ pattern.

Your aim is to copy the largest shapes found within the design of glass object. It makes sense to either draw big, so it will be easy to put all the abstract designs you see in your colored pencil drawing of glass, or pick a crystal vase with a very simple pattern you can copy in art.

 how to draw glass
Still life with a vase, 9×12 inches, lightfast colored pencils on paper | This glass vase doesn’t have the pattern on its surface like crystal vases do. However, it has the ‘abstract shapes’ inside it because of its transparency. I always try to copy major shapes I see. I also curve the lines in accordance with the object’s shape.

Always try to find major abstract shapes within the vase or glass. Copy those shapes as precise as possible. Usually these are distortions, patterns or color movements either inside the glass or on its surface.

How to draw glass: tip #3 | Color behind the glass

how to draw glass
In this drawing the glass heart is semitransparent. It shows a lot of black – the color of its background. The black inside the heart is less color-intense because it mixes up with other hues of the glass.

Glass surface always reflects something behind and around it. So colors of the background must be very similar to the ones inside the wine glass/ glass vase/ glass object. Color intensity could very though.

how to draw texture
Here the same glass heart has a slightly different color because some background white shows through it.

How to draw glass: tip #4 | Soft colored pencil shading

Colored pencil drawing of glass requires soft shading. Lines must be short not to flatten out the shape. To create volume in the glass vase or wine glass, pay attention how abstract shapes found on the surface curve and wrap around the object.

Curve lines. Shade softly with short, overlapping strokes. Don’t make lines and shapes inside the vase or glass too straight because it flattens out the object. But if you have a bottle with straight sides, these lines must stay nice and straight.

how to draw glass
Turquoise tea set, 10×12 inches, lightfast colored pencils on paper | In this colored pencil drawing you can see how the objects’ edges stay crisp while shading inside the teapot is very soft. Colors flow one into another without having separate edges or unevenness.

Always try to improve your shading by placing tight, overlapping strokes. Don’t rely on fixing the unevenness of your shading with the blender. Rotate your paper to place the pencil strokes in the right direction. One of my favorite colored pencil brands is Caran D’ache Luminance because they’re very soft, durable, lightfast and blend exceptionally well simply by shading tightly or crosshatching with them. They’re very pricey but can make a great gift for every colored pencil artist.

How to draw glass: tip #5 | Blending

Glass has no texture. To imitate this glass-like surface colored pencil blending becomes key. Sometimes you don’t need extra blending if you shade with sharp pencils overlapping, crosshatching or moving in circles to create tight shading. Paper’s texture has a lot to do with it. Paper must be smooth with just a bit of paper tooth to adhere the colored pencil to. If your drawing paper has lots of texture, then blending is necessary.

how to draw glass
Glass chandelier, Veronica Winters | Many years ago I was fascinated by glass chandeliers when I was learning how to draw glass. I made several colored pencil drawings based on my photos I took at the palaces. I loved capturing all the reflections inside large glass and crystal shapes.

To imitate the smoothness of glass I shade everything with heavy pencil pressure. Usually I don’t use the blender. If you think your shading is not complete without additional blending, use Caran d’Ache full blender at the very end. Blend everything where you don’t want to see any texture. Glass vase has no texture but flowers sticking out of it might have some texture, for example.

Putting it all together

 how to draw wine glass
Still life with a wine glass, 9×12 inches, lightfast colored pencils on paper, private collection | This drawing is available as a downloadable step-by-step drawing demonstration “How to draw wine glass”

Step back and look at your colored pencil drawing of glass from a distance. Is the overall shape of the wine glass correct? Do you have enough variation in values ranging from light to dark? These are potential places to fix things. Is glass smooth with nice transitions? Do you have strong highlights?

Oftentimes the blending step is not the last one in drawing of glass. Additional layering may be necessary to tweak the values or to soften the edges. When the surface becomes too waxy and doesn’t accept any more pigment, spray it with a fixative for dry media (I recommend Grumbacher). Let it dry and try shading it once again.


colored pencil techniques video course by veronica winters
https://veronica-winters-art-school.teachable.com/p/veronica-winters-complete-colored-pencil-techniques-in-90-days
how to draw glass
Glass bunny, Veronica Winters | This drawing is available as a step-by-step demonstration in the Colored Pencil Magazine Workshop series (February 2021).
colored pencil manual veronica winters
I have two chapters dedicated to drawing glass and reflective surfaces. I explain how to make symmetrical shapes in wine glass and many other reflective objects. The colored pencil manual is sold on Amazon.

The Colored Pencil Manual art instruction book: https://amzn.to/3fRpoEb

How to Color like an Artist art coloring book: https://amzn.to/2LtH0Iq

Art business ideas from Sensei Alford and Courtney Miley

Stop sending artist portfolio to galleries, this is how it works! Tips from Courtney Miley & Sensei Alford | Ellemnop.art gallery

Art Business Ideas That Work

Subscribe & Rate this podcast on Spotify and Apple | Show your support for the podcast: here | Podcast Host: Veronica Winters, MFA | veronicasart.com

Into the chaos, 24×30″ by Courtney Miley

In this episode you’ll meet with Sensei Alford and abstract artist Courtney Miley from the ELLEmnop.art gallery. They both live in Baton Rouge, Louisiana.

We discuss art and the business of art. Courtney shares her motivation behind painting, challenges and outcomes. Sensei talks about his art business ideas and secrets how he finds clients, artists and vision in his daily work.

Contact: Keidrick ‘Sensei’ Alford, gallery co-owner | sensei@ellemnop.art | Courtney Miley, abstract artist https://ellemnop.art/galleryinfinity/


Highly sensitive people: how to prioritize well-being to tackle personal crisis

Subscribe & Rate this podcast on Spotify and Apple | Show your support for the podcast: here

Have you noticed you can’t stand violence watching movies? Or that you get really upset being rejected? Or you feel drained after visiting a party? Most artists I know are highly sensitive people including me. Our sensitivity lets us feel deeply to create beautiful art but it can also devastate us, bring pain and suffering. Instead of looking at this personality train as a weakness, let’s explore the advantages of being sensitive. We’re going to do a deep dive into the psychology of sensitive people and how we can calibrate our gift of sensitivity to be the best versions of ourselves.

Highly sensitive people: who are they?

Written by Mariya Shiyko, PhD, creator & owner of Joyful & Creative Living | Instagram & Facebook

Definition:

Highly sensitive people (HSP) are those who feel everything deeply and have a very deep inner life. They:

· Can’t watch violent films or shows and they avoid reading or staying informed about the violence

· Get tired when they spend a lot of time in noisy and high-stimulation environments

· Can’t live without self-care. If deprived of it, they can have a break-down or engage in unhealthy behaviors

· Enjoy art and often are very creative themselves

· Get overwhelmed by stress and, in fact, try to avoid stressful situations

· Feel deeply and tend to be more spiritual, philosophical, and empathetic, caring about the world

The upsides:

There are many upsides for the HSP. In many ways, they are gifted — and can be spiritual, creative, smart, and charismatic people because they can sense the situation without any words.

Imagine that someone knows what you want without you even telling them. They care about the world, feel its pain, and want to improve it. They often go into caring, teaching, and serving professions. The world is a better place because of them.

There is about 20% of HSP in the general population, and they are equally likely to be men and women. Although, for men, it might take longer to discover that, since there is still a very high stigma of sensitivity and emotional depth. The macho culture is dying very slowly.

Differences:

There are physiological and neurocognitive differences between HSP and non-HSP — information is processed differently, the stress response is activated at a different rate, and emotions are accessed in a different way. If you are interested in learning more about HSP, you can read this book by Dr. Elaine Aron “The Highly Sensitive Person: How to Thrive When the World Overwhelms You.” There are more reading recommendations in references, at the end of this blog post.

I want to discuss, however, four topics relevant to HSP:

Self-Esteem & Self-Acceptance

For HSP to develop high self-esteem and self-acceptance, parenting has to be uniquely tailored to their needs to “be heard and be seen.” This is unlikely in many situations. Given that emotional intelligence has been only on the rise in the last decade in the USA, and most of the world is still lagging behind, the likelihood that HS children were acknowledged and not judged for their emotions is very low.

In fact, they might have been shamed for feeling in a specific way and not given an opportunity to express themselves if their experience deviated from the “expected” or the “norm.” In such conditions, HSP might grow up with feelings of ‘SOMETHING IS DEEPLY WRONG WITH ME,” trying to fit in into the normal way of being and not fully finding comfort there either.

Solution:

· Understand that you are not alone. 20% of the population is a substantial number. You are not a minority. Normalizing the fact that HSP exists is part of the solution.

· Self-parenting would be a big component of your healing journey. You will need to learn how to self-parent yourself while being an adult. This means: recognizing your needs for extra time off, quiet time, self-care, and anything else that your nervous system needs to feel safe and, more than that, — flourish!

· Educate yourself to recognize needs, desires, and mostly strengths because you have lots of unique strengths that other people don’t have.

· Express your needs in relationships but don’t expect that people will remember them forever — you will need to keep reminding yourself and others about your needs.

· Forgive — your parents, bosses, and others who might have not recognized you as an HSP and created unbearable circumstances in your life. This will bring your peace and sanity. Emotional intelligence is still on the rise, and mental and spiritual health awareness is still in its infant stage of development. The general population will need time and education to catch up.

Relationships

It is fascinating that HSP might fluctuate between really enjoying social interactions because they bring them joy, depth of experiences, and an opportunity to contribute to this world. On the other hand, the same social interactions might bring stress, overwhelm, and overstimulation.

What other people consider “fun” — going to bars, drinking, participating in highly stimulating activities, HSP might find enjoyable to a degree or not enjoyable at all, depending on how sensitive their nervous system is. The “dose” of stimulation might vary from mild to extreme.

HSP are a gift to be in a relationship with — they understand and perceive the world deeply and have a lot to contribute to a relationship — from knowledge to intuition to care to creativity to the unbeatable skill of knowing before something actually occurs, as if by magic — seeing the future. Yet, their needs might be perceived as weird or unacceptable, even judged by other people.

Solution:

· Know yourself really well — because other people won’t know you and it’s not really their job to know you. Knowing yourself is a process — it’s not a one-time thing, it will unfold and deepen with time.

· Express yourself and your needs. If someone doesn’t want to listen or respect who you are, these are probably not the right people to socialize with. It’s not their fault and it’s not a reason for you to get angry with them. But understand that you don’t need to sacrifice yourself to be in a relationship — be it romantic or friendship or collegial.

· Know your boundaries, set them, express them, and know that you don’t need to feel guilty about boundaries. Imagine someone with diabetes saying, “I can’t have sugar.” That is normal and, in most cases, won’t be judged. The same thing for HSP — there are boundaries on your emotional, physical, and spiritual well-being — you can’t do certain things and you have to do certain things to stay healthy, well, and flourish.

· Be aware that there are people who have a tendency to take advantage of others in some way. It is not OK for you. Say “NO” to such people. They might not do it intentionally, but it is still your responsibility to say “NO.”

· Joyful and Fulfilling relationships are possible. So, no need to settle for something mediocre and self-defeating.

Work

HSP has much to offer to this world — they come with unique gifts and talents. They are not concentrated only in one domain of expression: for example, only psychology or only arts. They can be everywhere and anywhere — in business, agriculture, management, therapy, and so on. HSP can also be very skilled high-level managers: they care about people, pre-emp problems with solutions, and have a capacity to take on a high-bird perspective on business and situations.

There are also some challenges that HSP need to be aware of that brings us to

Solution:

· Need for rest and self-care — they simply can’t work 10 or even 8 hours a day. They must rest to avoid a break-down

· Need to process their feelings and emotions and find meaning in them. Part of the gift of being an HSP is to feel deeply about the world. Just being a manager or a teacher or an artist is not enough. HSP need to find and derive meaning from things. And this is a HUGE need for HSP. Time needs to be left in a day or a week to journal, communicate with a close friend or engage in anything else that facilitates meaning creation (e.g., art, movement, prayer, etc.)

· Need for a safe work environment. Recognize that your workspace needs to be created in a way that is helping you to work rather than you struggling to work. Inter-personal conflicts, messy desks, common working spaces might not be for you. Bring beauty and peace to your work.

· Remember that you don’t need to take care of everyone in your work environment — everyone’s problem is NOT yours. It is great to be compassionate and caring, but you can’t carry the world on your shoulders

· Be aware of people taking advantage of your kindness and energetic compassion and giving. In the end, it’s always a personal journey. Let others be somewhat independent. In the same way that you need to learn to parent yourself, encourage others to do the same. Yes, you can ask and demand that from others.

· If you are in a position to hire people, you can absolutely set criteria for other self-care. In the same way that you wouldn’t want to have a drunk in your beautiful home, you wouldn’t want to have a drunk in your office or workspace. And you can reject people who don’t understand that taking care of themselves impacts everyone around — that is OK.

· Working for yourself is also a solution, where you are able to set your timetable, conditions, and collaborations.

Spirituality

HSP might find themselves attracted to spirituality because they are interested in questions such as “Who am I?” “Why the world is the way it is?” “How can I be happy in life?” “What is my life purpose?” “What is the nature of God?” etc. Their intuitive understanding of things might bring them very special experiences in the realm of spirituality, such as oneness, direct communication with spiritual beings, extreme intuitive knowing of things, and a deep understanding of spiritual concepts.

There are also challenges that come with it. For instance, getting a bit lost in spirituality and thinking that the spiritual world is more important than the human world — simply because the human world doesn’t seem to be able to take care of their needs. They may devote too much time to spirituality for that very reason, seeking healing, transformation, and wholeness.

Solution:

· Remembering that healing is a journey, it’s a process. Choosing a gentle path of healing is important so that traumas from the past are not triggered many times. Coming from the place of self-love and self-acceptance.

· Being gentle with yourself, paying attention to your needs.

· Knowing that healing is possible and that you don’t need to choose “being spiritual” or “being human” — you can have both worlds coexisting and helping each other flourish, create and enjoy life.

· Trusting ease and joy, making an effort to make changes in your life that align with your physical, mental, and spiritual well-being

· Allocating time for meditation, prayer, and any other spiritual practice

· Sharing the depth of your experiences with others — by blogging, creating art, having conversations, etc.

· Accepting the challenging sides of being an HSP and accepting yourself as a whole, the unconditional love so to speak — not rejecting the parts of you that are sensitive and need extra love and care

· Learning how to let go of pain — is very important. You don’t need to suffer all your life just because there is so much pain in the world. You don’t need to save the world. You don’t need to be Mother Theresa for everyone coming your way.

· Create healthy boundaries even within yourself — indulging in heavy emotions is draining for your psyche: feel and learn to let go.

· Learn practices that uplift you. You might have a tendency to allow yourself to feel everything. Which is wonderful, but learning how to raise your energy and uplift your vibration, so to speak, is extremely important for leading a fulfilling life.

I hope this article was helpful for you or someone you know who exhibits the qualities of an HSP. It was inspired by my personal life journey and sensitivities to feel deeply. It’s been a great challenge and a marvelous blessing that I am learning to embrace. As I grow to understand my needs better and express them to others, I see my life transform and improve in myriads of ways. And I wish you all the blessings and joy you can experience in a lifetime that is so complex, beautiful and inspiring to growth.

References:

  1. Elaine Aaron, PhD (2020). The Highly Sensitive Person: How to Thrive When the World Overwhelms You.
  2. Elaine Aaron, PhD (2001). The Highly Sensitive Perso in Love: Understanding and Managing Relationships When the World Overwhelms You.
  3. Sensitive: The Untold Story (film)

Written by Mariya Shiyko, PhD, creator of Joyful & Creative Living You can learn more about Mariya’s coaching, services, and books on her site. Mariya’s books: My Brilliant Money Book & From Russia to Joy

Video Podcast talking points:

  • Who are highly sensitive people? 8:09 min
  • Finding meaning in life 17 min & 38:50
  • Self-parenting 18:45
  • Setting boundaries 26:30
  • How to stop negative thinking 30:54
  • How to say “No” 32:26
  • Child parenting 35 min
  • Letting go of pain 46:44
  • What is energy healing? 52:50
  • How beliefs create reality 58 min
  • Books and more 1:05

Check out visionary art for sale: http://veronicasart.com/

How to promote your art and advance your career to sell more art

How to Promote your Art and Advance your Art Career

The following article is the advice I’d give myself over 25 years ago when I began drawing. I was shy, clueless and too naĂŻve to believe that someone would see me or discover my art after I have my college degree. If you think like me, stop it. There’s a very slim chance of this happening unless you’re super lucky. Instead focus on cultivating your ability to promote yourself shamelessly. Yes, shamelessly. You must feel good about it though to sound confident and sincere talking about your art.

Stop asking for permission to do what you want. No one can give you the advice that feels right for you. Only you know what’s genuine to your soul and what feels off. Give yourself permission to feel and dream. Let yourself be free to express who you’re! Be unique.

interior space-veronica winters paintings


One thing no successful artist shares with others is his business know-how. Here’s one of life-learning lessons from me
Success in artist career strongly correlates to the artist’s personality.. No strategy or marketing advice will work for you if you’re not extraverted and confident, or you don’t attempt to adapt to your circumstances and pursue your goals with relentless passion. If you avoid people (my case), your sales are very limited because guess what? You sell art to people around you or with whom you develop a relationship.

Money affirmation from Bob Proctor:
I am so happy and grateful now - that money comes to me in increasing quantities through multiple sources on a continuous basis. 

There are several effective ways promoting your art:

  1. The most effective way is to work on publicity efforts that include both local and national magazines, newspapers and presentations. Aftercall, that’s the reason why PR firms exist. They promote artists heavily. The artist must lead with a story and emotion to generate interest in his/her work. This strategy must be ongoing reaching out to top publications with lots of potential for bringing relevant traffic. The subcategory in this strategy is to be active in relevant groups on Facebook to help others, befriend, and generate genuine interest. Local media likes the community aspect in artist’ press releases meaning that your event needs strongly correlate to you local scene (is it a show with a community outreach? A donation for cause? or something else?)
  2. Have strong, professional presence online via your site, Instagram and possibly affiliations with art organizations.
  3. Collaborate with pro artists on special projects or shows and events who are a few steps ahead of you. It’s useless to run after people who don’t care what you do but you must continue reaching out, maintaining social presence to find those who are supportive of your vision.
  4. Find a successful mentor who might not be available for free but learning from such a mentor can cut on years of frustration and disappointment for you.
  5. Work with curators. Curators place your work in museums raising value of your art.
  6. Teach art or art-related subject either online or locally or both. This way you constantly attract new people and build the customer base for your services. You’re getting paid consistently if you manage your time and clients well.
  7. Be very social on all social events generating interest in your art and personality by talking about your ideas and mission instead of explaining that you are an abstract artist or a portrait one.
  8. If your goal is to be represented by a gallery, befriend many artists showing at that gallery.
  9. Write step–by-step demonstrations for specialized publications.
  10. Win a big award. Win more awards. This is not an effective strategy for most artists but those who win big awards or residencies attract attention and advance their careers.
  11. Apply to residencies, especially those in or near New York, LA and other cultural centers. Curators walk through non-profits picking their stars.
  12. Live in a big artistic place to network and connect with art professionals. This is essential to art promotion. This outreach should be constant like brushing your teeth.
  13. Work with interior designers, especially if your art is abstract. Take them out for lunch to understand size and color specifications to create art that they want. Think of it as commissioned work.
  14. Use Facebook ads to sell a low-entry print or course to attract attention and build customer base to sell higher-priced items later on.

You kind of have to work on all of this simultaneously building strong foundation and relationships with people and think of it as your business that must have all the legs in a stool, not just one or two.

Veronica Winters

Becoming a successful artist can be a challenging and complex process, and there is no one-size-fits-all answer. So in addition to what I wrote above:

  1. Develop your skills: Whether you’re a painter, sculptor, musician, or writer, honing your craft is essential to becoming a successful artist. This may involve taking classes, practicing regularly, and seeking feedback from other artists or mentors. It depends what art style you choose to pursue. For instance becoming a realist artist is a lot of work to put in no matter how you slice it.
  2. Build your portfolio: Your portfolio is your calling card as an artist, and it’s important to showcase your best work in a professional manner. Consider creating a website or online gallery to showcase your best art, and make sure to keep your portfolio up to date as you create new work. Be as consistent as possible in size, style and subject. Instagram is a good alternative to show your process videos and art in space. It’s also a virtual place to network.
  3. Be original and creative: The art world is constantly evolving, so it is important to stay ahead of the curve by being original and creative. Experiment with different styles and techniques, and don’t be afraid to take risks. Listen to interviews with contemporary artists. While business secrets remain as such, some artists do share good tips in networking.
  4. Network: Building relationships with other artists, curators, collectors, and other professionals in the art world can be crucial to your success. Attend art shows and events, join artist groups, and use social media to connect with others in the industry.
  5. Develop your brand: As an artist, you are also a brand, and it’s important to develop a clear and consistent message about your work and your identity as an artist. Consider creating a logo or tagline that reflects your style and personality.
  6. Be persistent: Success as an artist often requires a lot of hard work, dedication, and persistence. Don’t be discouraged by rejection or setbacks, and continue to work on your craft and promote your art. With time, effort, and a little bit of luck, you may be able to achieve your goals as an artist.
Check out my art on Instagram or YouTube. I also host Hooked on Art Podcast

Check out visionary art for sale

Independence

veronica winters colored pencil
Omnipresent mind, colored pencil on paper, 19×25 inches, closeup

Every nation wants to be independent and fights for its freedom to be just that. Independent. Every nation and its people affirms its difference from others. Yet when thoughts on racism, oppression or minorities arise, every nation and person want to be treated equally. What’s the relationship between nationality and equality then?

The thing is that all nationalities and people are the One and the same. Because we all have the same emotions, struggles, and joys. We experience love and hate not based on our race or nationality or belonging to a particular group of people. We have dreams, wants and reactions regardless our nationality. We act and behave as people based on our personal beliefs, emotions and upbringing for the most part.

blooming heart colored pencil drawing by veronica winters-15.5x25
blooming heart colored pencil drawing by veronica winters-15.5×25

People fight for independence in wars because the “superior” nation decides that the “minority” would do better with them. A conflict based on superiority or values consumes people with anger. Everyone is busy thinking that they’re patriots fighting for their national honor. Those who disagree are labeled as traitors.

However this sense of belonging, love and independence is always present deep inside every person of every race and nationality. Please know that you can always access your sense of peace inside you. That you matter and your soul is rich with love, wisdom and experience. We all belong to the Universe where national or racial distinction doesn’t exist.

Check out visionary art for sale

Why Artists Create

Why Do Artists Create Art? Online Group Exhibition

I’d like to thank all the artists who entered this competition and all the sponsors who support the artists. Please visit the sponsors via the links shown below.

Written by Veronica Winters, MFA | Edited by Vladislav Fomitchev

You might think that artists create art for a variety of reasons. We find an outlet to communicate our ideas, to express our emotions, to capture a moment in time, to tell a story, or to bring inspiration and joy into people’s lives. Some artists create art to make money, while most artists produce art to express their soul and talent because they feel a pure need to create.

Learning to express ourselves visually is a need. Without having this deep drive to create the artist may remain just a skilled illustrator or a good craftsman. Many artists experience the urgency to paint especially when they’re deprived of it for quite some time.
Most artists feel the need to paint because doing art is freeing. It fixes our inner yearning and heals our pain. Artists often paint to fill a void inside them because creatives process emotions visually. To develop a unique visual language, every artist must do a deep dive inside his soul to understand his Why. Why do you create what you create? What does it accomplish? What do you want others to see in your artwork? These are the questions that are always there for the creatives to think about. After all, that’s how the artist discovers his purpose and meaning as well as the meaning behind his own creations. 

Artists enjoy the process of creation so much that they commit to spending years learning the craft. It’s often not enough to have a 4-year college degree to master the skill and develop a unique vision. But because artists can’t live without art just like you can’t live without your heart, they are driven to produce art.
Many artists create art in progression of skill and personal growth. Artists keep painting, sculpting, and writing to make this world less dark and more beautiful. As art brings beauty home, artists paint emotions, not subjects or objects. And that’s the reason why you can really fall in love with a piece. You connect to it emotionally.
Since the 19th century, artists have gained freedom to create personal art that was very different from expected religious scenes, formal portraiture, and mythological illustrations. Stepping away from widely accepted academic painting, many new art styles have emerged since. Art Nouveau, Impressionism, Cubism, abstraction, surrealism, art installation, photography, new media and so many more!


The freedom of artistic voice is almost always affected by external culture. Why do we look at human history through ancient objects, architecture and painting? Early excavations, Renaissance masters, modern art
 Art is never created in a void. Yes, it expresses emotion but it also comments on fashion, culture, events or political divisions in society. Sometimes it becomes a propaganda tool to express the political and economic glory of a nation.

Art is a visual language that’s often taken for granted because it’s all around us. However, if you remove every picture, poster, cover, book, sculpture, movie, cartoon, song just for one day you’ll experience a profound lack of beauty, thought, and inspiration. Art is a mirror for your soul. It’s a place to see your true self. It’s a depiction of feelings we often hide, suppress, or don’t even think about.


How long did it take you to paint this?
All artists get one question they may or may not find exciting. Viewers often try to start a conversation with this question. Artists either try to calculate the hours spent painting the art or get upset by the very nature of this question because the number of hours may not reflect all the unseen work, and sweat spent in the trenches learning the craft.
Don’t ask the artist how long he painted the art, ask him why he painted it. A lot of creatives need to process this question in their mind and heart themselves! This is the most fascinating part about creation. Artists produce something beautiful out of “nothing.” Understanding that space is peeking into the artist’s heart and mind. When I look at someone’s art, I also see how deep the artist travels inside himself. If there is exploration of feelings, social themes or intelligence. Painting is simply a journey into the artist’s soul. It’s an invitation to look into yourself without saying a word and to make personal discoveries. This in turn enriches our soul giving more meaning to what we do in our work.

When you see great art in a museum, you want to come back to it to experience it again, to find something exciting in it. The same painting can give you a different meaning, feeling, or story. It can make you look at life a bit differently. It can make you laugh or cry but it can’t leave you indifferent. While the curation of our taste in art comes from our knowledge and understanding of art history, art collecting should be about emotion, aesthetics, and the joy of appreciating beautiful work. By bringing art home you fill the need for beauty and emotion but you also make a difference in an artist’s life. You give the artists more reasons to create art and develop their vision and skill.

While there’s a lot of speculation at the top tier of the art market, most artists produce art to say something personal as opposed to making a quick buck. While top art collectors purchase art as an investment, most artists feel their art is getting devalued by daily offers of free work for ’’exposure’’ or with why-is-it-so-expensive questions. Even though they need it to continue painting, artists often search for meaning and beauty, not money. The dream of every artist is to keep creating and get paid for all their unseen work that can’t be measured in standard terms… To make a living, yes, but an artist’s real dream is to create art that touches your soul or makes a positive change in your life.

Nicole Finger

Award: Gift Certificate from Jerry’s Artarama

Nicole Finger, Off Axis, 24x36 in, oil on canvas, why artists create show
Nicole Finger, Off Axis, 24×36 in, oil on canvas, why artists create show

Making art has always been my most natural mode of expression. Creating something with my hands, eyes and mind always could be more highly curated than letting thoughts spill out of my mouth! I create because it has become habitual, meditative and satisfying. Harnessing creativity in both the process and end product is purely selfish; it fulfills a sense of productivity and feels like a daily hit of serotonin!

Barb Sotiropoulos

Award: digital subscription to the Colored Pencil Magazine

Barb Sotiropoulos-Midnight Reverie
Barb Sotiropoulos, Midnight Reverie,12×21 in Colored Pencil, PanPastel and Marker on Hot Press Watercolor Paper

 I have never known a time in my life when I wasn’t creating art in some way. There were seasons when I was able to create more abundantly than others, but I have always been driven to do something creative. In the times that I wasn’t creating as much art something always felt off or unnatural. I believe that artists are creative to their core and that when we aren’t making art our spirits often feel out of alignment. I endeavor to explore the themes and stories that I see in my head through my artwork. Often when these stories and themes find me they will haunt me until I create them. It’s almost as if they need to be born into the world somehow. As artists, I believe we are the conduits to make that happen. I create for myself, my spirit and to hopefully connect with others by experiencing the work I create. 

Ali Rouse

Award: Gift Certificate from Jerry’s Artarama

Ali Rouse, beaded scull, why artists create online exhibition
Ali Rouse, Larsonite Bushbuck. Beads on bone.

I create as I don’t know how to exist without creating. It is as breathing. Beauty is creation and creations surrounds us everywhere.

Nancy Jacey

Award: Gift Certificate from Jerry’s Artarama

Nancy Jacey, Getting Closer, colored pencil
Nancy Jacey, Getting Closer, colored pencil

Every day I wake up inspired by the world around us: the colors, details and elements that make up our surroundings. I am fascinated by life’s details, and I like to reflect this in my everyday life and in my career as an artist. I constantly study and photograph the world around us and use these references and experiences in my artwork and in my teaching.

I like to vividly capture these personal interactions and bring them to life for my audience in large-scale oil, acrylic and colored pencil paintings. I work as a full-time artist, mother, small business owner and private art instructor. 

Kimberly Raboin

Award: digital subscription to the Colored Pencil Magazine

Kimberly Raboin, Wings of Renewal, colored pencil
Kimberly Raboin, Wings of Renewal, colored pencil

I create art because I want to capture the beauty of the natural world and also communicate inner experiences and emotions. Recently I’ve been practicing realism with colored pencil and my subject matter has been landscapes. In my landscape work I’ve tried to capture the beauty of places I’ve visited, and also the feelings I experienced while there. My hope is that my recent landscapes convey a sense of vastness and serenity.

My most recent colored pencil drawing ‘Wings of Renewal’ combines my love of landscapes with symbolism. The butterfly in this piece is a symbol of transformation and change. I hope to create more work that combines realism and symbolism.

Dean Rogers

Award: digital subscription to Create! Magazine

Dean Rogers, Tell me a Story, 20" x 25" drawing
Dean Rogers, Tell me a Story, 20″ x 25″

This piece represents the culmination of a lifetime of work. The books in the background are the inspiration for an incredible amount of artwork, as well as the series I’ve been creating for the last 5 years.

This series, “Fantasy Meets Reality” is about fantasy creatures who have crossed over into our world. I wanted to create a scene involving a fairy, and I couldn’t think of a better modern fairy pastime than reading relatively recent fantasy novels.

She is using a cell phone like a computer, and she is asking her friends if they would like to go see the movie “Enchanted” which directly inspired me to create this series.

Denise Howard

Gift Certificate from Jerry’s Artarama

Denise Howard, Faiths End, 12x16in, colored pencil on paper
Denise Howard, Faiths End, 12x16in, colored pencil on paper

I create for many reasons, but perhaps the most important one, and the one behind “Faith’s End,” is that I want people to stop and think, and come away with more than “that’s a pretty picture”.

Visual art has a power where words sometimes fail. Rather than hit the viewer over the head with an obvious message, which they might reject outright, I want them to use their imagination a bit to figure out what’s going on in the picture, what it means to them, and how it makes them feel. If it resonates with them, so much the better. I’ve spent a lot of years developing my skills, so I’d be lazy if I only used them for easily forgotten “pretty pictures”.

Kerry Simmons

Award: $100 Gift Certificate from Ampersand

Kerry Simmons, Juli, gouache on panel, 12x16, why artists create show
Kerry Simmons, Juli, gouache on panel, 12×16

I find joy and satisfaction in the act of creating. I see every new sheet of paper, or canvas as an opportunity to create something new, bring something into existence that is both my point of view and inspired by the work of other artists and the world around me. When I am painting or drawing I am able to let go of my worries and fears and just be in the moment. I’ve noticed time even operates at a different pace. If I’m thoroughly engrossed in what I am creating, time just whips by. I think for me, being able to create art has been an enormous gift, joy and comfort. One could also say it’s simply a compulsion as I can’t imagine life without it!

Dorian Vallejo

Award: digital subscription to Create! Magazine

Dorian Vallejo, Sketchbook Drawing
Dorian Vallejo, Sketchbook Drawing

This drawing is from a small sketchbook which I used to work from life in the warmer months. Working this way puts me in direct contact with a poetry of life that informs all the work I do. This practice sensitizes me to the beauty nature offers us on a regular basis. Most importantly, it also informs me of how that beauty can be used as a metaphor for the Good.  

Ranjini Venkatachari

Award: digital subscription to Create! Magazine

Ranjini Venkatachari, When life gives you lemons, colored pencil drawing
Ranjini Venkatachari, When life gives you lemons, colored pencil drawing

When I discovered the art of Origami and how I can incorporate it in my Trompe-l’oeil still life, my work took a different trajectory. My usual collectors stopped buying my art because I didn’t make pretty still life’s using flowers or fruits anymore. I was discouraged, disappointed, I stopped drawing for a while too. But then I realized I stopped living as well. I was procrastinating, didn’t want to move out of my comfort zone I realized I stopped growing, that’s when I came across the concept of Dharma & Ikigai.

Dharma, is an ancient Sanskrit word that roughly translates to a soul’s purpose in life-the big reason why we are here, and it’s not just what we do, but how we do it, and why we do it.  Ikigai is a similar Japanese concept on giving a person purpose life and living. I decided to draw for myself and that completely changed the way I looked at my own work. For me, art is the only reason to get out of my bed each morning and look forward to the rest of my life. I guess that’s how it is for the most of us artists, it’s our primal instinct without which we cannot survive. So I create in order to live my life to the fullest with a purpose. 

Traci Wright Martin

Award: digital subscription to the Colored Pencil Magazine

Traci Wright Martin, Now what?Charcoal, pastel, gold leaf and collage on Stonehenge paper, 12x12” why artists create online show
Traci Wright Martin, Now what? Charcoal, pastel, gold leaf and collage on Stonehenge paper, 12×12”

In all my years as an artist, I have spent the most time in an evolving exploration of the portrait. I am fascinated by people and their complex individuality. I marvel at the ability to build strong community by way of the smallest thread of commonality. It is my hope that each and every viewer finds a little point of connection or sees themselves somewhere in my work.

With these ideas in mind, the overall narrative in each series I create weaves in and out of a conversation on perspective and representation. Combined with charcoal drawing as the anchor, I carefully select colorful pastels, patterned papers, and paint techniques to further the themes and create a recognizable, unique identity for my body of work.

Dr. Carla René

Award: digital subscription to Color Crush Course

Dr. Carla René, Jemi, colored pencil art
Dr. Carla René, Jemi, colored pencil art

Long before “realism” was a genre in art, I described my artist self as “an arm with a camera on the end of it”. As a child, I was fascinated that the artist could possess the skill that would mimic the accuracy of a photograph so no one could tell the difference.
Now as an adult, an astrophysicist, and mathematician, the laws of physics show this mysterious symbiotic relationship is possible, so I strive to prove this on a personal level through every piece I produce. I have also developed an original technique using only standard CPs that emulates watercolors, since my attempt to learn them was disastrous. As my confidence grows, I’m able to explore my love of physics by experimenting with chemically-diverse tools. I AM a woman in STEM, and proud. I want to encourage others to find the joy of science, tech, engineering & math as I did.

I’d like to thank all the sponsors of this art competition. Please follow the links to discover awesome products they offer for artists to be creative!

Sponsored by:

https://ampersandart.com/
https://www.createmagazine.com/
https://www.jerrysartarama.com
https://coloredpencilmag.com/

ART SHOP

5 ways to check the accuracy of your drawing to create realistic paintings

If your goal is to create realist drawings and paintings, you must master the accuracy of your outline drawing. Never neglect it and strive to perfect the drawing every single day. If you paint, you rely on your drawing skills even more to create realist art. Whenever something looks off, it means that your drawing is off. There are several easy tools realist artists use to catch their mistakes. I’m going to list the ones I use the most often.

5 tips to catch your drawing mistakes:

#1 Turn your canvas, paper or any other surface you’re using upside down.

how to check drawing accuracy and catch mistakes-veronica winters
Although this is a finished drawing turned upside down, you need to turn it like so at different stages of your drawing process to catch the anatomical and other mistakes… I keep rotating my paper and canvas often as long as I draw and paint.

Turn it often. By turning your canvas upside down, your brain sees the mistakes instantly. I often paint upside down too because it lets me focus on shapes and see my subject differently. I keep rotating my drawing/ canvas often checking for anatomy mistakes.

how to check the accuracy of drawing
I also like to paint rotating my canvas sideways. This way I place the strokes in the right direction and I check the accuracy of my drawing at the same time.
Canvas rotation while painting and checking for mistakes in art.

#2 If you paint digitally, flip your canvas horizontally often.

The image on the left is the original drawing but if you flip it, you see the same image with some mistakes. The more accurate your drawing gets, the fewer mistakes you’ll notice. If you don’t see any awkward shapes, it means your drawing is close to being perfect!!!

By flipping the canvas, you see all your awkward shapes. Use “Flip Layer Horizontal” function. Go back and forth working on your drawing in both modes.

#3 Check the accuracy of your drawing in a mirror.

Put your mirror in front of you to catch your painting in its reflection. You’ll see the mistakes instantly.

Look at your drawing in a mirror! This is the most useful tool I use to catch my mistakes. You’ll notice the crookedness of the eyebrows or unevenness of other shapes in your drawing.

#4 Step back to look at your drawing from the distance.

art for sale-figurative painting

You can evaluate the relationships between big elements in your composition standing far away from your canvas, which you don’t see being up close to your painting.

#5 Take a picture of your art in progress.

Hold your camera straight and quite far from your drawing to prevent big distortion (yes, almost all cameras distort images, especially the phone cameras). Now look at your picture. At first glance you’ll see a few strange shapes in the photo. They may become less obvious after a while because our brain makes adjustments… I often use my camera at the last stage of my painting process thinking that I’m done and ready to take my final shot but then I notice a few more mistakes I didn’t catch during the painting process.

This is it! Use a combination of all of these tools to perfect your anatomy drawing or any other kind of drawing.

Check out my video art courses here: https://veronica-winters-art-school.teachable.com/

Art SHOP

the infinity of human soul-24x36-veronica winters-oil paintings for sale

Realistic oil painting techniques & image design

In this video I explain how I design my images using Photoshop Elements. Next, I show how I approach painting my picture in layers. Photoshop Elements doesn’t require a monthly subscription. I bought it for under $100 several years ago and use this program as much as I want to. I usually paint on panels but when I go bigger I switch to painting on canvas because it’s much lighter. I gesso my surface 2-3 times even when the surface has been gessoed before because it gives me a much better grip of the paint to the surface. I let each paint layer dry completely before painting the next and I apply a spray varnish over my painting in 6 months after painting it.

Art supplies on Amazon:

Art to Collect: How Two Art Collectors Champion Female Figurative Artists in the Evolving Art Market

In this podcast episode you’ll meet with a family of two art collectors – Steven Alan Bennett and Dr. Elaine Melotti Schmidt who established The Bennett Collection of Women RealistsÂź in 2009. They focus on collecting art of a specific art style. Their collection consists of figurative realist paintings of women by female artists.

By amplifying voices of the female artists, the art collectors hope to bring balance to the art world. Steven Bennett and Dr. Schmidt established the Bennett Prize and gifted $12 Million in art and cash to build a new wing at the Muskegon Museum of Art in Michigan dedicated to the female artists. What’s truly admirable about this couple is their will to go against the art market trends. They’re carving out their own path in art collecting that has clear purpose and social impact for generations to come.

Art to collect: gender equality

If you think that women artists are equally represented in the contemporary art market, think again. Art history is dominated by male artists with very few female artists presented in the permanent collections of art museums today. (This is in part due to the absence of education for women artists before the 20th century. Women artists of the past were educated by their artist fathers only). In the past decade, only 11% of all work acquired by the US’s top museums was by women according to the New York Times report in 2019. Women artists represent only 2% of the art market & only 13.7% of artists represented by commercial galleries in Europe & North America are women according to Repaint History website.

“Just 11 percent of all acquisitions and 14 percent of exhibitions at 26 prominent American museums over the past decade were of work by female artists. According to a joint investigation by Artnet News and In Other Words, a total of 260,470 works of art have entered the museums’ permanent collections since 2008. Only 29,247 were by women.” (Museums Claim They’re Paying More Attention to Female Artists. That’s an Illusion. Artnet, September 19, 2019). “Work by female artists born between 1930-1975 accounted for just 5.3% of the $16.7 billion in auction sales in the past five years.” (Young female artists are finally getting some art market traction- but their predecessors remain scandalously undervalued, Katya Kazakina, July5, 2022)

“Artists of color, female artists and members of the LGBTQ+ community have been historically underrepresented in the traditional art market. A white male artist will sell more works, for higher prices, in more exhibitions than his less-represented colleagues, and he will have less of a challenge obtaining gallery representation. The system is decidedly undemocratic and arbitrary and appears to be run by an elite who are, primarily, white male painters. Just one comparison out of many possible examples demonstrates the problem very well: when Jenny Saville’s Propped sold for $12.4 million in 2018, it became the most expensive piece of art by a living female artist; Jeff Koons’s Rabbit sold for $91 million. So far, so similar, in the NFT space…” (Magnus Resch, “How to create and sell NFTs-a guide for artists,” book published in 2022).

These stats are improving at the top tear of the art market only in 2022. Artsy has just published what sold at New York’s Spring 2022 Auctions, which includes sales of Anna Weyant (the protĂ©gĂ© of Gagosian himself), Maria Berrio, Ewa Juszkiewicz, Flora Yukhnovich and more. (Read more here: https://www.artsy.net/article/artsy-editorial-sold-new-yorks-spring-2022-auctions)

Begin art collecting today

I hope this interview encourages you to start your art collection or at least buy a few paintings from contemporary artists you really like. You can start small and on a budget to bring art to your home that inspires you and helps living artists to continue painting. Contact artists directly, visit their studios and be open to learn about contemporary artists and their inspiration. Perhaps, one day you’ll grow your art collection to change the world for the better.

To learn more about the art collectors, their efforts and the Bennett prize, please visit their official website:https://www.thebennettartcollection.com/

To listen to the interview, find Hooked on Art podcast wherever you get your podcasts. Leave a review if you enjoy it! It’s much appreciated. 🙂 The Hooked on Art podcast is available on Apple and Spotify.

7 income streams for artists to make money

7 income streams for artists to make money

In this episode I list at least 7 strategies to make money as an artist. They’re not get rich quick schemes. Each strategy is work. However, they’re totally possible to implement to make money as an artist. Artists use several income streams to support themselves. I list every income stream to give you ideas.

The quality of your art makes no difference in sales: what you must know as an artist selling art

First, the quality of my advice would make a difference for you depending on your career level as well as your personal experience. I’m going to talk about my experiences being a fine artist for many years.

  • Don’t waste your time procrastinating with perfectionism.
  • We all have the same amount of time.
  • Not taking action or implementing something you’ve learned makes all your acquired information useless. Take action.
  • Stop sponsoring competitions to find your self-worth. Just think who makes more money artists or art magazines or galleries collecting those art contest fees?
  • Look at the quality of your art presentation (frames & images)
  • Pick one platform to drive traffic to you art. Platforms like Ebay, Etsy, Saatchi art, Fine Art America, etc. have customers’ trust, but you must promote your page to give away your profit margin of 20-40%. Customers can buy art from these platforms because they trust the companies. Also these platforms don’t promote you. In fact, only top-notch galleries really promote their artists, growing their careers. If you list your art with a small gallery or on an art aggregate website, don’t expect having lots of sales. Most of them do nothing for your career and promotion, yet you keep doing all the work instead bringing traffic to their site. Think long term and pick one platform to appear in front of your followers and customers by building trust with them.
  • Social media. What value do you bring? It’s about your followers, not you. Be social & helpful whenever time permits.
  • Use affiliate links when it makes sense for your business. Don’t drive your hard-earned traffic away from your site unless you’re well compensated for it.
  • Art collectors? Work on one relationship at a time. Repeat customers buy from you many times over if they like you, your product and your offer.
  • Be aware of people who say they know everything and how to do this or that. What works for one person may not work for a thousand others trying to replicate the success.

So website is important. Social media presence is important. Professionalism is important. However, I can put all this advice into a trash bin to replace it with a single point I want to make here. Many artists want to ignore it including me. Your ability to approach & connect with people matters the most in building your artistic career. Network as much as you can to create a web of supporters, writers and promoters.

Art supplies I often use sold on Amazon

Lightfastness ratings of the best colored pencils

In this article, you’ll find simple to understand, visual charts of some major brands of professional colored pencils. I use them to reference not only my colors but also my purchase decisions. I buy colored pencils as open stock, which means that most colored pencils are sold individually. This saves me time and money because I don’t buy the fugitive colors, which fade and even disappear off of the paper pretty quickly. I wanted to have a simple, visual database of color charts for a quick access to make a decision on the go, so here we are!

What can be confusing about reading the lightfastness charts of colored pencils is the star rating itself. There's is no unity in lightfastness presentation. Some brands use a 1-star rating to show that their colored pencils have excellent lightfastness (100+years), while other brands use the same 1-star rating to rate their worst or fugitive colors. So you must pay attention to the lightfastness rating of each brand, to get correct reading of their lightfastness charts.

Lightfastness is the ability of colors to withstand strong UV light over a prolonged time frame. Usually colors that have excellent rating are not supposed to fade for 100+years. Fugitive colors can fade within very few years that I saw myself happening when I began drawing with Prismacolor. I didn’t care about the lightfastness back then. I was a beginner student and my only priority was to learn how to draw, not being consumed by the analysis paralysis. It matters a lot to me now as I sell my art. Of course, this decision comes at a considerable cost upgrading my art supplies to the best performing colored pencils. So it depends at what point of learning you’re and how big your budget is. Just because you switch to very expensive pencils, it won’t help you become an excellent draftsman overnight. At the same time quality of colored pencils does matter a lot in art creation. Cheap, low-quality colored pencils don’t have the color saturation and softness necessary to create consistent shading.

https://youtu.be/vu0kycGEWzc

What makes professional colored pencils different from others?

  • lightfastness
  • lead’s softness
  • color saturation
  • durability (breakage of its core)
  • price

What are the best colored pencils to try?

  • The absolute best are Swiss made Caran d’Ache Luminance. They have the best lightfastness rating, the strongest core and the softest lead to produce professional colored pencil drawings. They are the most expensive ones too, sold at over $4 per pencil.
  • Holbein Artists’ Colored Pencils is a new brand of upscale colored pencils. They beat Luminance in price and some artists swear by them!
  • Derwent Lightfast are 100% lightfast oil-based colored pencils manufactured in England. They are smooth, vibrant and creamy. Available in a range of 36 colors.
  • Prismacolor Premier colored pencils have a very soft core and nice coverage, but many of them are NOT lightfast. You should download their lightfastness chart to see the rating of every pencil they have. LF-1 and LF-2 are good to go, but avoid using pencils with the # III and # IV ratings. They fade from your page within 2 years. Literally.
  • Swiss made, Pablo colored pencils is a cheaper alternative to the Luminance manufactured by the same company. These have a very strong core that resists breakage. They are saturated and soft but their lightfastness varies. The lightfastness rating is written on them.
  • Coming from Germany, The Faber-Castell Polychromos colored pencils are different from the brands mentioned above, because they don’t have that much wax in them and behave more like soft pastels when you start blending them. Therefore, solvents don’t work on them as well as on wax-based colored pencils. They have a very strong lead with the lightfastness rating written on every pencil. Not every colored pencil is lightfast and you should refer yourself to the chart if you buy them as open stock.
  • Derwent Colorsoft colored pencils are also worth your try. They are nice to work with but the lightfastness varies as well. Buy a few colors to test them in your drawing!

I requested the charts from the manufacturers. Most of them shared the pdf files, which I think is inconvenient to look up the colors on the go. So I took the liberty to modify the charts and convert them to simple jpg files.

Holbein Artists’ Colored Pencils (US-Canada)

Holbein colored pencils lightfastness chart
Holbein colored pencils lightfastness chart: ***- Max Lightfastness. **-Permanent. * Min Lightfastness

Faber-Castell Polychromos Artist Color Pencils (Germany)

102 of 120 Polychromos Colors have the *** designation | *** = Maximum Lightfastness. Maximum Fade Resistance of 100+ years

faber-castell polychromos lightfastness chart
Faber-Castell Polychromos lightfastness chart
colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
These art instruction books are on sale on Amazon!

Faber-Castell Pitt Artist Pens lightfastness chart (Germany)

faber castell pitt artist pens-faber castell lightfastness chart
Faber-Castell Pitt artist pens | Faber-castell lightfastness chart

Prismacolor Premier Colored Pencils (the USA)

Lightfastness rating system: I-excellent, II-very good, III-good, IV-fair, V-poor

prismacolor lightfastness chart
Prismacolor Premier lightfastness chart

Caran d’Ache Luminance Colored Pencils (Switzerland)

Luminance has I & II lightfastness rating with most pencils having LF I.

Luminance colored pencils lightfastness chart
Luminance colored pencils lightfastness chart

Caran d’Ache Pablo Colored Pencils (Switzerland)

***Excellent lightfastness, **very good, *good.

caran dache Pablo lightfastness chart of colored pencils
Caran d’Ache Pablo lightfastness chart of colored pencils

Derwent Coloursoft Colored Pencils (UK)

Lightfastness rating: 6-good, 7-very good, 8-excellent | 6-8 won’t fade for 100+ years.

Derwent Colorsoft lightfastness chart
Derwent Colorsoft lightfastness chart

Derwent Lightfast Colored Pencils (UK)

Lightfastness rating: 1 & 2, won’t fade for up to 100 years.

Derwent Lightfast lightfastness Colour Chart
Derwent Lightfast lightfastness Colour Chart

Derwent Artists Colored Pencils (UK)

Lightfastness rating: 3-fair, 4-moderate, 5-good, 6-very good, 7-8 excellent

lightfastness Colour chart of Derwent Artists colored pencils
lightfastness Colour chart of Derwent Artists colored pencils
Learn everything you need to know about color mixing and why color perception matters.

Would you like to know what makes a big difference in your drawing? Yep, you guessed it, it’s the colored pencils you use! Ditch your Crayola and pick one of the brands listed here. You won’t be disappointed. And to make sure of that, here is a short video explaining you the difference between a good pencil and a bad one.

What are the best professional graphite pencils?

  • Coming from Japan, the Tombow Mono graphite pencils are the top of the line for professional drawing.
  • The Cretacolor Monolith woodless pencils
  • Prismacolor ebony graphite pencils are great for beginners in art that don’t need to sacrifice quality over the money spent on art supplies.
  • The Faber-Castell 9000 graphite pencils

What makes them stand out:

  • High quality of the lead
  • Resistance to breakage
  • Consistent coverage
  • Various degrees of softness and hardness. (9H is the hardest pencil for the lightest shading, and 9B is the softest pencil for the creation of the darkest values).

Of course, there are many more brands and pencils. Instead of buying a box, buy them as open stock at a local store or online. Work with them and then invest into your favorite brand.

flower of life drawing, veronica winters colored pencil
The flower of life, colored pencil drawing on paper, 18×25″
I'll be adding charts to this post, so don't forget to subscribe to my email for more information coming on this topic. And check out my colored pencil drawing classes here: https://veronica-winters-art-school.teachable.com/

Art supplies available on Amazon

You can ask me questions on social media here:

Passion

“A picture is first of all a product of the imagination of the artist. It must never be a copy.”

Edgar Degas
fine artists-oil paintings for sale
Focus, 38inches, oil painting on canvas by Veronica Winters

Dedicate your time to your passion. People have a lot of potential but they don’t know that because they limit themselves with negative thoughts and pursuits of perfection. Excuses make a lot of people procrastinate to do something positive in their life.

I often hear, “I like drawing,  but I have no time”. I want to say that we all have 24 hours a day. When you have “no time”, you are fearful of something and find excuses not to do it. Common fear is a fear of failure… The second one is fear of judgement. 

I often hear,” I want to paint, but I have no talent”. I laugh at this one because if you saw my art two decades ago you’d be laughing too. You become good by failing often and working through those failures instead of giving up. You must love something you are passionate about deeply to go through challenges and arrive at your desired outcome.

Dedicate your life to your passion and everything will fall into place for you over time because the only thing that we can control is our willpower. Willpower and passion are fuel to create art of heart.

Check out visionary art for sale

11 reasons why art matters for your mental health

Written by Dr. Abhishek Allam, Psychiatrist | Alma Mater: Sri Siddhartha Medical College | Abhisheka@sunshinebh.com

How Does Creating Art Help Your Mental Health?  

If you are facing mental health challenges, you may find that creating art can significantly influence your mental state. Sciencetimes.com states that through creative processes, “People grow to manage their emotional well-being and at the same time develop new coping skills.”

A Wide Variety of Activities:

The creative arts may include many different activities. A few examples are:

  • Visual Arts
  • Performing Arts
  • Digital Arts
  • Fabric Crafts
  • Wood Craft
  • Pottery
  • Traditional Crafts
  • Creative Writing
  • Instrumental Music
  • Vocal Music
  • Filmmaking
  • Cooking
  • Gardening
  • Decorating

11 Benefits to Create More Art

Let’s consider just a few of the benefits that creating art may accomplish for your mental health:

#1 Creativity and Problem-Solving

Artistic expression stimulates the parts of your brain that control cognitive activities. That means that as you are being creative, you are exercising your ability to learn, solve problems, and remember facts. You will naturally make mistakes in your creative work and then look for new ways to fix or edit them. These are all skills you need to deal with mental challenges.

#2 Stress Reduction

Creative work can also distract you from depressing thoughts or memories, and it can have a soothing effect on your brain. Sciencetimes.com states that making art lowers your brain’s stress hormone (cortisol).

#3 Healthy Expression of Emotions

As you deal with the ups and downs of mental health, your emotions may fluctuate, or you may become stuck in anger or depression. Creative expression gives you a safe outlet for these emotions. As you express yourself, you may find that other people identify with and understand your emotional state. This gives you a sense of community, which is especially helpful if your mental state leads to loneliness.

#4 A Sense of Accomplishment

Mental health challenges can seriously lower your sense of self-esteem. Creative activities can boost your confidence in yourself as you are able to see and touch the results of your work. When you are facing a long-term mental journey, you can find a sense of accomplishment by engaging in short artistic projects.

#5 Mindfulness

Mindfulness, sometimes described as meditation, is simply being aware of your thoughts and your mental condition without judgment. According to The Washington Post, “Creating art is a type of meditation, an  active training of the mind that increases awareness and emphasizes acceptance of feelings and thoughts without judgment and relaxation of body and mind.”

#6 Anticipation creates excitement

If you’re coping with mental health challenges, you may feel that you have nothing to look forward to or anticipate. Adding creative activities to your calendar can make a big difference. The National Library of Medicine has found that anticipating a positive event can be a powerful way to produce a positive emotion. 

#7 Feelings of Joy

Creative expression is fun. If you’re bored, anxious, or depressed, you’ll need to plan activities that give you a sense of joy. Creative projects can be a great source of pleasure. Researchers at Greensboro, North Carolina, summed it up this way: “Happiness and creativity go hand in hand,” adding that “everyday creative behavior is both a cause and an effect of positive psychological processes.”

#8 Stimulate Memories

A study at Harvard found that drawing and painting can stimulate memories. This can be valuable for those who are struggling with dementia. You may also find that creative endeavors help you release some of the pain of traumatic memories.

#9 Create Community

Mental health challenges can cause feelings of loneliness. Getting involved in an artistic activity can bring you into contact with others who share your interests. This can be especially true for seniors who are coping with the limitations that aging can bring. You may also find new connections with people who appreciate your creative expressions.

#10 You Don’t Have to Be a Professional

Using artistic activities to cope with mental health challenges doesn’t require a degree or even a huge talent. The process is more important than the product. If you are already a professional artist, you may find it helpful to experiment with a new branch of the arts or a new art medium during this time.

#11 Art and Recovery

Creativity can be a recovery tool if your struggle with mental health involves substance abuse, enhancing your recovery treatment. Ask your therapist or behavioral health center about how you might seek artistic opportunities and how they might affect your mental state.

Sources:

Apa.org – The latest research on creativity and the arts

Frontiersin.org – Art Therapy: A Complementary Treatment for Mental Disorders

Harvard.edu – The Healing Power of Art

National Library of Medicine – Well-being and Anticipation for Future Positive Events: Evidences from an fMRI Study

Sciencetimes.com – 5 Ways Art Helps Mental Health

Sunshine Behavioral Health – Treatment Centers

The Washington Post – Why making art is the new meditation

Dr. Abhishek Allam is an active research scholar in
Clinical Psychiatry at the University of Arizona, Tucson and a writer and editor for Sunshine Behavioral Health.

Is there freedom in art?

Freedom to paint

I don’t paint what I’m told to paint. There’re a couple of reasons that you may or may not understand depending on your art career timeline or a difference in profession.

Art is about having a total freedom to express yourself. Have you noticed that commissions never look as beautiful, free or accomplished? That’s because of the mental pressure artist feels to create something to please someone. Sometimes it turns into a mental block. Sometimes there is no creativity left in ordered art. Sometimes people who commission art boss the artist. A lot. The result is neither beautiful nor what people wanted…Art is the opposite of repetitive, mechanical work. Art is not a graphic design project.

Painting what the artist wants, feels, thinks and desires is the most creative, beautiful and emotional work.
Some paintings may not speak to you, while others may bring you to tears or let you feel inspired. That’s the essence of art. We like different things and that’s okay! 

My art has changed a lot over the years as I’ve changed a lot inside. Art is a personal experience and self-expression. I do appreciate all of you who have followed and collected my art over the years. It’s important for me to see that my art resonates with you.  I hope you’ll continue following my journey.

the infinity of human soul-24x36-veronica winters-oil paintings for sale
The infinity of human soul, oil painting on canvas, 24×36, veronica winters

If you’re an artist, stand up.

STAND UP. Stand up for yourself and people you love when you feel the weakest. Stand up  when the world is crashing down in front of your eyes. Stand up when you’re alone. Stand up when you want to give up.
Stand up to move into the light from darkness. It’s always a CHOICE. Stand up to learn who you’re. Stand up when your family members are not your friends. Show up at your desk, your studio, your office. Have the courage to show up for yourself. Yes, you’ll still face betrayal, pain, disappointment, tough memories but you’re getting stronger to deal with all of that. Stand up to be the light force in the Universe. Stand up.

Check out visionary art for sale.

How to use varnishes and fixatives-hooked on art podcast with veronica winters and ed brickler

How to use varnishes and fixatives with technical consultant Ed S Brickler

Do you know the difference between fixatives and varnishes?

I invited Ed S Brickler, Technical Consultant from Chartpak, Inc. to explain the common mistakes artists make varnishing their paintings. Visual artists who do acrylic, watercolor, pastel, oil painting and drawing will learn how to varnish and protect art from UV light and deterioration using proper techniques and materials.

This episode is available in a video format on my YouTube channel: https://youtu.be/1hRe8VYLres

If you’re confused about using your materials or don’t know which ones to buy, a good rule of thumb is to contact the manufacturer. There are many brands that produce both fixatives and varnishes – Golden, Winsor & Newton, Grumbacher, Gamblin, etc. Also, many companies keep their own art blogs and educational videos about the use of their art supplies.


To contact Veronica for podcast sponsorship or content ideas: VeronicasArt.com | YouTube | youtube.com/veronicasart Instagram | https://www.instagram.com/veronicawintersart/ Veronica Winters Art School: https://veronica-winters-art-school.teachable.com/ Support artist’s projects: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

fine artists-oil paintings for sale

One reason for art collecting nobody is talking about

Nobody is talking about the fact that most people don’t buy contemporary art. There are too few art collectors and plenty of artists around. Art fairs are very popular but less than 1% of all visitors buys art. Mid. range and small galleries barely break-even selling art for a 50% markup. It angers some artists because half the price goes to the gallery while the artist pays for supplies, frames, studio costs, contest fees, lofty membership dues, ads, shipping costs, education, college loans and so on. But the galleries are also stuck with big overhead costs and promotion expenses. So it’s very clear that only top galleries like the Gagosian & Pace make lots of money selling art, and very few artists are really successful.

Of course it depends how you define success but by going to major art fairs, reading books and visiting art galleries I see what I see. Nobody is talking about the fact that artists’ careers are catapulted through top curators, gallerists and shows in MOMA. Everyone else is out of the circle and must be very creative to find his/her niche. While it’s totally possible to find the niche and be successful in this space, the winner still takes it all. You can find “9 key insights on the auction market in 2021” to prove my point: https://www.artsy.net/article/artsy-editorial-9-key-insights-auction-market-2021/?utm_medium=email&utm_source=gallery-nurture&utm_campaign=b2b-2022-a4g&utm_sfc=7013b000001RN3VAAW&mkt_tok=NjA5LUZEWS0yMDcAAAGB8iubjIOlRABgCTQrtp2eNagCU-f2yrrUchtIECccP3JLjS3rFkLxV9uNj_VHYy2f_rgpg5z0r186WdxUrf7yjjS_Fp3e_32hoNKIQ3Sf_6mqVLg

https://veronicasart.com/product/realism-oil-painting-of-blue-vase-and-starfish/

I think it’s time to stop scrolling Instagram and start collecting art or perhaps scroll it to collect art. 🙂 Even if it’s a very small painting, you make a difference in artist’s life and give a reason for him/her to continue living on a path few people choose to take. Artists need to make money to make more art.

Artists create because it’s a big part of them. There is no life without art for a creative person. Artists can’t wait for a retirement to be artists! It’s like living without a heart. Can you live without your heart? 💚Art collecting should be about emotion, aesthetics and enjoyment looking at art, and not about speculation or investment. CURATE YOUR TASTE to feel inspired!

Start shopping

What is NFT art and how to mint one

What is NFT art?

A non-fungible token or NFT is a digital collectible. NFT is a proof of ownership of something in a digital format (similar to a certificate of authenticity for a work of art). Unique NFT is recorded on blockchain as a smart contract, mainly the Ethereum. When it’s put on the blockchain, it’s price history and provenance become authenticated. Unlike in traditional art market, the record is transparent of all transfers, pricing and sales on blockchain. NFT’s could be digital files of original paintings, songs, documents or mainly digital art and animated art. Each non-fungible token is unique. Just like a unique painting can’t be exchanged with its reproductions, the NFTs are also non-fungible. They also give legal rights to the owner of the specific NFT. They are stored in a digital wallet.

So those who buy a specific NFT become the owners of it until they resell it ( which gets recorded on the blockchain insuring transparency of price and ownership). Once the sale goes through, the artist gets royalties from each new transaction. Main beneficiaries of re-sales are digital and animation artists. Traditional artists can also mint NFT’s of their art. My art as NFTs is available here: https://opensea.io/collection/veronicawinters

It’s obvious that when NFT art sells for millions it becomes a new form of investment. Just like buying Picasso to hold and resell it at a later date, some buy NFTs for millions. Hence we arrive at crazy pricing for one-f-a-kind digital products.

2021 is a year of explosive growth

what is nft
Cryptokitties NFT art from Genesis digital game, photo by handout

While NFTs have existed for several years, the 2021 became the year of explosive growth. At the end of 2017, the first NFT – a digital cat from Genesis sold for $117,000. The game allows players to collect and breed unique digital cats on the blockchain (https://www.scmp.com/tech/big-tech/article/3156004/cryptokitties-beeples-crossroads-and-clips-lebron-james-dunking-nfts).

what is NFT art?
Beeple, Crossroads, NFT art sold at Christie’s, photo by handout

In March 2021, The auction house Christie’s sold a digital artwork called “Everydays: The First 5000 Days” by digital artist Beeple. It sold for$69,346,250. NFTs craze spilled over the art events during Art Basel Miami week in 2021.

According to Art News, the craze started when Christie’s sold a Beeple work worth $69 million. Sotheby’s reported a $100 million in NFT sales, helped by the the launch of its NFT marketplace, Sotheby’s Metaverse. Nearly 80 percent of the people who bought and bid there had never done so before at the house. (Overall, 39 percent of buyers and 44 percent of bidders who transacted at Sotheby’s in 2021 were newcomers.) Art News, https://www.artnews.com/art-news/market/sothebys-2021-sales-record-1234613533/

Other examples of NFTs

NFTs as sports video clips collectibles:

A company Dapper Labs works with the NBA to convert top historic moments recorded as digital short videos to the NFTs. They sell those NFTs on the NBA Top Shot marketplace like trading cards.

NFTs as first document collectible:

CEO of Twitter, Jack Dorsey sold his first tweet as an NFT for $2.9 million. The computer programmer-Tim Berners-Lee created an NFT of the World Wide Web’s original source code, autographed it, and sold it through Sotheby’s auction house for $5.4 million.

NFTs as unique collectible characters:

There are 10k CryptoPunks collectibles created and resold on the Ethereum blockchain. They are 24×24 pixel art images, generated algorithmically. All of them have already been claimed for free and they’re getting sold and resold now. You can view and buy them here: https://www.larvalabs.com/cryptopunks

Largest sales of Cryptopunks NFTs as of January 2022

NFTs as art collectibles from oil paintings:

Serge Marshennikov is a well-known Russian realist artist who creates figurative art, painting seminude figures of young women. His NFT’s can be found here: https://opensea.io/assets/0x495f947276749ce646f68ac8c248420045cb7b5e/2321015729488442568237834758686003406737920752444130988804117818945702985828

NFTs as photography collectibles:

Numerous collections of photographs are available for sale as NFTs.

NFTs as music collectibles:

You can bid on to buy music and songs that can include a 24 bit Mastered WAV file and full song stems. It could also be a pack of audio-visual NFTs.

The Metaverse or virtual worlds

The crazy part about this blockchain technology is that art collectible NFTs is just the beginning. The virtual worlds are emerging. Decentraland is a metaverse where users buy NFTs representing land and property. People use MANA token to buy/ sell goods and services. Inside the Decentraland metaverse you’ll find games, art galleries, and other businesses. https://decentraland.org/

You can explore digital collections and buy tokens from various games, avatars and so on. Browse examples here:

https://opensea.io/collection/virtual-worlds

Famous characters & copyright

As far as I get this, if we purchase an NFT depicting Captain America, it doesn’t mean that we own the intellectual property of Captain America, just like we don’t own copyright on a purchased print of the hero. We own the print only. The copyright belongs to the original owner of this intellectual property and if he lists it as the NFT, then he would potentially sell his ownership to the buyer of this NFT.

Who are the buyers of the NFT’s?

It appears to be the craze among younger generation of investors and enthusiasts, who are very passionate about art collecting in a digital format. There is no moving of actual products, art, framing etc. But there is this innate desire to collect something, and NFT’s seem to fit the bill. Digital art seems to get the best traction in the NFT marketplace.

astral painting contemporary art veronica winters
NFT: https://opensea.io/collection/veronicawinters | Midnight Dream, oil painting on canvas, 38 inches square, veronica winters, available

How to mint the NFT’s

  • You can mint the NFT’s by registering at any big platform such as OpenSea, Foundation. It may cost you a fee to mint the NFT or the cost could be passed on to the buyer. Minting requires energy consumption, which is a big concern for the environmentalists but it doesn’t affect you directly when you register and open your own NFT collection.
  • To create your NFT you must have an Ethereum wallet to connect it to the platform where you’ll host your account with the NFTs. Such wallets are Coinbase, MetaMask, WalletConnect, Dapper and so on. You can find a full list of accepted wallets on a platform you’d like to host your NFTs on. The hardest part is to connect the wallet to the platform. When you connect your digital wallet to OpenSea, you must pay gas fee (account registration fee) to synchronize the digital wallet with the platform (OpenSea). There is no limit on NFTs publishing with no recurring fees for artists.
  • Lastly you click on “create” tab on OpenSea platform, upload the image, write the description and publish it. Don’t forget to click on the “list for sale” button to make it available for purchase on the marketplace. OpenSea pays 5% in royalties when your NFT gets resold.

How to purchase NFT’s

  • Find a marketplace where NFTs are sold. OpenSea, Rarible (Rari token), Nifty Gateway (centralized platform where you can buy NFTs with your dollars)
  • Connect the digital wallet that stores your passwords to bought NFTs. (Coinbase)
  • Click on Marketplace to find your favorite NFT. You can “buy now” or “make an offer”. Once the offer is accepted or you buy it straight, you’ll see your purchase record under “collectibles” tab in coinbase wallet. You can also find your purchases on ‘my profile’ tab on OpenSea.

Beware of buying digital collectibles that have crazy number of editions. Just like prints, if it’s an edition of 10, 100 and 1000, its ok but if it’s an edition of 200,000, maybe it’s a good idea to pass. Also, check if the NFTs are sold by the artist and not someone else, posing as one.

Check out my collection. My art as NFTs is available here: https://opensea.io/collection/veronicawinters

Is it a bubble?

NFTs are not a fad. It’s a new asset class on the market. It’s great technology that utilizes blockchain tech. However, pricing bids on some NFTs confirm to the last stage of euphoric bull market, in my opinion. When euphoria kicks in, it ingulfs not only the stock market but also other markets. Even Melania Trump launched her own NFT platform. https://www.artnews.com/art-news/news/melania-trump-nft-platform-1234613890/ I think that the pricing bubble on some multi-million NFTs will burst someday and it maybe sooner than we think.

https://veronicasart.com/product-category/psychedelic-art-mandala-art/
spiritual art veronica winters
Show me the attitude! Interview with Tanja Gant, colored pencil artist

Tanja Gant: show me the attitude! Interview with realist colored pencil artist

Colored pencil drawing by Tanja Gant

I’ve been following Tanja Gant’s art for many years. She is one of the top hyperrealist colored pencil artists working today. Every time I open social media I see yet another major award taken by the artist. I think Tanja collects them all like candy on Halloween. But in all seriousness, Tanja’s drawings mesmerize me with their unique point of view, perfection of forms and beauty I see in people she draws so perfectly.

In the first part of our conversation, the artist discusses the colored pencil techniques and art supplies. The second part of the interview is all about Tanja’s motivation, inspiration and story-telling. She also shares how she lived in and left Bosnia for the US. Enjoy!

Video podcast talkin points:

  • Colored pencils brands, paper, blending and burnishing: 1min-10min
  • Drawing transfer: 10:30
  • Models, set up, ideas and more: 15:58-24
  • Challenges: 24-27
  • Bosnia, education & advice: 27:45-42
  • Drawing in black-and-white: 42
  • Inspiration: 45
  • Motivation & advice: 55

Website: https://www.tanjagant.com/

This podcast is available in a video format on YouTube: https://youtu.be/oip99fEIljA

Don’t forget to subscribe to this podcast and share it with your friends! 🙂 Hooked on Art podcast on Spotify: https://open.spotify.com/show/601b3tkDmePVnsFPCRrDTm

Check out visionary art for sale

Highlights from CONTEXT ART MIAMI 2021

Miami swells with art and artsy crowds during the first week of December every year ( with no fairs in 2020). There are several top art fairs happening in the city that bring the art lovers and professionals from all over the world. Art Fairs include the Art Basel, Scope, Miami red dot/ Spectrum, Context art Miami and some more! In addition, some hotels organize art events during this time too to draw people in. The fairs are spread out in the Miami Beach but the locations stay the same year after year.

coderch and malavia-sculpture-context art miami 2021
Coderch and Malavia, sculpture at the Miami art fair in 2021

Miami Art Context 2021

I visited Context Art Miami during the opening hours in early December thanks to my friend Florencia. It felt like a big celebration of the arts. There were so many visitors, artists, gallerists, curators, art collectors, museum professionals and yes, celebrities visiting the fair, it almost felt crazy to experience so much energy in one place. While not every art piece was great, I loved to look at variety of contemporary art, pushing the boundaries of what art could be. I enjoyed seeing boldness and innovation, creativity, the use of textures and materials, and 3D-art.

😃 As long as artists create on this planet, we won’t be consumed by the existing darkness on Earth.💕

This is a short video shot with my phone where I tried to capture realist art as well as some innovative pieces. Some of the artists shown are: Carole Feuerman (hyperrealist sculptures), Anthony James (light sculptures), Coderch & Malavia sculptures, David Uessem, Damien Hirst, Marco Grassi and so on.

As far as I know the rules of participation for the galleries have been relaxed somewhat, which used to include the following: The gallery must have a physical location. It must be in business for over 3 years. And it must pay a hefty fee. Depending on the size of the booth, the cost of gallery participation amounts to $20,000-50,000 (Context Miami. I’m pretty sure that Art Basel is even more expensive to participate in). This doesn’t include, airfare, hotel, meals and staff salary. So you can imagine that the art shown at Art Basel reflects this pricing and not every gallery sells out… Galleries are on the hunt for top collectors, institutions and celebrities buying art from them. While there were fewer visitors than in the previous year, sales were robust according to Artsy.

Spectrum Miami review

Finally I want to mention another popular art fair- SPECTRUM Miami located in Wynwood. I mainly want to record my opinion here, so if you plan to exhibit at this fair, it might not be what you think it is, or perhaps it’s a lot more than you thought of it in the first place. I’m going to compare it to Context Miami fair. So Spectrum is all about emerging artists taking charge of their careers and exhibiting there, not the galleries working on their behalf. The space and lighting isn’t top notch. The crowd coming to the show is very different. Young, excited to go out and celebrate. My question was if there were any art collectors there at all. My guess, there were few. Of course, the cost of renting a booth is much cheaper just as the price of an entry ticket in comparison to the Context. Finally the quality of art is very different from the Context, showing young artists with most being Florida-based…Perhaps there is a lot more to the Spectrum but these are valid points to consider either visiting or exhibiting in this art fair.

Check out visionary art for sale

Jesse Lane interview Hooked on Art podcast

Jesse Lane, realist colored pencil artist

My guest is super talented, realist colored pencil artist Jesse Lane. His large, realist colored pencil drawings demonstrate thorough understanding of colored pencil techniques, creativity and vision. He is the recipient of many prestigious awards including The Best of Show in 2020 by the Colored Pencil Society in America.

Jesse shares his thoughts on motivation, artistic challenges, emotions, creativity and much more! Personally, Jesse strikes me as a genuine human with positive, outgoing personality that helps him fulfill his destiny and share his art with the world.

Recorded in a video format first: https://youtu.be/1i0nFiS59bQ

Website: https://www.jesselaneart.com/

jesse lane art
Jesse Lane, Undercurrents, 26×39″ colored pencil

Veronica can be found at veronicasart.com

art podcast interview with Alayne Sahar

Alayne Sahar interview

My guest is an American watercolorist- Alayne Sahar. She creates watercolor paintings aiming to uplift other women. In her art, Sahar wants to celebrate our inner strength, belief in ourselves and our divine nature. In this interview Alayne shares her life-long journey of studies, day jobs, frustrations and wins becoming one of imaginative figurative artists working today.

First recorded as a video podcast available on YouTube: https://youtu.be/UcawdwMw_To

Contact the artist:

Web: http://www.alaynesahar.art/ | Instagram: https://www.instagram.com/alaynesahar/

Support the podcast: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN | Veronica Winters, M.F.A. https://VeronicasArt.com | https://www.instagram.com/veronicawintersart/

Podcast interview with Michael Hlousek-Nagle

Michael Hlousek-Nagle Interview: how painting becomes solace in solitude

In this episode you meet with a beautiful soul and amazing realist artist – Michael Hlousek-Nagle. Inspired by nature, classical music, Roman civilization, Egyptian art and archeology, the artist depicts personal space of solitude, quietness, introversion and hope. His canvases are female portraits set against dark, mysterious landscapes. Moody, solitary figures are caught up in self-reflection, yet embody strength and intelligence. Beautiful and often sensual women live in a quiet, dark space. Michael’s realist paintings exhibit masterful color harmony and visual balance. The artist lives with his wife and two children in England.

interview with Michael Hlousek-Nagle
Michael Hlousek-Nagle, Sibylla, charcoal and chalk on paper, 29x42cm

We chatted late in the evening in the beginning of November 2021 with a 4-hour time difference between Florida and England. The connection was really bad and parts of the recording were lost in space for good. However, salvaged parts of the interview were beautiful. Michael is a very kind human being who opens his heart up talking about the oil painting technique, his world view and how his creativity flows to produce art.

“Since mankind began making marks we have used art to tell the story of what and who we are, and of the world in which we find ourselves, and however fragmented and distorted our world may now be, however many innovations and techniques painters have at their disposal, it is still essential that artists use their work to allow us to see ourselves, to tell the story of us, and not merely the story of art.”

Michael Hlousek-Nagle
Michael Hlousek-Nagle podcast interview
Michael Hlousek-Nagle, And I Alone was Saved, 60 x 76cm

Born in Cambridge in 1971, Michael Hlousek-Nagle grew up in a small farming village in the English countryside near Oxford, and spent most of his childhood exploring the fields and forests. His early interests did not include drawing or painting, instead he wanted to pursue a career as an archaeologist and was drawn especially to ancient Egyptian history. His first foray into art was an attempt to turn his bedroom into an Egyptian temple by decorating it with life-size figures of Osiris, Isis, and Anubis.

The artist studied and graduated with a BA in Theology and Religious Studies at the University of Leeds, but did not know what he wanted to do with that qualification, and after drifting aimlessly for a while he was forcibly pushed into studying Art by a friend who apparently knew him better than he knew himself. He received a William and Mary Armour Award studying for his BA degree at the Glasgow School of Art in Scotland, and won a scholarship to study at the New York Academy of Art for his Master’s degree in 2002.

His work has its roots in the techniques and strategies of the western figurative tradition, drawing inspiration from the paintings of Balthus, Goya, Paula Rego, and Zurbaran, among others, and contemporary artists – Amaya Gurpide, Jordan Sokol, and Rasha Alem.

In 2004 Michael was a set-designer for a new ballet, Shambards, by New York City Ballet’s choreographer-in-residence Christopher Wheeldon, which premiered at the Lincoln Center in New York on May 4th 2004, and has also been performed at the Saratoga Festival. In 2005 Michael produced a set-design for a new ballet to be performed by the Royal Ballet, Covent Garden, London. Since 1998 he has received many commissions from private collectors, and his work is currently in private collections in New York, Seattle, Geneva, Paris, Vienna, London, Edinburgh and Glasgow, as well as the permanent collection of Glasgow School of Art. Between 1998 and 1992 Michael was commissioned to produce cover artwork and photography for a series of 7 CD releases of the music of internationally-acclaimed composer James MacMillan. One of Michael’s paintings has been used as the cover artwork for an Italian edition of the international bestseller “While My Eyes Were Closed” by Linda Green. The artist exhibited art at Galerie Kohler in Geneva, Blackheath Gallery, Three Colts Gallery, and Medici Gallery in London and in a number of galleries in Glasgow. The artist is represented by 33 Contemporary art gallery in Chicago.

Contact the artist: https://www.instagram.com/michaelhlouseknagle/


Reach out with questions or topic ideas @ Veronicasart.com . Follow: Instagram: @veronicawintersart | Hooked on Art podcast is one of the Top 10 Art Collecting Podcasts on the web rated by Feedspot in October, 2021.

how to make money as artist, hooked on art podcast

How to make money as an artist: interview with John Middick

Why artists don’t make money and how you can: strategies for artists

In this episode, I interview a colored pencil artist- John Middick. He is the creator of Sharpened Artist podcast and Sharpened Artist Academy. We discuss why artists don’t make any money and how to turn that around with teaching. We talk about some strategies to create various income streams outside gallery system. We discuss how to listen to yourself to find and use your natural gifts. In this episode you’ll also hear us talk about art contests, mentorship, colored pencil brands, papers and so much more 🙂 Join the conversation by sharing this episode with your friends and subscribing to the podcast.

Find John Middick here: https://sharpenedartist.com/

This interview is also available in a video format on YouTube: https://youtu.be/WqBhz9xReo0

Find Veronica here: https://veronicasart.com/

How to commission art as thoughtful art collector

If you have a specific idea or want to commission a portrait painting you need to learn how to approach the artist you like. So how do you approach the artist to create a beautiful artwork for you? In this episode I’d like to discuss what the artist needs from you in order to fulfill your commission. It’s a wonderful experience to own original art at home or office. Art collecting is a great way to show who you are, create unique space and support contemporary artists!

Reach out with questions or topic ideas at Veronicasart.com . Follow on Instagram @veronicawintersart

Hooked on Art podcast is one of the Top 10 Art Collecting Podcasts on the web rated by Feedspot: https://blog.feedspot.com/art_collecting_podcasts/

How to commission art as art collector: 8 things to know what artist needs to make a great, commissioned painting

If you’ve decided on a specific idea or want to commission a portrait painting you need to learn how to approach the artist you like. So what’s the right way of communicating your idea and understanding what the artist needs to produce a custom art piece? In this article I’d like to discuss what the artist needs from you in order to fulfill your commission.

Damien Hirst: genius or imposter? Solo show at villa Borghese in Rome

Damien Hirst show at villa Borghese in Rome

I revisited the Borghese gallery in Rome in September 2021 and saw the Damien’s solo exhibition titled “Treasures from the Wreck of the Unbelievable.” It’s a collection of sculptural works from a fictional shipwreck off the coast of East Africa. Walking around the gallery I couldn’t but notice a thoughtful placement of the artist’s pieces in the rooms. Most fit organically into the gallery space that goes overboard with art by design. The powerful Borghese family members were avid art collectors and patrons of the arts. That’s why their exuberant art collection boasts so many masterpieces by the 16th and 17th-century artists like Caravaggio, Bernini and Canova.

Borghese gallery, Damien Hirst, the Minotaur sculpture, Archaeology Now
Borghese gallery 2021, Damien Hirst, the Grecian Nude (left) and the Minotaur (right), black granite, sculpture.

Born in 1965, Damien Hirst is a British contemporary artist who explores the theme of life and death. Because he sees no separation between life and art, this theme becomes his art, which is an amalgam of painting, sculpture and installation. The theme of death is one of the central themes in the Western art world but every artist is able to take it into a different direction…

Damien Hirst Lion Women of Asit Mayor- bronze-2012-borghese gallery-winters blog
Damien Hirst Lion, Women of Asit Mayor, bronze, 2012 at villa Borghese 2021, pictures taken by Veronica Winters

First shown in Venice in 2017, “Treasures from the Wreck of the Unbelievable” is a show with some merit. Sculptural works utilize traditional and precious materials, such as marble, alabaster, lapis lazuli, coral, crystals, malachite and bronze. Some sculptures breathed with beauty and classicism long forgotten by the contemporary art galleries. It was fun to spot contemporary art by Hirst standing right next to the antiques of the Borghese gallery permanent collection. Some sculptures did give a feeling of rescued objects from the ocean floor as colorful barnacles and sea creatures covered the surface of many sculptures. Some body limbs were missing or got obscured by the sea overgrowth.

damien hirst_unknown pharaoh-borghese g-veronica winters blog
Damien Hirst, Unknown Pharaoh at villa Borghese. This is one of my favorite pieces seen at the gallery. There is a beautiful balance between materials, color and the form. This sculpture gives a feeling of a real piece saved from a shipwreck.

While most of it fit well within the space, the sculptures were strikingly different in the level of execution. It prompted a question who really made these artworks and how much of it was Hirst’s skill and vision. Some were very classical in nature, while others looked like the leftovers from modernism. Some sculptures were beautiful and engaging, while others looked strange and too primitive to be called ‘art’ especially in comparison to the art collection of the Borghese family.

borghese gallery-sculpture of hirst
Bronze sculpture of Hirst at the villa Borghese in 2021, This sculpture looks grotesque lacking ethereal beauty of classical art.

How original is Damien Hirst?

Hirst is the all-over-the-place artist, in my opinion. He produced a variety of art that would be frowned upon in any graduate school where consistency of theme, size, and approach is encouraged and basically required to graduate. And this is where the rules get broken… The artist rose to fame with a number of controversial art pieces. The notorious diamond scull, beautiful entomology paintings, sharks in formaldehyde, pill cabinets, dot paintings, neoclassical sculptures, installations and so much more – everything made by Hirst or it may be not.

I think it’s ok to evolve and transition into new art forms or body of works over the years as we-artists experience change and so art changes with us. However, Hirst seems to drift from one idea to the next that doesn’t have a clear connection to his previous work in either technique or vision. Usually we can see one work by the artist and recognize the “style” in subsequent works even if it’s quite different. Hirst puzzled me in this regard because his series of paintings or sculptures had no connection to each other.

Art by Damien Hirst

Art Workshop

The exhibit made me think of a Renaissance workshop. Workshops used to be the only way of learning and training young artists in the Renaissance Italy. That’s how da Vinci painted his first angel in the Verrocchio’s painting (The Baptism of Christ, 1475, Uffizi gallery, Florence). Vision and ideas were of the master artists who painted major figures and finished paintings. Master artists worked on image designs, composition, color and so on while art students mixed paints, helped with image transferal and some underpainting. Based on presented sculptures I saw at the villa Borghese, the Damien Hirst workshop functions quite differently. The apprentices seem to be the creators.

damien hirst_Pair of Slaves Bound for Execution-painted bronze sculpture-borghese g
Damien Hirst, Pair of Slaves Bound for Execution, painted bronze sculpture at the villa Borghese

His workshop may produce all the art with some apprentices (artists) being very skillful at their task. That explains great inconsistency and variety of produced art by Damien Hirst. Painted bronze sculpture “Pair of Slaves Bound for Execution” was the most exceptional, contemporary art piece I’ve seen in a long time, showing balance, grace, and the perfection of anatomy – central to classical art. “Unknown Pharaoh” is one of my favorite pieces. There is a beautiful balance between materials, color and form. This sculpture gives a feeling of a real piece saved from a shipwreck. While another sculpture with a giant foot, squirrel and ear looks immature. The standing bronze figure of Hirst appears grotesque to me as well.

Damien Hirst-Archaeology Now at the Galleria Borghese-installation view
Damien Hirst, Archaeology Now at the Galleria Borghese-installation view (giant foot with a squirrel)


Are workshop artists mere laborers or the creators on their own right? Based on the produced and shown art at the villa Borghese, Hirst created a factory of talented artists who do all the work but marketing. And in this case it looks like marketing is everything really. Remove the name from any of these works and they won’t be fetching top dollar for art.

Now, many famous contemporary artists keep workshops. We can explore the workshops of contemporary realist artist Kehinde Wiley or the glass blower Chihuly. You can find their art pieces in many permanent, museum art collections, private art collections, hotel lobbies and so on. The key difference is that these artists are true to their unique vision and every piece feels like a continuation of the artist’s previous work. Apprentices in their workshops are the helpers, not sole creators of art. That’s my opinion of course, you may not agree with.

Damien Hirst, sculpture of a shell displayed at the villa Borghese in 2021

There is no doubt that Damien Hirst is a very smart artist. He is also a great publicity guru. He created and marketed himself as a top luxury brand for the wealthy to invest in. There is a lot to either admire or learn from this living artist. What do you think of his art? Share.

Damien Hirst, Hydra and Kali, outdoor sculpture, Borghese gallery-veronica winters blog
Damien Hirst, Hydra and Kali, sculpture displayed outdoors at the Borghese gallery
damien hirst_neptune-borghese g-veronica winters blog
Damien Hirst, Neptune, 2011 at villa Borghese

Learn more: https://damienhirst.com/

This blog is created for educational purposes with the art credited to the sited artists. All pictures are taken by Veronica Winters. The article expresses personal opinion only.

Damien Hirst sculptures at villa Borghese
Damien Hirst sculptures at the villa Borghese in Rome in 2021

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How to become a successful artist pros and cons studying art in college and atelier

The difference between art college and atelier art education and what you need to know to succeed as an artist


How to become a successful artist: pros and cons studying art in college and atelier

In this article I’d like to talk about the difference between college and atelier education for visual artists. I also want to explain what parents should consider doing when a child decides to pursue art as a career.

art for sale-veronica winters painting


College Education

Advantages:

  • You may learn to defend your work and to make it more consistent. Professors like to do critiques about concepts and ideas, not the technique of painting. Some foundational courses may be really good if the art instructors show skill in their art. There are more foundational courses available when you study for your BFA but if you continue studying for your MFA degree classes you take are more advanced where you have all the freedom to do what you want with very little technical instruction. If you study for the BFA you take classes and graduate. If you study for your Master’s degree you learn to present and defend your work in front of the committee. Ideally, you develop a consistent body of work that shows others your artistic personality.
  • Diploma gives you a pass to teach art at the college level with a completion of Master’s degree, not a Bachelor’s one. Bachelor’s with Graphic design major is a good choice to get if you don’t plan to go for your Master’s degree and want to have a relevant, well-paying job. However, if you’d like to be a fine artist able to teach at a college level, you must get your MFA. (There are circumstances when artists with BFA degree get teaching jobs in colleges because of their value to the department). Even if you get your MFA degree, getting a teaching job in college is not guaranteed because there are few job openings available. Also, intro salary will be quite low although you’ll get stability and insurance as an artist.
  • College offers really good art history classes. In-depth art history classes cover many epochs, countries and movements especially when you study for your Master’s degree. Art instructors could go deep explaining art from various points of view including politics, economy and history.
  • College education can be great, if you come across knowledgeable and supportive art instructors who can help you with development of your unique ideas, painting skills, and business strategies. If you’re able to develop this special relationship that I call a mentorship with professional artist, then a college degree will pay for itself tenfold. You must be proactive and interested in your career as an artist to connect with your mentor.

Disadvantages:

  • Give no or little technical skills how to paint realistically. May have good foundational drawing classes but oil painting is not taught well or not taught at all. In my personal experience I went through several colleges where professors didn’t know how to teach traditional painting techniques which was incredibly frustrating.
  • What you learn in terms of the skill directly depends on the professor’s abilities teaching classes. Look at his/her work to determine if it’s the right match for you.
  • Art education in college doesn’t include art marketing which is not good no matter how you look at it. Colleges give zero business skills or understanding how to get into galleries or how to write and talk about your art. Personally, I couldn’t even put an effective resume after graduation and went to a college art association conference to do it.


Tip: So when you pick your college to study art, also consider location, professors’ associations with galleries and their artistic level. When I went to college over twenty years ago, I assumed that I’d get good technical instruction with art history, art marketing and creative development. It wasn’t what I expected. If I go to study art in college today, I’ll look at art of professors to see if this is something that inspires me to create. I’ll pick an artistically rich community like New York, LA, maybe Denver or Santa Fe. This will give me proximity to go to receptions, make contacts with curators, gallery people, and learn from professional artists the ins and outs of art business.



Selling art is a lot more than just being a good painter. It’s all about networking and communicating your story well.

head study from Indian Girl by Palmer_veronica winters artist
Head study drawing from Indian Girl sculpture by Palmer, Veronica Winters

Atelier art education


What is it? Atelier is a workshop or studio of an artist. Atelier art education or academic art education means studying art with a few master artists in a tight circle of students. It’s the most direct way of learning the craft of painting, drawing, sculpture, glass-blowing, etc.

Aphrodite plaster cast


Advantages:

  • Such schools teach a very structured approach to classical drawing and painting that you must follow to get the results. After a-4 year program you have a very clear understanding how to draw and paint realistically.
  • Learning the anatomy by drawing and painting from life informs your painting accuracy. It’s your critical foundation to become a realist artist.
  • Art instructors have strong technical skills and most are very good, even exceptional realist artists known today.
  • When you’re in class you start by drawing plaster casts from different angles. Then you draw and paint objects, which is called still life painting. After that you spend a lot of time mastering human anatomy painting and drawing nude figure from life. You get daily drawing and painting instruction looking at a nude figure and studying proportions, anatomy, composition and so on. You also go out to do plain air sketches/ landscape painting outdoors on occasion.
  • Located in artistic communities.

Disadvantages:

  • No art history classes or any other ‘general education’ classes. The focus is classical painting and drawing only.
  • May not offer a diploma qualifying you to teach in college.
  • Give no business education either but working artists many become invaluable to understand their daily practice and how they approach art marketing and networking.
  • Some people complain that when they see works of students coming out of the ateliers, they all look the same. I think this is totally normal because this type of education is about getting your skill going first. It takes a lot more time and practice to develop artistically. The atelier school takes care of the technique and the artist takes that knowledge and applies it to his vision. If you study art in college, you’re almost guaranteed not to acquire the skill and it really depends on college to see the development of vision in students.
oil painting techniques color mixing


Great atelier schools are:

  • Nelson Shanks’ school in Philadelphia called Studio Incamminati ( web: https://www.studioincamminati.org/ ),
  • The Grand Central academy of art in New York with Jacob Collins the founder of the school and realist movement here in the US (web: https://grandcentralatelier.org/ ),
  • The Art students League of New York (web: https://theartstudentsleague.org/ ),
  • Anthony Ryder’s school in Santa Fe (web: http://www.theryderstudio.com/ ).
  • You can also get similar education studying with artists in their studios such as at Adrian Gottlieb’s studio in California. A number of prominent realist artists who studied under Jacob Collins include Michael Grimaldi, Colleen Barry, Ed Minoff, Joshua LaRock . They all teach academic painting at their studios.

Tip: Decide what your goal is and pick the school in accordance with your goal. Do you want to know how to paint realistically or you’re more interested in art theory and teaching opportunities at college level? Or say if you want to work at an art auction house like Christie’s and Sotheby’s, I think it’s a good idea to research their education system that prepares you to work at these institutions. In other words, your goal must be specific to determine the educational venue.


I also want to say that college-level art education is not enough to become an artist with unique voice. It takes a lot more time to nurture and develop this voice visually through art. That’s why any kind of school is just a school to get the basics going and build connections but becoming the artist with unique vision takes a lot more time, work and passion.
Your personality and willingness to work through challenges will determine your creative and business success.

Sir Joshua Reynolds The Ladies Waldegrave 1780_detail_scottish national gallery
Sir Joshua Reynolds The Ladies Waldegrave 1780_detail_scottish national gallery

For parents:


As parents, we want our children to receive prestigious degrees from established universities. We may think that studying art in prestigious university will help the child succeed. It may in terms of networking building relationships in the right circles but few college art departments in the US give artists structured education in realist painting and drawing (if that’s the goal). Some classes and instructors could be great but the approach to teaching art in college resembles the art education in high school. There is some ‘do what you like’ attitude and studio classes could be a hit or miss. It really depends who the professor is.


If your son or daughter wants to become an artist showing talent and desire to learn, you shouldn’t stop him or her from doing this. Instead, help your child with your positive and meaningful support. Artists become successful when they go to the right school, receive great art education, and have positive mindset.


Don’t let your negative thinking with a ‘starving artist’ mentality interfere with your child’s desire to become one. If you don’t believe in your child, he or she will internalize it studying in college for any other profession, arriving at a job he hates having low-self-esteem.
There are a number of accomplished artists out there who are making a living with their art. It’s a disservice to derail a teenager from art to go and get a different degree. What happens is that precious time is lost, mistakes are made and the adult feels unhappy and unfulfilled. Teach your child to communicate well with people and to get out and learn art with passion. If a person is gifted, he has passion and will succeed. Give her the tools to do that, not the limiting beliefs about artists or even yourself.


Usually artists have a second gift or personality that often becomes a money-making opportunity to rely on. For example, I’m a gifted teacher and I’ve been teaching art in organizations, my studio and online for many years. I know many artists who are super entrepreneurial and this is a great combination to explore so many possibilities being an artist and a businessman. I also know artists who love to work at the museums because they enjoy administrative work.
Most importantly, if the goal is to become a really good artist knowing how to paint, academic education is a lot more fulfilling than going to college wasting precious resources such as time, money and opportunities. If you pursue atelier art education full time, you’re on your way to have a real career as an artist you want to be.
Finally if you follow certain artists and you love their work, figure out where they studied. Listen to their interviews on podcasts. Ask them about their experience directly. This will help you decide if college or academic art education is right for you.


If you find this information helpful, share it with those people who really need to understand their options studying art today.

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veronica winters with art
Overcoming limiting beliefs with Kat Popova & Veronica Winters

How to overcome limiting beliefs for artists with Kat Popova & Veronica Winters

Katerina Popova is not only an artist but also a creative entrepreneur. She is the founder of Create Magazine, the Create podcast and the coaching program for artists titled the Art Queens. She is also a co-author of “the complete smartist guide” book for artists who want to level up their marketing skills.
We sit down to talk about various limiting beliefs that affect the artist’s mindset. Kat shares lots of practical advice how to deal with negative self-talk, what affirmations you can create for yourself, how to find your community on Instagram and much more! Kat shares what it feels like to be an immigrant and how it plays into her vision and dreams.

This episode is also available as a video on YouTube: https://youtu.be/gk7KMesoX9I
Contact the artist:
https://www.instagram.com/katerinaspopova/

Contact the host:

Support the channel/donate: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

Veronica Winters, M.F.A. | https://VeronicasArt.com | https://www.instagram.com/veronicawintersart/

veronica winters colored pencil

How to overcome negative thinking and liming beliefs for artists

Each of us sees the world through unique lens and that’s why we all have varied perception of reality. Limiting beliefs and negative thinking are based on our past experiences, social conditioning, family habits or painful memories that override positive experiences. Usually limiting beliefs run inside us when we interact with others. Limiting beliefs can be very loud in our head altering the conversation, emotions and choices we make. In this podcast episode I share how I deal with negative self-talk.

Support the channel/donate: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

Veronica Winters, M.F.A. | https://VeronicasArt.com | https://www.instagram.com/veronicawintersart/

Karen Hull artist interview podcast

Karen Hull: art interview with colored pencil artist & reiki master

My guest today is a colored pencil artist & reiki master Karen Hull. You might have seen her amazing art on Facebook before. I set down with the artist to have a conversation about her career discussing colored pencil art, inspiration, art marketing and much more. Karen shares not only her art tips but also talks about meaning behind her creative journey and how her desire to help people made her pivot to studying and working as a reiki master!

First appeared as a video podcast on Youtube: https://youtu.be/irK-fysrWMo

Karen Hull artist interview podcast
Karen Hull, colored pencil & scratchboard demonstration

Follow the artist:

https://www.karenhullart.com/

Portrait drawing class on Craftsy: https://www.craftsy.com/class/step-by-step-photorealistic-colored-pencil-portraits/#

Support the channel/donate: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

Veronica Winters, M.F.A. | https://VeronicasArt.com | https://www.instagram.com/veronicawintersart/

Free your mind to create art to your fullest potential: interview with hypnotherapist James Browning

Free your mind to create art to your fullest potential: interview with hypnotherapist James Browning

Hypnotherapy is not about losing your mind, allowing a hypnotherapist to take full control of it. It’s about allowing yourself to overcome the past, your pain, and insecurities. Its about giving yourself a chance to create positive space inside your mind and heart to feel secure, creative, productive, and to live your life to your fullest potential. Hypnotherapy would help you free your mind and let go of things that hold you back, if you’re determined and persistent in changing your life for the better.

James Browning, CCHt received his formal education at the Hypnotherapy Training Institute in Corte Madera, CA, the oldest hypnosis school in the U.S. Mr. Browning holds certifications of Master Hypnotist, Hypnotherapist, Regression Specialist, and Clinical Hypnotherapist. By going to the site, you can listen to a number of free hypnosis audio lessons to reduce anxiety, stress, worry, and pain.

Listen to self-hypnosis for improved creativity audio, improved self-image audio, relaxation audio, anxiety reduction & sleep induction: https://browninghypnotherapy.com/free-audio/

First published as a video podcast on YouTube: https://youtu.be/DgtC2K5rQhM


Support the channel/donate: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

Veronica Winters, M.F.A. | https://VeronicasArt.com Subscribe | http://eepurl.com/hwM3l1 💌 https://www.facebook.com/veronicawintersartist/ https://www.instagram.com/veronicawintersart/

Amanda Greive interview

Amanda Greive: oil painter who speaks of equal rights

Amanda Greive is a figurative realist artist who paints women to bring attention to challenges many women face, splitting life between family and work. By looking at Amanda’s beautiful, realist oil paintings we can get a much deeper understanding of her subjects and motivation behind painting.

First appeared as a video podcast on YouTube in March 2021: https://youtu.be/x68uKGQn8Ns

Amanda Greive interview
Art by Amanda Greive

Contact the artist:

Web: https://amandagreive.com/

Contact the host:

Support the channel/donate: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

Veronica Winters, M.F.A. | https://VeronicasArt.com | https://www.instagram.com/veronicawintersart/

Interview with Anna Wypych

Anna Wypych: art interview with oil painting artist who embraces change

My guest is a Polish artist – Anna Wypych. Her narrative oil paintings are a testament to the artist’s ability to embrace change. Her female figures are set in motion to evoke emotions and raise questions. In this interview realist artist shares her creative journey in becoming one of the top professional artists working today.

First appeared as a video podcast on YouTube in February 2021: https://youtu.be/w-TLhyuYiWs

Contact the artist:

Web: http://annawypych.pl/

Contact the host:

Veronica Winters, M.F.A. | https://VeronicasArt.com | https://www.instagram.com/veronicawintersart

Support the channel: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

   

Eric Rhoads-art publisher interviewinpodcast with Veronica Winters

Eric Rhoads: interview with art publisher

Eric Rhoads is a pioneer in art publishing & art education industries producing Fine Art Connoisseur & PleinAir magazines, conventions, instructional videos, and retreats for artists who are eager to learn academic or classical oil painting techniques.
Mr. Rhoads is a powerhouse of ideas and ventures being an artist himself. In candid stories you’ll learn about art marketing, joys of realist painting, art collecting, art education, and how it all came together in a person who simply wanted to learn classical oil painting techniques himself!

First appeared as a video podcast interview on YouTube in February 2021: https://youtu.be/7vSyESpzFsw

Follow the artist:

Instagram @EricRhoads
Realism.Today, PleinAirMag
Facebook: EricRhoadsPublisher
Streamlinepublishing.com/everything
Marketing: Artmarketing.com
Book: Make More Money Selling Your Art
Magazines:
FineArtConnoisseur.com
PleinAirMagazine.com
Newsletters:
RealismToday.com
AmericanWatercolor.com
FineArtToday.com
PleinAirToday.com

Outdoorpainter.com & EricRhoads.com
Conferences: FigurativeArtConvention.com | PleinAirConvention.com
Trips and Retreats: FineArttrip.com | PaintRussia.com | PublishersInvitational.com | FallColorWeek.com

Virtual Conferences: WatercolorLive.com | RealismLive.com | PleinAirLive.com | Soarworkshops.com

Art Instruction Videos and Books: StreamlineArtVideo.com | Liliartvideo.com | CreativeCatalyst.com


My goal with this project is to expand on art appreciation & discover the healing potential of arts via art interviews with talented artists, collectors, curators and other art professionals who shape up the contemporary art culture. With this art podcast I hope to support real talent to eliminate trashy art from public spaces as well as to show how art can help us find emotional connection to ourselves to discover who we truly are. This art podcast captures personal and emotional stories about life, art, the business of art, art collecting, and everything else that comes with being an artist or loving the arts. This video podcast will feature talented contemporary artists and art enthusiasts alike. Watch, like and share! Let’s find new audiences for contemporary artists.

Support artist podcast/donate: https://www.paypal.com/biz/fund?id=XEALQ6AHQ22EN

Veronica Winters, M.F.A. https://VeronicasArt.com

Instagram | https://www.instagram.com/veronicawintersart/

Stop creating ugly paintings: 4 color mixing tips in oil painting that work

I spent many years learning how to draw realistically and then how to use color in oil painting well. I’m not the best realist artist out there but I’m sharing what I’ve learned over the years to help you become a realist artist today. I must say that realist oil painting is a lot more challenging than drawing because color mixing in oil painting is not the same thing as shading in colored pencil or painting in watercolor. In drawing artists shade via subsequent layering to build up a range of values. In oil painting we have to “guess” correct color, value and color temperature in one stroke! What I’m sharing here has taken me years to learn. I spent thousands of dollars on classical painting education that was hard to come by two decades ago. We’re are lucky to have proper art education available today in a form of atelier schools and on-line classes.

How color mixing works

Artists have various approaches to color mixing in oil painting. Some paint in full color from the start, others work on detailed underpainting before moving to color. Some pre-mix colors, others don’t. There is no wrong or right way of doing it. The oil painting technique comes with experience and varies in accordance with the artist’s personality.

Over the years I learned different ways of oil painting and I usually use them in a combination. Color mixing is the hardest part to master in oil painting. Even when your drawing is pretty good, oil painting can still be a huge challenge because of a different approach to color mixing. That’s why even when you get the exact list of colors used in artist’s artwork, you can’t really re-create the same beautiful result you see on YouTube.

Artists have to match color, color temperature and value in one stroke as opposed to achieving the same result via layering in colored pencils or watercolor. Therefore, artists must have a system in place to make color-mixing easy. 
contemporary realism art oil painting with starfish by veronica winters
contemporary realism still life painting with starfish, 16×20" oil on canvas, silver frame, available

#1 Do underpainting in one color first

Underpainting serves three purposes.

  • First, you establish your drawing on canvas. So it stays in place.
  • Second, you put warm color underneath your painting. This process gives you a nice, warm tone that interacts with your colors at a later stage.
  • Third, you establish basic pattern of light and shadow. It becomes a guide for your painting to control values.

Use warm brown underpainting

I use W&N artist’s oil color burnt sienna for underpainting in warm brown. Sometimes I add a touch of ivory black to darken the darkest areas in the painting. I keep everything rather transparent. Caravaggio used this oil painting technique in his art.

color mixing oil painting
Here I’ve done the underpainting in burnt sienna (warm brown) and began using full color palette to develop my painting further.

Use grey underpainting

Sometimes I underpaint my work in grays.

It’s a mix of 3/4 ivory black+1/4 warm brown with the increments of titanium white. (More on that below). This oil painting technique was used by many classically-trained artists including Ingres.

Use green underpainting

Some artists prefer the underpainting in dull green. White skin has a lot of green in it and this kind of underpainting becomes great to reveal cool shadows in the face, etc. There are many classical artists who used this oil painting technique. Beautiful, natural greens are Natural Pigments’ Antica Green Earth and Gamblin Terre Verte.

#2 Use your palette knife for color mixing in oil painting

#1 Use your palette knife, not the brush to mix the color strings. It’s the only way to mix large, clean batches of color.

#2 Use the palette knife to compare and to match the color you want to mix.

color mixing in oil painting veronica winters
To match the color perfectly you need to use your palette knife. Mix the color on your medium-toned palette, rotate the knife and place it next to your color source to see if you’ve matched the color. In this picture you can see me try to match the blue of this card.

#3 Pre-mix your main colors

I premix batches of color for large areas to have consistency and color unity throughout my oil painting. It could be separate batches of color for my background, for a dress and the skin tones.

oil painting techniques color mixing

I premix color strings for skin tones as well. Colors vary depending on my project.

#4 Use grays to neutralize chroma in color mixing

It’s rare to see vibrant (high-chroma) objects around you. In fact, realist artists show restraint in using bright color because only one or two hues should be dominant with the other hues supporting them. So most colors must be toned down to give the realistic effect. Beginner artists and art collectors tend to paint and to collect very bright art. True understanding and appreciation of color mixing mastery grows overtime. By looking at Sargent’s & Bouguereau’s work you can see how muted yet realistic their colors are.

Psyche abduct_By William-Adolphe Bouguereau
Psyche abduct, by William-Adolphe Bouguereau

I use the grays to neutralize my tube colors.

how to make oil underpainting
The strip of grays represents the value scale. It’s mixed from 3/4 ivory black+1/4 warm brown with the increments of titanium white.

Chroma is the brightness of a color.

The easiest way to tone down bright colors is to use a slightly warm gray. It’s mixed from 3/4 ivory black+1/4 warm brown with the increments of titanium white. The strip of grays represents the value scale.

To keep color mixtures fresh for more than one day, I wrap them up in wax paper. Airtight oil paint stays fresh for 2+ days on average.


video courses by veronica winters
Check out free previews of my video courses here:: https://veronica-winters-art-school.teachable.com/

Color harmony in oil painting from art history

There are different approaches to color mixing in painting. The Impressionists painted without the use of black. Their paintings taught me to see colors in the shadows. The old masters painted with black to create strong contrast.

Color unity or color harmony are present in all classical paintings. You’ll find explanations of color harmonies in classical oil paintings in this article 5 Tips that’ll make you better at oil painting: https://veronicasart.com/5-tips-thatll-make-you-better-at-oil-painting/

Video explaining color mixing in oil painting:


Basic Art supplies:

Panels & canvas:

Don’t buy the cheapest canvases at craft stores and online! Their gesso (white ground) is very low quality that affects everything from paint application to oil paint adherences to archival properties.


Other helpful articles about oil painting techniques:

5 tips in realist oil painting:

6 Tips for Arranging Wall Art in Your Home veronica winters

6 Tips for Arranging Wall Art in Your Home

Whether it’s your own work, a cherished gift, or an important purchase, a piece of art is one of the best ways to personalize your space. However, deciding where to place art and the best way to hang up a painting can be challenging. Thankfully, there are several rules of thumb to guide you. The following tips, along with 1stDibs’ illustrated advice on how to arrange wall art, will help you decide the perfect ways to exhibit art in your home. 

1. Where to Hang Art

Small pieces look lost and awkward when placed alone on expansive walls. If you have a large wall to fill, consider finding larger works that make a statement. Alternatively, you can pair multiple small pieces together in a grid setup or gallery wall to help fill the space. 

Other ways to display art include propping them up on a mantelpiece or floating shelf. This approach allows you to easily move pieces around without damaging the wall. 

wall art displays-veronica winters

2. Plan your art wall display

One of the best things you can do before hanging wall art is to make a solid plan. There are several great methods of envisioning pieces on a wall before hanging them up. 

First, you can try out art visualizer tools and interior decorating apps on your phone that use augmented reality to show you how a painting will look on your wall. This will not only help determine the best placement for an art piece, but will also show you how the colors will either complement or clash with your existing decor. There are lots of these digital tools out there, so you can search through the app store to find the best one for your needs. 

Second, you can try using kraft paper to plan an arrangement. To do this, cut out kraft paper pieces that are the same sizes as all your art pieces. Adhere the pieces of paper to the wall with painter’s tape to find an arrangement that you like. This is also a great way to experiment with spacing between pieces before you hang them up. 

how to display wall art

3. Measure your wall space, furniture & art


Spacing out art and deciding on the best height to hang pieces is sometimes a matter of intuition. However, if you’re unsure where to start, here are some suggestions.

Hang art so that the middle of the piece sits at eye level, around 57 to 60 inches above the floor. This way, people walking by will get the best possible viewing experience and won’t have to strain to see the work.

When hanging art right above a piece of furniture, such as a sofa or console table, it’s aesthetically pleasing to keep the width of the furniture wider than the art above it. A general rule is to keep art above a sofa ⅔ the width of the sofa.

What about spacing in between multiple art pieces on a wall? In general, it’s a good idea to leave anywhere from 3 to 6 inches in between the pieces.

wall art display how to measure distances in wall art displays

4. Decide on either Symmetrical or Asymmetrical wall art display


When planning an art display with multiple pieces, it’s important to ask yourself if the room would be better suited to an asymmetrical or symmetrical arrangement. 

For a tidy, traditional-looking display, choose a symmetrical layout such as a grid, diptych, or triptych of identically-sized pieces. 

For a more diverse feel, put together an asymmetrical, salon-style gallery wall. In a gallery wall, you can pair different sizes and styles, but it’s best to maintain cohesion by keeping a running theme or repeating color palette. 

wall art arrangements, wall art displays

5. Create visual balance

In the aforementioned gallery wall setup, how do you keep everything visually balanced? 

A great way to start is to hang up the largest pieces first. Put up a large art piece near the center of the wall to draw the eye to a focal point. Then, hang the smaller pieces around it to create visual interest. 

Another approach is to imagine an invisible line down the center of the wall. When you hang up your art, keep the same visual weight of pieces, large and small, on both sides of the line. This way, you’ll ensure the wall stays balanced and unified. 

Finally, if you’re lining up different-sized works horizontally, align the centers, not the tops or bottoms of the pieces. 

wall art displays
Framed pictures display @ Beverly hills hotel

6. Experiment with the layout on the floor

If you have no visualization apps, place your arrangement on the floor first to see how art pieces harmonize together in size, theme and color. I often collect pictures of my favorite wall art displays in a digital folder. Some art arrangements include more than art, such as decorative mirrors and metal sculptures. Experiment!

These tips will help you get started creating a beautiful art arrangement that will enhance your home and make for a visually pleasing display. That said, showcasing art is all about creativity, so feel free to break the rules and follow your instinct whenever it feels right. 

You can also see other wall art designs and ideas here: https://porch.com/advice/design-best-gallery-home

Check out visionary art for sale

Further reading: https://veronicasart.com/art-collecting-101-6-ways-to-display-art-beautifully-at-home-office/

Resin art ideas for beginners: 10 things I learned pouring resin veronica winters

Resin art ideas for beginners: 10 things I learned pouring resin art

You know that I’m a realist artist but this lockdown was long. I felt drained of creativity, motivation, and inspiration to produce anything. As a result I began to experiment with other mediums in my studio hoping to revive my feeling of joy. For some reason it was difficult to find excitement in my ‘regular’ portrait painting and colored pencil drawing. So the idea was to learn resin art and fluid art painting techniques from scratch to combine them with my realist art in a new way. Here I’d like to share what I learned doing resin art (and the resin art supplies list at the end of this article).

veronica winters colored pencil
Let it be, 12x16in, mixed media on wood panel |To make poured resin art, I drew the image in colored pencil, varnished the surface, glued crushed glass and did resin pour twice. The first layer has some extra fine glitters in specific areas of my drawing. The final layer has just a bot of other extra fine glitter not to obscure the face. Glass and glitter have amazing sparkle that doesn’t show up in photography.

1. Resin quality & variety

All resins are different in consistency and application. You have to try several different brands to figure out what works for you and your projects. For example, Liquid Diamonds is a high-quality resin that runs like water. It’s both good and bad for resin artists. It’s good because you need much less resin to cover the surface. It also generates less heat as a result of thin application. (Not melting the wax in colored pencil as much due to less heat produced). It’s not great because it can run over the edge really badly. The entire batch of mixed resin can potentially run off the surface through one small cavity present between the edge and tape. I think that Liquid Diamonds art resin is great to use on the surfaces that already have borders like a tray or a bowl.

resin art best resin

Some resins have doming capabilities like Little Windows or KSRESIN. This is great to hold the edge and no so good cost-wise because you need to apply a lot more resin to cover the surface completely especially if you work in subsequent layers. Thicker resins tend to roll off the previous resin layer unless you have enough to cover the entire surface or you’ve done some sanding. And that’s why it depends what kind of resin art project you do.

Each resin works great for specific projects and maybe terrible for others. I’ve done small jewelry pieces, small and large resin paintings as well as some geode art and large geode pieces. In my experience Little Windows mixes great and gives very few (if any) bubbles working small (jewelry and small craft projects). It’s crystal clear, easy to mix and dome, and non-toxic! I didn’t like it that much working large however because it likes to be poured all at once and left untouched. Otherwise it could leave strange patterns in the resin. Other resins like KSRESIN or Liquid Diamonds give me a chance to spread the resin around the panel and to manipulate it some to cover the surface without leaving any patterns in it.

resin art for sale
Blue geode art painting, 8x10in | This was one of my practice pieces I made before starting on a large-scale project. This poured resin art piece was done in layers to produce varied effects you see on the surface. I also used Pinata alcohol inks, acrylic paints, crushed glass, diamond dust and glitters.

2. Consider the scale of your project

As a result the scale of your project or the amount of mixed resin you need requires experience that no one can give you in a tutorial. Only by mixing the resins yourself and applying them in your varied projects you learn what works and what doesn’t and how much mixed resin you need for a specific art piece.

One advice I can give you is to start small. Resin is expensive to waste it especially if you buy art resins. But most importantly working small cuts on your frustrations because a lot of things can go wrong working big (mixing not enough resin, falling dust, broken edge, uneven application, bubbles, etc). By working small you minimize your frustration on so many potentially frustrating problems!

resin art for sale
Green geode art painting, 5x7in | This was one of my practice pieces I made before working on a large-scale project. This poured resin art piece was done in layers to produce varied effects you see on the surface. I also used Pinata alcohol inks, acrylic paints, crushed glass, diamond dust and glitters.

3. Consider working time

Working time varies greatly in resins. Quick Coat Resin can start setting up in 10-15 minutes while KSRESIN has 45+minutes working time. If you don’t add any powders or paint to the mixture, the working time is long enough to spread it around, torch, level it out and torch again.

In my experience, what I found cuts on working time greatly are high humidity levels, high room temperature and the amount of added pigments mixed into the resins. This becomes crucial to learn when you do large resin art pieces! Because resins can set up almost instantly having acrylic paint or mica powder mixed into them. They’ll set up so quickly you won’t be able to take them out of your cup! In general it’s best to add just a little bit of pigment to resin for it to set up properly.

Also, if you make geode art you want some of your edges to blend more while others look hard. Working time and layering greatly affects what kind of edge you’ll get between the colors.

Green galactic eye, mixed media, 5×7″
I poured Little Windows resin over the varnished drawing. Glitter sparkles and gives it magical feeling. This resin art is available for sale.

Mixing Ratio

Resins have varied mixing instructions in terms of volume and time needed to mix both parts. You must follow mixing ratios written in the instructions for every new resin you use. Some resins have 2:1 mixing ratios and others have 1:1 ratio. Mixing time varies too and it’s very important not to cut on mixing time. Spend as much time as necessary mixing the two parts into one and only after that add pigments/glitter/ powder into it and mix it some more. For example it takes 4 minutes to mix both parts of KSRESIN. Why is it important? You need to do it right to prevent having soft spots, cracking or uneven application.

resin art ideas

If you use plastic cups that don’t have precise measurements written on them, pick identical cups and measure the level you want with a ruler. For example I can measure and mark 1 inch from the cup’s bottom. I mark both cups with a sharpie, pour equal parts of hardener and resin into those cups leveling resin out to that 1″ mark and then I take the 3d cup to combine these two together. If it’s 2:1 ratio, you can’t measure 2 inches vs 1 inch because the cup widens. So I use the same 1″ cup to measure it twice.

angel art resin art for sale
Messenger, colored pencil drawing with glitter and resin on panel, 16×20 inches, resin art for sale

4. Bubbles

Bubbles. Yes those pesky bubbles happen naturally because you mix part A with part B and the air gets trapped in the chemical process of mixing the two parts. Resins are very different in the amount of bubbles they produce. Little Windows resin has very few bubbles that tend to disappear on their own, especially when you let it rest first and then blow some air by your mouth over the art. I never torched this resin and it came out perfectly even and crystal clear. Liquid Diamonds is not super bubbly as well.

You must get a small, culinary torch to work with most (if not all) resins because bubbles stay in cured resin for good and screw up the overall appearance of the finished piece. Some resins are very bubbly and there is no way around it but using the butane torch.

Picking and working with the culinary torch is tricky. I think that the construction of any handheld torch is about the same despite their difference in price. Based on the reviews I’ve read, all of them have similar flaws not working properly from time to time
 ( Just read one-star reviews on Amazon to understand common problems associated with it). The amount of flame changes without changing the knob or it doesn’t want to charge butane one day and does charge it just fine the next day.
Buy it. Work with it but be extra careful. The torch can burn the masking tape or other parts of art where there is no resin. Potentially it could burn anything around it or the cured resin in the previous layer
That’s why I always use the lowest setting possible and I hold it far enough from the surface not to burn it. Also, I move my hand around the piece evenly without concentrating on any one area. When the resin is bubbly you can see how the bubbles disappear instantly torching them. Usually I repeat the process twice.

I have IDEACone Premium Butane/ Culinary, refillable torch. I don’t think it’s better or worse than others. It’s just the one I got. Also, I buy Bernzomatic butane can at a local hardware store that has the most competitive price on it. Working with these small culinary torches can be tricky because the flame might be uneven or they stop working for no reason, or they don’t charge butane as they should. In other words, small torches are very unreliable and when you have so little time to get rid of the bubbles, you want it to work!

resin art ideas
You can’t see the details and the beauty of varied, sparkling surfaces created with crushed glass, glitters, resin, powders, paint and alcohol inks. These are 4 panels in total. One piece consists of two 24x36inch panels. This was a very large and difficult resin art project. The cost of resin and materials ran around $400 for all 4 panels! I spent weeks pouring resin in layers, gluing stones and glass, repouring until it was done.

5. Tape

Watch what tape you use to hold canvas or panel edge. I find that cheap or generic masking tapes don’t work the same way as Scotch masking tape does. Generic ones can stick to the surface for good. It’s very difficult to remove it when the resin cures. You must apply heat (torch it) to take it off and when resin runs over and sticks to it, it often doesn’t come off 100 percent. Also cheap masking tape doesn’t hold the edge well and may let the resin flow over the edge/under the tape. I had this happen too many times! Scotch masking tape stays in place. It removes easily and rarely needs a torch.

resin art for sale
Masked edges before after the resin pour


6. Dust, hair & cover

This is 12×16″ wood panel with poured resin art. It’s protected by the cover to prevent dust and hair from falling onto the resin.

Whenever you work with resins, your space must be super clean and dust-free. Every tiny particle can land on the surface of curing resin to destroy the beauty of the shiny surface. You can’t undo it and it ruins the glass-like appearance of the piece if something sits on it’s surface permanently, It looks terrible when the dust settles right in the center of your artwork. To get rid of dust falling over your resin art, you need to find a cover for the art piece beforehand. So you can put it over the piece while it cures.
And this is when the scale of your artwork can kill you. Because the larger the piece, the more difficult it gets to apply resin perfectly. This includes mixing enough resin to cover the surface, to keep it dust-free, to mix just the right amount of resin to do colors, to pop the bubbles, to keep the edges clean, etc. Your clean cover must be large enough to protect the resin piece. I use plastic box covers, tin cans, and even Ziplock 15×20 weathershield boxes.

7. Yellowing

All resins yellow with time. Some have UV light inhibitors to slow the yellowing process down. I’ve seen my resin projects yellow even when they were not exposed to the light at all. And I bought art resins stating that they don’t yellow. They do but for different reasons. The hardener yellows in a bottle exposed to the air within a year. So it yellows with oxidation. If the epoxy resin has the UV light inhibitors, it might yellow when cured due to extreme sun exposure.

Yellowing could be a problem if you design your art piece that’s supposed to be pure white or has cool color scheme and eventually becomes yellowish. But I find that when the surface is colored, slightly yellowed resin doesn’t really change anything visually (because this color change is almost unnoticeable on brightly colored surfaces. It also warms up the surface which is good for the most part). Cheap resins yellow very quickly and don’t level out easily. KSRESIN Liquid Art Ultra UV Epoxy has UV-light inhibitors in them that yellow much slower with time but they also do yellow.

resin art for sale

What is a UV Stabilizer in epoxy resin?

A UV stabilizer in epoxy resin is a chemical additive that helps to protect the epoxy from the damaging effects of UV radiation. UV stabilizers work by absorbing and dissipating the UV light before it can penetrate the surface of the epoxy and cause degradation.

UV radiation can cause epoxy resin to yellow, crack, or become brittle over time. This is because the UV light causes the epoxy to break down and oxidize, which can lead to a loss of strength and integrity in the material. UV stabilizers help to prevent this by blocking the UV light and preserving the quality and appearance of the epoxy.

UV stabilizers are especially important for epoxy projects that will be exposed to direct sunlight or other sources of UV radiation, such as outdoor sculptures or furniture. They can also be used in indoor projects to provide an extra layer of protection against UV radiation and to extend the lifespan of the epoxy.

UV stabilizers are often included in commercial epoxy formulations, but they can also be purchased separately as a stand-alone additive. When using a UV stabilizer, it is important to follow the manufacturer’s instructions carefully and to use the recommended amount for the particular epoxy formulation being used.

ArtResin formula includes both UV and HALS stabilization. Any resin product that does not include both HALS and UV stabilization will yellow within a year. Don’t buy cheap, low-quality resins! If you use it over your artwork, it will deteriorate the work.

8. Surfaces & molds

Work on sturdy surfaces like wood or canvas panels or metal panels. Regular canvases bend, cave in and twist. Thus they’re not great for resin application in general although I did do some resin art on canvas.

da vinci pro panels is a very stable surface to apply resin to.

How to resin art on canvas?

Creating resin art on canvas is a popular and beautiful way to add dimension and depth to a painting. Here are the basic steps to creating resin art on canvas:

  1. Prepare the canvas: Start by preparing the canvas by applying a coat of gesso primer. This will help to create a smooth surface for the resin to adhere to.
  2. Create the painting: Paint the canvas with acrylic paints or other media to create the desired design or image. Allow the paint to dry completely before moving on to the next step. Plan what color of the canvas you need because it will show through the resin. Even if you color resin the base hue affects the overall design. Also when you put crystals or glass over the colored surface, it will show as well because you pour transparent resin over the glass in order for it to glue to the surface permanently.
  3. Mix the resin: Mix the resin and hardener according to the manufacturer’s instructions. Be sure to mix the resin thoroughly but gently to avoid creating bubbles.
  4. Apply the resin: Pour the mixed resin onto the canvas, using a spreader or brush to spread it evenly over the surface. Be careful not to pour too much resin in one area, as this can cause the resin to run off the canvas. I usually tape the borders with high-quality masking tape.
  5. Add color or texture: If desired, add color or texture to the resin using pigments, glitters, or other materials. Use a brush or tool to create swirls or other patterns in the resin.
  6. Allow to cure: Allow the resin to cure for at least 24 hours, or as recommended by the manufacturer. Keep the canvas in a dust-free, well-ventilated area during the curing process.
  7. Sand and polish: Once the resin is fully cured, sand any rough spots or edges . Polishing isn’t required on the surface itself because it cures with a smooth, glossy finish that does look like glass.

Creating resin art on canvas can be a fun and rewarding project, but it is important to follow the manufacturer’s instructions carefully and to take proper safety precautions when working with epoxy resin. Wear protective gear and work in a well-ventilated area to avoid inhalation of fumes.

how to resin art on canvas?
The painting in the middle was made with resin on canvas. I put glass and crystals there as well. The canvas had a triple layer of gesso and some light grey acrylic paint under the resin. It’s possible to do but I recommend using sturdier surfaces that can’t bend or change shape because of the resin’s weight. To raise stability and application evenness of the surface, use canvas panels instead of the canvases with stretcher bars.

Molds are not made the same! Cheap ones give resins matte look and you have to either polish your resin piece or throw it out. Silicone molds designed specifically for art projects keep resin pieces very shiny when you take them out of the mold and you don’t need to do anything extra to make them crystal clear and shiny. So whenever you shop for molds, read reviews first. I often go to Facebook groups to see discussions or to ask a question about resin. I love my jewelry molds from Little Windows store (links are below).

I used jewelry molds by Little Windows to make crystal clear ocean jewelry pieces.

9. Varnish

Because I’m a follower of classical painting, I don’t come from making craft projects although there are so many creative resin art ideas I want to explore!!! I wanted to make my drawings look more like paintings under glass with a touch of magic in them. So this is why I began doing resin art. If you decide to try to do something similar, you must protect your drawing with a varnish first. If you don’t, it will change the color and tones of your art! The drawing may disappear. When you apply mixed resin it generates heat and melts some wax in colored pencil. You must prevent it from a complete melt down. I apply several coats of synthetic spray varnish over my drawings outdoors before covering them with resin. My favorite is Grumbacher matte final fixative for pastel, charcoal & pencil (drawing). There is no need to varnish pieces made of resin from scratch. I think it’s useful to varnish acrylic pieces before applying resin over the acrylic painting so there is no interaction between the art and the resin.

Do I need to seal my art before resin application?

Sealing your artwork before applying resin may not be appropriate for all types of artwork. It depends on a project. While sealant isn’t required, there are some situations where it may be beneficial to seal your artwork before applying resin. For example, if your artwork is made with porous or absorbent materials, such as unprimed canvas or raw wood, it may be helpful to seal the surface to prevent the resin from soaking into the material and to ensure an even finish.

If you do decide to seal your artwork before applying resin, it is important to use the correct type of sealer for your particular medium. For example, if you are working with a painting on canvas, you may want to use a clear acrylic sealer or mudpodge (puzzle sealant) to seal the canvas or paper before applying the resin. When applying the sealer, be sure to follow the manufacturer’s instructions carefully and to allow the sealer to dry completely before applying the resin. Brushing the sealant insures the coverage but dries slow unlike using a spray fixative for example. Also most papers require a sealant because they’re absorbent, although high-quality, glossy papers may do just fine. Brush the sealant on both sides of the paper!! If you use a spray sealant, use several coats on your artwork, spraying it in a well-ventilated area that’s clear of dust too. Let each spray coat to dry completely for at least half an hour.

Use Kamar Varnish to seal your alcohol ink art on yupo paper, which is a super glossy art paper that has different properties from regular paper. I always test every surface I want to seal before going big. Trust me it’s worth the extra effort!

I’ve never done resin on wood but I bet it must be sealed as well because I find that almost any surface is absorbent enough for a resin to change its final appearance. Also dry flowers must be sealed as well before dropping them into the resin. Sealant helps with the bubbles issue as well.

One more thing, don’t use resin over traditional oil paint!

10. What if?

What if something goes wrong during pouring or resin set up? You could have uneven surface or lots of dust set up on the piece. Or the resin didn’t mix properly and produced soft spots or cracks. Wait for it to cure 100%. Then carefully wet sand the surface with 600-800grit sandpaper. Sanding will make the image look cloudy but it will also give the new layer a better grip to add a new layer of resin. I used 800 grit sandpaper to even out the surface twice on one piece. When you sand it, the resin becomes cloudy and it’s nerve-racking but it becomes glossy once you pour a top layer of resin over it.

I recommend Imperial Wetordry sandpaper by 3M. I regret I didn’t buy this tool sooner to sand my canvases. The sander is fantastic to even out the surface in seconds! I used Black & Decker 1/4 sheet sander that I bought at a local hardware store like Home Depot or Lowes.

You’re ready to repour after sanding. Make sure your piece is leveled before re-pouring. I usually pour working on my table first but when the resin begins to settle I take the panel to the floor to cure overnight. High-quality resins level out well. The floor has a perfect even surface for the resin to level out on my panel evenly.

In conclusion, doing resin art is fun but it also can be very frustrating and expensive process to figure everything out on your own. Please start working small. Use high-quality resins. Learn how to mix and apply colored resins as well as how to use the torch. And happy painting!

Video

Resin art for sale

All resin art pieces are for sale. Email me if you’re interested to buy something you see here. Or look at colored pencil gallery images to see available pieces, sizes, and pricing.

Most common questions about epoxy resin art:

How to prevent bubbles in epoxy resin?

Preventing bubbles in epoxy resin can be a challenging task, but there are several methods that can be used to minimize or eliminate them. I find that the bubbles is a natural occurrence in epoxy resin mixing because it’s a chemical reaction mixing the two parts, but some resins bubble more or less depending on the brand. The one by Little Windows almost has no bubbles but the resin itself isn’t suitable for big projects in my experience.

  1. Mix the resin and hardener thoroughly but gently: When mixing epoxy resin and hardener, it is important to stir the mixture slowly and carefully to avoid creating air bubbles. Use a stirring stick or spatula and avoid using a mixer or shaking the container, as this can create even more bubbles.
  2. Warm the resin before mixing: Epoxy resin can be sensitive to temperature changes, so it is recommended to warm the resin slightly before mixing it with the hardener. This can help to reduce the viscosity of the resin and make it easier to mix without creating bubbles. Warm resin flows better in my opinion and I place it in a warm water bath for 15 minutes prior to mixing. Be careful not to transfer water into the epoxy resin mix!! Wipe the bottles off with a paper towel completely.
  3. Use a torch or heat gun: After pouring the epoxy resin into the mold or surface, use a torch or heat gun to gently heat the surface of the resin. This can help to pop any bubbles that have formed and release them from the resin. I find this to be the most effective method dealing with the bubbles.
  4. Allow the mixture to settle: After mixing the epoxy resin and hardener, let the mixture sit for a few minutes to allow any bubbles to rise to the surface. Use a toothpick or a small spatula to pop the bubbles before pouring the mixture into the mold or surface. The bubbles do seem to minimize in scope letting the epoxy resin settle but don’t wait for too long because it starts curing.
  5. Apply in thin layers: When applying epoxy resin in layers, apply each layer as thinly as possible. This can help to prevent bubbles from forming and ensure that the layers bond together properly.
  6. Use a degassing chamber: If you are working with large amounts of epoxy resin, using a degassing chamber can help to remove bubbles before pouring the resin. A degassing chamber uses vacuum pressure to remove air from the resin, resulting in a bubble-free mixture.

By following these tips, you can reduce or eliminate bubbles in your epoxy resin projects and achieve a smooth and even finish.

Is resin art harmful?

Resin art can potentially be harmful if proper precautions are not taken. Epoxy resin is a chemical product that can release fumes during the curing process, and it can also cause skin irritation or allergic reactions if it comes into contact with the skin. In depends with what brand of epoxy resin you work. For example, epoxy resin by Little Windows and ArtResin are safe because they have no solvent ingredients, no BPA, no harmful fumes or VOCs released. They’re food safe and are non-flammable and non-hazardous. Maybe there are more resins of this kind but you must check the manufacturer’s site for the safely issues or safely certifications when you plan to by the product.

If you resin isn’t safe or you’re not sure of its properties, then follow these guidelines:

  1. Work in a well-ventilated area: When working with epoxy resin, it is important to work in a well-ventilated area to avoid inhaling fumes. Open windows and doors or use a fan to ensure good air circulation.
  2. Wear protective gear: Wear gloves, a respirator mask, and protective clothing to prevent skin contact and inhalation of fumes.
  3. Read the product label: Read the product label carefully and follow the manufacturer’s instructions for mixing and applying the resin. Use the product as directed and do not deviate from the instructions.
  4. Use a clean workspace: Keep your workspace clean and free of debris to avoid contaminating the resin with dust or other particles.
  5. Dispose of waste properly: Dispose of any leftover or unused resin and hardener properly according to the manufacturer’s instructions.

By following these safety precautions, you can minimize the risk of harm when working with epoxy resin. If you experience any symptoms of skin irritation or respiratory distress while working with resin, stop working immediately and seek medical attention.

Can I use my epoxy resin hardener that turned yellow?

It’s tricky. I did use the yellowed hardener that set in my box for about a year. The art resin pieces turned out just fine. However, If your epoxy resin hardener has turned yellow, it is likely that it has expired or has been exposed to the air with heat, moisture, or direct sunlight. It oxidizes with air. The resins usually do have a 6month-1year shelf life. It is not recommended to use a hardener that has turned yellow, as it may affect the curing process and the final result of your resin project. Expired or compromised hardener can cause the resin to take longer to cure, or it may not cure at all. This can result in a sticky or tacky surface that is difficult to work with, or a surface that remains soft or flexible.

If your hardener has turned yellow but it’s been used within a year, try using it on smaller projects with color like alcohol inks or acrylics or glitter. Mix it the same way as in the instructions. Don’t change the mixable amounts. Also, while it looks very yellow in a bottle, when you mix it with the second part, it’s diluted.

Why resin doesn’t cure?

There are several reasons why resin may not cure properly. Here are some of the most common causes of resin not curing:

  1. Incorrect mixing ratio: If the resin and hardener are not mixed in the correct ratio, the resin may not cure properly. Be sure to follow the manufacturer’s instructions carefully and use the recommended mixing ratio.
  2. Incomplete mixing: If the resin and hardener are not mixed thoroughly, the resin may not cure properly. Be sure to mix the resin and hardener together thoroughly, scraping the sides and bottom of the mixing container to ensure even mixing.
  3. Improper temperature or humidity: Epoxy resin requires specific temperature and humidity conditions to cure properly. If the temperature is too cold or too hot, or if the humidity is too high or too low, the resin may not cure properly. I find that humidity and room temperature greatly affect the curing time of the resin and it will vary in your case despite all the advice or instructions.
  4. Old or expired resin: Epoxy resin has a limited shelf life and can expire over time. Using old or expired resin can cause the resin to cure improperly or not at all.
  5. Contamination: Contamination can occur when foreign materials such as dust, dirt, water or oils are introduced to the resin. This can prevent the resin from curing properly.
  6. Improper surface preparation: If the surface is not properly prepared before applying the resin, it may not adhere properly and may not cure properly.

If your resin does not cure properly, it is important to identify the cause and take steps to prevent it from happening in the future. Be sure to follow the manufacturer’s instructions carefully, and store and handle the resin properly to ensure optimal performance within a year of purchase.

Does resin art break easily?

The durability of resin art depends on a variety of factors, such as the thickness of the resin layer, the type of resin used, and the application technique. In general, cured epoxy resin is a strong and durable material that is resistant to cracking, chipping, and peeling. In my experience, it’s hard as a rock and doesn’t break easily. It was scratched with a wire one time however. Also, there are some factors that can cause resin art to break or become damaged over time.

One of the main factors that can affect the durability of resin art is the thickness of the resin layer. A thick layer of resin can be more prone to cracking or breaking than a thinner layer. It is recommended to apply resin in thin layers, allowing each layer to cure completely before applying the next. Depending on a manufacturer, you’ll the the full cure of resin at different times varying anywhere from 24 hours to 3 days. So if you apply resin in layers, wait for the complete cure of art resin to be on a safe side of things.

The type of resin used can also affect the durability of resin art. Some types of resin are formulated to be more durable and impact-resistant than others. It is important to choose a high-quality epoxy resin that is designed for use in art and craft projects.

Another factor that can affect the durability of resin art is the application technique. If the resin is not applied evenly or is not allowed to cure properly, it can become brittle or prone to cracking over time. It is important to follow the manufacturer’s instructions carefully and to take proper safety precautions when working with epoxy resin.

Overall, with proper application and curing, epoxy resin art is very durable and long-lasting medium that is resistant to damage.

What resin art sells the best?

The popularity of resin art is constantly evolving, and what sells the best can vary depending on factors such as current trends, consumer preferences, the target market and your unique art style!!! That being said, there are a few types of resin art that tend to be consistently popular among buyers.

Geode resin art: Geode resin art involves creating the look of natural geodes by pouring colored resin into a prepared surface and adding metallic accents, crystals, glass, glitter and so on. This type of resin art has become very popular in recent years due to its sparkly, eye-catching look.

Ocean-inspired resin art: Resin art that is inspired by the ocean, such as beach scenes, ocean waves, or sea creatures, is also very popular. The translucent nature of resin makes it well-suited for creating a realistic water effect.

Resin jewelry: Resin jewelry, such as necklaces, earrings, and bracelets, is a popular type of resin art. Resin can be mixed with pigments or glitter to create unique and colorful pieces of jewelry.

Resin coasters and trays: Resin art can be used to create functional items such as coasters and trays. Resin coasters and trays can be customized with various colors and textures, making them a popular choice among buyers.

Abstract resin art: Abstract resin art is also popular, as it allows for a wide range of styles and interpretations. Abstract resin art can be created using a variety of techniques, such as mixing and layering different colors of resin.

I recommend working large because people love to get big pieces to fill the wall space. At the same, working small can also work well because more people can afford it, so it could be a quick purchase that doesn’t break the bank. Such resin art pieces include coasters, small art, keychains, jewelry, etc. In other words, it depends what art market you want to target and where you plan to sell your resin art.

Keep in mind that the best type of resin art to sell will depend on your own interests, skills, and preferences. It is always a good idea to research current trends and to experiment with different styles and techniques to find your art style. Otherwise, all resin art pieces look very similar to the buyer, so you must come out as a different brand with your unique style. Also I find that sales strongly correlate with artist’s personality and willingness to sell art. Extraverted, outgoing people sell art naturally while for introverts it’s a job that may affect the sales.

Can resin art be done on glass?


Yes, resin art can be done on glass, and it can create beautiful and unique effects. Glass can be used as a surface for resin art, and the translucent nature of the glass can add depth and dimension to the finished piece. Personally, I applied resin over plexiglass that looks like glass but can’t break like glass. When working with resin on glass, it is important to prepare the surface properly. Here are some tips for working with resin on glass:

Clean the glass: Thoroughly clean the glass surface to remove any dirt, dust, or oils. Use a glass cleaner or rubbing alcohol to ensure the surface is clean and free of any contaminants.

Prepare the surface: If the glass is smooth, you may need to create a rough surface for the resin to adhere to. This can be done by lightly sanding the surface with fine-grit sandpaper or using a glass etching cream.

Apply a base coat: Apply a base coat of resin to the glass, using a spreader or brush to spread it evenly over the surface. This will help the subsequent layers of resin adhere to the glass.

Apply the resin: Pour the mixed resin onto the glass surface, using a spreader or brush to spread it evenly over the surface. Be sure to work carefully to avoid creating air bubbles.

Add color or texture: If desired, add color or texture to the resin using pigments, glitters, or other materials. Use a brush or tool to create swirls or other patterns in the resin.

Allow to cure: Allow the resin to cure for at least 24 hours, or as recommended by the manufacturer. Keep the glass in a dust-free, well-ventilated area during the curing process. I usually cover my projects completely to prevent the dust settle on a surface. It’s very disappointing to work on resin art so hard only to see a tiny hair permanently sticking to the surface. Also make sure your surface is absolutely flat and you work on a flat table because the resin will self-level and accumulate in an area if you place glass at a very slight angle.

Working with resin on glass can be a challenging but rewarding process. It is important to take proper safety precautions when working with epoxy resin and to follow the manufacturer’s instructions carefully to ensure the best results.

Whereto buy resin art supplies:

Shops:

Little Windows resins, quality resin molds & resin art supplies If you shop on this site I have a 15% off coupon for you. Enter beautifulart coupon code at check out. I like their molds. Resin art pieces come out brilliant clear.

The Epoxy Resin Store where you can buy a variety artist-grade resins that includes Liquid diamonds, KSRESIN, the artist’s choice, Liquid Art Ultra UV Epoxy and many more!

Artresin.com

Resins on Amazon:

Handheld Torch: IDEACone Premium Butane/ Culinary, refillable torch

Bernzomatic butane can ( the cheapest price is at Lowes)

Pinata color rich gold/silver alcohol inks make fantastic, rich gold and silver colors!

Imperial Wetordry sandpaper by 3M

Black & Decker 1/4 sheet sander

Scotch masking tape

Gorilla glue gun and glue sticks

Mixing cups and sticks

Disposable gloves (buy the ones that sit tight on your hands! It’s a messy process).

Grumbacher matte final fixative for pastel, charcoal & pencil

Wood panels:

You must have gessoed surface (white ground that you see on panels) to do resin art and acrylic paintings. So you either buy white wood panels or you apply gesso over the wood panels.

I’m an amazon affiliate.


Online Art Classes

Tired making the same mistakes? Take an art class in your pajamas!

video courses by veronica winters
Check out free previews of my video courses here:: https://veronica-winters-art-school.teachable.com/
realist oil painting techniques video course
https://veronica-winters-art-school.teachable.com/p/realist-oil-painting-techniques-secrets-for-serious-beginners-beyond

Cracked oil paintings: reasons & prevention

Here I’d like to explain reasons why cracks appear on the surface of oil paintings and how to prevent this from happening in either your own painting or art collection. If you’re a savvy collector of art, you must know main reasons why cracks appear. Obviously the older the painting, the more cracks you might see in your art down the road because art ages too.

Why do oil paintings crack?

Many famous artists – including da Vinci, Reynolds and Rothko–experimented with their art materials creating oil paintings. For this reason contemporary conservators study artists’ process to understand how they can fix the oil paintings using correct solvents, paints and varnishes.

The oil paint cracking depends on the artist’s process completing the work. Most artists (especially hobby painters) have no clue how the quality of art supplies affects their art long term. Of course, it doesn’t matter if you’re just learning, practicing and making sketches. But if the aim is to create museum-quality art, you must start thinking how you use your art materials. I think art collectors also need to be aware of these issues to ask artists the right questions. All of us buy art based on emotion and what we react to in the painting visually but if the art is really pricey it’s worth understanding why cracks appear in oil paintings because it can devalue your art collection or be difficult to fix the canvas in a few years.

White paint

Scientists at the Smithsonian’s Museum Conservation Institute found that zinc white in oil paint creates permanent problems that lead to paint cracks and peel off of the paint. Many white colors have some zinc white in them that makes the pigment brittle with age.

Read labels carefully. It often says ‘Titanium dioxide (PW 6), zinc oxide (PW 4)’. Your titanium white oil paint should have PW6+linseed oil only. You’ll see that cheap paint is cheap for a reason – it has a lot of additives and PW4 mixed into it.

Mediums

All tubed oil paint has some oil mixed into the paint along with some additives to keep it fresh. Linseed oil is the most stable oil that is also used widely as paint medium by artists. It’s long-lasting and dries quite quickly. The disadvantage is that it may yellow over time.

Safflower oil, poppy oil, and walnut oil are less stable oils often used as vehicles that are mixed into the oil paint. Avoid using safflower oil. Walnut oil slows down the painting time and it doesn’t yellow. Consider using it instead of linseed oil if you’d like.

When there is a lot of medium mixed into the paint especially in the underpainting layers, cracks may appear after a while. Try to paint with the lead white and a small amount of linseed oil. Add a bit of the medium in the top layers of painting.

Layering of paint

If artist painted over the wet or semi-dry layer of oil paint, the lower layer didn’t have enough time to dry completely. It may cause cracking.

Surface

Oil paint doesn’t stick well to a very smooth surface and doesn’t form a permanent bond necessary to preserve the art well. Low-quality gesso (white ground you see on canvases and panels) doesn’t allow for proper adhering of paint. Cracks or flacking of paint may happen. Don’t paint on cheap canvases sold at craft stores. The quality of gesso and canvas is poor and the paint won’t adhere to the surface permanently.

realism oil painting of ocean sunset
Sunset, 36×48″ Complementary delivery in Naples area

Climate

If you live in a hot and humid climate like Florida, it’s very important not to adjust your thermostat changing temperature and humidity levels when you leave the house. Why? Because if you own original art on canvas the surface expands and contracts all the time straining the paint layers. This is one of the main reasons why you see cracks in the old master paintings
And those that keep up their shape were painted on wood panels
Know that panels provide a much better painting support and don’t warp or fluctuate as much as regular canvas does. It doesn’t mean that you’re doomed having art on canvas however.

Oil paint application over the acrylics

I came across a really useful article recently that explains what happens when you apply oil paint over the acrylics. It’s fairly known that if you underpaint in acrylic paint, you must wait for 3 days for acrylic paint to settle before working in oils. Even when acrylics are dry to the touch, they go through a molecular process of drying out called “coalescence”. When the acrylic paint dries out in 3+ days you can resume painting over it in oils. This is where new research comes in handy.

In this new article https://justpaint.org/revising-our-recommendations-for-using-oils-over-acrylics/ Greg Watson states that the painting support doesn’t play the major role leading to oil paint cracking, rather it’s the application of oil paint itself. “In testing if cracking happens, it happens during the early stages of drying – as the paint transitions from being wet to touch dry. Fast-drying colors like Mars Yellow or colors that are susceptible to this type of cracking like Ultramarine Blue, may develop hairline cracks within a day or two. Slower drying colors can take weeks or even a month to show any issues, if ever. It appears this cracking does not develop further once the color is fully touch dry.”

Also “cracking is mostly happening in oil paint or oil ground with no oil or solvent added, applied directly out of the tube or container over the acrylic surfaces. These oil applications are roughly between .05mm and .25mm, which is the thickness of 1-5 sheets of office paper. Layers that are thinner or thicker do not seem to crack. Glossy acrylic mediums and gels are associated with the most cracking in lean oil layers applied on top.”

elizabeth le brun-madame daguesseau de fresnes-closeup detail-1789-veronica winters art blog
elizabeth le brun-madame daguesseau de fresnes-closeup detail-1789-veronica winters art blog

Prevention

So use three layers of gesso to paint with oils or acrylics. If you oil paint over acrylics, wait for 3 days to do so, then use the oil painting medium ( linseed oil) to dilute the oil paint some. And don’t paint over glossy acrylic mediums/ products! The oil paint doesn’t stick to the surfaces that are too smooth or glossy.

1. Frame art with real wood frames that provide lots of support. Use cross braces if oil paintings are large to prevent twisting and warping of stretcher bars.

2. Keep your room temperature & humidity levels stable.

3. Avoid strong, direct light or sunlight. Oil paintings may fade, especially if they were painted with cheap oil paints.

4. Panels provide a much better support than canvas. Aluminum, wood panels, copper panels, etc.

5. Ask the art dealer, gallery owner or artist how art has been kept before you take possession of it. Inspect the art yourself looking at the back of canvas as well as at the front. If canvas has small holes they could be fixed by gluing a piece of canvas on the back.

6. One more thing, don’t hang original art in bathrooms. Moisture, temperature and high humidity may change in these rooms several times a day as you take a shower or bath leading to fast deterioration of oil paintings.

Art collecting is a lot of fun. Just be aware of the problems that could arise with paintings and make informed decisions buying oil paintings. Are you a collector of art? Share your experiences: nika@veronicasart.com

Check out visionary art for sale


To read more:

https://veronicasart.com/fixatives-varnishes-what-you-need-to-know-to-preserve-your-art/

20 paintings of angels & more veronica winters

Traveling through art history: 20 brilliant paintings of angels & more

20 Famous Paintings of Angels & more

William-Adolphe Bouguereau, The Queen of the angels or The Virgin with angels, closeup, 285 cm (112.2 in)x 185 cm (72.8 in), 1900, Paris

In this article I’d like to share some of the most beautiful paintings of angels created throughout art history and why I love every one of them! But first, let’s talk about the hierarchy of angels.

paintings of angels

Hierarchy of Angels

Believe-it-or-not, angels also have their hierarchy! At least that’s how the Church saw them painted throughout art history. In large scale paintings many angels were often painted in tiers while there is only one archangel Gabriel who appears to the virgin Mary in the “Annunciation” paintings. There are a lot of Annunciation paintings! The angel comes down to announce that Mary is going to be pregnant with Christ. He carries the white lily that symbolizes Mary’s purity.

There are 9 rows /orders of angels painted in tiers. according to Joost Joustra who decodes paintings of angels in a video at the National Gallery of Art in London ( https://www.nationalgallery.org.uk/stories/a-curated-look-angels?utm_source=wordfly&utm_medium=email&utm_campaign=NG_2020June_Newsletter_NM&utm_content=version_A ) The very bottom tier consists of angels, then archangels, and principalities. They have human form and become the messengers to humans. The second tier consists of powers, virtues and the dominions. The third, top tier consists of baby-like angels – thrones, cherubims, and seraphims that often surround Mary and Christ in Heaven. (Source: National Gallery, London)


Bermejo (1440-1498), Spanish (Jewish)

 Bartolomé Bermejo, 'Saint Michael Triumphs over the Devil', 1468
BartolomĂ© Bermejo, ‘Saint Michael Triumphs over the Devil’,
1468, the National gallery, London

Bermejo was one of the most influential painters in the 15th century Spain and very few works are known to exist to our day. Recently restored, this beautiful painting is on view at the National Gallery of Art in London.

Archangel Michael wears golden suit of shiny tournament armor decorated with beautiful jewels. Realistically painted precious stones, fabric textures, incredible details, angel’s scale and colorful wings clearly show the influence of the Netherlandish artist Jan van Eyck (one of the artists shown below).

Bermejo conveys slender St. Michael jumping into action to defeat the Devil. Realistically painted, bright, floating fabric crosses the picture at a diagonal to create movement. Calm, stylized face has the female features – full, red lips, soft jawline and thin, round eyebrows.

 Bartolomé Bermejo, 'Saint Michael Triumphs over the Devil', 1468
BartolomĂ© Bermejo, ‘Saint Michael Triumphs over the Devil’, 1468, close up of the monster

When we stop staring at the incredible armor boots decorated with pearls and precious stones, we turn our gaze to the red-eyed monster that consists of different animal parts – a second face body, snakes, reptilian heads and tail, butterfly wings and bird-like back legs. These wings suggest that the monster is a fallen angel.

Fra Filippo Lippi (1406-1469), Italian

Fra Filippo Lippi painting of angel
Fra Filippo Lippi, Annunciation, close up of angel, 1449-1459, tempera on wood, National Gallery, London| By Filippo Lippi – This file was derived from:  Fra Filippo Lippi.jpg:Author of derivative work: Fulvio314, Public Domain, https://commons.wikimedia.org/w/index.php?curid=27581843

The friar lived in a monastery all his life and painted Christian imagery for the churches and prominent families in Italy. This painting was commissioned by the Medici family to hang in their palazzo in Florence. What I love about this painting is the angel’s peacock feather wings. Beautiful black-gold feathers appear on the angel’s shoulders as well. Gabriel is a boy in this painting.

We often see the white lily in the Christian art paintings as these flowers represent the Virgin Mary’s purity who ascended into the Heaven.

Fra filippo lippi the_annunciation_ 1435 tempera on panel 39 by 63in_closeup of angel
Fra Filippo Lippi, the annunciation, 1435 tempera on panel 39 by 63in, closeup of angel, the National Gallery of Art, Washington D.C.

Here is another painting’s close up of the angel painted by Lippi. The face looks less naturalistic but the peacock feather wings are super detailed.

barberini palace art FILIPPO LIPPI annunciation 1435 oil on wood-blog
Filippo Lippi, Annunciation, closeup of a painting in the Barberini palace, Rome, 1435, oil on wood

Fra Angelico (1395 –1455), Italian

fra angelico_angel closeup_annunciation_paintings of angels
Fra Angelico, Annunciation of Cortona, tempera on panel, closeup of angel

Fra Angelico was a Dominican friar who created altarpieces in Cortona, Florence and other towns in Italy. “Angelic” was his nickname for high moral virtues he exhibited in his daily life. Influenced by the classical school of altar painting, his iconic-like figures are wrapped up in beautiful fabrics with golden accents. This angel is frozen in action thrusting forward to deliver the message. Colorful wings, golden words and the halo celebrate the divine nature of the figure.

Michelangelo Caravaggio (1571–1610), Italian

caravaggio angel violin
Michelangelo Caravaggio, Rest on the Flight into Egypt 1597, close up of angel

The Italian Baroque artist was a highly influential painter who left incredible artistic legacy. Caravaggio is responsible for the creation of an entirely new movement after his death – the ‘candle light painters.’ Caravaggio began his career as a very poor young man but he quickly rose to prominence painting for the royalty and the wealthy in Rome and beyond.

The_Inspiration_of_Saint_Matthew_by_Caravaggio
The Inspiration of Saint Matthew by Michelangelo Merisi da Caravaggio (1571-1610), the Contarelli chapel in Rome, http://www.ibiblio.org/wm/paint/auth/caravaggio/matthew.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=136502

The artist was the innovator on so many levels using regular, often poor people as his models to depict stories from the Bible. His beautiful paintings have innovative compositions, high contrast, and naturalism. Caravaggio painted realistically, showing strong anatomy drawing skills. Look at the perfect contour lines of the legs and arms! The artist mastered human facial expressions as well as the light in perfectly-painted skin tones. And the angels’ wings look as real as the ones of a bird. In his paintings, fluid fabric creates movement, visual interest, and balance.

Jan van Eyck (1390-1441), Belgium

Jan_van_Eyck-The_Annunciation_paintings of angels
Jan van Eyck, The Annunciation, 1434, the National Gallery of Art, Washington D.C.

The Netherlandish artist (currently Belgium) Jan van Eyck is one of my favorite painters. This painting was part of a triptych and carries a lot of symbolism recorded in the interior space of the church. (Read about this painting here: https://www.nga.gov/collection/art-object-page.46.html )

While the artist’s figures are often out of scale in comparison to the architecture, and his use of linear perspective is intuitive, van Eyck’s incredible realism of painted textures and faces is fantastic! I learned a lot from his work studying painted jewelry, fabric, and other details. He is the greatest artist of late Gothic Northern Europe.

paintings of angels van Eyck
Jan van Eyck, The Annunciation, close up, 1434

The archangel wears an elaborate crown and bright red attire matching the ornate quality of colorful wings. Notice that Gabriel smiles delivering his message to Mary, which is quite unusual.

Leonardo da Vinci (1452-1519), Italian

Leonardo da Vinci_virgin of the rocks Louvre & London
Leonardo da Vinci, “the virgin of the rocks” in Louvre & London

The Virgin of the Rocks (1483–1486 & before 1508) are two variants of similar paintings displayed in London and Paris. They do differ in many ways including how they were painted. Also in the Louvre painting the angel’s hand points at St. John the Baptist.

In the London version (right) the top color layers of paint wore of of their faces revealing a lot of black-and-white painting (underpainting). That’s why the angel in particular lacks the vibrancy of colors painted in greys and browns. Only his cloak reveals some blue-yellow hues. Yet the angel looks absolutely stunning and ethereal. This is fascinating because you can reverse-engineer the da Vinci’s oil painting technique.

da vinci_virgin of the rocks_angel detail, paintings of angels
da Vinci, the Virgin of the rocks, angel (painting close up), oil on panel, National Gallery, London

I love the rotation of this angel’s head and the delicate curls in his hair. Young face appears androgynous with large, serene eyes, full lips and a narrow chin. The clothing is also more elaborate than in the Louvre version with intricate pattern running across the shoulder and body. Fused with the body, grey-brown wings have no color layers left but feel very real nonetheless.

A close up of painting showing the first artwork by da Vinci – the angel Gabriel, Florence

Botticelli (1445-1510), Italian

Madonna of the Pomegranate (1487), tempera on panel, Sandro Botticelli
Madonna of the Pomegranate (1487), tempera on panel, Sandro Botticelli

Italian artist, Sandro Botticelli was born in Florence. He trained in the workshops of Filippo Lippi and Verrocchio – two prominent Italian artists. Botticelli met young Leonardo da Vinci in the Verrocchio’s workshop and while their art styles are different, all these artists (Botticelli, Lippi, da Vinci, Verrocchio) have a few things in common, such as thoughtful compositions, great anatomy skills, graceful position of figures, painting of wavy hair and realistically painted fabric. Like most artists, Botticelli produced religious art for churches and prominent families. The frame for this painting consists of blue-gold lilies – the symbol of Florence where he worked most of his life.

Madonna of the Pomegranate (1487), tempera on panel, Sandro Botticelli closeup
Madonna of the Pomegranate (1487), tempera on panel, Sandro Botticelli closeup

When we look at the artist’s body of work, we see no real difference in painted faces. Madonnas and Venus look about the same and even male faces appear very similar to the female ones. The skin tones also have a very limited color palette and hardly have any color temperature shifts from warm to cool that artists often use to paint the skin realistically. He relies on graceful lines to describe the figures. This stylized, icon-like approach to painting portraits becomes his signature art style.

If Madonna gets up, her body is very tall in comparison to the surrounding angels. The baby’s body is also unnaturally large. It happened because some artists used the convex and concave mirrors in Flemish art, during the Renaissance and beyond (think 16th-century Mannerism). Artists used mirrors to see how to “compress” a large number of figures into a small, often round panel. This distortion magnifies the importance of Mary and child and also brings angels in a tight semi-circle around the main figures. The roses also have this unusual compression. Botticelli paints the angels with beautiful rotations of heads looking in different directions as they’re speaking to each other that makes this painting dynamic and naturalistic. Angels hold white lilies and roses – the symbols of Mary’s purity. The Pomegranate is a symbol of Resurrection (Source: The Great Masters of European Art, Franci, p.109).

Vernet (1789-1863), French

Vernet, Horace. angel of death, 1789-1863_hermitage
Vernet, Horace, Angel of death, 1851, oil on canvas, 57×44″, the Hermitage (image copyright the Hermitage)

French artist Vernet doesn’t belong to the league of top artists. He mostly painted battle scenes disliking Academic painting. This oil painting is very different from his other works. I love the glow emanating from the female figure taken away by the dark angel behind her. Young woman almost slides into the angel’s hands. She is painted at a diagonal to create dynamic composition fitting the praying man by her death bed.

Thayer (1849-1921), American

angel painting thyer
Abbott Handerson Thayer, Angel, 1887, oil on canvas, 36×28″, Smithsonian American Art Museum, Washington D.C.

You can find Abbott Handerson Thayer’s art at the Smithsonian museum in Washington D.C. He painted a lot of angels using family as his inspiring models. This is a portrait of his daughter Mary. I like how free his painting feels. Painterly and unfinished on the edges, the figure uncrosses her arms creating a triangle – a widely used composition in Renaissance art. Covered in white robe, this beautiful angel has ethereal facial expression that’s neither dramatic nor too sweet. White wings are so soft, I want to reach out to touch them. This painting looks very contemporary rooted in traditions of classical painting.

Abbott Handerson Thayer, Stevenson Memorial, 1903, oil on canvas, Smithsonian
Abbott Handerson Thayer, Stevenson Memorial, 1903, oil on canvas, Smithsonian American Art Museum

“Apart from the title, our only clue to the subject of this work is the inscription ​“VAEA,” the name of the mountain in Samoa where Robert Louis Stevenson is buried. Stevenson’s poetic tales of men at war with themselves had dazzled Abbott Handerson Thayer, whose own life was marked by exaltation and despair. And, like the Scotsman’s most memorable characters, the Stevenson Memorial carries a hidden story. Underneath this image is an earlier composition, a portrait of Thayer’s three children that he had painted as a tribute to Stevenson’s A Child’s Garden of Verses. But Thayer painted over this with the figure of an angel to convey a more encompassing, personal grief. The artist’s wife had died in 1891, and his many paintings of angels created thereafter suggest the mysteries of life, death, and the fate of the spirit.

The luminous angel shown here, seated at Stevenson’s tomb, is an emblem of memory, a light against oblivion. Just as Thayer’s love for his wife survived in the image of their children, Stevenson’s fame would live on in his works.”

Exhibition Label, Smithsonian American Art Museum, 2006

Winged Figure,1889, Abbott Handerson Thayer, American, 1849–1921.
“I have put on wings probably more to symbolize an exalted atmosphere 
 where one need not explain the action of his figures.”

Canova ( 1757-1822), Italian

Antonio Canova, Psyche Revived by Cupid’s Kiss, 1794-1799, Louvre version

Incredibly talented Italian neoclassical sculptor, Antonio Canova created two versions of this sculpture. “Psyche revived by cupid’s kiss” are located in the Louvre and the Hermitage. (One of the copies is at the Met.) The artist captures Cupid, god of Love, in the moment of kissing lifeless Psyche waking her up.

According to the Roman writer Apuleius, Cupid’s mother, the goddess Venus, envious of Psyche’s beauty, sent her into the Underworld to get a vessel with Proserpina’s beauty ointment. Although Venus told Psyche not to open the bottle, Psyche did and fell asleep. Only the kiss of Cupid revived his lover.

Since ancient times Psyche has been depicted with butterfly wings. This is a reference to the dual meaning of her name, Psukhē, in Greek: soul and butterfly. Thus did the butterfly become the symbol of the immortality of the soul. The story of Psyche symbolizes the ordeals the soul must undergo in order to achieve happiness and immortality (Source: the Louvre | http://musee.louvre.fr/oal/psyche/psyche_acc_en.html).

Antonio Canova, Psyche Revived by Cupid's Kiss, 1794-1799
Antonio Canova, Psyche Revived by Cupid’s Kiss, 1794-1799, marble, closeup, the Hermitage version (height: 148 cm; length: 172 cm, Acquisition date: Entered the Hermitage in 1926 | the Hermitage version was originally commissioned by Prince Yusupov. The sculpture decorated one of his rooms in the Arkhangelskoye country home (outside Moscow).

I love this sensual sculpture for highly artistic presentation on the theme of love. Two life-like figures interlock the arms creating a circular movement, asking the viewer to gaze at their perfectly carved, graceful figures. Clearly inspired by classical antiquity, Canova emphasizes line quality, balance and circular movement in his unique design. He creates brilliant composition where two marble figures interlock and rotate creating ascending triangle. This dynamic movement is characteristic for romanticism. (Images are taken from wikipedia & the Louvre museum websites.)

Canova, Cupid and Psyche, marble sculpture, 1793, louvre-veronica winters art blog
Canova, Cupid and Psyche, marble sculpture, 1793, louvre-veronica winters art blog

William-Adolphe Bouguereau (1825-1905), French

Bouguereau is one of my favorite painters for his unbelievable knowledge of anatomy in oil painting. Most contemporary realist artists study Bouguereau’ paintings, especially how he handled the depiction of skin tones. He captures figures with perfection and grace, reveling enormous undertaking in preparatory work. His compositions show thorough knowledge of classical art and revolve around diagonals, triangles and curving lines that let us enter and travel around the painting. There is perfection and balance between shapes, curves, and diagonals in every oil painting. The artist was prolific and hardworking, spending most of his time locked in the studio painting. He is often criticized for his lighthearted subject matter painting “boring” classical nudes and stories from Greco-Roman mythology. However, such critics don’t understand the artist’s unique talents in handling color, composition and human anatomy.

Psyche abduct_By William-Adolphe Bouguereau
Psyche abduction, By William-Adolphe Bouguereau
Bouguereau_first_kiss
Bouguereau, First Kiss, oil on canvas, 1890, private collection. By William-Adolphe Bouguereau (Unknown source, Probably Art Renewal Center, Public Domain, https://commons.wikimedia.org/w/index.php?curid=515543)

In the previous painting we see winged lovers flying across the sky. It’s not the only painting he created on the theme. For instance, in this painting William Bouguereau portrays Cupid and Psyche as very young children to highlight their innocence. In both paintings the butterfly wings adorn Psyche while Cupid has white, bird-like wings. In these paintings the artist creates dynamic compositions with movement and balance of every body part. This sensibility to beauty is rare to see in contemporary art.

William-Adolphe_Bouguereau_The_Virgin_With_Angels
William-Adolphe Bouguereau, The Virgin With Angels, oil on canvas, 1900

François GÉRARD (1770-187), French

gerard psyche and cupid kiss
François GÉRARD, Psyche and Cupid (1798), Oil on canvas, H. 1.86 m; L. 1.32 m, Paris, MusĂ©e du Louvre | (image:wikimedia commons)

This neoclassical painting was completed by one of David’s students – Gerard. Neoclassical art is characterized by smooth, unseen brushwork, the perfection of human form and classical compositions. David was a father figure in the revival of classical painting that became the 19th century neoclassicism art movement.

gerard cupid and psyche kiss
François GÉRARD, Psyche and Cupid (1798), Oil on canvas, Paris, MusĂ©e du Louvre, close up (image:wikimedia commons)

François Gerard gives his interpretation of the myth when yet unseen Cupid kisses Psyche surprising her. Both the butterfly (hence the butterfly wings in Bouguereau’s paintings) and the name Psyche means “soul”. So the artist depicts unity of the divine love and human soul (Source: De Vergnette François, Louvre).

I absolutely love the artist’s keen sensibility to depict a sensual touch. Cupid’s hand gracefully wraps around Psyche as he barely touches her. The perfection is in every part of this artwork – soft skin tones, balanced composition, perfect anatomy, realistic fabric, curly hair and beautiful wings, of course! This idealization of forms was criticized by the contemporaries but I think it was the very aim of the artist in his portrayal of pure love.

Raphael (1483-1520), Italian

Italian artist & architect, Raphael is the third artist of High Renaissance in Italy (Together with Michelangelo and da Vinci they formed the epitome of artistic excellence in the early 16th-century Italy). Raphael was a dashing young man who also had an easy going personality. Coupled with his talent, his persona helped him receive a constant stream of commissions from royalty including the two Popes. Raphael organized a large-scale workshop with numerous students and craftsmen fulfilling commissioned art. Although he died at the 37 years of age, he left an impressive artistic legacy, producing a large body of work with most of it located in the Vatican. Raphael incorporated the influences of his peers – da Vinci and Michelangelo to produce religious art and portraiture.

RAFAEL the sistine madonna angels
Raphael, Two Cherubs (detail of the Sistine Madonna), (c.1512 -1514), Oil on panel. 265 x 196 cm. GemÀldegalerie, Germany

This is a closeup of the altarpiece commissioned by Pope Julius in 1512 that features classical, triangular composition with the Sistine Madonna and Child floating on the clouds and two kneeling saints below them. These two cherubs were painted at the very bottom of the painting and look very different from the rest. They’re bored and curious, and remind us of little kids rather than idealized, divine creatures.

Ca’ d’ Oro palace

cadoro painting of angel
Ca’ d’ Oro palace, Venice, painting of angel, close up

What I love about this painting that I photographed at the Ca’ d’Oro palace in Venice is the angel’s frontal position. The angel faces us and it almost feels like he is going to speak to the viewer.

Florence

John Duncan 1866-1945, Scottish

John Duncan 1866-1945 scottish_st.bride 1913 paintings of angels
John Duncan 1866-1945 | Scottish national gallery, St.Bride, 1913
Scottish national gallery
John Duncan 1866-1945 (Scottish), St.bride 1913 detail | Scottish National Gallery
John Duncan (1866-1945), Scottish, St. bride, 1913

Duncan studied art in Scotland, England and Belgium to settle in Edinburgh in 1892. The artist represents the Celtic Revival movement in Scottish art and his illustrative style looks innovative even today. This colorful painting looks like it’s made of collaged pieces as religious symbols, and even the ornate frame mimic’s the artist’s unique style.

“According to the legend of the Irish Saint Bride she was transported miraculously to Bethlehem to attend the nativity of Christ. Here two angels carry the white robed saint across the sea. The seascape reflects Duncan’s fascination with the Outer Hebrides and the Isle of Iona. The birds and seal provide an effective naturalistic foil for the supernatural angels overlapping the patterned border. Scenes from the life of Christ decorate the angel’s robes, and may include the artist’s self-portrait as the tiny clown (a holy fool) accompanying the procession of the magi on the leading angel’s gown. ” (Source: Scottish National Gallery)

Angel, Salamanca, Spain
Virgin and Child with Four Angels by Gerard David, Netherlandish, ca. 1510–15, On view at The Met Fifth Avenue in Gallery 636, http://www.metmuseum.org/art/collection/search/436102

“Gerard David, the leading painter in Bruges in the late fifteenth century, followed the legacy of Jan van Eyck. In this painting, he has taken the Virgin and Child from his predecessor’s well-known Virgin and Child at the Fountain, but modernized the composition by placing the figures in a grand arched porch flanked by columns with Italianate capitals, against the skyline of contemporary Bruges. A Carthusian monk is seen strolling and reading in the enclosed garden, suggesting that the painting was linked to the former monastery at Genadedael, just outside the city walls of Bruges.”-description taken from the Met

Virgin and Child with Four Angels by Gerard David, closeup, ca. 1510–15, On view at The Met Fifth Avenue in Gallery 636
paintings of angels
Hans Memling, the Annunciation, 1465, closeup of the angel, on view at the Met http://www.metmuseum.org/art/collection/search/437490

Hans Memling painted realistic textures and details in a similar style of van Eyck. The composition is based on a design by Rogier van der Weyden where he probably was an apprentice before establishing himself in Bruges in 1465.

My art inspired by paintings of angels

veronica winters colored pencil drawing
Create, colored pencil drawing, 19×25 inches
Divine Spirit, 24×36″ oil on canvas panel
messenger angel
Messenger, colored pencil drawing with glitter and resin, 16×20 inches, unframed

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Did you like these paintings of angels? What is your favorite? Do you have other paintings of angels that you love? If you love this article, share it on social media. So more people see beautiful art.

All art is copyrighted by respective artists and museums. All art is used for educational purposes only.

9 words of advice in painting and drawing that could change your life

In this article I’d like to talk about the importance of positive mindset for artists and what I learned in my artistic career. I would give these words of advice to myself two decades ago when I decided to become an artist.

1. Know your WHY

1. Decide on your creative direction. Figure out what makes you do one thing day and night . Forever. Understand who you’re as a person and WHY you do what you do. In other worlds, find your PASSION.

2. Have manageable goals

Be clear on your specific goals. And break them down to small, manageable goals that can be written down in your calendar.

3. Believe in yourself

Believe in yourself and what you can achieve in your life. If you don’t believe in yourself, no one would. If you don’t believe in yourself, figure out why it’s the case and find solution to this problem.

4. Connect with many people.

Network. If you’re serious about your artistic career, don’t assume you can do it on your own. Help others. Help others to create reciprocity and friendships. Help doesn’t have to be big. Just give your time once in a while.

5. Practice your craft daily!

Practice your craft daily! There’s always room for improvement to polish your skill and vision. Never get lazy or complacent with your art. This is where magic really happens.

6. Assume complete responsibility for your finances

Assume complete responsibility for your finances. Figure out how to make money consistently as an artist. If you just keep an unrelated job, it will be hard to jump on the wagon to do art. What you can do is to find a job that relates to the arts. For example, if I wanted to be a museum specialist at some point, I’d find a job in the art museum. It helps in two ways. First, you get experience working there. Second, you get to know people and how the system works.

Also, create multiple income streams that could include teaching, print sales, art sales, etc.

7. Value your time

Value your time and value yourself for who you’re. You can’t help everyone. Some take your gifts for granted. Let them go but actively search for your tribe of fans and art collectors. It’s all about finding perfect balance.

8. Find a mentor

Figure out what you want to learn and find a successful mentor in your field of study. This includes your education and school of choice. Don’t assume that every school gives the same skill set or the skills that you’re looking for. A lot of times you could simply find a professional and “live” in his/her studio for a few years learning not only the craft but also the business side of it.

9. Don’t economize on your art supplies

Don’t economize on your art supplies. Yes, be conservative and don’t waste your resources on the most expensive brush or canvas. But work with good art materials that cut on your frustration and yield better results. Develop a habit of creating Quality art.

I used to buy large canvases from Michael’s and I regret it because the oil paint didn’t adhere to the surface properly. Crayola colored pencils don’t have the pigment, saturation and softness needed to do nice shading in drawing. Cheap varnish spray will ruin your drawing. You get the idea…

Hope it’s helpful.

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Abbotsford house review

Abbotsford House explained in few words

My birth was neither distinguished nor sordid.

Sir Walter Scott
Abbotsford house castle_view3
Abbotsford house castle_view3
Abbotsford house, photo by Veronica Winters

About Sir Walter Scott

Situated about an hour away from Edinburgh, Abbotsford house is the home of Sir Walter Scott, famous 19th-century Scottish poet, novelist, politician, judge and historian. The son of a city lawyer, he was born in Edinburgh’s Old Town in 1771. Scott spent a lot of time at his grandparents’ farm in the Scottish Borders where he acquired interests on old Scottish poetry, fairy-tales, history and ancient customs of the land. Scott grew up in a wealthy and loving family but it didn’t protect him from insanitary conditions in Edinburgh (just like elsewhere in Europe in that period). The boy had poor health and remained lame in his leg after his illness with polio. Most of his siblings died in infancy.

abbotsford house castle
Gardens of the Abbotsford house, built in 1824 in the 19th century Scottish Baronial style.

Is it worth the visit?

Yes, if you know that you can tour just the first floor of the entire castle! Although it was fun and educational, I wish I could walk around the castle and see more rooms, not just the first floor. At the entrance, you’ll receive a tour guide to learn more about history of this place and life of Sir Walter Scott. There is a luxury hotel inside the castle and it explains why tourists are limited to tour the first floor only. The garden grounds are open for visitors and they are beautiful! There are walking paths in the woodlands around Abbotford as well. So you may want to have an overnight stay at a luxury hotel and do some hiking/walking during summer to relax and enjoy the English countryside.

abbotsford house UK_green room
Abbotsford house, green room

Writing

Sir Walter Scott was a successful and popular novelist of the 19th-century Romanticism period, in which he combined history, politics and fiction. His books and poems include:

  • The Lay of the Last Minstrel (1805)
  • Minstrelsy of the Scottish Borders (1802)
  • Marmion (1808)
  • Lady of the Lake (1810)
  • Waverley (1814)
  • Along with Guy Mannering (1815)
  • The Antiquary (1816)
  • The Tale of Old Mortality (1816)
  • The Bride of Lammermoor (1819)
  • The Heart of Midlothian (1818)
  • Ivanhoe (1820).

Library

Sir Walter Scott amassed amazing collection of books. Nothing has been moved or claimed lost and it’s really neat to see these rare books carefully arranged in categories according to subject. Dark brown cupboards display these beautiful books without glass under metal lace covers, and the rooms containing the library are very dark and mysterious. The library displays Scott’s wide interests and reading habit to inspire his own writing.

abbotsford house castle library
Abbotsford house, library
abbotsford house castle library
Abbotsford house, build-in cupboards filled with rare books
Scott’s book library with a staircase (left)
chest at Abbotsford
abbotsford house castle_interior2
Abbotsford house, first floor interior view
abbotsford house castle_interior3
First floor interior view

Location:

The 120 acre estate, Abbotsford has walking paths around it in woodlands, which could be a pleasant hike in nice weather. The visitor center has the map with routes and storage facilities.

Official website: https://www.scottsabbotsford.com/

abbotsford house garden
Abbotsford house gardens

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5 Undeniable reasons to love Scottish National Gallery by veronica winters art blog

5 Undeniable reasons to love Scottish National Gallery

In this article I’d like to introduce you to a lesser known art gallery in the art world that offers some beautiful paintings including Scottish art. Its central location makes it a pleasant stroll from Edinburgh Old Town to the museum gallery in a nice weather. The National gallery is free, although it may charge you for some special exhibitions.

Scottish national gallery
John Duncan (1866-1945) St.bride, 1913, detail | Scottish National Gallery

# 1 A mix of big names and beautiful paintings

John Singer Sargent

John Singer_Sargent_Lady_Agnew Scottish National Gallery
John Singer Sargent, Lady Agnew of Lochnaw

Although some famous artists like Sargent, Raphael, Hals, Gainsborough & Botticelli occupy the walls, it’s nice to see lesser known painters presented in the art museum as well. In a way, they run the show with art pieces of greater impact. The gallery opens with Sargent’s Lady Agnew of Lochnaw, and Hugo van der Goes’ Margaret of Denmark, Queen of Scotland altarpiece, 1478. The art museum pleasantly surprises with some 19-th century epic paintings of colossal size produced in prints for the popular market at that time period.

Thomas Gainsborough

Thomas Gainsborough The Honourable Mrs Graham
Thomas Gainsborough, The Honourable Mrs Graham (1757 – 1792) 1775 , painting close-up, Scottish National Gallery

English portrait and landscape painter, Gainsborough had a successful career during his lifetime. Like Van Dyck, he painted royalty but also included imaginative English landscapes behind the figures. A rival of Reynolds, the artist was a founder member of the Royal Academy in 1768.

The Honourable Mrs Graham is an amazing full-length portrait that features painterly brushwork and sophisticated shades of grey. Dressed in a beautiful gown, young woman exhibits elegance and confidence. Daughter of Baron Cathcart, she married the Perthshire landowner Thomas Graham and after her death, Graham passed the painting to her sister. It was bequeathed to the National Gallery by one of their descendants on condition that it never leaves Scotland.

Sir Edwin Landseer

The Monarch of the Glen by Sir Edwin Landseer 1851_Scottish national gallery
The Monarch of the Glen, Sir Edwin Landseer, 1851, Scottish National Gallery

Painted in the 19th century Romanticism era, this artwork almost overwhelms viewers with its powerful representation of majestic animal. Depicting a single deer as a symbol of the vastness and majesty of Scotland, this piece is huge, colorful and breathtaking when viewed in person. The oil painting was reproduced in prints, and achieved even greater success in the twentieth century used in marketing campaigns.

#2 A great place for a family visit.

You won’t be overwhelmed by endless corridors, galleries, and installations. The art museum is quite intimate that makes it easy to devote some quality time to cultural education and to introduce children to art.

Sir Joshua Reynolds

Sir Joshua Reynolds The Ladies Waldegrave 1780_detail_scottish national gallery
Sir Joshua Reynolds, The Ladies Waldegrave, 1780, painting close up, Scottish National Gallery

English artist, Sir Joshua Reynolds was a founding member of the Royal Academy of Arts and its first president. He painted portraits of royalty and nobility in classical tradition relying on strong compositions and referencing historical painting. Yet, his loose brushwork looks fresh and contemporary similar to Sargent.

In a large-scale painting we see three sisters, the daughters of the 2nd Earl Waldegrave, busy working on some needlework. Expertly painted, the composition draws us in with figures carefully arranged in a semicircle, reminiscent of the Three Graces from antiquity.


colored pencil manual veronica wintershow to color like an artist_coloring book_veronica winters
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#3 Scottish artists

John Duncan

John Duncan (1866-1945), Scottish, St. bride, 1913

Duncan studied art in Scotland, England and Belgium to settle in Edinburgh in 1892. The artist represents the Celtic Revival movement in Scottish art and his illustrative style looks innovative even today. This colorful painting looks like it’s made of collaged pieces as religious symbols, and even the ornate frame mimic’s the artist’s unique style.

“According to the legend of the Irish Saint Bride she was transported miraculously to Bethlehem to attend the nativity of Christ. Here two angels carry the white robed saint across the sea. The seascape reflects Duncan’s fascination with the Outer Hebrides and the Isle of Iona. The birds and seal provide an effective naturalistic foil for the supernatural angels overlapping the patterned border. Scenes from the life of Christ decorate the angel’s robes, and may include the artist’s self-portrait as the tiny clown (a holy fool) accompanying the procession of the magi on the leading angel’s gown. “

from the website of Scottish National Gallery

William Bell Scott 

William Bell Scott Una and the Lion_national scottish gallery
William Bell Scott, Una and the Lion, Scottish National Gallery

Influenced by the Pre-Raphaelites, William and his brother were trained as artists at the Trustees’ Academy in Edinburgh and worked for their father who was an engraver before becoming full-time artists.

“Scott’s painting was inspired by Edmund Spenser’s sixteenth-century poem ‘The Faerie Queen’. In the poem, Una is the beautiful young daughter of a king and queen who have been imprisoned by a ferocious dragon. Una undertakes a quest to free her parents, but on her journey she encounters a fierce lion. The lion is so captivated by Una’s innocence and beauty that he abandons his plan to eat her, and vows instead to become her protector and companion. Scott shows Una gently resting her fingers in the lion’s terrific mane, as they make their way through the autumnal wood together.”

from the website of Scottish National Gallery

#4 Central location

Museum’s central location makes it easy to get in and out. There is no standing in long lines (like going to the Castle).

views of Edinburgh
Views of Edinburgh from the Castle and central streets

Francois-Xavier Fabre

Francois-Xavier Fabre Portrait of a Man 1809_scottish national gallery
Francois-Xavier Fabre, Portrait of a Man, 1809, Scottish National Gallery

By looking at this painting of Fabre the influence of neoclassical painter Jacques-Louis David is clear. This portrait is exceptionally painted with masterful sense of color, light, and unseen brushwork (characteristic of the neoclassical painters). Unknown young man’s intense gaze is captivating and his fashionable clothes and hair are beautifully arranged into a simple, yet elegant composition. A pupil of David, the artist won the French Academy’s Rome Prize in 1787 and spent most of his life in Italy. Fabre was a very popular portrait and historic painter who was also an art collector! His art collection consists of 16-17th century Italian paintings housed in the MusĂ©e Fabre, Montpellier.

# 5 Free of charge

Free. You can’t beat that. Plus when I visited the exhibitions in the fall of 2019 part of the gallery was under construction. It would open with new galleries of Scottish art soon. That’s exciting! Open daily, 10am-5pm. Thursdays until 7pm. Location: The Mound, Edinburgh, Scotland. Check current hrs. and more here: https://www.nationalgalleries.org/visit/scottish-national-gallery

Paul Delaroche

Paul Delaroche_Study for the Head of Christ for La Madeleine_scottish national gallery
Paul Delaroche, Study for the Head of Christ for La Madeleine, (Portrait of EugĂšne Buttura) 1834, Scottish national gallery

Classically trained French artist Paul Delaroche painted scenes from French and English history. Delaroche served as a professor at the École des Beaux-Arts in Paris where he trained many students including Couture and GĂ©rĂŽme. His two major, large-scale works include The Execution of Lady Jane Grey in the National Gallery in London and 27-meter long The Hemi-Cycle. This painting reminds of Raphael’s School of Athens, only here he depicts over seventy artists from various epochs caught in conversation.

This small portrait of his friend EugĂšne Buttura proves the artist’s great knowledge of anatomy and oil painting technique. Wrapped up in his thoughts, the man appears lifelike. Man’s face baths in intriguing, soft light, pulling us in to know more about this person.

Frans Hals_detail_scottish national gallery
Frans Hals, painting closeup, Scottish National Gallery

Other notable paintings:

  • Jan SteenA School for Boys and Girls About 1670 (Dutch)
  • Jan LievensPortrait of a Young Man About 1631 (Dutch), a contemporary and friend of Rembrandt
  • Jan van HuysumFlower Still Life with Bird’s Nest About 1718 (Netherlandish), excellent, famous still life painter of flowers.
  • Joseph Farquharson, Winter Day at Finzean 1901 (Scottish), famous painter of textures of snow
  • Sir Daniel MacneeA Lady in Grey, 1859 (Scottish), leading Scottish portrait painter
  • Paul Gauguin Vision of the Sermon (Jacob Wrestling with the Angel), 1888 (French)
  • Raphael, Mary and Child, around 1507
raphael

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