Author: veronica

Venice biennial 2017:  a crappy show with rave reviews

If you regret that you haven’t seen the show yet, don’t. Venice Biennale 2017 is monumental on concept and degraded on visuals, heavy on installations, and weak on any form of painting, huge on scale and tiny on emotion. Chief curator of the Pompidou center in Paris, Christine Macel  has arranged the exhibition in a number of pavilions -realms which flow together with concept art titled “Viva arte Viva!”

While paid entrance to the biennale invites you to visit vast spaces of the Arsenale and the Giardini, a number of other pavilions are scattered throughout Venice in medieval palazzos with gardens with free entrance and somewhat better art. Regardless the location, each pavilion usually represents a single country with its native artists showing off their talent to the multilingual public.

9 chapters or realms, 86 countries, 120 artists- a single feeling of confusion. The show opens up with large-scale installations situated between a long stretch of bare, tall brick halls of the Arsenale (medieval Venetian warehouse for arms and boats).

Karla Black abstract sculptures

 

Venice biennial 2017: the Arsenale

Overall, the show is missing on making a powerful statement simply because the visuals fall far behind the heavy concept. Boring to the eyes and craftsy at best, the viewer has to read lengthy statements in provided brochures to “get” the idea behind the pieces. To install such exhibition in Venice is like to bring a first-grader to perform a concerto. Venice overflows with art and history, while the biennial rejects any slightest idea of having representational art on its grounds. The exception is the Venetian pavilion itself that defies the curator’s voice with sparkling jewelry, chandeliers, gowns and sophisticated glass that highlights artist’s labor and skill.

A woman’s head is picking out from a hole in the floor with piles of clothes arranged in a circle.

The Romanian Pavilion

Like in a fairy-tale about the naked king, fooling of people takes place in the exhibition stating what they see is ART.  Rooms after rooms visitors encounter piles of materials, fabric, metals or abstract sculptures, that often have profound meaning expressed through riveting writing. However these endless primitive installations and videos leave the spectators  confused on what ART signifies or how artful it really is.

First, art exists to bring our attention to something, to make a statement, or to leave a record of times lived. Curated as apolitical and without a clear message, the biennial misses to deliver on any of these points.

The German Pavilion

More rooms

Second, Visual arts are called visual for a reason. Because the artist’s call to attention and its impact is visual, conceptual art rarely leaves considerable emotional impact. Even when the concept is heavy, it’s weakened by the absence of the visual perception we all possess. Therefore, such installations should get a specific classification and not get mixed up or promoted as great ART. Such notion lowers and even abolishes any standard for an artist to aspire to, and for people to learn to understand or appreciate. Why did we keep high standard in music or dance and completely abolished the one in art? It’s not the absence of artists willing to travel years in education to achieve something worthwhile of people’s attention, it’s about few art critics and curators, influential art shakers who pick and choose, add and subtract – curate according to their tastes, business practice and economic whims.

 

The pavilion of Shamans

Art installations that catch attention

On the upside, the exhibition is gender-even, nationality-diverse, with the majority of the unknown artists representing both influential and obscure countries.

There are a few art installations at the main complex of the biennale that caught my eye, making a statement.

The Zimbabwe Pavilion
Zimbabwe pavilion
The Russian pavilion
Russian Pavilion: Change of Decorum. Growing aggression, terror, irrational life of people, control and manipulation of masses are the themes of the art installation with drones, people, soldiers and androids living in the “transparent world.”

The Chile Pavilion
Artist Bernardo Oyarzun explores the theme of the current representation of the Mapuche community, a group of indigenous inhabitants of southcentral Chile and southwestern Argentina. Dark room features an installation of over 1,000 Mapuche kollong masks, traditionally used in ceremonies. Note that 40 Mapuche artisans produced these handmade masks commissioned by the artist who installed them in the pavilion.
The Argentinean Pavilion
Claudia Fontes, The Horse Problem
“Making art is not a luxury. It’s a way of surviving that humans as a species have developed: we are, so far as we know, the only group of living beings capable of calling the attention of others to the meaning of life. That’s something to celebrate.” – Claudia Fontes
Other rooms

The Mongolian Pavilion

The Venetian Pavilion

Official website of the Venice Biennial 2017: www.labiennale.org

Art off the biennial in Venice

A nice surprise is a solo show by Carole A. Feuerman situated in a peaceful corner of a green garden at the Giardino Della Marinaressa, by the Venice Biennale (open and free to the public). The artist makes hyper-realistic, life-size sculptures of women in painted bronze and steel, resin and oil that look so life-like, you just want to reach out and touch the sculptures!

Kendall Island, lacquer on bronze, life-size sculpture

 

Project by Lorenzo Quinn on the Grand Canal in Venice. His monumental sculpture of white hands raises awareness about the climate change and the rising sea levels.

Art off of the biennial: street art in Italy

I must mention the performance that I saw on the streets of Turin. A young man pounded the keys of an old typewriter with rare obsession. Here is one of his finished pieces.

The artwork made using an old type writer.

veronica winters artist

 

Dali art: surrealism & symbolism at the museum in St. Petersburg

Dali art

Art is not created in vacuum. It forms as a product of cultural, economic and emotional upbringing of the artist. Dali’s inner world is vast and complex, and his symbols become the hints to discovering and understanding the artist’s true nature, his mind and soul. Almost every artist begins his journey at the same Start line. Dali sets himself on a path with the desire to learn painting, lacking the super powers. The Dali museum in St. Petersburg divides the art collection into several sections from his early works and anti-art to surrealism, nuclear mysticism, and masterworks. Housed in a sunlit, modern building, the show begins with his very early paintings he completes at the 13 years of age.

Early Dali art may shatter your perception of someone’s talent. It doesn’t look great. Dali early paintings show different styles and influences, mainly borrowing from the French impressionists and Fauvism.

Dali art
Dali early works: his self-portrait and a portrait of his aunt

 

dali artwork basket of bread
Dali, the basket of bread. | Here we can see that the artist masters the classical approach to painting that opens him up to the development of his own style and subject matter.

Dali art styles & symbolism

Artistic styles

Dali (1904-1989) is the most notorious surrealist artist. His artwork has been one of my major influences for many years, mostly because the artist is able to express his psyche in visual terms so well, painting the melting life inside him that goes far beyond his dream state. With remarkable skill, he renders tiny details on small panels and huge canvases alike. In his work, Dali elongates the natural forms and de-personifies people with sightless, stretched or egg-like faces. He scatters the symbols throughout his paintings, and turns the rational world upside down with his vivid, barren landscapes of complex stories.

Deeply influenced by S. Freud’s work “The Interpretation of Dreams,” Spanish artist explores the irrational and his dreams in the beginning of his professional career. The surrealists rejected the rational mind, horrified by the rootlessness of the world war I, and explored the irrational instead. Although Dali is the best-known surrealist in the group, not many of us know that the artist breaks away from the surrealist movement due to some irreconcilable differences steeped in social and political views. The museum in St.Pete explains that Dali didn’t like the surrealists’ ideas of commune living and sharing, and his desire for self-promotion and individuality led him to part with the movement in a decade after he first joined the group in 1929. But at that time the artist gets fascinated with the optical illusions, creating his double image paintings, challenging our perception of rational and irrational.

Dali is a notorious artist who is able to redefine himself and his mission after leaving the surrealists and entering the times of abstraction and subjectivity. He brands himself as a classical artist who loves Renaissance and aims to infuse his art with spirituality and classical ideals, unlike the abstract painters of his generation. He comes up with a new term the “nuclear mysticism,” and begins to paint huge canvases filled with the universal subjects, religious and historical themes. Influenced by the advances in science and technology, Dali’s late works (1949-1989) transform the surrealism style into monumental optical illusions, historical symbolism and the reverence for the universal. Besides having a number of solo shows in Spain and America, in 1974 he opens up his own museum in Figueres, Spain to house his art.

Symbolism

Art is not created in vacuum. It forms as a product of cultural, economic and emotional upbringing of the artist. Dali’s inner world is vast and complex, and his symbols become the hints to discovering and understanding the artist’s true nature, his mind and soul. Through his art Dali reveals many of his fears, such as his sexual fear of women and his intense relationship with his short-tempered father. Dali also had a brother. Also named Salvador, he died as a toddler less than a year before Dali’s birth. This family tragedy was deeply embedded within the artist’s psychic and affected his perception of himself. Numerous surrealist paintings project the artist’s sexual anxieties in his self-portraits with soft, stretched heads and figures.

In his paintings, Dali often explores the authoritarian rule of his father during the surrealist period, depicting his father faceless and indifferent. The artist also paints small, father-and-son figures representing former closeness. Small, distant figures give a feeling of warm memories the artist longs for. The surrealist landscapes often have the airless, orange-yellow glow that contrast the dark blue sky sky and the mountains.

One of the main subjects for Dali is women. He often depicts women deformed, stretched or as the cut-out figures during the surrealist period. He often depicts his nanny as an old figure with a cut out body supported by the crutches.  Women often turn their faces away from the viewer to conceal the artist’s emotions towards women. In his late works women become Venuses, saints and symbols of female beauty for the artist.

During the surrealist period, Dali paints elongated figures supported by the crutches. The crutches represent a fear of impotence, death. In his work, rotting, limping bodies suggest the horrors of wars.

Ants and flies are symbols of death and decay, decomposing the pray.

Roses represent female beauty and sexuality.

Venus represents female love and beauty.

Melting watch represents the fluidity of time. The “Persistence of memory” is influenced by the discovery of the atomic energy and the sub-atomic world. Dali breaks the word into rational sub elements where Time stops limiting us. The image of the melting clock came to the artist after seeing a piece of cheese melting under the sun.

Melting, broken eggs are symbols of memories in the mother’s womb.

Keys represent unlocking the unconscious mind.

Piano represents a fond memory of summer concerts at the beach, and a scary memory of books his father placed on the piano that had the illustrations of the sexually transmitted diseases (St.Pete museum reference)

 

Gala: Dali’s muse & promoter

Dali was a tireless self-promoter. Together with his Russian-born wife and manager – Gala (Elena Ivanovna Diakonova) they worked on connections, marketing, and new job opportunities for the artist. Dali might not have achieved his fame during his lifetime, if he and his wife didn’t pursue those relationships. The couple lived between the U.S. and Europe, while Dali not only painted and exhibited his work in galleries, but also worked on his jewelry, opera sets and costume design. He also contributed to the art scene with his book writing, numerous illustrations, holograms production, and the creation of the dream-like sequences for Hitchcock’s film Spellbound. 

It’s interesting to see how close Dali and Gala were, how she influenced the artist, and how strong their partnership was despite their open marriage arrangements. Considerably older and not a striking beauty, Gala captured Dali’s heart at once when they first met in 1929. She quickly began an affair with Dali, and became his life-long muse. Gala divorced her husband, French poet and one of the founders of the surrealists, Paul Eluard to marry Dali.

We can recognize Gala’s face in many of his paintings where she models for the artist both clothed and nude.  Gala becomes a symbol of female perfection for the artist. In the Dali museum at St.Pete you see Gala in a double painting of “Lincoln” and as virgin Mary in “Columbus.”

Dali dies in 1989 after receiving the international acclaim with the retrospective shows in Germany, Spain, U.S.A, Holland, England, and Japan. Almost every artist begins his journey at the same Start line, but not everyone gets to the finish line. As artists, we go through several developmental stages, and only the persistent ones win. Dali succeeds threefold.

The Dali museum in St. Petersburg, FL

Below you’ll find some of the Dali artworks shown at the Dali museum in St. Pete.

“Archaeological reminiscence of Millet’s Angelus” is an important surrealist painting for Dali. Inspired by the original of Millet, Dali saw this painting as a reproduction during his childhood and its figures haunted the artist for life. Dali paints his version of Angelus depicting two primordial people, male and female. We also see Dali twice in this painting as a boy with his father in the center and with his nanny at the bottom of the figure. The primordial couple symbolizes human relationship and destruction, showing the deforming, anguished figures set in a melancholic, colorful landscape. His painting projects an intense feeling of loneliness, loss and inevitability.

 

Dali artwork
Dali surrealist work (see the symbolism section for the descriptions).

 

dali artwork
“Slave market with the disappearing bust of Voltaire,” 1940 shows us two images. In this double painting we see a bust of Voltaire as the symbol of reason hiding within the two female figures in the slave market. Here Dali argues that we’re enslaved to rationality, while the artist tries to open up a different channel for our perception, painting the irrational dreams and the unconscious. Dali suggests that the rational mind can’t always lead us to the truth. What do you see?

 

Dali artwork Lincoln
Dali, the portrait of Abraham Lincoln, see the description below.

 

Dali late artworks
Late works: “The Ecumenical Council” shows Dali in the left corner and Gala as St.Helena. She connects the artist with the spiritual world above. Influenced by Velasquez, the artist paints on a huge scale with the monumental themes of science, history and religion.

 

 

dali artwork nuclear mysticism
In his late works, Dali paints optical illusions on a monumental scale. #1 the double image painting shows “Gala contemplating the Mediterranean sea which at twenty meters becomes the portrait of Abraham Lincoln.” Gala is a symbol of perfection and the Lincoln’s head with the crucifix give references to death and the fleeting nature of beauty. #2 “The discovery of America by Christopher Columbus” shows the vast discoveries of humanity as well as Dali as an explorer. He paints Columbus as a young man stepping out to a  new world. #3 “The Hallucinogenic Toreador” depicts Venus 33 times. The goddess of love and beauty, the second figure hides a Toreador face within her body. The toreador represents masculinity, a boy represents and artist, and a dying bull shows death. The bust of Voltaire symbolizes reason, and at the top left we see Gala’s face again. This painting represents Desire and Death.

 

The Dali museum in St. Petersburg, FL

The Dali museum houses a pretty vast, once private art collection of A. Reynolds and Eleanor Morse. They started their Dali collection in 1943. In 1982 the Dali museum in St. Pete was inaugurated. They simply ran out of wall space and decided to build a museum to gift their art collection to the public. What’s amazing to see here is how many artworks they acquired from one artist that included both huge canvases and tiny pieces, all of which hung in their house in Cleveland.

I recommend to sign up for the virtual tour of one of the Dali’s paintings on the 3d floor (free with admission). It’s really fun. Also, download the museum’s app that guides you through the collection. Check out their special events schedule and evenings at the museum.

Official websites: St.Petersburg http://thedali.org/ and Spain https://www.salvador-dali.org/

 

dali quote

 

veronica winters artist

 

frida kahlo art st petersburg

Frida Kahlo Art in St. Petersburg

Frida Kahlo endured 34 operations in her 47 years. She lived a life haunted by her tragedy, painting her pain. Sometimes I ask myself what if she didn’t go through a horrific accident at 18, would she still paint her pain and not some other inner problem in her life? Moreover, if she didn’t spend so much time in bed, would she become a great artist technically? The show seems a bit small but well-presented. It summarizes Frida’s relationship with her art, her famed husband Diego Rivera, and her pain.

“The Broken column,” 1944

Every aspect of Frida’s life is set against her pain. And lots of it. Surreal paintings and a few drawings focus on the breaking point in her life, the car-train accident. A broken metal handrail pierced through her pelvis that led Frida into a dark place of endless suffering, surgeries and miscarriages for many years to come. She documents her suffering on small canvases, often painting in bed.

After many surgeries, Frida spent lots of time in bed, refused to eat, and became very weak. Frida was forced to eat food through a funnel to recover that she illustrates as torture in this painting.

Frida’s art is highly symbolic and powerful despite the obvious lack of technical skill. She explores the symbols of her dreams just like French surrealists. Frida also saves herself from endless suffering by painting symbolic pictures that represent her thoughts. We encounter her husband Diego, blood, fetuses, bed, and animals.

For example, in this painting the artist documents the pain of her miscarriage with 6 symbols: the lifeless fetus, her pelvis, the snail pace of recovery, the fragile tulip, the medical machine, and some anatomical structure, illustrating the nature of her problem.

 

In the show we also see a number of pages taken from her childhood journal. Tight sentences fill in the pages with stories and doodles where we can see Frida’s desire to travel across time and space creatively.

Below you see a sketch of her accident.

 

Frida’s art is her self-portraits. By comparing her paintings to the black-and-white pictures, I think she paints herself too masculine with a hint for dark mustache and her signature arching eyebrow that looks like a wing. While nude or semi-nude artist appears serious, or even cries in her self-portraits, Frida’s photographs show the artist dressed colorfully, and even with some noticeable flare. She wears long skirts, shawls, jewelry, and the real flowers put in her hair that all point at her girly, untouched by the inner sorrow cheerful personality. 

“A few small nips,” 1935.” When Diego had slept with her younger sister, Frida began to have her own affairs. Inspired or perhaps traumatized by the newspaper’s crime report, the artist paints a horrific crime scene showing blood and stabbing of a woman. The blood spills on the frame as well. The museum interprets the artwork’s symbolism as stabbing infidelities of Diego.

We tend to idealize people once they pass away, give them heroic qualities and subdue their pitfalls. In this show I wished to see the subtle layers of her personality that I couldn’t pick up from her art. Did she feel like a victim who suffered and longed for pity from people around her? Or did she consider herself a hero who overcame her physical and emotional struggles? Did she have any considerable friends who supported her artistic purpose besides Diego? Why did she stay with Rivera despite his countless infidelities? Was it love or weakness? In her art and photographs we see Diego almost too often, and not enough of her surroundings or people who may have helped her heal.

 

The art show is up at the Dali museum in St.Pete till mid. April. I recommend downloading the museum’s app that guides you through the exhibition, making it memorable. http://thedali.org/

 Copyright: All images were taken from the art show at the Dali museum. 

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art Basel: context art miami

Context Art Miami 2016: video paintings and flexible paper sculptures

Being a realist painter, contemporary shows like Context Art Miami rarely captivate me. There is plenty of weird work shown under the pretense of being great ART. A lot of it is not, in my opinion. I think it’s difficult to create a good work of art whether it’s abstract or realist, or somewhere in between. What excited me about this show, however, were two things: video paintings and flexible paper sculptures.

In this short video you’ll see some innovative works – video paintings by Daniel Cherbuin and flexible paper sculptures by the Chinese artist Li Hongbo. Enjoy!

Can you just do? On artistic inspiration, self-doubt and work

As artists we’re able to fall deep in dark pits of self-doubt, uncertainty and melancholy. We question our purpose, hold on to negativity, and doubt our abilities because it’s hard. It’s really hard to work against the grit to pursue our calling-something that has been written within us at our birth. I think the psychological pressure we feel at times maybe tougher to overcome than the financial burden, since it sips through all the facets of our lives.

Artists are also extremely sensitive people, and react to circumstances and opinions more than others. That’s one of the reasons why we see so many talented actors, writers, painters and musicians self-medicating a ‘weakness’ that’s been recorded in the genes and defined as the ‘mental illness.’ I think it’s more complicated than that. I see my feelings mirrored in students who make their first experiences in life. What I can control they can’t yet, and those emotions often arise and confuse them.

Yes, the sensitivity that artists have makes us different, different in having a natural gift that actually keeps on giving, if we nurture it. It can become the artist’s ‘strength.’ We’re able to see something beautiful in mundane places. We are able to move people emotionally. We go down in history as challengers and recorders of new movements. We make the world less ugly and more humane.

So today I’d like to include a couple of motivational readings and some inspirational quotes that make me get up, stand up, and keep going. Enjoy!

On self-limitation

“The greater danger for most of us lies not in setting our aim too high and falling short; but in setting our aim too low, and achieving our mark.” Michelangelo

 

On self-doubt and inspiration

 

“DO” is the theme of LeWitt’s 1965 letter written to a fellow artist Eva Hesse, who was tormented with self-doubt.  Here Benedict Cumberbatch impresses me with his reading that moves no matter how many times I listen to it.

 

On work & perseverance

  • It’s one of those rare instances where you can see someone as powerful as Madonna being vulnerable. Her speech explains so many things that underline her internal motivation for the work she has done as a female singer. She talks about sexism, misogyny, and feminism in the music industry receiving the award at Billboard Women In Music 2016.

 

  • “Be the Hero of your own story” by Judge Judy Sheindlin is a book for every young or young at heart girl to read. It explains the importance of independent thinking, and how you can open yourself up to opportunities. It’s available for free as a digital download at Judy’s website:  http://www.whatwouldjudysay.com/

 

 

“If people knew how hard I had to work to gain my mastery, it wouldn’t seem so wonderful at all.” Michelangelo

 

Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work. -Stephen King

 

How long did it take you to paint that? “My whole life.” Jackson Pollock

 

6 drawing mistakes & how to fix them fast!

As I’ve been teaching drawing since 2004, I came to understanding what mistakes every art student makes on his/her path. Today I’d like to list the most common mistakes and to provide you with the solution to each of them.

  1. I have crooked lines that make my drawing look uneven.

Fix: Work on the perfection of your drawing by checking the “anatomy” of your shapes in a mirror for possible mistakes. When you look at your image in the mirror, your mind reads the information differently, allowing you to see the mistakes. The same happens when you look at your artwork upside down.

Look at your artwork upside down or in a mirror to catch the mistakes.
Look at your artwork upside down or in a mirror to catch the mistakes.
  1. My drawing lacks clarity.

Fix: Always shade right to the edge of your outline without leaving the uneven, white spaces. When we shade we have the tendency to lose the edge. As a result our drawing falls apart by becoming uniformly soft, lacking focus and definition. While not everything should be defined or outlined, most students have a problem of not “connecting” the numerous lines (in other words, making the shading even).

So, outline the edge with the line of the correct value (tone) and shade right to that edge to restore the original outline.

This video illustrates the concept: https://youtu.be/GaDyhypmWwY

drawing-mistakes-and-how-to-fix-them
The black lines show you where the unevenness of shading happens, creating the ‘broken’ lines that destroy the sense of the form. Shadows must look uniform without any white spots present in between your lines!
  1. My drawing looks messy.

When we sketch out the lines graphite tends to smear all over the place. It’s important to keep the drawing clean to give a nice impression of a finished work even if it’s not finished. While it sounds obvious, you won’t believe how many students make messy drawings!

If you draw in colored pencil, it’s vital to keep all the graphite pencil marks super light and avoid smudging as much as possible.

Fix: the kneaded eraser is your best bet! It doesn’t leave any residue on paper and erases softly.

4. The objects in my drawing escape or fall off the page.

Start your sketch with the envelope where you mark the top, bottom and sides of your objects. Then draw inside those markings without “leaving” the envelope.

This sketch shows how to start drawing correctly by sketching out the "boundaries" of the object first, and then breaking them down to smaller shapes.
This sketch shows how to start drawing correctly by sketching out the “boundaries” of the object first, and then breaking them down into smaller shapes.

 

5. I focus on drawing the contour so hard, but it never looks right when I’m done.

Fix: always make directional lines first, and position your shape over that line. This technique gives you the right rotation & position of your subjects in space.

creative-techniques-book-sample-pages49
This is a page taken from the ‘Creative Techniques’ art book that illustrates the concept of subjects’ rotation in space. The line in the center gives the direction to the object, or places it in space correctly. Then you simply draw the object over it.

6. I don’t know where to start shading.

Fix: start shading from your darkest shadows! Then continue to your mid tones and finish up with the lightest shading around the highlights.

This is another page from the book that shows you this concept. You block in the darkest areas first, and then erase the highlights and make tonal transitions.
This is another page from the book that shows you this concept. You block in the darkest areas first, erase the highlights, and make additional tonal transitions.

Hope it helps! And now you can go and create your masterpiece following these tips. 😁

portrait drawing in pencil
Believing that the impossible is possible, graphite on paper, 11×14″

 

how to draw tutorials special
7 tutorials special

Step by step drawing tutorials can be found here.

 

galaxy traveler by veronica winters

The Venetian series

Venice has captivated my soul for years. No matter how many days I spent roaming the city, I couldn’t get enough of its beauty, history and culture. This is the place of romance, art, architecture, and love for me. I could listen to its sounds day and night, glide through the morning fog, get lost down the narrow streets, and photograph masked, carnival figures from afar.

Once back in my studio, I worked from my photographs to re-create the romantic mystery of Venice in a series of surreal paintings. These oil paintings represent my first, solid body of work I’m proud to share with you today.

Watch a short video about the surreal paintings inspired by Venice:

 

To experience art in person:

These oil paintings are available for purchase directly from me or via EmillionsArt. Call to schedule an appointment to see these artworks in person! 814-777-1802

Pricing:

36×48” $7-8,000

24×36” $5,000

18×24″ $2,500

16×20” $2,000

11×14” $1,500

8×10” $1,000

*Price includes framing.

To read about the history of Venice & to look at the pictures, you can buy a digital art book here.

Join the art collector’s circle, receive monthly updates about my art.

http://eepurl.com/b-vEXP

veronica winters video

Videos

My official YouTube channel is here: https://www.youtube.com/veronicasart . Click to subscribe and receive new videos via email.

 

This video explains the process of painting a portrait.

This video one of my most popular art instruction videos that shows my indirect method of painting.

 

how-to-paint-blue-vase-demo-c

If you are interested in still life painting, I’ve produced a step-by-step art instruction video available for download from my store (links below). You can buy & download a digital file and a video of this painting demonstration here.

 

This video explains how to stretch canvases on your own. Main advantage to hand-stretching  is the quality control of your materials. You can also stretch a canvas of any size, not just paint on standard-size canvases.

This video explains the difference between direct and indirect method of painting.

 

green-glass-promo

If you are interested to learn how to draw glass in colored pencil, the video is available for download here. And its step by step demo is available as a digital file here.

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf

 

Seascape Necklace Handmade Jewelry

 

Playful | Marine | Colorful | Handcrafted resin jewelry

Color your life with the beautiful energy of the ocean

Our mission

Thank you for your interest in our company. It’s the artist’s belief that beauty saves the world. With her handmade, artful ocean necklaces you feel as beautiful and inspired as having your best vacation days spent by the sea shore, catching waves and chasing dreams.

As you heal and recharge, you’re able to create beauty around you for others to enjoy too! Will you join us in the pursuit of living in color, bringing the healing beauty of the ocean to others? Will you invite your friends to collect and gift unique, ocean crystals?

seascape-necklace-ocean-pendants-7

Our materials

  • Every handmade necklace is made of real seashells, starfish, sand dollars and marine charms.
  • Each piece is unique like an artwork.
  • Each seashell necklace is beautiful like the ocean’s wave that allows a woman to highlight her individuality and taste.
  • Every seashell necklace carries elegance and practicality.
  • Every statement necklace can be worn as a choker, on a cord, or on a sterling silver chain.
  • Sterling silver chains are of the highest quality, imported from Italy.
  • Handmade jewelry is made of epoxy resin, which is a synthetic thermosetting polymer that contains epoxide groups. The artist mixes two components-the hardener and the resin to “freeze” the seashells in glass-like, durable substance. Discovered in 1930s, resins are widely used in a variety of applications today.
  • Unique gifts are created with high standard in mind.

seascape-necklace-ocean-pendants-2

About our company

Seascape Necklace opened in 2016 after years of education, practice, and passion for all things handmade. Russian-American professional artist, Veronica Winters has been creating art for two decades of her life. Ever since her upbringing in Moscow, she’s been fascinated with beauty around her. When she moved to Naples, Florida the idea of making something elegant, affordable, and ocean-inspired that women could wear every day downed on her, and she began experimenting with the epoxy resin, a very durable material once cured correctly. “I got fascinated with the beauty of seashells and wanted to create the ocean-themed jewelry with the inspiring feel of nature, tropics, and the beach.” Like your best vacation memories, these handmade beach jewelry pieces preserve the best recollections of a sunny beach. The handmade seashell necklaces pop with sparkling color and capture the ocean’s beauty and healing energy in the unique gifts of nature – the ocean crystals.

The artist casts real seashells, starfish and beads in resin, which is a skill that involves time, patience, high-quality materials, and the exact room temperature to produce the handcrafted pieces. The casting of one piece is done in two to three days plus a day for quality assembly and photography.

Transforming the healing energy of the ocean into her real seashell necklaces, keychains, and bracelets has become her artistic expression. “I wish to create perfect summer keepsakes of the warm beach.” The artist is proud to offer one-of-a-kind, beautiful, handcrafted, high-quality products at an affordable price that people could gift and share.

Thank you for taking the time to learn about the company. Browse through the handmade items online: www.SeascapeNecklace.com

Blog: https://seascapenecklace.wordpress.com/

 

Testimonials:

I bought a handmade shell necklace from Veronica as a special birthday gift for my mom. It was delivered overseas quickly and has been worn over and over again.  I would highly recommend these special, one-of-a-kind pieces of jewelry. 

Clare Roberts

I LOVE LOVE LOVE this necklace!! It is absolutely BEAUTIFUL!! The colors and workmanship are awesome! Can’t wait to show it off. I will definitely be checking back for new pieces. Thank you!

This was my second purchase and this necklace was as beautiful as the first!! I have received so many compliments on both pieces. I will be checking back very soon for new additions. Also shipping and receiving was so fast!

Kathleen Bessent

My granddaughter was thrilled to receive this necklace. The design and style fits her personality perfectly. Plus it reminds her of the many family vacations to the beach each year. So glad I could find this unusual necklace, one appreciated by the younger age. Will buy more in the future.

I could not resist purchasing this necklace for myself. The star fish surrounded by shells and pearls give the impression it is still floating amongst other sea creatures in a delicate gentle sea. I love this necklace and wear it often.

Deanna Schwartz

how-to-clean-the-sterling-silver-jewelry-the-easy-way-seascape-necklace

This video shows an easy way of cleaning the sterling silver jewelry.
Don’t forget to use a very soft brush and a toothpaste that contains lots of fluoride.🙂
♥♥♥ Shop for unique gifts at www.SeascapeNecklace.com ♥♥♥
colored pencil drawings

Realistic Colored Pencil Drawings

Welcome to the art gallery of still life drawings. These colored pencil drawings represent a record of my studies of a color and form.

To buy:

This artwork makes a great gift to a woman for her birthday, Mother’s day, as a Valentine’s day gift or for an anniversary. Make her holiday special. Celebrate!

If you’d like to buy any of these drawings, please email me for details. nika@veronicasart.com   .

Price of a 9×12″ unframed, colored pencil work is $250+shipping. Most of the drawings come unframed, and ship either in a roll or flat.

 

 

 

Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf
Join the art student club to receive a free demonstration! Click here: http://eepurl.com/bIJlGf